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Though she didn\u2019t grow up in a spiritual household, Tabita\u2019s path was seeded in her family lineage. Both her parents are therapists, and healers can be found in both sides of her ancestry. However, it wasn\u2019t until she discovered Kemetic yoga\u2014an ancient healing system derived from Egypt\u2014that her creative and spiritual practices aligned. This newfound discipline not only helped Tabita through a dark period but also transformed her artistic focus from exploring wounds and injustices to searching for remedies and connection. \u201cInstead of focusing on the diagnostic and symptoms, I was now searching for remedies,\u201d she explains. \u201cMy art practice became a medium to share this blessing.\u201d
Tabita\u2019s work is deeply inspired by quantum and cosmic mechanics, exploring time-spaces where technology, spirituality, and decolonial narratives intersect. Through her pieces, she reimagines network sciences\u2014both organic and electronic\u2014as healing technologies. Her digital healing streams and screen interfaces are designed to remind us to access our \u201cinner data centers,\u201d bypassing colonial and Western authorities to download truth directly from the source.<\/p>\n
In her acclaimed works, such as Sorry For Real<\/em>,<\/strong> Tabita envisions a future where the West makes amends for the atrocities of colonization. Other pieces pay homage to the often-overlooked contributions of Black culture and challenge hegemonic narratives that dominate Western history books. \u201cTechnology is like a knife: it can be used for murder or to carve a beautiful figure, depending on whose hand is holding it,\u201d Tabita reflects. Her art doesn\u2019t merely critique; it offers a path toward wholeness, unity, and spiritual freedom.<\/p>\n Tackling the Digital World\u2019s Duality<\/strong> \u201cWhen you allow yourself to build a relationship with your wounds, to go where it hurts and come back from it, you grow,\u201d Tabita shares. These hard-earned lessons are evident in her work, which invites us to explore our inner worlds and collective suffering while also offering pathways to transcend pain.<\/p>\n Her solo exhibitions\u2014including Tabita Rezaire. Calabash Nebula<\/em> at the Museo Nacional Thyssen-Bornemisza in Madrid (2024) and Fusion \u00e9l\u00e9men.terre<\/em> at Les Abattoirs, Toulouse (2023)\u2014demonstrate her ongoing commitment to pushing the boundaries of art and thought. Each show is a portal into Tabita\u2019s unique vision, one that is rooted in ancestral connection and cosmic possibilities.<\/p>\n Based in Cayenne, French Guiana, Tabita holds a Bachelor\u2019s degree in Economics from France and a Master of Research in Artist Moving Image from Central Saint Martins in the UK. She is the co-founder of the artist group NTU, half of the duo Malaxa, and the creative force behind the energy house SENEB. Her roles as a \u201chealth-tech-political\u201d therapist and kundalini yoga teacher further inform her mission to use art as a means of healing.<\/p>\n Shaping Future Narratives<\/strong>
Tabita\u2019s relationship with the digital realm is complex. Like many, she is conscious of how social media perpetuates disconnection, loneliness, and insecurity. She acknowledges how the constant scrolling and seeking of external validation erode mental and emotional well-being. In a bold move, Tabita consciously disengaged from social media and the cycles of comparison it perpetuates. This act of self-liberation has not only brought her closer to inner peace but has also infused her art with even greater purpose and reflection.<\/p>\n
At its core, Tabita\u2019s work is about decolonizing the internet and redefining Western narratives. She recognizes how digital technologies consume vast natural resources and perpetuate capitalist competition. Yet, through conscious disengagement and art-making, she advocates for a shift toward collective consciousness and heart-centered living.<\/p>\n