{"id":93241,"date":"2025-02-17T08:20:20","date_gmt":"2025-02-17T08:20:20","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/simon-whetham-emmanuel-regis-ambientblog\/"},"modified":"2025-02-17T08:20:20","modified_gmt":"2025-02-17T08:20:20","slug":"simon-whetham-emmanuel-regis-ambientblog","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=93241","title":{"rendered":"Simon Whetham * Emmanuel R\u00e9gis \u2013 Ambientblog"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div itemprop=\"articleBody\">\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-thumbnail\"><a href=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Gruen_220.jpg\" data-slb-active=\"1\" data-slb-asset=\"1496890501\" data-slb-internal=\"0\" data-slb-group=\"slb\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" data-lazy-type=\"image\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Gruen_220-150x150.jpg\" alt=\"Whetham\" class=\"lazy lazy-hidden wp-image-30044\" srcset=\"\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Gruen_220-150x150.jpg\" alt=\"Whetham\" class=\"wp-image-30044\" srcset=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Gruen_220-150x150.jpg 150w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Gruen_220-50x50.jpg 50w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Gruen_220-512x512.jpg 512w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Gruen_220-1024x1024.jpg 1024w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><\/a><\/figure>\n<\/div>\n<h3 class=\"wp-block-heading\"><strong>SIMON WHETHAM \u2013 <em><a href=\"https:\/\/simonwhetham.bandcamp.com\/album\/organic-volatilisation-near-imperceivable\">ORGANIC VOLATILISATION NEAR IMPERCEIVABLE<\/a><\/em><\/strong><\/h3>\n<p>I think I can safely assume that you have no idea what the process of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fermentation\">fermentation<\/a> sounds like. Well, look no further: here\u2019s the answer! <\/p>\n<p><strong><em><a href=\"https:\/\/www.simonwhetham.co.uk\/\">Simon Whetham<\/a><\/em><\/strong> was invited to explore the subject in 2022, and explored and recorded <em>\u2018the sounds of various fermentations including red and white cabbage, green beans, ginger, courgette (a huge one donated to the project by the neighbouring florist), (non-lactose) kefir and mead.\u2019<\/em><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo\">\n<p>\n<iframe class=\"lazy lazy-hidden\" title=\"Organic Volatilisation Near Imperceivable\" data-lazy-type=\"iframe\" data-src=\"https:\/\/player.vimeo.com\/video\/772622964?dnt=1&amp;app_id=122963\" width=\"607\" height=\"341\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><noscript><iframe loading=\"lazy\" title=\"Organic Volatilisation Near Imperceivable\" src=\"https:\/\/player.vimeo.com\/video\/772622964?dnt=1&amp;app_id=122963\" width=\"607\" height=\"341\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/noscript>\n<\/p>\n<\/figure>\n<p>The results were presented in a <a href=\"https:\/\/www.simonwhetham.co.uk\/ovni\">Swiss installation<\/a>, but now also as a release on the label experienced in the most fascinating field recordings: <em><a href=\"https:\/\/www.gruenrekorder.de\/?page_id=20792\">Gruenrekorder<\/a><\/em>, who released it on cassette. Which is now sold out but personally I would recommend the digital download anyway due to the intricate details of the sound recordings. <\/p>\n<p>Listening to the detailed high-pitched pinches, sometimes near imperceivable indeed, reminded me of some of the work of <em>Jacob Kirkegaard \u2013 <\/em>especially the sounds of decomposing in his Opus Putesco part of <a href=\"https:\/\/www.ambientblog.net\/blog\/2019-11\/kirkegaard-opusmors\/\">Opus Mors<\/a>. But <em>Kirkegaard<\/em> documents the sound of decay, while <strong><em>Whetham <\/em><\/strong>focuses on the process in which microorganisms create a desirable change to food or drinks. <\/p>\n<p>It may not be \u2018music\u2019 (in the traditional sense), but it\u2019s beautiful.<\/p>\n<p><iframe class=\"lazy lazy-hidden\" loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" data-lazy-type=\"iframe\" data-src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1244409029\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/simonwhetham.bandcamp.com\/album\/organic-volatilisation-near-imperceivable\">Organic Volatilisation Near Imperceivable by simon whetham<\/a><\/iframe><noscript><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1244409029\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/simonwhetham.bandcamp.com\/album\/organic-volatilisation-near-imperceivable\">Organic Volatilisation Near Imperceivable by simon whetham<\/a><\/iframe><\/noscript><\/p>\n<hr class=\"wp-block-separator has-text-color has-accent-1-color has-css-opacity has-accent-1-background-color has-background\"\/>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-thumbnail\"><a href=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Regis.jpg\" data-slb-active=\"1\" data-slb-asset=\"285300604\" data-slb-internal=\"0\" data-slb-group=\"slb\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" data-lazy-type=\"image\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Regis-150x150.jpg\" alt=\"Emmanuel R\u00e9gis\" class=\"lazy lazy-hidden wp-image-30043\" srcset=\"\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Regis-150x150.jpg\" alt=\"Emmanuel R\u00e9gis\" class=\"wp-image-30043\" srcset=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Regis-150x150.jpg 150w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Regis-50x50.jpg 50w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Regis-512x512.jpg 512w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2023\/10\/Regis-1024x1024.jpg 1024w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><\/a><\/figure>\n<\/div>\n<h3 class=\"wp-block-heading\"><strong>EMMANUEL R\u00c9GIS \u2013 <em><a href=\"https:\/\/emmanuelregis.bandcamp.com\/album\/tssa-n-ne\">TSSA\u00c4N\u00c8NE<\/a><\/em><\/strong><\/h3>\n<p>I have a somewhat difficult relationship with field recordings. When used in a pure documentary way, and when properly recorded, I can definitely enjoy them. Especially when played in the background, the sound of the outside world can be comfortably masked by the sound of another. <br \/>But it\u2019s different when I listen actively. Then, I need a more \u2018musical\u2019 approach: a composition created with the recorded sounds. Something that triggers my fantasy with tension\/release dynamics, or with unusual combinations, impossible in real life, suggesting a completely different world. <\/p>\n<p><strong><em>Tssa\u00e4n\u00e8ne<\/em><\/strong> is a fascinating example of the latter. <strong><em>Emmanuel R\u00e9gis<\/em> <\/strong>(from Lyon, France) uses <em>\u2018sounds collected on Earth\u2019, <\/em>adding synths and software effects where required to create his <em>\u2018hand-sewn atmospheres\u2019<\/em>. And those atmospheres (I typed \u2018<em>artmospheres<\/em>\u2018 accidentally!) are vaguely familiar, but at the same time they seem to come from <em>\u2018a science-fiction universe that suggests vast, titanic open spaces\u2019<\/em>. Like it could have been a modern-day score for <em>Solaris\u2026 <\/em><\/p>\n<p><em>\u2018Through sounds with earthly connotations, you no longer know where you really are in space and time\u2019<\/em>.<\/p>\n<p><strong><em>Emmanuel R\u00e9gis<\/em><\/strong> is part of the <em><a href=\"https:\/\/www.lesexplocreateurs.com\/\">Explocr\u00e9ateurs<\/a> <\/em>collective <em>(\u2018We travel into a sci-fi imaginary world!\u2019)<\/em> and has experience in creating soundscapes for their exhibitions and publications. He used that experience to create his first solo album <strong><em>Tssa\u00e4n\u00e8ne<\/em><\/strong>, because he wanted to do a more personal project. <br \/><strong><em>R\u00e9gis<\/em><\/strong> recommends headphone listening for the maximum immersive experience.<\/p>\n<p><iframe class=\"lazy lazy-hidden\" loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" data-lazy-type=\"iframe\" data-src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1362675344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/emmanuelregis.bandcamp.com\/album\/tssa-n-ne\">Tssa\u00e4n\u00e8ne by Emmanuel R\u00e9gis<\/a><\/iframe><noscript><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1362675344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/emmanuelregis.bandcamp.com\/album\/tssa-n-ne\">Tssa\u00e4n\u00e8ne by Emmanuel R\u00e9gis<\/a><\/iframe><\/noscript><\/p>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related<\/em><\/h3>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>SIMON WHETHAM \u2013 ORGANIC VOLATILISATION NEAR IMPERCEIVABLE I think I can safely assume that you have no idea what the process of fermentation sounds like. Well, look no further: here\u2019s the answer! Simon Whetham was invited to explore the subject in 2022, and explored and recorded \u2018the sounds of various fermentations including red and white [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":93242,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12031],"tags":[12760,13769,19072,1628,40177,44588,20264,19421,5461,44589,44590],"dealstore":[],"offerexpiration":[],"class_list":["post-93241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ambient-music","tag-ambient","tag-ambientblog","tag-electroacoustic","tag-electronic","tag-emmanuel","tag-emmanuel-regis","tag-field-recordings","tag-regis","tag-simon","tag-simon-whetham","tag-whetham"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Simon Whetham * Emmanuel R\u00e9gis \u2013 Ambientblog - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=93241\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Simon Whetham * Emmanuel R\u00e9gis \u2013 Ambientblog - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"SIMON WHETHAM \u2013 ORGANIC VOLATILISATION NEAR IMPERCEIVABLE I think I can safely assume that you have no idea what the process of fermentation sounds like. Well, look no further: here\u2019s the answer! Simon Whetham was invited to explore the subject in 2022, and explored and recorded \u2018the sounds of various fermentations including red and white [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fivemor.com\/?p=93241\" \/>\n<meta property=\"og:site_name\" content=\"Som2ny Network\" \/>\n<meta property=\"article:published_time\" content=\"2025-02-17T08:20:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fivemor.com\/wp-content\/uploads\/2025\/02\/Regis.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"1160\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/fivemor.com\/?p=93241#article\",\"isPartOf\":{\"@id\":\"https:\/\/fivemor.com\/?p=93241\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/fivemor.com\/#\/schema\/person\/b85e3c3dc0e1daea076524dc8810c371\"},\"headline\":\"Simon Whetham * Emmanuel R\u00e9gis \u2013 Ambientblog\",\"datePublished\":\"2025-02-17T08:20:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/fivemor.com\/?p=93241\"},\"wordCount\":479,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/fivemor.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/fivemor.com\/?p=93241#primaryimage\"},\"thumbnailUrl\":\"https:\/\/fivemor.com\/wp-content\/uploads\/2025\/02\/Regis.jpg\",\"keywords\":[\"Ambient\",\"Ambientblog\",\"Electroacoustic\",\"Electronic\",\"Emmanuel\",\"Emmanuel R\u00e9gis\",\"field recordings\",\"Regis\",\"Simon\",\"Simon Whetham\",\"Whetham\"],\"articleSection\":[\"Ambient Music\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/fivemor.com\/?p=93241#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fivemor.com\/?p=93241\",\"url\":\"https:\/\/fivemor.com\/?p=93241\",\"name\":\"Simon Whetham * Emmanuel R\u00e9gis \u2013 Ambientblog - 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