{"id":7030202,"date":"2026-08-06T13:04:02","date_gmt":"2026-08-06T13:04:02","guid":{"rendered":"https:\/\/peraltafinancing.com\/uncategorized\/chernobyl-life-and-other-disasters-the-childrens-bookroom\/"},"modified":"2026-08-06T13:04:02","modified_gmt":"2026-08-06T13:04:02","slug":"chernobyl-life-and-other-disasters-the-childrens-bookroom","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=7030202","title":{"rendered":"Chernobyl, Life, and Other Disasters \u2013 The Children&#8217;s Bookroom"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"wp-block-paragraph\">Per the <em>OED<\/em>: <\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Banal: Commonplace, common, trite; trivial, petty<\/p>\n<\/blockquote>\n<p class=\"wp-block-paragraph\">It\u2019s rather a late word, borrowed from the French, and came to English in the 1830s, which was rather a surprise to me.<\/p>\n<p class=\"wp-block-paragraph\">I love a surprise. <em><a href=\"https:\/\/bookshop.org\/p\/books\/chernobyl-life-and-other-disasters-a-graphic-memoir-yevgenia-nayberg\/61a15ccb0b2cd54f?ean=9780823460588&amp;next=t\" target=\"_blank\" rel=\"noopener\">Chernobyl, Life, and Other Disasters<\/a> <\/em>by Yevgenia Nayberg was a surprise.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11921\" data-permalink=\"https:\/\/childrensbookroom.com\/2026\/06\/05\/chernobyl-life-and-other-disasters\/chernobyl\/\" data-orig-file=\"https:\/\/childrensbookroom.com\/wp-content\/uploads\/2026\/06\/chernobyl.webp\" data-orig-size=\"711,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Chernobyl\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/childrensbookroom.com\/wp-content\/uploads\/2026\/06\/chernobyl.webp?w=711\" width=\"711\" height=\"1000\" src=\"https:\/\/childrensbookroom.com\/wp-content\/uploads\/2026\/06\/chernobyl.webp?w=711\" alt=\"\" class=\"wp-image-11921\" style=\"width:233px;height:auto\" srcset=\"https:\/\/childrensbookroom.com\/wp-content\/uploads\/2026\/06\/chernobyl.webp 711w, https:\/\/childrensbookroom.com\/wp-content\/uploads\/2026\/06\/chernobyl.webp?w=107 107w, https:\/\/childrensbookroom.com\/wp-content\/uploads\/2026\/06\/chernobyl.webp?w=213 213w\" sizes=\"auto, (max-width: 711px) 100vw, 711px\"\/><\/figure>\n<\/div>\n<p class=\"wp-block-paragraph\">I will put myself on the chopping book by confessing I do not, on the whole, care for graphic novels, especially those from North America.<sup data-fn=\"53bd882f-cdf4-4181-b8ce-d7ef79269993\" class=\"fn\"><a href=\"#53bd882f-cdf4-4181-b8ce-d7ef79269993\" id=\"53bd882f-cdf4-4181-b8ce-d7ef79269993-link\">1<\/a><\/sup> And, on top of that, I\u2019m not fond of gritty memoirs from painful time periods, self-indulgent navel-gazing, and grim realism.<\/p>\n<p class=\"wp-block-paragraph\">But, for some reason, I love the unflinching realism of this graphic novel memoir by Yevgenia Nayberg, set during the Chernobyl disaster, and coolly facing everything from the antisemitism of unspoken quotas to the deliberate government lies and disinformation during a nuclear disaster. <\/p>\n<p class=\"wp-block-paragraph\">Why?<\/p>\n<p class=\"wp-block-paragraph\">I received this as an ARC several months ago and have read it, I would guess, at least a dozen times since then, struggling with this very question. The easy way out of the question is to say that while, yes, it\u2019s grim and realistic, Genya is a very funny narrator, and, yes, it\u2019s a graphic novel but the art isn\u2019t exactly typical, so it\u2019s ok\u2013 in a nutshell, Yevgenia Nayberg does a very good job, so I can handle it.<\/p>\n<p class=\"wp-block-paragraph\">But I do not like easy answers. They are commonplace, trite. Banal.<\/p>\n<p class=\"wp-block-paragraph\">I want to push into <em>why <\/em>this book succeeds as a book, and at least part of the reason is that it lives in a place of intense self-interrogation, including of form. But it doesn\u2019t say so.<sup data-fn=\"7409d4b5-c17a-4f7f-99ed-58b067068a6f\" class=\"fn\"><a href=\"#7409d4b5-c17a-4f7f-99ed-58b067068a6f\" id=\"7409d4b5-c17a-4f7f-99ed-58b067068a6f-link\">2<\/a><\/sup> <\/p>\n<p class=\"wp-block-paragraph\">The narrated text lives in a jarring tension: the space between Genya\u2019s mind as known <em>in <\/em>the past and the narrator\u2019s <em>memory <\/em>of the past is not always distinct in the text, but the fuzziness is precise, there for a reason. It reflects the very things \u201cadults don\u2019t say,\u201d the unspoken words of life in the Soviet Union. Genya both declares internally (\u201cDid she ever say it aloud?\u201d my mind wonders) \u201cI want to be banal!\u201d and remembers, as the narrator today, the feeling of <em>desire <\/em>to be ordinary, conforming to the world of her peers. But we don\u2019t know how much she expressed openly in this oddly sequestered world. <\/p>\n<p class=\"wp-block-paragraph\">Nayberg\u2019s realism is a truth beyond the bland precision of a row of neatly rimmed panels with saturated colours. In her art, past and present run up against each other in rimless panels, oddly scribbly or misty backgrounds, and slightly eccentric figures with elongated lines, dramatic poses, and at times gorgeously grotesque proportions. Her figures at times recall Modigliani, especially in the curve of a neck here, the tilt of a head there, the shape of an eye glancing to the side. <\/p>\n<p class=\"wp-block-paragraph\">The art pulls you out of your own sense of realism and says, \u201cThis is a different world. This is Genya\u2019s space.\u201d <\/p>\n<p class=\"wp-block-paragraph\">In this world, you never know what you\u2019ll meet on the next page: \u201cAnd then there are the war survivors that never quite survived.\u201d The line is on a vividly green background, a beautifully alive page followed by a dreary, half-dead page after the turn. The jarring impact of life against death (\u201cWhat is survival?\u201d I wonder) rattles the reader. <\/p>\n<p class=\"wp-block-paragraph\">There are no simple answers. Genya must not be banal. We know this, she knows this. Except that, in order to get into art school, she must conform. <em>Then<\/em> she can do whatever real art she likes. Another jarring contrast. And, of course, only if she can get to the art school entrance test through the radiation and then pass it.<\/p>\n<p class=\"wp-block-paragraph\">What is realism, in all this? Reality was, at the time of Chernobyl, so odd that it seems unreal. And Yevgenia Nayberg\u2019s true genius is that of an artist who does not conform to the banal expectation of explication. She records it from her narrative memory, Genya then and now, in all the distortions that she experienced it, without simplification and without apology. It really was that strange a world.<\/p>\n<p class=\"wp-block-paragraph\">What if it still is?<\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Per the OED: Banal: Commonplace, common, trite; trivial, petty It\u2019s rather a late word, borrowed from the French, and came to English in the 1830s, which was rather a surprise to me. I love a surprise. Chernobyl, Life, and Other Disasters by Yevgenia Nayberg was a surprise. I will put myself on the chopping book [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7030204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[103601,193817,352,24073,3333],"dealstore":[],"offerexpiration":[],"class_list":["post-7030202","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-bookroom","tag-chernobyl","tag-childrens","tag-disasters","tag-life"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Chernobyl, Life, and Other Disasters \u2013 The Children&#039;s Bookroom - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=7030202\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chernobyl, Life, and Other Disasters \u2013 The Children&#039;s Bookroom - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Per the OED: Banal: Commonplace, common, trite; trivial, petty It\u2019s rather a late word, borrowed from the French, and came to English in the 1830s, which was rather a surprise to me. 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