![\"Reinhard\"](\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2024\/10\/Reinhard.jpg\")
<\/a><\/figure>\n<\/div>\nSAMUEL REINHARD \u2013 MOVEMENT<\/a><\/em><\/strong><\/h3>\nIn July this year, I recommended listening to Samuel Reinhard<\/a><\/em><\/strong>\u2018s For Piano And Sh\u014d<\/a><\/em>, praising its slowed-down atmosphere created by the two acoustic instruments. His new album, Movement<\/strong>, reveals Reinhard\u2019s return \u2018with a suite of electroacoustic collages\u2019<\/em>. Despite this, the four 20-minute movements feature only acoustic instruments: piano (Reinhard), bass flute (John Also Bennett), baritone sax (Michal Biel), cello (Leila Bordreuil), pedal harp (Shelley Burgon), and double bass (Vincent Yuen Ruiz).<\/p>\nThe term \u2018electroacoustic\u2019 might be open to interpretation, as the music sounds organic and acoustic but has been treated and layered to create a quiet state of immersion, reminiscent of Brian Eno\u2019s early ambient recordings. <\/p>\n
\u201cIn his ongoing investigation of musical duration, perception, and attention, Reinhard deemphasizes progress through an embrace of repetition and negative space, inviting listeners to linger in time [\u2026] This breadth of instrumentation, arriving as individual notes stretched and overlapped, is treated not as an opportunity for
immersive coalescence, but rather a gentle augmentation of texture, free-floating counterpoint. [\u2026] We hear resonance in the process of being sustained, as well as in the release that follows.\u201d<\/em><\/p>\nMovement<\/em><\/strong> is available in a 2LP version as well as a digital download. It is a joint release from Hallow Ground <\/a>and Pr\u00e4sens Editionen<\/a>.<\/p>\n
The term \u2018electroacoustic\u2019 might be open to interpretation, as the music sounds organic and acoustic but has been treated and layered to create a quiet state of immersion, reminiscent of Brian Eno\u2019s early ambient recordings. <\/p>\n
\u201cIn his ongoing investigation of musical duration, perception, and attention, Reinhard deemphasizes progress through an embrace of repetition and negative space, inviting listeners to linger in time [\u2026] This breadth of instrumentation, arriving as individual notes stretched and overlapped, is treated not as an opportunity for Movement<\/em><\/strong> is available in a 2LP version as well as a digital download. It is a joint release from Hallow Ground <\/a>and Pr\u00e4sens Editionen<\/a>.<\/p>\n
immersive coalescence, but rather a gentle augmentation of texture, free-floating counterpoint. [\u2026] We hear resonance in the process of being sustained, as well as in the release that follows.\u201d<\/em><\/p>\n