{"id":7042990,"date":"2026-08-20T19:39:20","date_gmt":"2026-08-20T19:39:20","guid":{"rendered":"https:\/\/peraltafinancing.com\/uncategorized\/all-star-comics-63-nov-dec-1976\/"},"modified":"2026-08-20T19:39:20","modified_gmt":"2026-08-20T19:39:20","slug":"all-star-comics-63-nov-dec-1976","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=7042990","title":{"rendered":"All-Star Comics #63 (Nov.-Dec., 1976)"},"content":{"rendered":"


\n<\/p>\n

\n

Our half-century-old topic of discussion today picks up its ongoing storyline in the immediate aftermath of the previous issue,\u00a0 So, if you\u2019re not already familiar with what happened in All-Star Comics<\/em> #62, you might want to go catch up via our post about that one<\/a> before proceeding, as we\u2019re going to jump right into this installment\u2019s action without worrying about a recap\u2026 just as soon as we\u2019ve finished looking at this issue\u2019s cover, that is.\u00a0 (One thing worth noting about said cover is that while it\u2019s clearly dominated by the style of inker Wally Wood, it was actually pencilled by Rich Buckler \u2014 an artist who was returning to DC Comics after some four years working primarily for that publisher\u2019s main rival, Marvel.)\u00a0 And now, on with the show\u2026\u00a0 <\/p>\n

\"\"<\/a><\/p>\n

As detailed in the opening page\u2019s credits box, artists Keith Giffen (layouts) and Wally Wood (finishes) are continuing in their same roles from the last three issues.\u00a0 Elsewhere, however, we have some changes, as the exodus of Gerry Conway, the original guiding force for the revival of All-Star Comics<\/em>, is now complete.\u00a0 Credited for both plotting and editing the previous issue, he\u2019s now been completely replaced as writer by Paul Levitz (who\u2019d provided the actual script for #62), while Joe Orlando has taken the editor\u2019s chair.<\/p>\n

Interviewed in 2002 by Roy Thomas for Alter Ego<\/em> #14<\/a>, Paul Levitz explained why he \u2014 already the assistant editor of All-Star<\/em> \u2014 hadn\u2019t simply replaced Conway in that role as well:<\/p>\n

\n

I talked Joe into editing the book so I could write it.\u00a0 At that point DC had no writer\/editors, and God knows I wasn\u2019t competent to be one, anyway.\u00a0 Joe humored me.<\/p>\n<\/blockquote>\n

Levitz also told Thomas that his getting even the writing gig likely benefited from the recent dismissal of Carmine Infantino as DC\u2019s publisher:<\/p>\n

\n

If Gerry had left during Carmine\u2019s run, I probably wouldn\u2019t have gotten the chance; but I had the good fortune to be sucking up far more writing assignments than I should have as he left, and \u201cJSA\u201d was a high priority to me.<\/p>\n<\/blockquote>\n

Before moving on from this page, we must also make note of an apparent mistake that, having first been made in ASC<\/em> #62\u2019s \u201cNext Issue\u201d blurb, gets compounded by the Fiddler\u2019s dialogue here: namely, the identification of Earth-Two\u2019s Injustice Society (last seen active under that name in 1975\u2019s Justice League of America<\/em> #124<\/a>) as the Injustice Gang<\/em> \u2014 a name which, as a couple of commenters on our issue #62 post pointed out, belongs by rights to an assemblage of Earth-One<\/em> villains who first banded together in 1974\u2019s JLA<\/em> #111.\u00a0 If you want to get technical, there\u2019s no reason why the Earth-Two bunch couldn\u2019t have decided to rebrand themselves (it\u2019s hardly as though there aren\u2019t plenty of other<\/em> names already shared between characters on those two worlds); still, it seems more likely to be a momentary mental lapse on the part of writer Levitz\u2026 especially since, as we\u2019ll see, the group\u2019s original moniker gets deployed before the end of the story.<\/p>\n

\"\"<\/a><\/p>\n

Under the spell of the Fiddler\u2019s music, Wildcat believes he\u2019s fighting an opponent in a boxing match before a cheering crowd.\u00a0 The music, and the trance it induces, continues until Hawkman goes down and doesn\u2019t get up again\u2026<\/p>\n

\"\"<\/a><\/p>\n

The Fiddler has been a member of the Injustice Society ever since the group\u2019s second outing (in All-Star Comics<\/em> #41 [Jul., 1948]), and he\u2019d participated in their most recent escapade (as chronicled in JLA<\/em> #123<\/a>-124).\u00a0 Solomon Grundy, on the other hand, is a new recruit; though he\u2019d faced the Justice Society on his own back in ASC<\/em> #33 (Feb-Mar., 1947), as well as in both 1966\u2019s<\/a> and 1971\u2019s JLA\/JSA summer crossovers<\/a>, he\u2019d never been a team player before this story.\u00a0 His most recent appearance had been in Superman<\/em> #301 (Jul., 1976) \u2014 where, as alluded to in his dialogue in the last panel above, he\u2019d been stranded on the moon\u2026 although the script for that story had strongly implied that the satellite involved was the moon orbiting Earth-One<\/em> (to which Grundy had teleported himself earlier in the story), not Earth-Two.\u00a0 That latter aspect wouldn\u2019t necessarily have been an issue for the Fiddler, whose invention of a \u201cportable vibrator\u201d enabling travel across the dimensional barrier separating those worlds had been established in the very first JLA\/JSA crossover, back in 1963 \u2014 and, of course, we can easily imagine that the Injustice Society has other resources that could have handled the moon-to-earth part of the trip.<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

For the record, we\u2019re on page 6 of our story \u2014 and that second-from-last panel is the last we\u2019ll see of Solomon Grundy not just for this issue, but for the entire run of this JSA revival series.\u00a0 Which makes you kind of wonder why Paul Levitz opted to include him in the first place.\u00a0 Maybe the young writer was afraid that whoever succeeded Infantino as DC\u2019s publisher would pull him off the book, and he was determined to work in as many of his favorite characters as he could, while he could\u2026 though that\u2019s pure speculation on my part.<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

As previously noted in our ASC<\/em> #62 post, the idea of modeling the Earth-Two Superman on the eternally-squinting version of the hero\u2019s co-creator, Joe Shuster, appears to have originated with Keith Giffen \u2014 though Wally Wood\u2019s legendary mastery of lighting effects (aided and abetted by Carl Gafford\u2019s sympathetic coloring) clearly puts his stamp on the interpretation as well, as is especially evident in the panel above.<\/p>\n

\"\"<\/a><\/p>\n

A guy on a winged horse, huh?\u00a0 I\u2019d sure like to think that this teaser, combined with issue #62\u2019s scene featuring a guy with a horse doing some shopping in an Egyptian bazaar, was enough to clue my younger self in to the identity of next issue\u2019s Special Surprise Guest Star\u2026 but I have no idea, honestly.<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

Hourman may be able to take comfort in the idea that Kent Nelson laid down his life for a good cause, but Dr. Mid-Nite takes a more melancholy view.\u00a0 \u201cThere are no good deaths, Hourman,\u201d says the Justice Society\u2019s resident physician, \u201cno good causes in which to die.\u00a0 In the end, there\u2019s only<\/strong> death\u2026 and that\u2019s what we\u2019ve fought so hard to prevent.\u201d<\/p>\n

And then, the somber mood is suddenly interrupted:<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

From Adventure Comics<\/em> #49 (Apr., 1940). Text by Ken Fitch; art by Bernard Bailey.<\/p>\n<\/div>\n

The Star-Spangled Kid\u2019s addressing Hourman as \u201cTick Tock\u201d on the above page nods to the latter character\u2019s earliest days, when he was regularly referred to as \u201cTick-Tock Tyler, the Hour-Man\u201d \u2014 and if you think that a superhero who wished to maintain his status as a \u201cmystery man\u201d was asking for trouble by attaching his own actual surname to his costumed identity\u2019s moniker, the people at DC seemed to have caught on to that idea as early as his second adventure, in which a police detective posed the obvious question to biochemist Rex Tyler (see right).\u00a0 (My thanks to my fellow blogger Dan Hagen<\/a> for this particular nugget.)<\/p>\n

\"\"<\/a><\/p>\n

Knocked from the sky, Zanadu crashes through the roof of the JSA\u2019s headquarters to land in the team\u2019s meeting room.\u00a0 Once Hourman and the Kid have followed him down, the villain declares that rather than follow through on his original intent to destroy the city, he will focus all of his power on them instead.\u00a0 \u201cPrepare for your death, mortals \u2014 and for a scream that will be heard around your puny world!\u201d<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

If any further proof was needed, the preceding sequence has made it clear that this book\u2019s creative team has received the memo sent by Martin Pasko and Walt Simonson via their spectacular \u201cDoctor Fate\u201d solo story of the previous year<\/a>.\u00a0 Never again in this series will we see Dr. Fate portrayed as an ordinary ol\u2019 magician in a cape and helmet; rather, he\u2019ll be consistently depicted as he is here:\u00a0 an awesome immortal champion of the forces of Order.<\/p>\n

\"\"<\/a><\/p>\n

Like the Fiddler, the Icicle has been associated with the Injustice Society<\/em> (ahem) since 1948\u2019s All-Star Comics<\/em> #41.\u00a0 As to whether his mysterious associates are fellow veterans, or (like Grundy) brand-new additions \u2014 or maybe a mix of both? \u2014 well, we\u2019ll just have to wait a couple of months and see.<\/p>\n\n

This was Keith Giffen\u2019s fourth outing as All-Star Comics<\/em>\u2018 layout artist \u2014 and, as things turned out, his last.\u00a0 By his own recollection (as given to Roy Thomas in Alter Ego<\/em> #14) the news that he was losing the assignment came while Gerry Conway was still on board as the title\u2019s editor:<\/p>\n

\n

Gerry at one point said to me, \u201cWoody\u2019s having so much fun on the book that he wants to do it solo.\u201d\u00a0 But Gerry didn\u2019t throw me into the street.\u00a0 He had something waiting for me, but what was I going to say?\u00a0 Like I felt kind of good.\u00a0 Like, wow, I kind of got Wally Wood charged up. [laughs]<\/em><\/p>\n<\/blockquote>\n

Later in the same 2002 interview, Giffen offered further details about his departure, saying, \u201cGerry had Kamandi<\/em> or some other book lined up for me.\u201d\u00a0 But in fact, Giffen had begun drawing Kamandi<\/em> several months prior to this, while still in the midst of his All-Star<\/em> run.\u00a0 It seems likely that Giffen was misremembering the circumstances a bit, as his very next gig after ASC<\/em> would actually be Marvel Comics\u2019 The Defenders<\/em> \u2014 another super-team series, which, beginning with its 42nd issue (arriving in spinner racks in September, 1976) would feature his layouts \u2014 as well as the scripts of its new writer\/editor, one Gerry Conway.<\/p>\n

And, in fact, that\u2019s pretty much how Conway himself remembered things, in his own Alter Ego<\/em> #14 interview:<\/p>\n

\n

I gave Keith the [All-Star Comics<\/em>] assignment based on his samples.\u00a0 Like Ric [Estrada, Giffen\u2019s predecessor], he had a very strong design\/storytelling sense, though his draftsmanship wasn\u2019t as polished as it later became.\u00a0 Nobody would use him, but I thought he\u2019d do a kick-ass job, and I\u2019d like to think I was right.\u00a0 I later brought him over to Marvel*<\/a>, where he penciled The Defenders<\/em> for me, I believe.<\/p>\n<\/blockquote>\n

Keith Giffen would in fact remain on Defenders<\/em> for a full year \u2014 12 monthly issues \u2014 during which time he would indeed develop and grow as an artist. Somewhat ironically, his stint on that book ended up being a good bit longer than that of Conway, who\u2019d be leaving the title after only four issues \u2014 and leaving Marvel Comics to return once more to DC, just one month after that \u2014 though that\u2019s a topic we\u2019ll need to reserve for discussion in future posts, naturally.<\/p>\n

\u00a0<\/p>\n

*Actually, Giffen had already drawn a few one-off strips for Marvel before taking on Defenders<\/em>; but Conway did give him his first regular, ongoing series assignment at the publisher.<\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"

Our half-century-old topic of discussion today picks up its ongoing storyline in the immediate aftermath of the previous issue,\u00a0 So, if you\u2019re not already familiar with what happened in All-Star Comics #62, you might want to go catch up via our post about that one before proceeding, as we\u2019re going to jump right into this […]<\/p>\n","protected":false},"author":1,"featured_media":7042991,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[119925,205395,109260,205396,109950,176588,205397,205398,197681,113155,176589,205399,205400,183167,152213,205401,205402,205403,109274,205404,205405,110517,166542,205406],"tags":[15593,9458,205407],"dealstore":[],"offerexpiration":[],"class_list":["post-7042990","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-adventure-comics","category-bernard-bailey","category-bronze-age-comics","category-carl-gafford","category-dc-comics","category-doctor-fate","category-doctor-mid-nite","category-fiddler","category-flash","category-green-lantern","category-hawkman","category-hourman","category-injustice-society-of-the-world","category-justice-society-of-america","category-keith-giffen","category-ken-fitch","category-paul-levitz","category-power-girl","category-rich-buckler","category-solomon-grundy","category-star-spangled-kid","category-superman","category-wally-wood","category-wildcat","tag-allstar","tag-comics","tag-nov-dec"],"yoast_head":"\nAll-Star Comics #63 (Nov.-Dec., 1976) - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=7042990\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"All-Star Comics #63 (Nov.-Dec., 1976) - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Our half-century-old topic of discussion today picks up its ongoing storyline in the immediate aftermath of the previous issue,\u00a0 So, if you\u2019re not already familiar with what happened in All-Star Comics #62, you might want to go catch up via our post about that one before proceeding, as we\u2019re going to jump right into this […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fivemor.com\/?p=7042990\" \/>\n<meta property=\"og:site_name\" content=\"Som2ny Network\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-20T19:39:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fivemor.com\/wp-content\/uploads\/2026\/08\/asc63.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"596\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/fivemor.com\/?p=7042990#article\",\"isPartOf\":{\"@id\":\"https:\/\/fivemor.com\/?p=7042990\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/fivemor.com\/#\/schema\/person\/b85e3c3dc0e1daea076524dc8810c371\"},\"headline\":\"All-Star Comics #63 (Nov.-Dec., 1976)\",\"datePublished\":\"2026-08-20T19:39:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/fivemor.com\/?p=7042990\"},\"wordCount\":1823,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/fivemor.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/fivemor.com\/?p=7042990#primaryimage\"},\"thumbnailUrl\":\"https:\/\/fivemor.com\/wp-content\/uploads\/2026\/08\/asc63.jpg\",\"keywords\":[\"AllStar\",\"Comics\",\"Nov.Dec\"],\"articleSection\":[\"Adventure Comics\",\"Bernard Bailey\",\"Bronze Age comics\",\"Carl Gafford\",\"DC Comics\",\"Doctor Fate\",\"Doctor Mid-Nite\",\"Fiddler\",\"Flash\",\"Green Lantern\",\"Hawkman\",\"Hourman\",\"Injustice Society of the World\",\"Justice Society of America\",\"Keith Giffen\",\"Ken Fitch\",\"Paul Levitz\",\"Power Girl\",\"Rich Buckler\",\"Solomon Grundy\",\"Star-Spangled Kid\",\"Superman\",\"Wally Wood\",\"Wildcat\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/fivemor.com\/?p=7042990#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fivemor.com\/?p=7042990\",\"url\":\"https:\/\/fivemor.com\/?p=7042990\",\"name\":\"All-Star Comics #63 (Nov.-Dec., 1976) - 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