I\u2019ve been a working travel photographer for more than fifteen years, and I still come home from every trip with a memory card holding two or three thousand frames. Taking photos is the easy part. The bit where most people get stuck is what to actually do with them once you\u2019re home, sitting on a card full of a trip you don\u2019t want to lose.<\/p>\n
This guide goes through the exact workflow I run after every trip, from the moment the card comes out of the camera to the point where my favourite shots are backed up in three places, organised so I can find them in seconds, and actually being enjoyed instead of slowly rotting in a folder called \u201cNew Folder (2)\u201d.<\/p>\n
I\u2019ll tell you which steps really matter and which you can skip, including the answer to a question I\u2019m often asked: whether you can make any money from your travel photos. (Short version, it\u2019s a lot harder than the internet makes it sound, and I\u2019ll explain why further down.)<\/p>\n
\u00a0<\/p>\n
Quick Take: What to Do With Your Travel Photos<\/h2>\nHere\u2019s the workflow in order:<\/p>\n
\n- Get everything off the card and cull the rejects<\/li>\n
- Back up your photos before you touch anything else. This is the one step you cannot skip.<\/li>\n
- Organise them so you can find a specific shot months later.<\/li>\n
- Edit your keepers, lightly unless editing is your thing.<\/li>\n
- Share them and build somewhere to keep your best work.<\/li>\n
- Print the ones you love, and treat selling as a bonus rather than a plan.<\/li>\n<\/ol>\n
If you only do one thing on this list, do number two. A backed-up photo can survive a lost laptop, a stolen bag or a dead hard drive. An un-backed-up photo is one accident away from gone, and I\u2019ve watched friends learn that the expensive way.<\/p>\n
\u00a0<\/p>\n
Step 1: Get Your Photos Off the Card and Cull the Keepers<\/h2>\nThe first job is just to get everything off the memory card and onto a computer. Memory cards are the most fragile link in the whole chain. They get reused, reformatted, dropped and lost, and a card sitting in a drawer is a single point of failure waiting to happen, not a backup.<\/p>\n
Copy the lot across, then leave the card alone until the photos are safely in at least two places (more on that in the next step).<\/p>\n
Once the files are on your computer, cull. This is the step people avoid, and it\u2019s the one that pays off most. I shoot in bursts for wildlife, so a single sea eagle dropping for a fish might be forty near-identical frames. Two of them are sharp and well composed. I keep those two and bin the other thirty-eight without a second thought. Do the same across the whole trip: delete the blurry ones, the test shots, the frames where someone blinked, and the fifteen almost-identical versions of the same view.<\/p>\n
![\"Culling](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/Culling-travel-photos-in-Lightrooms-grid-view-by-Laurence-Norah.webp\")
<\/p>\n
How I cull: flag the keepers, reject the rest. Optional but recommended: delete the rejects.<\/em><\/p>\nYou don\u2019t need to be precious about it. Storage is cheap, but attention is not, and a library with a thousand sharp keepers is far more useful than one with twelve thousand maybes you\u2019ll never look at again. I use the flag system in Lightroom (pick the keepers, reject the obvious bin, delete the rejects in one go), but the same logic works in pretty much any photo app, or even just dragging files into a folder. The goal is to walk away with a set of photos you actually care about.<\/p>\n
![\"A](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/Sandhill-crane-in-flight-with-wings-fully-extended-by-Laurence-Norah.webp\")
<\/p>\n
The keeper from a forty-frame burst. Canon EOS R5 with the EF 100-400mm at 400mm, f\/5.6 at 1\/2000, ISO 2000.<\/em><\/p>\n\u00a0<\/p>\n
Step 2: Back Up Before You Do Anything Else<\/h2>\nThis is the non-negotiable one, so I\u2019m going to spend a bit longer on it. Before I shot for a living I wrote software, and the lesson that gets drilled into you early is blunt: data you have not backed up is data you are choosing to lose. Hard drives fail. Laptops get stolen. People spill coffee. It\u2019s not a question of if a drive dies, only when, and you don\u2019t want your only copy of a once-in-a-lifetime trip on it when it does.<\/p>\n
The one framework you need is the 3-2-1 rule<\/strong>: keep at least 3<\/strong> copies of every photo, on 2<\/strong> different types of media, with 1<\/strong> of those copies stored somewhere off-site. It sounds like overkill until the first time it saves you. Here\u2019s how that looks for me.<\/p>\nOn the road:<\/strong> I import each day\u2019s photos onto my laptop, then immediately copy them onto a rugged external SSD that lives in a different bag to the laptop. If one bag walks, the photos are still in the other. A pocket SSD is small, fast, and pretty cheap these days, so there\u2019s no excuse not to carry one. (The SanDisk Extreme range<\/a> is the one I recommend, though any reputable rugged drive does the job.)<\/p>\n![\"A](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/A-laptop-and-a-rugged-external-SSD-for-backing-up-travel-photos.webp\")
<\/p>\n
My on-the-road backup: laptop plus a pocket SSD kept in a separate bag.<\/em><\/p>\nAt home:<\/strong> everything lands on my main machine, which mirrors automatically to a NAS (a network drive that sits in the house and holds a second copy of everything), and backs up continuously to Backblaze<\/a> for the off-site copy. Backblaze gives you unlimited backup for one computer at a flat $99 a year as of 2026, which for the peace of mind is the easiest money I spend on this whole hobby.<\/p>\nMy own NAS is a tiny Beelink mini PC running Unraid, with the drives attached over USB. It\u2019s small enough that the whole thing lives inside my desktop case. If you\u2019d rather not tinker, you can buy a ready-made one off the shelf and have it running in an afternoon. (A two-bay Synology like this one<\/a> is the classic ready-made starting point.)<\/p>\nThat\u2019s three copies (main machine, NAS, cloud) on two types of media (local drives and the cloud) with one off-site (Backblaze). The whole thing runs in the background and I barely think about it, which is exactly the point. A backup you have to remember to do is a backup that won\u2019t happen. If you want the full breakdown of my setup, including the specific software and how I have it scheduled, I go into all of it in my dedicated guide to backing up your photos<\/a>.<\/p>\n\u00a0<\/p>\n
Step 3: Organise So You Can Actually Find Things<\/h2>\nA backed-up photo you can\u2019t find again is only half useful. My folder structure is deliberately boring: a folder for each year, and inside it a folder for each trip or destination, named plainly (\u201c2025 Iceland\u201d, \u201c2025 Lake District\u201d). That\u2019s it. I don\u2019t build elaborate sub-folders for every town and beach, because the real organising happens somewhere else.<\/p>\n
The piece most people never set up is Lightroom Collections<\/strong>, and they\u2019re the single biggest reason I can pull up any shot in seconds. Folders are physical: a photo lives in exactly one folder on your drive.<\/p>\nCollections are virtual: the same photo can sit in several at once, without ever duplicating the file. Mine are named for where a photo is going rather than what\u2019s in it, so I have one per blog post, one for prints, one for social, one for competition entries. When I need the shots for a piece I\u2019m writing, or the ten I\u2019m sending to a print lab, they\u2019re already gathered in one place instead of scattered across twelve years of trip folders.<\/p>\n
![\"A](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/Travel-photo-folder-structure-organised-by-year-and-trip-by-Laurence-Norah.webp\")
<\/p>\n
My folders stay simple: year, then trip. The clever filing happens in Lightroom.<\/em><\/p>\n![\"The](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/Lightroom-Collections-panel-with-a-collection-for-each-blog-post-by-Laurence-Norah.webp\")
<\/p>\n
Collections let one photo live in several groups at once. This is where the real organising happens.<\/em><\/p>\nSmart Collections take it a step further: you set a rule once (say, every five-star photo from 2025) and Lightroom keeps the collection updated for you as you rate new imports.<\/p>\n
Set up a \u201cPortfolio\u201d smart collection for your very best work and it quietly builds itself over the years. You don\u2019t need to copy my exact system, but do separate the two ideas in your head: keep the folders simple, and let a catalogue tool do the clever grouping.<\/p>\n
\u00a0<\/p>\n
Step 4: Edit Your Keepers, Lightly<\/h2>\nEditing is a whole craft of its own, and I\u2019m not going to try to teach it in a paragraph. For the purposes of this workflow, the job is small: take the keepers you flagged in step one and give them a quick pass. Get the exposure right, fix the white balance, straighten any wonky horizons, crop for a stronger composition, and lift the shadows if the scene was high-contrast. Ninety percent of a good travel photo is in those few adjustments.<\/p>\n
I do all of mine in Adobe Lightroom<\/a>, which is also where I cull and organise, so the whole thing happens in one place. You really don\u2019t need to edit every frame. Edit the ones you\u2019re going to share, print or use, and leave the rest as they are. If you want to go deeper on my actual editing approach, presets and export settings, I\u2019m putting together a dedicated guide to my Lightroom travel editing workflow, and I\u2019ll link it here when it\u2019s live. For now, keep this step light and don\u2019t let \u201cperfecting\u201d your photos become the reason they never make it out of the catalogue.<\/p>\n![\"A](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/Editing-a-travel-photo-in-Lightrooms-Develop-module.webp\")
<\/p>\n
A quick pass in Lightroom: exposure, white balance, a straighten and a crop. That\u2019s most of it.<\/em><\/p>\n\u00a0<\/p>\n
Step 5: Share Your Photos and Build a Home for Your Best Work<\/h2>\nPhotos are made to be looked at, and this is the step where that finally happens. There are really three things you might want to do here, and the right tool depends on which one you mean: share a full-resolution gallery privately with the people who were on the trip, build a public portfolio of your best work, or post to social media to reach a wider audience. Most people want a bit of all three.<\/p>\n
Here\u2019s how the main options stack up.<\/p>\n
If you only do one thing on this list, do number two. A backed-up photo can survive a lost laptop, a stolen bag or a dead hard drive. An un-backed-up photo is one accident away from gone, and I\u2019ve watched friends learn that the expensive way.<\/p>\n
\u00a0<\/p>\n
Step 1: Get Your Photos Off the Card and Cull the Keepers<\/h2>\nThe first job is just to get everything off the memory card and onto a computer. Memory cards are the most fragile link in the whole chain. They get reused, reformatted, dropped and lost, and a card sitting in a drawer is a single point of failure waiting to happen, not a backup.<\/p>\n
Copy the lot across, then leave the card alone until the photos are safely in at least two places (more on that in the next step).<\/p>\n
Once the files are on your computer, cull. This is the step people avoid, and it\u2019s the one that pays off most. I shoot in bursts for wildlife, so a single sea eagle dropping for a fish might be forty near-identical frames. Two of them are sharp and well composed. I keep those two and bin the other thirty-eight without a second thought. Do the same across the whole trip: delete the blurry ones, the test shots, the frames where someone blinked, and the fifteen almost-identical versions of the same view.<\/p>\n
<\/p>\n
How I cull: flag the keepers, reject the rest. Optional but recommended: delete the rejects.<\/em><\/p>\nYou don\u2019t need to be precious about it. Storage is cheap, but attention is not, and a library with a thousand sharp keepers is far more useful than one with twelve thousand maybes you\u2019ll never look at again. I use the flag system in Lightroom (pick the keepers, reject the obvious bin, delete the rejects in one go), but the same logic works in pretty much any photo app, or even just dragging files into a folder. The goal is to walk away with a set of photos you actually care about.<\/p>\n
<\/p>\n
The keeper from a forty-frame burst. Canon EOS R5 with the EF 100-400mm at 400mm, f\/5.6 at 1\/2000, ISO 2000.<\/em><\/p>\n\u00a0<\/p>\n
Step 2: Back Up Before You Do Anything Else<\/h2>\nThis is the non-negotiable one, so I\u2019m going to spend a bit longer on it. Before I shot for a living I wrote software, and the lesson that gets drilled into you early is blunt: data you have not backed up is data you are choosing to lose. Hard drives fail. Laptops get stolen. People spill coffee. It\u2019s not a question of if a drive dies, only when, and you don\u2019t want your only copy of a once-in-a-lifetime trip on it when it does.<\/p>\n
The one framework you need is the 3-2-1 rule<\/strong>: keep at least 3<\/strong> copies of every photo, on 2<\/strong> different types of media, with 1<\/strong> of those copies stored somewhere off-site. It sounds like overkill until the first time it saves you. Here\u2019s how that looks for me.<\/p>\nOn the road:<\/strong> I import each day\u2019s photos onto my laptop, then immediately copy them onto a rugged external SSD that lives in a different bag to the laptop. If one bag walks, the photos are still in the other. A pocket SSD is small, fast, and pretty cheap these days, so there\u2019s no excuse not to carry one. (The SanDisk Extreme range<\/a> is the one I recommend, though any reputable rugged drive does the job.)<\/p>\n<\/p>\n
My on-the-road backup: laptop plus a pocket SSD kept in a separate bag.<\/em><\/p>\nAt home:<\/strong> everything lands on my main machine, which mirrors automatically to a NAS (a network drive that sits in the house and holds a second copy of everything), and backs up continuously to Backblaze<\/a> for the off-site copy. Backblaze gives you unlimited backup for one computer at a flat $99 a year as of 2026, which for the peace of mind is the easiest money I spend on this whole hobby.<\/p>\nMy own NAS is a tiny Beelink mini PC running Unraid, with the drives attached over USB. It\u2019s small enough that the whole thing lives inside my desktop case. If you\u2019d rather not tinker, you can buy a ready-made one off the shelf and have it running in an afternoon. (A two-bay Synology like this one<\/a> is the classic ready-made starting point.)<\/p>\nThat\u2019s three copies (main machine, NAS, cloud) on two types of media (local drives and the cloud) with one off-site (Backblaze). The whole thing runs in the background and I barely think about it, which is exactly the point. A backup you have to remember to do is a backup that won\u2019t happen. If you want the full breakdown of my setup, including the specific software and how I have it scheduled, I go into all of it in my dedicated guide to backing up your photos<\/a>.<\/p>\n\u00a0<\/p>\n
Step 3: Organise So You Can Actually Find Things<\/h2>\nA backed-up photo you can\u2019t find again is only half useful. My folder structure is deliberately boring: a folder for each year, and inside it a folder for each trip or destination, named plainly (\u201c2025 Iceland\u201d, \u201c2025 Lake District\u201d). That\u2019s it. I don\u2019t build elaborate sub-folders for every town and beach, because the real organising happens somewhere else.<\/p>\n
The piece most people never set up is Lightroom Collections<\/strong>, and they\u2019re the single biggest reason I can pull up any shot in seconds. Folders are physical: a photo lives in exactly one folder on your drive.<\/p>\nCollections are virtual: the same photo can sit in several at once, without ever duplicating the file. Mine are named for where a photo is going rather than what\u2019s in it, so I have one per blog post, one for prints, one for social, one for competition entries. When I need the shots for a piece I\u2019m writing, or the ten I\u2019m sending to a print lab, they\u2019re already gathered in one place instead of scattered across twelve years of trip folders.<\/p>\n
<\/p>\n
My folders stay simple: year, then trip. The clever filing happens in Lightroom.<\/em><\/p>\n<\/p>\n
Collections let one photo live in several groups at once. This is where the real organising happens.<\/em><\/p>\nSmart Collections take it a step further: you set a rule once (say, every five-star photo from 2025) and Lightroom keeps the collection updated for you as you rate new imports.<\/p>\n
Set up a \u201cPortfolio\u201d smart collection for your very best work and it quietly builds itself over the years. You don\u2019t need to copy my exact system, but do separate the two ideas in your head: keep the folders simple, and let a catalogue tool do the clever grouping.<\/p>\n
\u00a0<\/p>\n
Step 4: Edit Your Keepers, Lightly<\/h2>\nEditing is a whole craft of its own, and I\u2019m not going to try to teach it in a paragraph. For the purposes of this workflow, the job is small: take the keepers you flagged in step one and give them a quick pass. Get the exposure right, fix the white balance, straighten any wonky horizons, crop for a stronger composition, and lift the shadows if the scene was high-contrast. Ninety percent of a good travel photo is in those few adjustments.<\/p>\n
I do all of mine in Adobe Lightroom<\/a>, which is also where I cull and organise, so the whole thing happens in one place. You really don\u2019t need to edit every frame. Edit the ones you\u2019re going to share, print or use, and leave the rest as they are. If you want to go deeper on my actual editing approach, presets and export settings, I\u2019m putting together a dedicated guide to my Lightroom travel editing workflow, and I\u2019ll link it here when it\u2019s live. For now, keep this step light and don\u2019t let \u201cperfecting\u201d your photos become the reason they never make it out of the catalogue.<\/p>\n<\/p>\n
A quick pass in Lightroom: exposure, white balance, a straighten and a crop. That\u2019s most of it.<\/em><\/p>\n\u00a0<\/p>\n
Step 5: Share Your Photos and Build a Home for Your Best Work<\/h2>\nPhotos are made to be looked at, and this is the step where that finally happens. There are really three things you might want to do here, and the right tool depends on which one you mean: share a full-resolution gallery privately with the people who were on the trip, build a public portfolio of your best work, or post to social media to reach a wider audience. Most people want a bit of all three.<\/p>\n
Here\u2019s how the main options stack up.<\/p>\n
<\/p>\nYou don\u2019t need to be precious about it. Storage is cheap, but attention is not, and a library with a thousand sharp keepers is far more useful than one with twelve thousand maybes you\u2019ll never look at again. I use the flag system in Lightroom (pick the keepers, reject the obvious bin, delete the rejects in one go), but the same logic works in pretty much any photo app, or even just dragging files into a folder. The goal is to walk away with a set of photos you actually care about.<\/p>\n
<\/p>\n
The keeper from a forty-frame burst. Canon EOS R5 with the EF 100-400mm at 400mm, f\/5.6 at 1\/2000, ISO 2000.<\/em><\/p>\n \u00a0<\/p>\n This is the non-negotiable one, so I\u2019m going to spend a bit longer on it. Before I shot for a living I wrote software, and the lesson that gets drilled into you early is blunt: data you have not backed up is data you are choosing to lose. Hard drives fail. Laptops get stolen. People spill coffee. It\u2019s not a question of if a drive dies, only when, and you don\u2019t want your only copy of a once-in-a-lifetime trip on it when it does.<\/p>\n The one framework you need is the 3-2-1 rule<\/strong>: keep at least 3<\/strong> copies of every photo, on 2<\/strong> different types of media, with 1<\/strong> of those copies stored somewhere off-site. It sounds like overkill until the first time it saves you. Here\u2019s how that looks for me.<\/p>\n On the road:<\/strong> I import each day\u2019s photos onto my laptop, then immediately copy them onto a rugged external SSD that lives in a different bag to the laptop. If one bag walks, the photos are still in the other. A pocket SSD is small, fast, and pretty cheap these days, so there\u2019s no excuse not to carry one. (The SanDisk Extreme range<\/a> is the one I recommend, though any reputable rugged drive does the job.)<\/p>\n My on-the-road backup: laptop plus a pocket SSD kept in a separate bag.<\/em><\/p>\n At home:<\/strong> everything lands on my main machine, which mirrors automatically to a NAS (a network drive that sits in the house and holds a second copy of everything), and backs up continuously to Backblaze<\/a> for the off-site copy. Backblaze gives you unlimited backup for one computer at a flat $99 a year as of 2026, which for the peace of mind is the easiest money I spend on this whole hobby.<\/p>\n My own NAS is a tiny Beelink mini PC running Unraid, with the drives attached over USB. It\u2019s small enough that the whole thing lives inside my desktop case. If you\u2019d rather not tinker, you can buy a ready-made one off the shelf and have it running in an afternoon. (A two-bay Synology like this one<\/a> is the classic ready-made starting point.)<\/p>\n That\u2019s three copies (main machine, NAS, cloud) on two types of media (local drives and the cloud) with one off-site (Backblaze). The whole thing runs in the background and I barely think about it, which is exactly the point. A backup you have to remember to do is a backup that won\u2019t happen. If you want the full breakdown of my setup, including the specific software and how I have it scheduled, I go into all of it in my dedicated guide to backing up your photos<\/a>.<\/p>\n \u00a0<\/p>\n A backed-up photo you can\u2019t find again is only half useful. My folder structure is deliberately boring: a folder for each year, and inside it a folder for each trip or destination, named plainly (\u201c2025 Iceland\u201d, \u201c2025 Lake District\u201d). That\u2019s it. I don\u2019t build elaborate sub-folders for every town and beach, because the real organising happens somewhere else.<\/p>\n The piece most people never set up is Lightroom Collections<\/strong>, and they\u2019re the single biggest reason I can pull up any shot in seconds. Folders are physical: a photo lives in exactly one folder on your drive.<\/p>\n Collections are virtual: the same photo can sit in several at once, without ever duplicating the file. Mine are named for where a photo is going rather than what\u2019s in it, so I have one per blog post, one for prints, one for social, one for competition entries. When I need the shots for a piece I\u2019m writing, or the ten I\u2019m sending to a print lab, they\u2019re already gathered in one place instead of scattered across twelve years of trip folders.<\/p>\n My folders stay simple: year, then trip. The clever filing happens in Lightroom.<\/em><\/p>\n Collections let one photo live in several groups at once. This is where the real organising happens.<\/em><\/p>\n Smart Collections take it a step further: you set a rule once (say, every five-star photo from 2025) and Lightroom keeps the collection updated for you as you rate new imports.<\/p>\n Set up a \u201cPortfolio\u201d smart collection for your very best work and it quietly builds itself over the years. You don\u2019t need to copy my exact system, but do separate the two ideas in your head: keep the folders simple, and let a catalogue tool do the clever grouping.<\/p>\n \u00a0<\/p>\n Editing is a whole craft of its own, and I\u2019m not going to try to teach it in a paragraph. For the purposes of this workflow, the job is small: take the keepers you flagged in step one and give them a quick pass. Get the exposure right, fix the white balance, straighten any wonky horizons, crop for a stronger composition, and lift the shadows if the scene was high-contrast. Ninety percent of a good travel photo is in those few adjustments.<\/p>\n I do all of mine in Adobe Lightroom<\/a>, which is also where I cull and organise, so the whole thing happens in one place. You really don\u2019t need to edit every frame. Edit the ones you\u2019re going to share, print or use, and leave the rest as they are. If you want to go deeper on my actual editing approach, presets and export settings, I\u2019m putting together a dedicated guide to my Lightroom travel editing workflow, and I\u2019ll link it here when it\u2019s live. For now, keep this step light and don\u2019t let \u201cperfecting\u201d your photos become the reason they never make it out of the catalogue.<\/p>\n A quick pass in Lightroom: exposure, white balance, a straighten and a crop. That\u2019s most of it.<\/em><\/p>\n \u00a0<\/p>\n Photos are made to be looked at, and this is the step where that finally happens. There are really three things you might want to do here, and the right tool depends on which one you mean: share a full-resolution gallery privately with the people who were on the trip, build a public portfolio of your best work, or post to social media to reach a wider audience. Most people want a bit of all three.<\/p>\n Here\u2019s how the main options stack up.<\/p>\nStep 2: Back Up Before You Do Anything Else<\/h2>\n
<\/p>\nStep 3: Organise So You Can Actually Find Things<\/h2>\n
<\/p>\n<\/p>\nStep 4: Edit Your Keepers, Lightly<\/h2>\n
<\/p>\nStep 5: Share Your Photos and Build a Home for Your Best Work<\/h2>\n
![\"A](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/A-travel-photography-portfolio-hosted-on-SmugMug.webp\")
<\/p>\n![\"The](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/The-Old-Man-of-Storr-reflected-in-Loch-Fada-on-Skye-by-Laurence-Norah.webp\")
<\/p>\n![\"Sunbeams](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2017\/07\/NC500-sunrise-light-beams_by_Laurence-Norah.webp\")
<\/p>\n![\"A](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/Framed-travel-photographs-displayed-on-a-wall-at-home.webp\")
<\/p>\n![\"A](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/A-lone-pine-below-snow-covered-Slioch-on-Loch-Maree-by-Laurence-Norah.webp\")
<\/p>\n![\"A](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/A-travel-photographer-shooting-on-location-with-a-tripod.webp\")
<\/p>\n![\"I'm](\"https:\/\/www.findingtheuniverse.com\/wp-content\/uploads\/2026\/08\/what-to-do-with-travel-photos.webp\")
<\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"