{"id":88354,"date":"2025-02-14T20:29:11","date_gmt":"2025-02-14T20:29:11","guid":{"rendered":"https:\/\/peraltafinancing.com\/animation\/need-a-good-sleep-bbc-brand-film-by-joseph-wallace-productions\/"},"modified":"2025-02-14T20:29:11","modified_gmt":"2025-02-14T20:29:11","slug":"need-a-good-sleep-bbc-brand-film-by-joseph-wallace-productions","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=88354","title":{"rendered":"&#8220;Need a Good Sleep?&#8221; BBC Brand Film by Joseph Wallace Productions"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>If you weren\u2019t aware of the connection between the UK\u2019s Shipping Forecast and sleepy wind down recordings, perhaps you\u2019ve never listened to the iconic British maritime weather report\u2014or at least not while a little drowsy. But somewhere along the way, the 150 year old national treasure (sometimes dubbed the National Lullaby) got connected with the public\u2019s rampant need for help falling asleep and began popping up in sleep apps like Calm, and the BBC\u2019s podcast: The Sleeping Forecast.<\/p>\n<p>We sat down recently with animator\/director<a href=\"http:\/\/www.josephwallace.co.uk\/\/\"> Joseph Wallace<\/a> to ask about his brand film for the Sleeping Forecast, which is essentially the Shipping Forecast read to ambient music, and he dove right in:<\/p>\n<p>\u201cAt the end of last year Yoav (Producer and Creative Director) and I made a film for the BBC\u2019s podcast, The Sleeping Forecast\u2026for the Christmas episode they had \u2018Ghosts\u2019 actress Charlotte Ritchie reading Charles Dickens\u2019 \u2018A Christmas Carol\u2019 and we made a spooky\/festive promo piece which went down well with viewers.<\/p>\n<p>\u201cThis summer the Beeb came back to us and asked if we could make a brand film for the podcast that would help audiences get a sense of the show (which is a bit of an ASMR hit with viewers who want to drift off to an aural hug!). The brief was: \u2018nautical and nostalgic\u2019 and other than that our lovely Execs were open to our ideas.\u201d<\/p>\n<p>The resulting piece is dynamic and deft, plus sublimely calming to boot\u2014it should almost come with a sleepiness warning itself!<\/p>\n<p>\u201cYoav and I met whilst doing theatre and I\u2019ve often adopted a stylized, theatrical language in my shorts. For this piece I wanted to emphasize the intimate bubble of getting lost in the podcast\u2019s gentle tones by having a very focused scene with just one character and a few key set elements that, in combination with sound (David Gritzman) and lighting effects (Malcolm Hadley), tell us where we are. So we have a diverse range of characters, settling down to sleep and listening to the podcast on various listening devices.\u201d<\/p>\n<p>Although he wanted to keep the scope focused, there are several unique characters packed in to the short timeframe, each one with a setting full of possible storylines for themselves, partly due to carefully selected details like an afternoon mug of tea or a wilting houseplant.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201cThe characters were made by the brilliant Adeena Grubb and Lara Hosking and are simple puppets made from sculpey, wire, fabric and latex based on my designs. The puppets were brought to life by the super talented Steve Warne (Kubo and the Two Strings, Ma Vie de Courgette) who animated ninety percent of the piece and who leant a charm and sensitivity to the character performance.<\/p>\n<p>\u201cThe props were made by Lara Hosking and Eve Bannister who are both amazing model makers who have now worked with me on a few projects and really get my aesthetic and how I like things to look. I\u2019m not keen on props and sets being too perfect and clean, I like to see the materials shining through, to see brushstrokes and imperfections and know that this has all been made by hand. With the increase of CGI and AI, we have to embrace the wonky, gestural charm of stop motion more than ever!<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201cI wanted to contrast the textural, handmade stop motion puppets and props against a clean canvas, more frequently seen in product photography, so we used colored paper backgrounds for the scenes and color-coded all the set elements to compliment the main tone of the shot.\u201d<\/p>\n<p>Wallace also spoke with us about the challenges of a very compressed timeline (designing the five characters in about the space of a week!) and trying to nail designs ASAP so the puppet builders could start building. \u201cI wanted the characters to be diverse and relatable but also for them to recognizably live within my style. I find it quite easy drawing weathered old men but it\u2019s much more of a challenge to design women and different ethnicities and to create characters that are endearing and authentic and avoid stereotyping in any way.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201cI\u2019m really pleased with how they turned out and Adeena and Lara did a great job at bringing them to life in three-dimensions,\u201d he told us.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The other significant challenge he faced concerned lighting\u2014which is insanely notable in the short piece.<span class=\"Apple-converted-space\">\u00a0 <\/span>\u201cIt\u2019s important to note that all the lighting effects you see are in-camera, either animated frame-by-frame or with motors via Dragonframe. Our incredible Cinematographer Malcolm Hadley (Frankenweenie, Isle of Dogs, The House) set about finding ways of brining various lighting states to life using a variety of old-school techniques mixed with DMX programming.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201cIn the Fisherman shot we used giant reflective rollers to refract a sea-water effect onto the boat and the surface of the stage. In the gardener shot Malcolm rigged layers of tree gobos and then I animated the light 2mm each frame to give the effect of sunlight dappling through swaying trees.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201cIn the raver scene we wanted to give the impression of a music festival and a distant stage so Malcolm programmed two LED lamps to pulse on and off and bathe the scene with different colors to the beat of the music. For the couple in bed we had a practical light in the lamp and then moonlight streaming in through the theatrical window frame and in the final shot Malcolm rigged up a tiny bulb into the lighthouse and programmed it so that it gently faded up and down. It\u2019s all subtle stuff but it really brings the scenes to life and gives you a sense of time and place.\u201d<\/p>\n<p>Next up for the director is his current project, a new live action puppet film that is in post-production, which is supported by the British Film Institute. \u201cIt\u2019s a fantasy musical!\u201d he said.<span class=\"Apple-converted-space\">\u00a0 <\/span>\u201cPlus I\u2019ve got a couple of scripts for new shorts (one stop motion and one live action) which I\u2019m hoping to make over the next year.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201cAnd then I\u2019ve just got back from the Annecy Animation Festival where I\u2019ve been having meetings and finding partners for my debut feature film which will be a stop motion Western aimed at adult audiences. So if any US investors or producers are reading and want to help us develop the feature, please get in touch!\u201d<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Yes please, we second that request, a Joseph Wallace adult stop motion western is something we\u2019d really like to see!<\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>If you weren\u2019t aware of the connection between the UK\u2019s Shipping Forecast and sleepy wind down recordings, perhaps you\u2019ve never listened to the iconic British maritime weather report\u2014or at least not while a little drowsy. But somewhere along the way, the 150 year old national treasure (sometimes dubbed the National Lullaby) got connected with the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":88355,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12035],"tags":[9618,374,989,1416,4434,43127,1427,19604],"dealstore":[],"offerexpiration":[],"class_list":["post-88354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-bbc","tag-brand","tag-film","tag-good","tag-joseph","tag-productions","tag-sleep","tag-wallace"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&quot;Need a Good Sleep?&quot; BBC Brand Film by Joseph Wallace Productions - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=88354\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Need a Good Sleep?&quot; BBC Brand Film by Joseph Wallace Productions - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"If you weren\u2019t aware of the connection between the UK\u2019s Shipping Forecast and sleepy wind down recordings, perhaps you\u2019ve never listened to the iconic British maritime weather report\u2014or at least not while a little drowsy. 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