Jeune Morty is my most recent music discovery, and will be the youngest artist (besides maybe Jeune Lion) I\u2019ve covered, a fact which is evident in his hyper sound. I learned about him because he just played a show in London with one of my favorites, Ms* Gloom. Immediately, I thought, jackpot<\/em>, this guy is Ivorian! I can write about him! He certainly deserves to be the topic of my final post.<\/p>\n Jeune Morty incorporates elements of plugg, drill, and cloud rap with the OG coup\u00e9 d\u00e9cal\u00e9 sound that we\u2019ve seen from older artists. His music embodies the flashy, fast-paced vibes of prime coup\u00e9 d\u00e9cal\u00e9. As a twenty-year-old with ears conditioned to the busy sound effects and melodies of hyperpop and pluggnb, listening to Jeune Morty is a satisfying experience. He has the modern flair that any lover of underground can appreciate. His latest album, Jeune Morty Vol. 1<\/em>, came out recently at the end of March. The album starts off with the strong Ivorian dance energy of \u201cIvoire Feeling\u201d and \u201cTapper,\u201d but even in the more pluggy songs like \u201cKesha,\u201d the influence is still evident. Another favorite of mine is \u201cOne More Time,\u201d produced by lucidbeatz, who is responsible for hits like \u201cRICK OWENS\u201d by Ufo361 ft. Ken Carson and \u201cLet U Go,\u201d which became Gen Z social media staples, of sorts. It\u2019s clear that Jeune Morty has that busy, glitchy internet sound that so many of us go crazy for.<\/p>\n \n![\"A](\"https:\/\/i0.wp.com\/hiphopafrican.com\/wp-content\/uploads\/2026\/04\/image-8.jpeg?resize=225%2C225&ssl=1\")
<\/figure>\n