{"id":7054468,"date":"2026-09-02T02:43:13","date_gmt":"2026-09-02T02:43:13","guid":{"rendered":"https:\/\/peraltafinancing.com\/uncategorized\/high-low-ruby-carters-i-candy\/"},"modified":"2026-09-02T02:43:13","modified_gmt":"2026-09-02T02:43:13","slug":"high-low-ruby-carters-i-candy","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=7054468","title":{"rendered":"High-Low: Ruby Carter’s I, Candy"},"content":{"rendered":"


\n<\/p>\n

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Ruby Carter’s I, Candy <\/i>reveals another side of the artist. Her bird comic (published by Fieldmouse Press) featured minimalist cartooning, deadpan humor, and low-level anxiety throughout. However, her other work (often in color) is often colorful, weird, and grotesque. I, Candy<\/i> explicitly purports to be about objectification and consumption, and those elements are certainly evident. The title has a double pun regarding both of these elements. There’s another word that Carter uses on the back-cover blurb, and it’s the most applicable: visceral.\u00a0<\/p>\n

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The comic features the titular performer in fishnet stockings and squeezed into a tight outfit before a crowd of leering eyes. Carter uses a repeating motif of her lipsticked lips twisting, biting, and distorting themselves. The effect is not just visceral, but deliberately lurid. Over the span of the comic, Carter subverts the image of not just a performer on stage, but of any woman enduring the gaze of society at large (and not just a male gaze). The titular Candy complains that she is “always left hungry,” and the implication is that she is left devouring herself. That’s until the very end, where she pulls her tampon out and munches on it, completing the performance and sating herself at last.\u00a0<\/p>\n

<\/a><\/div>\n

Carter’s commitment to the bit and subversion of burlesque imagery helps punctuate what is simultaneously a solid gag, a political statement, and a howl. Making red the only color seen in the comic helps play up the performative aspects of the comic–both from the perspective of the character and Carter’s technical choices.\u00a0<\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Ruby Carter’s I, Candy reveals another side of the artist. Her bird comic (published by Fieldmouse Press) featured minimalist cartooning, deadpan humor, and low-level anxiety throughout. However, her other work (often in color) is often colorful, weird, and grotesque. I, Candy explicitly purports to be about objectification and consumption, and those elements are certainly evident. […]<\/p>\n","protected":false},"author":1,"featured_media":7054469,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[216763],"tags":[1240,5574,154608,4562],"dealstore":[],"offerexpiration":[],"class_list":["post-7054468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ruby-carter","tag-candy","tag-carters","tag-highlow","tag-ruby"],"yoast_head":"\nHigh-Low: Ruby Carter's I, Candy - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=7054468\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"High-Low: Ruby Carter's I, Candy - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Ruby Carter’s I, Candy reveals another side of the artist. Her bird comic (published by Fieldmouse Press) featured minimalist cartooning, deadpan humor, and low-level anxiety throughout. However, her other work (often in color) is often colorful, weird, and grotesque. I, Candy explicitly purports to be about objectification and consumption, and those elements are certainly evident. 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