{"id":91770,"date":"2025-02-16T14:02:16","date_gmt":"2025-02-16T14:02:16","guid":{"rendered":"https:\/\/peraltafinancing.com\/advertising\/tf1-sets-global-ambitions-as-streaming-and-studios-drive-growth\/"},"modified":"2025-02-16T14:02:16","modified_gmt":"2025-02-16T14:02:16","slug":"tf1-sets-global-ambitions-as-streaming-and-studios-drive-growth","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=91770","title":{"rendered":"TF1 Sets Global Ambitions as Streaming and Studios Drive Growth"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<p>One year since launching its new streaming service TF1+, the French broadcaster&#8217;s efforts appear to be paying off, posting a solid first year&#8217;s results for the AVOD service. TF1+ launched in January 2024 to replace MYTF1, the commercial broadcaster&#8217;s catch-up service, with a more competitive streaming offering. The new platform had 15,000 hours of content at launch, and the volume doubled to 30,000 hours over the course of the year, according to TF1&#8217;s full-year earnings.<\/p>\n<p>The broadcaster has also spent the last few months working to make TF1+ into a \u201c<a href=\"https:\/\/videoweek.com\/2024\/12\/03\/how-tf1-is-transforming-its-streaming-service-into-a-full-funnel-marketing-platform\/\" target=\"_blank\" rel=\"noopener\">full-funnel marketing platform<\/a>\u201d, adding new ad tools to attract performance advertisers from a wider variety of brands. The company also boosted the ad load on the platform, now showing an average 5 minutes of ads per hour, compared to less than 4 minutes on MYTF1, and is aiming to reach 6 minutes per hour. The group added that TF1+ increased its brand awareness capabilities, citing figures from research firm Iligo, from a 73 percent brand awareness rate in February 2024 to 78 percent at the end of the year.<\/p>\n<p>The business additionally boosted monetisation on its streaming service, according to the results. In 2024, average CPM on TF1+ was \u20ac13.5, compared with \u20ac12 on MYTF1, and the company aims to raise this to \u20ac15. Coupled with a 55 percent YoY rise in streaming consumption, this helped increase TF1&#8217;s digital ad revenues by 39 percent YoY, making 2024 TF1&#8217;s strongest year for digital revenues.<\/p>\n<p><a href=\"http:\/\/videoweek.com\/wp-content\/uploads\/2025\/02\/TF1@2x.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-54491\" src=\"http:\/\/videoweek.com\/wp-content\/uploads\/2025\/02\/TF1@2x-1024x742.png\" alt=\"\" width=\"1024\" height=\"742\" \/><\/a><\/p>\n<p><strong>&#8220;Global appeal&#8221;<\/strong><\/p>\n<p>Total ad revenues were up 2 percent on the previous year, though they remained below 2021 and 2022 levels owing to ongoing struggles for linear TV advertising. The broadcaster cited &#8220;unprecedented competition during the summer and less favourable market conditions at the end of the year&#8221;, referring to the Paris 2024 Olympic Games being shown on rival broadcaster France T\u00e9l\u00e9visions, and a slowdown in linear sales during the fourth quarter.<\/p>\n<p>Programming costs were also up 7 percent YoY, including the content investment required to launch TF1+. But the group&#8217;s production business, Newen Studios, posted a 4.6 percent increase in revenues, delivering on its strategy of selling content to other broadcasters and streaming companies, such as the historical drama <em>Marie-Antoinette<\/em> for Canal+ and crime thriller <em>Memento Mori<\/em> for Amazon Prime Video.<\/p>\n<p>TF1 is looking to collaborate further with international streaming firms, according to the broadcaster, including a new co-production with Netflix: the daily soap opera <em>Tout pour la lumi\u00e8re<\/em>. The company is aiming to develop fresh IP with &#8220;global appeal&#8221;, as part of its strategy to reinforce its studio&#8217;s &#8220;position on the international stage.&#8221; To support those efforts, TF1 will rebrand Newen Studios as Studio TF1 next month, and open a new theatrical distribution division in 2026.<\/p>\n<p>On the linear side, TF1 is seeking to &#8220;maintain a distinctive position in terms of reach&#8221;, noting it will air the Women\u2019s Euro 2025 and the Women\u2019s Rugby World Cup this year. The company further plans &#8220;to revamp its commercial offer&#8221; in 2025, beginning with changes to its linear ad pricing model, reducing the pricing unit from 30 seconds to 20 seconds.<\/p>\n<p>And the company has bold ambitions for its young streaming service, aiming to &#8220;establish TF1+ as the premium alternative to YouTube.&#8221; This includes rolling out the service to other French-speaking markets, having launched in Belgium, Luxembourg and Switzerland last year. And TF1 will continue to develop the streaming service&#8217;s full-funnel strategy, using data capabilities to better compete for different ad budgets.<\/p>\n<p>&#8220;The Group will deploy integrated advertising solutions and innovative technological tools to support brands with their entire digital strategies, from brand awareness to conversion,&#8221; said TF1. &#8220;To grow its revenue, the Group will continue to work on all of TF1+\u2019s value drivers, particularly by using data to drive monetisation.&#8221;<\/p>\n<p>Follow VideoWeek on <a style=\"color: color 4\" href=\"https:\/\/twitter.com\/videoweek\">Twitter<\/a> and <a style=\"color: color 4\" href=\"https:\/\/www.linkedin.com\/company\/videoweek\/\">LinkedIn<\/a>.<\/p>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><br \/>\n<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>One year since launching its new streaming service TF1+, the French broadcaster&#8217;s efforts appear to be paying off, posting a solid first year&#8217;s results for the AVOD service. TF1+ launched in January 2024 to replace MYTF1, the commercial broadcaster&#8217;s catch-up service, with a more competitive streaming offering. The new platform had 15,000 hours of content [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":91771,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12023],"tags":[44176,1324,5714,3426,813,19252,22316,44175],"dealstore":[],"offerexpiration":[],"class_list":["post-91770","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-advertising","tag-ambitions","tag-drive","tag-global","tag-growth","tag-sets","tag-streaming","tag-studios","tag-tf1"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>TF1 Sets Global Ambitions as Streaming and Studios Drive Growth - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=91770\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TF1 Sets Global Ambitions as Streaming and Studios Drive Growth - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"One year since launching its new streaming service TF1+, the French broadcaster&#8217;s efforts appear to be paying off, posting a solid first year&#8217;s results for the AVOD service. 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