{"id":91324,"date":"2025-02-16T08:41:50","date_gmt":"2025-02-16T08:41:50","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/rngmnn-karina-dorin-sova-stroj-ambientblog\/"},"modified":"2025-02-16T08:41:50","modified_gmt":"2025-02-16T08:41:50","slug":"rngmnn-karina-dorin-sova-stroj-ambientblog","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=91324","title":{"rendered":"RNGMNN & Karina Dorin * Sova Stroj \u2013 Ambientblog"},"content":{"rendered":"


\n<\/p>\n

\n
\n
\"Never\"Never<\/a><\/figure>\n<\/div>\n

RNGMNN & KARINA DORIN \u2013 NEVER SLEEP AGAIN<\/a><\/em><\/strong><\/h3>\n

Never Sleep Again<\/em><\/strong> \u2013 now that\u2019s a scary title. And the Winter-Light<\/a><\/em> label \u2013 specializing in deep ambient, experimental and drone soundscapes \u2013 is clearly not afraid of the dark. But don\u2019t let this scare you away, because this collaboration is very much worth listening to \u2013 even if \u2018our most unsettling fears are only a dream away\u2019.<\/em><\/p>\n

RNGMNN<\/a><\/em><\/strong> is the \u2018haunting music alias\u2019<\/em> of Berlin-based Ronny Engmann<\/em><\/strong>. Since 2007 he has released his music on various label such as Reverse Alignment<\/em> and Cryo Chamber,<\/em> and of course on Winter-Light.<\/em> On Never Sleep Again<\/em><\/strong> he provides the atmospheric setting for Karina Dorin<\/em><\/strong>\u2018s <\/em>vocals. <\/p>\n

Don\u2019t expect \u2018songs\u2019 in the traditional way. Karina Dorin<\/em><\/strong>\u2018s<\/em> voice can sometimes be clearly heard, but at other times it is masqued using her effect pedals. After a classical music education and studying jazz, she found her calling in experimental electronic composition, and \u2018delved into vocal sampling-based methods, incorporating the human voice into an electronic musical environment\u2019<\/em>. <\/p>\n

The two found each other due to their shared musical interest and decided to work together. Dorin<\/em> <\/strong>recorded her vocal tracks and sent them to Engmann<\/em><\/strong>. The \u2018songs\u2019 emerged in the usual exchange process, but were then rehearsed and finalized in Karina<\/em><\/strong>\u2018s <\/em>studio. Which obviously went well, as can be heard on this album, but also because they were able to perform this work live. This will probably not the last time they work together.<\/p>\n