{"id":7062721,"date":"2026-09-21T04:18:50","date_gmt":"2026-09-21T04:18:50","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/guitars-in-the-edgelands-stationary-travels\/"},"modified":"2026-09-21T04:18:50","modified_gmt":"2026-09-21T04:18:50","slug":"guitars-in-the-edgelands-stationary-travels","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=7062721","title":{"rendered":"Guitars in the Edgelands \u2013 Stationary Travels"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg\"><img decoding=\"async\" data-attachment-id=\"30827\" data-permalink=\"https:\/\/stationarytravels.wordpress.com\/2026\/09\/20\/travelogue-guitars-in-the-edgelands\/tl_edgelands_guitar_2026-08\/\" data-orig-file=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg\" data-orig-size=\"12015,12022\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"TL_Edgelands_Guitar_2026-08\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg?w=860\" loading=\"lazy\" width=\"1024\" height=\"1024\" src=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg?w=1024\" alt=\"\" class=\"wp-image-30827\" srcset=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg?w=1024 1024w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg?w=2048 2048w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg?w=150 150w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg?w=300 300w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg?w=768 768w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08.jpg?w=1440 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"\/><\/a><\/figure>\n<\/div>\n<p class=\"has-drop-cap wp-block-paragraph\">Liminal spaces where urban and rural areas meet, <em>edgelands<\/em> are defined by their contrasts and contradictions. Man-made infrastructure, untamed nature, and entropy all coexist in these spaces, sometimes in unique and unexpected ways. Perhaps it is an apt metaphor for music that blurs the lines between melody &amp; experimentation while blending traditional acoustic instruments with electronic textures and unconventional techniques as we find on these recent releases from <strong>CMF<\/strong>, <strong>L\u2019Eveil<\/strong>, <strong>Seabuckthorn<\/strong>, and <strong>Yadayn<\/strong>.<\/p>\n<p><span id=\"more-30826\"\/><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<h2 class=\"wp-block-heading has-text-align-center\">CMF \u2013 If We\u2019re Apart, I\u2019m Somewhere Missing You<\/h2>\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Our National Treasure\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/CeCEzuGAbLs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/lnk.to\/CMF-Saesori-Sounds\" target=\"_blank\" rel=\"noopener\">https:\/\/lnk.to\/CMF-Saesori-Sounds<\/a><\/p>\n<p class=\"wp-block-paragraph\">As lead guitarist and co-founder of <strong>Kings of Leon<\/strong>, <strong>Matthew Followill <\/strong>has played on stages around the world and seen albums attain multi-platinum success while garnering billions of streams. That makes the quiet, eclectic nature of his <strong>CMF<\/strong> solo project all the more remarkable. It debuts this year with <strong><em>If We\u2019re Apart, I\u2019m Somewhere Missing You<\/em><\/strong>, a 26-track opus that languidly meanders through ambient textures and folktronica with tinges of Americana and psychedelia and a cinematic feel. Pieces like \u201cNational Treasure\u201d feel like fully realized songs while others like \u201cRoom Song\u201d or \u201cSoap Opera\u201d serve more as vignettes or whimsical sonic experiments. Even with its sprawling nature there is an underlying sprit that gives the album cohesion and warmth which makes for decidedly pleasant and immersive listening. <\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>The idea for making this music came from the joy of creating and experimenting with everything I\u2019ve collected over the years. I wanted it to reflect what I gravitate to as a listener; organic instrumentation blending with ambient textures. It\u2019s personal and instinctive, inspired by long days on the road where time loses meaning and the world feels cinematic, atmospheric and immersive. Created without agenda or expectation, it\u2019s music that lives in the space between coming and going, made for daydreaming with nowhere to be for a while, letting your thoughts drift somewhere between memory and possibility<\/em><\/p>\n<p><cite>Matthew Followill (aka CMF)<\/cite><\/p><\/blockquote>\n<p class=\"wp-block-paragraph\"><strong><em>If We\u2019re Apart, I\u2019m Somewhere Missing You<\/em><\/strong> was released June 19, 2026, via Saesori Sounds. <\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<h2 class=\"wp-block-heading has-text-align-center\">L\u2019Eveil-Wars of Abstraction<\/h2>\n<p align=\"center\"><iframe loading=\"lazy\" width=\"480\" height=\"480\" style=\"position: relative; display: block; width: 480px; height: 480px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=727785932\/album=1241596860\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/leveil.bandcamp.com\/album\/wars-of-abstraction\" target=\"_blank\" rel=\"noopener\">Bandcamp (digital)<\/a> | <a href=\"https:\/\/www.leveilmusic.com\/category\/all-products\" target=\"_blank\" rel=\"noopener\">Website (LP\/digital)<\/a><\/p>\n<p class=\"wp-block-paragraph\"><strong>L\u2019eveil<\/strong> is the acoustic fingerstyle project of Ohio-based guitarist <strong>Matthew Nichols<\/strong>. The name, which translates to <em>awakening<\/em>, is inspired by filmmaker Werner Herzog\u2019s documentary \u201cCave of Forgotten Dreams\u201d which explores the discovery of some of the oldest known human paintings on earth, hidden for millennia within a French cave. A similar spirit of immersive exploration is at the heart of the four tracks that comprise <strong><em>Wars of Abstraction<\/em><\/strong>. A skilled and expressive player that traditional guitarists will no doubt appreciate, Nichols nevertheless takes an unconventional approach here by embracing open tunings and drawing from elements of progressive rock, metal, folk, and contemporary instrumental music to create compositions that are as imaginative as they are intricate.  <\/p>\n<p class=\"wp-block-paragraph\">The album traces back to a prolific period of writing that goes back roughly five years during which time Nichols developed a friendship with <strong>Nathanael Larochette<\/strong> of Canadian chamber folk project <a href=\"https:\/\/muskoxofficial.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Musk Ox <\/strong><\/a>who eventually took on the role of producer and advisor as the body of work grew into what would become no less than ten albums worth of material. On the evidence of <strong><em>Wars of Abstraction<\/em><\/strong>, we are at the beginning of an epic journey indeed. <\/p>\n<p class=\"wp-block-paragraph\"><strong><em>Wars of Abstraction<\/em><\/strong> was self-released June 26, 2026, on vinyl LP &amp; digital. <\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<h2 class=\"wp-block-heading has-text-align-center\">Seabuckthorn \u2013 Never the Same River<\/h2>\n<p align=\"center\"><iframe loading=\"lazy\" width=\"480\" height=\"480\" style=\"position: relative; display: block; width: 480px; height: 480px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=2175990753\/album=580165440\/size=large\/bgcol=333333\/linkcol=ffffff\/tracklist=false\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe><\/p>\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/seabuckthorn.bandcamp.com\/album\/never-the-same-river\" target=\"_blank\" rel=\"noopener\">https:\/\/seabuckthorn.bandcamp.com\/album\/never-the-same-river<\/a> <\/p>\n<p class=\"has-text-align-left wp-block-paragraph\">Over nearly two decades of music as <strong>Seabuckthorn<\/strong>, guitarist <strong>Andy Cartwright<\/strong> has always managed to unlock something untamed from his instruments that seemingly taps into the ancient origins of the very wood and steel from which they are made. And while \u201ca plethora of battle-scarred guitars\u201d remain his core toolset, Cartwright has continued to find new ways to evolve the project in new and interesting directions. With last year\u2019s <strong><em>A Path Within a Path <\/em><\/strong>(Laaps), he leaned into more rhythmic &amp; percussive elements, a trend which he extends to his latest album for the Lost Tribe Sound imprint. <\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center wp-block-paragraph\"><em>No one ever steps in the same river twice, for they are not the same person, and it is not the same river.<\/em><\/p>\n<\/blockquote>\n<p class=\"has-text-align-left wp-block-paragraph\">For <strong><em>Never the Same River<\/em><\/strong>, Cartwright actually began many of the tracks by capturing simple DIY beats using an assemblage of percussive objects from hand percussion to kitchen pans. These were then fragmented and reshaped into rugged, cinematic soundscapes which often paradoxically sound earthy and otherworldly at the same time, especially when blended with his bowed acoustic and resonator guitars. It is an approach which embodies and embraces the metaphor of the title. Seabuckthorn has never been about cozy listening. Cartwright\u2019s soundscapes are wild and sometimes forbidding places, but what makes them so intriguing is that you are always likely to hear or experience something new each time you listen. <\/p>\n<p class=\"wp-block-paragraph\"> <strong><em>Never the Same River<\/em><\/strong> was released June 19, 2026, on limited edition CD &amp; digital by Lost Tribe Sound. The album is part of the label\u2019s <em>Moss &amp; Melee<\/em> series. <\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<h2 class=\"wp-block-heading has-text-align-center\">yadayn \u2013 Huis<\/h2>\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"yadayn - Tolhuis (extract)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/aQK77QmtNW8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/yadayn.bandcamp.com\/album\/huis\" target=\"_blank\" rel=\"noopener\">https:\/\/yadayn.bandcamp.com\/album\/huis<\/a><\/p>\n<p class=\"wp-block-paragraph\">For his fifth album as <strong>yadayn<\/strong>, Gowaart Van Den Bossche chose a simple word for the title but one that is dense with meaning. <strong><em>Huis<\/em><\/strong>, which means <em>house<\/em> in Dutch, is an album that Gowaart says he carried with him longer than any of his previous releases. Each piece from concise guitar sketches to epic long form excursions bears sonic markers originating in the various homes in which he has made music over the years while some of the compositional fragments have origins tracing back further than the <strong>yadayn<\/strong> project itself. <\/p>\n<blockquote class=\"wp-block-quote has-text-align-center is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>All of the material carries some distinctive sonic ambiance of the different houses in which I recorded. The muffled warmth of my first London house coexists with the airy space of my Brussels flat, while the mix was defined by the positioning of the speakers in my current Parisian home. The cranky detuned piano I lived with for two years coexists with the guitars and ukulele that have accompanied me on every move, while old organ parts recorded in my parents\u2019 former home mingle with those recorded on a vintage Italian organ I picked up in Brussels<\/em>. <\/p>\n<p><cite>Gowaart Van Den Bossche (aka yadayn)<\/cite><\/p><\/blockquote>\n<p class=\"wp-block-paragraph\">More broadly, the title also embraces the concept of home and hands (<em>yadayn<\/em> derives from the Arabic word for two hands) as dual symbols that define the whole spirit of the project which Gowaart describes as being centered around \u201ca focus on the physicality of the musical creation, the emotional and intellectual labor that goes into it\u201d.  All of this context helps prime the listener to get the most enjoyment from the stunning musical journey the album offers. Beautiful, evocative guitar work remains at the core while the sonic world of yadayn is expanded here with piano, ukelele, organ, and other instruments played by guest musicians including double bass, violin, French horn, and harp. <\/p>\n<p class=\"wp-block-paragraph\"><strong><em>Huis <\/em><\/strong>was released August 14, 2026, on digital, CD, and (for the first time) limited-edition vinyl LP. <\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg\"><img decoding=\"async\" data-attachment-id=\"30828\" data-permalink=\"https:\/\/stationarytravels.wordpress.com\/2026\/09\/20\/travelogue-guitars-in-the-edgelands\/tl_edgelands_guitar_2026-08_artists\/\" data-orig-file=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg\" data-orig-size=\"3795,3485\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"TL_Edgelands_Guitar_2026-08_artists\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg?w=860\" loading=\"lazy\" width=\"1024\" height=\"940\" src=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg?w=1024\" alt=\"\" class=\"wp-image-30828\" srcset=\"https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg?w=1024 1024w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg?w=2048 2048w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg?w=150 150w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg?w=300 300w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg?w=768 768w, https:\/\/stationarytravels.wordpress.com\/wp-content\/uploads\/2026\/08\/tl_edgelands_guitar_2026-08_artists.jpg?w=1440 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"\/><\/a><\/figure>\n<footer class=\"end-meta\">\n\t\t\t<span class=\"cat-links\"><a href=\"https:\/\/stationarytravels.wordpress.com\/category\/genre-focus\/acousticfolk\/\" rel=\"category tag\">Acoustic\/Folk<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/category\/genre-focus\/ambient-genre\/\" rel=\"category tag\">Ambient<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/category\/travelogues\/articles\/\" rel=\"category tag\">Articles<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/category\/geographic-focus\/belgium\/\" rel=\"category tag\">Belgium<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/category\/discover\/\" rel=\"category tag\">Discover<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/category\/geographic-focus\/england\/\" rel=\"category tag\">England<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/category\/genre-focus\/post-rock-genre\/\" rel=\"category tag\">Post Rock<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/category\/travelogues\/\" rel=\"category tag\">Travelogues<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/category\/geographic-focus\/usa\/\" rel=\"category tag\">USA<\/a><\/span><span class=\"tags-links\"><a href=\"https:\/\/stationarytravels.wordpress.com\/tag\/ambient\/\" rel=\"tag\">ambient<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/tag\/electroacoustic\/\" rel=\"tag\">electroacoustic<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/tag\/guitar\/\" rel=\"tag\">guitar<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/tag\/instrumental\/\" rel=\"tag\">instrumental<\/a>, <a href=\"https:\/\/stationarytravels.wordpress.com\/tag\/music\/\" rel=\"tag\">music<\/a><\/span>\t\t<\/footer>\n<p><!-- .end-meta -->\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Liminal spaces where urban and rural areas meet, edgelands are defined by their contrasts and contradictions. Man-made infrastructure, untamed nature, and entropy all coexist in these spaces, sometimes in unique and unexpected ways. Perhaps it is an apt metaphor for music that blurs the lines between melody &amp; experimentation while blending traditional acoustic instruments with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7062722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12031],"tags":[224564,113066,18180,12574],"dealstore":[],"offerexpiration":[],"class_list":["post-7062721","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ambient-music","tag-edgelands","tag-guitars","tag-stationary","tag-travels"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Guitars in the Edgelands \u2013 Stationary Travels - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=7062721\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Guitars in the Edgelands \u2013 Stationary Travels - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Liminal spaces where urban and rural areas meet, edgelands are defined by their contrasts and contradictions. 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