Rembrandt, The Return of the Prodigal Son, c. 1668–69. Oil on canvas, 262 × 205 cm (103 × 81 in.). The State Hermitage Museum, St. Petersburg. The father ...
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Source: Unknown / Online repositoryWith an endnote by Jonathan Green, my son and a manager on Roku’s Platform team.“The meteor has hit, and the dinosaurs ...
Gustav Klimt. Death and Life. 1910–1915, Leopold Museum, Vienna.E. B. White said, “I arise in the morning torn between a desire to save the world and a ...
Pieter Bruegel the Elder, The Procession to Calvary (detail), 1564. God is not somewhere above us, like a landlord in the attic. Salvation is not help ...
Peter Paul Rubens and Frans Snyders, Prometheus Bound (begun c. 1611–12, completed by 1618), oil on canvas, 95.5 × 82.5 in., Philadelphia Museum of Art. ...
Lost in Translation: The Art of Misunderstanding - Zimarina.comAbraham Joshua Heschel, one of the great Jewish theologians of the twentieth century, wrote ...
Georges Becker, Rizpah (c. 1875). Reproduced in Clara Erskine Clement, Heroines of the Bible in Art (1900). Public domain.Rizpah’s vigil in 2 Samuel 21:1–14 ...
Alan Levine, Tired? (2010), Flickr. Fatigue has a public-relations problem. Beyond ordinary tiredness, it is usually seen as a failure of discipline, a sign ...
Rembrandt, The Supper at Emmaus (1648), oil on mahogany panel, 2 ft. 2¾ in. × 2 ft. 1⅝ in., Louvre Museum, Paris. Public domain.The humanity of God sounds ...
Vilhelm Hammershøi, Dust Motes Dancing in Sunbeams (1900). In 1905, Rainer Maria Rilke wrote of the artist, "Hammershøi is not one of those about whom one ...