{"id":70496,"date":"2025-02-06T00:42:50","date_gmt":"2025-02-06T00:42:50","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/spys-ovoid-interventions-transforming-spaces-in-riyadh-and-rome\/"},"modified":"2025-02-06T00:42:50","modified_gmt":"2025-02-06T00:42:50","slug":"spys-ovoid-interventions-transforming-spaces-in-riyadh-and-rome","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=70496","title":{"rendered":"SpY\u2019s Ovoid Interventions: Transforming Spaces in Riyadh and Rome"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>SpY\u2019s latest projects, <em>Ovoid<\/em> and <em>Ovoids<\/em>, take two distinct approaches to spatial intervention\u2014one in the open air of Riyadh, the other within an exhibition space in Rome. Vastly differing in scale and context, both works use form, movement, and light to challenge how we perceive and navigate the environments we often take for granted.<\/p>\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-6.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"600\" src=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-6.jpg\" alt=\"\" class=\"wp-image-180371\" srcset=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-6.jpg 900w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-6-600x400.jpg 600w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-6-768x512.jpg 768w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-6-800x533.jpg 800w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-6-560x373.jpg 560w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\"\/><\/a><figcaption class=\"wp-element-caption\">SpY. <em>OVOID<\/em>. Riyadh, Saudi Arabia, 2024. (photo \u00a9 Ruben P. Bescos)<\/figcaption><\/figure>\n<p><strong>Riyadh, Saudi Arabia \u2013 2024<\/strong><\/p>\n<p>Public space is often shaped by necessity\u2014by the logic of roads, bridges, and infrastructure that prioritize function over contemplation. Within these engineered landscapes, overlooked voids emerge: spaces beneath highways, gaps between buildings, and neglected urban margins. Street artists, including interventionist sculptors, have long recognized their potential, transforming them into sites of meaning. <em>Ovoid<\/em>, SpY\u2019s latest large-scale installation, reclaims one such space beneath the Wadi Hanifah Bridge in Riyadh, inserting light, reflection, and scale into what could be considered an unremarkable void.<\/p>\n<p>Suspended within this architectural remnant, <em>Ovoid<\/em> is both an assertion of presence and an activation of absence. The 35-meter-high glowing red form is not just framed by its surroundings; it forces a reconsideration of them. Bridges are built for passage, leaving their undersides as liminal, forgotten zones. By occupying this limbo with a hovering, illuminated form, SpY may compel the public to notice, challenging how we perceive and engage with the built environment.<\/p>\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/01\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-5.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"600\" src=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/01\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-5.jpg\" alt=\"\" class=\"wp-image-180376\" srcset=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/01\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-5.jpg 900w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/01\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-5-600x400.jpg 600w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/01\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-5-768x512.jpg 768w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/01\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-5-800x533.jpg 800w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/01\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-5-560x373.jpg 560w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\"\/><\/a><figcaption class=\"wp-element-caption\">SpY. <em>OVOID<\/em>. Riyadh, Saudi Arabia, 2024. (photo \u00a9 Ruben P. Bescos)<\/figcaption><\/figure>\n<p>This act of spatial transformation is deeply connected to the ethos of street art, where artists repurpose barriers and margins as arenas of possibility. <em>Ovoid<\/em> alters its setting, shifting attention from what is above to what is below, urging us to see the city differently. Reflected in the moving water beneath, it extends beyond its own materiality\u2014both physical and ephemeral, solid and intangible. It is a reminder that cities are not only a collection of static structures but evolving spaces waiting to be redefined.<\/p>\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-4.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"500\" src=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-4.jpg\" alt=\"\" class=\"wp-image-180369\" srcset=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-4.jpg 900w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-4-600x333.jpg 600w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-4-768x427.jpg 768w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-4-800x444.jpg 800w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOID_NOORRIYADH-ruben-p-bescos-web-4-560x311.jpg 560w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\"\/><\/a><figcaption class=\"wp-element-caption\">SpY. <em>OVOID<\/em>. Riyadh, Saudi Arabia, 2024. (photo \u00a9 Ruben P. Bescos)<\/figcaption><\/figure>\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"SpY_OVOID_NOOR RIYAD 24\" src=\"https:\/\/player.vimeo.com\/video\/1038396660?dnt=1&amp;app_id=122963\" width=\"1170\" height=\"658\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p><strong>Rome, Italy \u2013 2024<\/strong><\/p>\n<p><em>Ovoids<\/em> takes the organic abstraction of SpY\u2019s outdoor interventions inside the exhibition space and reforms it into a kinetic environment. Suspended from the ceiling, a series of elongated red forms\u2014somewhere between paddles, seeds, and plum tomatoes\u2014sway in slow, deliberate arcs. Their movement is rhythmic yet unpredictable, their scale imposing yet oddly humorous. As they hover and oscillate above, they create a shifting landscape of perception, inviting viewers to navigate around them.<\/p>\n<p>Like its outdoor counterpart, <em>Ovoids<\/em> plays with presence and absence, stillness and motion. Here, the interplay between structure and fluidity is heightened, as the sculptures are neither fixed nor entirely free. They exist in a perpetual state of transformation, blurring the line between the mechanical and the organic. The slow pendular motion alters the spatial experience, pulling you into a hypnotic engagement where time seems to stretch and contract.<\/p>\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-2.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"500\" src=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-2.jpg\" alt=\"\" class=\"wp-image-180374\" srcset=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-2.jpg 900w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-2-600x333.jpg 600w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-2-768x427.jpg 768w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-2-800x444.jpg 800w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-2-560x311.jpg 560w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\"\/><\/a><figcaption class=\"wp-element-caption\">SpY. <em>OVOIDS<\/em>. Ballon Museum. Rome, 2024. (photo \u00a9 Ruben P. Bescos)<\/figcaption><\/figure>\n<p>One moment, the paddles seem to loom overhead with imposing weight; the next, they glide harmlessly past, a dance both mesmerizing and slightly absurd. With the spirit of experimentation, like SpY\u2019s interventions in public space, Ovoids reconfigures the familiar and leaves the viewer reconsidering the unseen forces that shape their surroundings.<\/p>\n<p>Commissioned by Ballon Museum<\/p>\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-1.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"1350\" src=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-1.jpg\" alt=\"\" class=\"wp-image-180373\" srcset=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-1.jpg 900w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-1-600x900.jpg 600w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-1-768x1152.jpg 768w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-1-400x600.jpg 400w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-1-560x840.jpg 560w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\"\/><\/a><figcaption class=\"wp-element-caption\">SpY. <em>OVOIDS<\/em>. Ballon Museum. Rome, 2024. (photo \u00a9 Ruben P. Bescos)<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-3.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"600\" src=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-3.jpg\" alt=\"\" class=\"wp-image-180375\" srcset=\"https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-3.jpg 900w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-3-600x400.jpg 600w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-3-768x512.jpg 768w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-3-800x533.jpg 800w, https:\/\/www.brooklynstreetart.com\/theblog\/wp-content\/uploads\/2025\/02\/brooklyn-street-art-SpY_OVOIDS_rome-ruben-p-bescos-24-web-3-560x373.jpg 560w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\"\/><\/a><figcaption class=\"wp-element-caption\">SpY. <em>OVOIDS<\/em>. Ballon Museum. Rome, 2024. (photo \u00a9 Ruben P. Bescos)<\/figcaption><\/figure>\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"SpY_OVOIDS\" src=\"https:\/\/player.vimeo.com\/video\/1041566444?dnt=1&amp;app_id=122963\" width=\"1170\" height=\"658\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p><!-- relpost-thumb-wrapper --><\/p>\n<div class=\"relpost-thumb-wrapper\"><!-- filter-class --><\/p>\n<div class=\"relpost-thumb-container\">\n<h3>Other Articles You May Like from BSA:<\/h3>\n<p><!-- relpost-block-container --><\/p>\n<div class=\"relpost-block-container\"><a href=\"https:\/\/www.brooklynstreetart.com\/2018\/06\/29\/bsa-film-friday-06-29-18\/\" class=\"relpost-block-single\"><\/p>\n<div class=\"relpost-custom-block-single\" style=\"width: 150px; height: 300px;\">\n<p><b>BSA Film Friday: 06.29.18<\/b><br \/>&#13;<br \/>\n&#13;<br \/>\nOur weekly focus on the moving image and art in the streets. And other oddities.&#13;<br \/>\nNow screening :&#13;<br \/>\n1. Banksy in Paris&#13;<br \/>\n2. Art Meet Milk III &#8211; Zeso &#8211; Carl Kenz&#13;<br \/>\n3. UDANE: 12 + 1 Project.&#13;<br \/>\n4. Beyond&#8230;<\/p>\n<\/div>\n<p><\/a><a href=\"https:\/\/www.brooklynstreetart.com\/2020\/02\/09\/bsa-images-of-the-week-02-09-20\/\" class=\"relpost-block-single\"><\/p>\n<div class=\"relpost-custom-block-single\" style=\"width: 150px; height: 300px;\">\n<p><b>BSA Images Of The Week: 02.09.20<\/b><br \/>The pronounced disparities and hypocrisies of society are now on display and on parade in our politics, on our multiple screens, in our bank accounts, our hospitals, our music, our schools, our n&#8230;<\/p>\n<\/div>\n<p><\/a><a href=\"https:\/\/www.brooklynstreetart.com\/2013\/01\/16\/how-nosm-studio-confessions\/\" class=\"relpost-block-single\"><\/p>\n<div class=\"relpost-custom-block-single\" style=\"width: 150px; height: 300px;\">\n<p><b>How &amp; Nosm Studio Confessions<\/b><br \/>It is an age of self-discovery, and the twins continue to be surprised by what they find as they attack huge walls with zeal and precision in New York, LA, Miami, Stavanger, Prague, Las Vegas, Rochest&#8230;<\/p>\n<\/div>\n<p><\/a><a href=\"https:\/\/www.brooklynstreetart.com\/2015\/12\/13\/bsa-images-of-the-week-12-13-15\/\" class=\"relpost-block-single\"><\/p>\n<div class=\"relpost-custom-block-single\" style=\"width: 150px; height: 300px;\">\n<p><b>BSA Images Of The Week: 12.13.15<\/b><br \/>&#13;<br \/>\n&#13;<br \/>\nAs the snow birds flew back to NYC this week from their Miami art debauchery with dark circles under their eyes and paint under their nails we tossed them right back in the roiling red &amp; white&#8230;<\/p>\n<\/div>\n<p><\/a><a href=\"https:\/\/www.brooklynstreetart.com\/2021\/10\/31\/bsa-images-of-the-week-10-30-21\/\" class=\"relpost-block-single\"><\/p>\n<div class=\"relpost-custom-block-single\" style=\"width: 150px; height: 300px;\">\n<p><b>BSA Images Of The Week: 10.31.21<\/b><br \/>Happy Halloween and welcome to BSA Images of the Week!<\/p>\n<p>People have been in the Halloween spirit here in Berlin &#8211; and we keep seeing new pieces which may or may not be related to the holiday, b&#8230;<\/p>\n<\/div>\n<p><\/a><\/div>\n<p><!-- close relpost-block-container --><\/div>\n<p><!-- close filter class --><\/div>\n<p><!-- close relpost-thumb-wrapper -->    <\/div>\n<p><script>(function(d, s, id) {\n\t\t\t  var js, fjs = d.getElementsByTagName(s)[0];\n\t\t\t  if (d.getElementById(id)) return;\n\t\t\t  js = d.createElement(s); js.id = id;\n\t\t\t  js.src = \"\/\/connect.facebook.net\/en_US\/sdk.js#xfbml=1&version=v3.0\";\n\t\t\t  fjs.parentNode.insertBefore(js, fjs);\n\t\t\t}(document, 'script', 'facebook-jssdk'));<\/script><br \/>\n<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SpY\u2019s latest projects, Ovoid and Ovoids, take two distinct approaches to spatial intervention\u2014one in the open air of Riyadh, the other within an exhibition space in Rome. Vastly differing in scale and context, both works use form, movement, and light to challenge how we perceive and navigate the environments we often take for granted. SpY. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":70497,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[34620,37042,37043,23592,13801,37041,2253],"dealstore":[],"offerexpiration":[],"class_list":["post-70496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-interventions","tag-ovoid","tag-riyadh","tag-rome","tag-spaces","tag-spys","tag-transforming"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SpY\u2019s Ovoid Interventions: Transforming Spaces in Riyadh and Rome - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=70496\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SpY\u2019s Ovoid Interventions: Transforming Spaces in Riyadh and Rome - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"SpY\u2019s latest projects, Ovoid and Ovoids, take two distinct approaches to spatial intervention\u2014one in the open air of Riyadh, the other within an exhibition space in Rome. Vastly differing in scale and context, both works use form, movement, and light to challenge how we perceive and navigate the environments we often take for granted. SpY. 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