{"id":7029747,"date":"2026-08-06T06:58:09","date_gmt":"2026-08-06T06:58:09","guid":{"rendered":"https:\/\/peraltafinancing.com\/uncategorized\/about-william-strunk-jr-and-his-other-books\/"},"modified":"2026-08-06T06:58:09","modified_gmt":"2026-08-06T06:58:09","slug":"about-william-strunk-jr-and-his-other-books","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=7029747","title":{"rendered":"About William Strunk Jr. and His Other Books"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"post-body-6498025245811781974\" itemprop=\"description articleBody\">\n<p><i>The Elements of Style, <\/i>William Strunk Jr&#8217;s<i>\u00a0<\/i>little book, is the little book that E. B. White made famous. \u00a0But that&#8217;s not\u00a0the only book of his. \u00a0Here are some of his other books.<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgXgKKEM8nrX80sGsx0haOoN2cf_ZR4ezfTJ1x8ZuWMnaf0I20lCdsRcE7MSUmu0sZ_yiaAm3kWFt75qnpjQ5NAxcrVZ02ROfn7baHEQ4j9IcaSx4kqBPhyPcOlChxhvopgyg2Pd3OBceW8dQTljSB9wV3gLJ_ysxqX_NMTKzLyYW5b18N4IyWMJM0Z=s2399\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1842\" data-original-width=\"2399\" height=\"492\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgXgKKEM8nrX80sGsx0haOoN2cf_ZR4ezfTJ1x8ZuWMnaf0I20lCdsRcE7MSUmu0sZ_yiaAm3kWFt75qnpjQ5NAxcrVZ02ROfn7baHEQ4j9IcaSx4kqBPhyPcOlChxhvopgyg2Pd3OBceW8dQTljSB9wV3gLJ_ysxqX_NMTKzLyYW5b18N4IyWMJM0Z=w640-h492\" width=\"640\"\/><\/a><\/div>\n<p><i>\u00a0<\/i><\/p>\n<p><i>Macaulay&#8217;s and Carlyle&#8217;s Essay on Samuel \u00a0Johnson<\/i> edited by William Strunk, Jr. New York: Henry Holt, 1895.<\/p>\n<p><i>Macaulay&#8217;s and Carlyle&#8217;s Essays on Samuel Johnson <\/i>edited by William Strunk, Jr. New York: Henry Holt, 1896 (second revised edition).<\/p>\n<p><i>Juliana <\/i>edited by William Strunk, Jr. Boston: D. C. Heath 1904<\/p>\n<p><i>The Importance of the Ghost in Hamlet <\/i>by William Strunk, Jr. Reprinted from <i>Studies in Language and Literature in Honor of James Morgan Hart.\u00a0<\/i>New York: Henry Holt, 1910.<\/p>\n<p><i>Studies in Language and Literature in Celebration of the Seventieth Birthday of James Morgan Hart <\/i>edited by Clark Sutherland Northup, Martin Wright Sampson, William Strunk Jr. and Frank Thilly, New York: Henry Holt, 1910.<\/p>\n<p><i>Romeo and Juliet <\/i>by William Shakespeare,\u00a0edited by William Strunk, Jr. Boston: Riverside Press, 1911.<\/p>\n<p>T<i>he Last of the Mohicans<\/i> by James Fenimore Cooper, edited for school sue by William Strunk, Jr. Yonkers-on-Hudson: World Book Company, 1913.<\/p>\n<p><i>The Tragedy of Julius C\u00e6sar <\/i>by William Shakespeare,\u00a0edited by Arthur D. Innes, American edition revised by William Strunk, Jr. Boston: D. C. Heath, 1915.<\/p>\n<p><i>English Metres <\/i>by William Strunk, Jr. Ithaca: Cornell Co-Operative Society, 1922.<\/p>\n<p><i>Topics and Questions on Shakespeare <\/i>by William Strunk Jr. Ithaca: Cornell Co-Operative Society, 1927\/<\/p>\n<div>\n<blockquote><p>Not listed but headed my way from Saucony Book Shop is a copy of <i>All For Love and the Spanish Fryar <\/i>by John Dryden edited by William \u00a0Strunk Jr. Boston: D. C. Heath, 1911.<\/p><\/blockquote>\n<\/div>\n<p><b>Here are some tidbits and anecdotes about Strunk and some of his books.<\/b><\/p>\n<p>As a Samuel Johnson collector myself, \u00a0I was delighted to discover that William Strunk&#8217;s first book was <i>Macaulay&#8217;s and Carlyle&#8217;s Essays on Samuel Johnson.<\/i> \u00a0 I thought so much of the book that I didn&#8217;t even ask for a refund when the book arrived with the front and rear covers cracked due to poor packing by the eBay seller.<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiCOu5wQMIxf1K8eDmgYIE9YhMsmAharAeHEoR4dNlRjxQFS7kclQqX3bWPget2c4WlszjUgRgKv1d5fPmTp3gg4qH1QbELDTlM_ThbJvUg2FdFXgxyhlA-88ce27zMxtpE0gf0QXGXCamJAZ6CEBZjG4DZUkuovgab6mn3vRNIZhkLLFjvtgMS33lg=s2400\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1800\" data-original-width=\"2400\" height=\"480\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiCOu5wQMIxf1K8eDmgYIE9YhMsmAharAeHEoR4dNlRjxQFS7kclQqX3bWPget2c4WlszjUgRgKv1d5fPmTp3gg4qH1QbELDTlM_ThbJvUg2FdFXgxyhlA-88ce27zMxtpE0gf0QXGXCamJAZ6CEBZjG4DZUkuovgab6mn3vRNIZhkLLFjvtgMS33lg=w640-h480\" width=\"640\"\/><\/a><\/div>\n<p>I was even more delighted after reading Strunk&#8217;s comments in the very first \u00a0paragraph of his Introduction concerning the sources of Johnson and Boswell that are mentioned in the essays of Macaulay and Carlyle.<\/p>\n<blockquote>\n<p>The first great authorities for the lives of the two are Boswell&#8217;s <i>Life of Johnson <\/i>and\u00a0<i>Tour to the Hebrides. \u00a0<\/i>Besides the great literary excellence of these works, their great veracity and accuracy are unquestioned. \u00a0The other sources for Johnson&#8217;s biography, mentioned in the two essays, add little to what Boswell tells, and are of interest chiefly to annotators of the <i>Life. \u00a0<\/i>Mrs. Thrale gives some anecdotes not found elsewhere, it is true, but her book has no serious value; it is merely amusing. \u00a0Hawkins is proverbially dull, and has an air of giving information at second hand. \u00a0Tyers gives merely a rambling collection of gossip, told in commonplace fashion. \u00a0Murphy, a professional man of letters and a personal friend, wrote a life of Johnson as one of his literary commissions, just as he has previously written a life of Fielding; satisfactory performances in their day, but now obsolete.<\/p>\n<\/blockquote>\n<p><span><span><span>The great Johnsonian collector, R. B. Adam, thought enough of the book to acquire a copy for his Johnsonian Collection.<\/span><\/span><\/span><\/p>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto; margin-right: auto;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEi_JgkqtR02pRdGgixI6BDZKVqvdyt3mtxkQrgAmtyx8j1jXdqyaoN6J5igc2BwYT1c1ERJmCbUtvo5CX3Id3fpSq8-dUu3YXnytZKNt6jRSg2Q54gpLjjcvyrucU6xuVY7vccUyVP5Sn0HhZuKyagTwQN5IZts7tP1_XF4jLk8FsRjE1j3lI0_swn8=s2400\" style=\"margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1800\" data-original-width=\"2400\" height=\"480\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEi_JgkqtR02pRdGgixI6BDZKVqvdyt3mtxkQrgAmtyx8j1jXdqyaoN6J5igc2BwYT1c1ERJmCbUtvo5CX3Id3fpSq8-dUu3YXnytZKNt6jRSg2Q54gpLjjcvyrucU6xuVY7vccUyVP5Sn0HhZuKyagTwQN5IZts7tP1_XF4jLk8FsRjE1j3lI0_swn8=w640-h480\" width=\"640\"\/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span><span><span>Johnsonian collectors at large bought so many copies of the book that its publisher, Henry Holt, published a second edition a year later in 1896.<br \/><\/span><\/span><\/span><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjUpHFY7a1wg1jCmwISLz8CC2PpQXewSfEqaE4IaAGPRI3biejbCb_RsvDlkkqghlPbX-4COCrZcVpzLHPFm6i5fN9MHF1OXpx_aJShbsZFeX6RIA_di-w1wsLH2p0d2TYFHVAe41yzRckr9ncYvXWfSiEcAuBv5l5pTevIZp3B3L3u5U4WBj900Y8p=s2791\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1646\" data-original-width=\"2791\" height=\"378\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjUpHFY7a1wg1jCmwISLz8CC2PpQXewSfEqaE4IaAGPRI3biejbCb_RsvDlkkqghlPbX-4COCrZcVpzLHPFm6i5fN9MHF1OXpx_aJShbsZFeX6RIA_di-w1wsLH2p0d2TYFHVAe41yzRckr9ncYvXWfSiEcAuBv5l5pTevIZp3B3L3u5U4WBj900Y8p=w640-h378\" width=\"640\"\/><\/a><\/div>\n<p>Another literary critic, Henry Walcott Boynton, thought so highly of Strunk&#8217;s book that he provided the same notes in his 1896 book, <i>Selections From Carlyle<\/i>, that Strunk used in his book, often with the same exact words. \u00a0Strunk called Boynton out on this plagiarism in a March 1897 letter to the editors of <i>Modern Language Notes <\/i>(<a href=\"https:\/\/www.jstor.org\/stable\/2919456\" target=\"_blank\">Jstor<\/a>).<i> \u00a0<\/i>In the letter, Strunk mentioned that the Johnsonian, George Birkbeck Hill, informed him of a mistake in the title of a book by Richard Cumberland cited in one of Strunk&#8217;s notes. \u00a0Strunk corrected the error in the second edition of Strunk&#8217;s book.\u00a0 And he chided Boynton for not consulting the second edition \u00a0before copying the note.<\/p>\n<p style=\"text-align: center;\"><u>Strunk&#8217;s Notes to the 1895 Edition<\/u><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiUtBwVb1DS7XLC25YOiyEFtfAzmxGY8eRR87EeRmCzxHq4zeu2evIoQ1pJWrzvK_gImuwKF1qvU58jXVP3ExToiA42QjH8mfEijElYcPrn7ykYGXaDrh_w6RUoc3gduZhUljdvy0bHvA5qhvt4gGeBja_rufXsd4RWAyZYsFeJtJcLDUqfwRVELgFh=s1329\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1329\" data-original-width=\"895\" height=\"640\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiUtBwVb1DS7XLC25YOiyEFtfAzmxGY8eRR87EeRmCzxHq4zeu2evIoQ1pJWrzvK_gImuwKF1qvU58jXVP3ExToiA42QjH8mfEijElYcPrn7ykYGXaDrh_w6RUoc3gduZhUljdvy0bHvA5qhvt4gGeBja_rufXsd4RWAyZYsFeJtJcLDUqfwRVELgFh=w432-h640\" width=\"432\"\/><\/a><\/p>\n<p><u>Strunk&#8217;s Notes to the 1896 Edition<\/u><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiqzpQGQ0Eglc106B6xWzLkWjwf-zBxLE0dB7LsYX3YVxQTh4cQeMi7JSPNJhvBj5_zxfV-f7GhAsmGDmpvQSvSgGPGHezH4KT79Sr_5WJyeNE3lmVPkdcsEnKcf2yELubV61tCz5gjABM9VRs52m-2Yf1a1tIRUkkZwXF9nKAyiuyikx05C0oi5pTb=s1311\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1311\" data-original-width=\"943\" height=\"640\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiqzpQGQ0Eglc106B6xWzLkWjwf-zBxLE0dB7LsYX3YVxQTh4cQeMi7JSPNJhvBj5_zxfV-f7GhAsmGDmpvQSvSgGPGHezH4KT79Sr_5WJyeNE3lmVPkdcsEnKcf2yELubV61tCz5gjABM9VRs52m-2Yf1a1tIRUkkZwXF9nKAyiuyikx05C0oi5pTb=w460-h640\" width=\"460\"\/><\/a><\/div>\n<p style=\"text-align: center;\"><u>Boynton&#8217;s Notes to His Book<\/u><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiST16Jo-gkfPG_oXmok8vE1hUJUn04XSQ-sBhDMdPvxj9uL3QeWGJBjiE7OKg5-0UpXHJdrEWwwazEw2zqAttvv6F-fjv0-dI1NiZp7WdMCHrAwuxbcm8WjEe6iwM9AFuMEAA4mRW2pQRGngTGI_5VvV0RUH7U1dEG3ElMJ1MhWQMFqCxjKrfCgoF3=s667\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"434\" data-original-width=\"667\" height=\"416\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiST16Jo-gkfPG_oXmok8vE1hUJUn04XSQ-sBhDMdPvxj9uL3QeWGJBjiE7OKg5-0UpXHJdrEWwwazEw2zqAttvv6F-fjv0-dI1NiZp7WdMCHrAwuxbcm8WjEe6iwM9AFuMEAA4mRW2pQRGngTGI_5VvV0RUH7U1dEG3ElMJ1MhWQMFqCxjKrfCgoF3=w640-h416\" width=\"640\"\/><\/a><\/div>\n<p>Strunk was one of the editors of a festschrift of essays collected and published in honor of \u00a0James Morgan Hart 70th birthday in 1910. \u00a0Hart was a fellow professor at Cornell who was retiring.\u00a0 \u00a0Hart was a professor at the University of Cincinnati when Strunk was attending college there in the late 1880s. \u00a0He finished hs academic career as a professor at Cornell.<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgxL39xWTIVpfDeVghwXH9W2cpyHZomLZ96BVdlrOLTPlVQOWxyYz0gdSLD5vH-kojYwmtYzjewa6IOwpk8yiVygnqcZHB5TNnbYiQ24fk1qtOcv87s4JlauiSb3HEGJ1PCNHsrbB2hPx8ypmZRbbcvCf1UrKYRV7-uYJ-i8NKSqjbMTPOtUYuKNSof=s2135\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"2135\" data-original-width=\"1181\" height=\"640\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgxL39xWTIVpfDeVghwXH9W2cpyHZomLZ96BVdlrOLTPlVQOWxyYz0gdSLD5vH-kojYwmtYzjewa6IOwpk8yiVygnqcZHB5TNnbYiQ24fk1qtOcv87s4JlauiSb3HEGJ1PCNHsrbB2hPx8ypmZRbbcvCf1UrKYRV7-uYJ-i8NKSqjbMTPOtUYuKNSof=w354-h640\" width=\"354\"\/><\/a><\/div>\n<p>Strunk contributed his essay, &#8220;The Importance of the Ghost in Hamlet,&#8221; for the book. \u00a0He gave a copy of the offprint to Frederick Tupper, an English Language professor at the University of Vermont. \u00a0This offprint, inscribed by Strunk himself, is now in my library.<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEhrjpE4ZB-XBBdtHPf4x3vyxW5_NLTg66FaRxUDzg2AMp3dCRZ632aI6L8XRQn6JsrxHoikx--xnDED4gXyCV8rSq2SbUMIqY_lvJkZdCup3Xg5UUYfKlR4weT1zXrj5wcfrBGM6WiPAoOSJt50MPjDmuZgIXopZQfSqFpxDON6WEdfy1B5xncxbcez=s2400\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1800\" data-original-width=\"2400\" height=\"480\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEhrjpE4ZB-XBBdtHPf4x3vyxW5_NLTg66FaRxUDzg2AMp3dCRZ632aI6L8XRQn6JsrxHoikx--xnDED4gXyCV8rSq2SbUMIqY_lvJkZdCup3Xg5UUYfKlR4weT1zXrj5wcfrBGM6WiPAoOSJt50MPjDmuZgIXopZQfSqFpxDON6WEdfy1B5xncxbcez=w640-h480\" width=\"640\"\/><\/a><\/div>\n<p>Strunk edited two of Shakespeare&#8217;s works, the Riverside Press edition of <i>Romeo and Juliet <\/i>in 1911, and D. C. Heath&#8217;s Arden Shakespeare Series of<i> Julius C\u00e6sar <\/i>in 1915. \u00a0In 1927, the Cornell Co-Operative Society published his pamphlet <i>Topics and Questions on Shakespeare<\/i>. \u00a0The Cornell Co-Operative Society previously published his pamphlet, <i>English Metres,<\/i> in 1922.<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjuYzeQm9aWxxqkFqFoOjK4ZDHjThDDixcGdqUJvSoDzoFS_6FHqOah0RRNoAvs1g6-4HcqzQ7e_3yHIAe-qAE2qGHHhi7jmaYpd90hoafnotN2nL9K5Vx7RpHKw3jrzx33o-2V94FMQa7_5ySX-BPdjbxUNtzGjTWlN0t5J2ysjtRziJMjFjapAwRO=s2400\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1800\" data-original-width=\"2400\" height=\"480\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjuYzeQm9aWxxqkFqFoOjK4ZDHjThDDixcGdqUJvSoDzoFS_6FHqOah0RRNoAvs1g6-4HcqzQ7e_3yHIAe-qAE2qGHHhi7jmaYpd90hoafnotN2nL9K5Vx7RpHKw3jrzx33o-2V94FMQa7_5ySX-BPdjbxUNtzGjTWlN0t5J2ysjtRziJMjFjapAwRO=w640-h480\" width=\"640\"\/><\/a><\/div>\n<p>Strunk&#8217;s biggest claim to fame during his lifetime was being chosen in 1935 as the literary adviser for the MGM movie production of <i>Romeo and Juliet. \u00a0<\/i>\u00a0 Irving Thalberg had been trying to get his studio to do a film production of Romeo and Juliet for years, and finally, in 1935, the studio gave him the go ahead to do the production. Thalberg wanted the most eminent Shakespeare authority in America to be the literary adviser for the film. \u00a0And the Folger Library recommended William Strunk Jr. \u00a0Thalberg wanted the film version of\u00a0<i>Romeo and Juliet<\/i>\u00a0to be as close to Shakespeare&#8217;s version of the play as possible. \u00a0He told Strunk, &#8220;Your job is to protect Shakespeare from us.&#8221;<\/p>\n<p>Here is Strunk studiously at work taking notes to use in his role as literary adviser for the 1936 Metro-Goldwyn-Meyer (MGM) \u00a0production of <i>Romeo and Juliet. \u00a0<\/i><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><span><span><span><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiHOU2YqYlC7seNHnWLhMcK886t630Jd2UfbJC5-cKlhISqtvvwXoKIENQluVbvGiC6yvLOLRnE-IiwgKN-f6vYOQi04GLjr85psznMWqmDp2bEF0G0Td3S--7AD8eB3VTiupX8CDSp6nJMUVmOVUS92FKzvSKMnZIEwzUO_UO5camRMunzU5j-Y49m=s1813\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1813\" data-original-width=\"1180\" height=\"640\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiHOU2YqYlC7seNHnWLhMcK886t630Jd2UfbJC5-cKlhISqtvvwXoKIENQluVbvGiC6yvLOLRnE-IiwgKN-f6vYOQi04GLjr85psznMWqmDp2bEF0G0Td3S--7AD8eB3VTiupX8CDSp6nJMUVmOVUS92FKzvSKMnZIEwzUO_UO5camRMunzU5j-Y49m=w416-h640\" width=\"416\"\/><\/a><\/span><\/span><\/span><\/div>\n<p><span><span><span><br \/>\u00a0<span>\u00a0\u00a0<\/span><\/span><\/span><\/span><\/p>\n<p>I have two books about the movie: a souvenir program and the motion picture edition published by Random House in 1936. \u00a0Strunk wrote the Introduction for the Random House edition, explaining why a mivie production was the best avenue to present SStrunk&#8217;s play. \u00a0 The \u00a0photo of Stunk displayed above is illustrated on page 256 of the book.<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjwLobqV53LjPbjpXCF0Gm96E3b9UevPXB5XyoHauhelHtEWqV5EsunTkAFUcz-DOGVTy-QffZgjNnO3WrXKk55u4SOV8_9CQiEIQqF_EKiWsCJzw254r0piVnMr2jqWgvK8OUProLwIEch__KYG-JgRY4pFv9LjmXXoTWKiu3JNTXV8Ra7mZnfaC7U=s1767\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1767\" data-original-width=\"1660\" height=\"320\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjwLobqV53LjPbjpXCF0Gm96E3b9UevPXB5XyoHauhelHtEWqV5EsunTkAFUcz-DOGVTy-QffZgjNnO3WrXKk55u4SOV8_9CQiEIQqF_EKiWsCJzw254r0piVnMr2jqWgvK8OUProLwIEch__KYG-JgRY4pFv9LjmXXoTWKiu3JNTXV8Ra7mZnfaC7U=s320\" width=\"301\"\/><\/a><\/div>\n<p><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEhpY2U0zDmrMn5ff9oPQTdt14fNmuYmcFwjqQrUOtyiV0N1sPfM5QbTb7OsioMMQOh8EmPJjwHmf5tyDU-E44khr-uqR6pv8QA3zkK9dGuIWw49289_EEysXxmE5hBdkN6b7a0wpQC_QFUXiGcw--OQlLcs_usQ2pI3tIDQnmygIoAU6jewzeOqDkl8=s2432\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"2432\" data-original-width=\"1545\" height=\"400\" src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEhpY2U0zDmrMn5ff9oPQTdt14fNmuYmcFwjqQrUOtyiV0N1sPfM5QbTb7OsioMMQOh8EmPJjwHmf5tyDU-E44khr-uqR6pv8QA3zkK9dGuIWw49289_EEysXxmE5hBdkN6b7a0wpQC_QFUXiGcw--OQlLcs_usQ2pI3tIDQnmygIoAU6jewzeOqDkl8=w254-h400\" width=\"254\"\/><\/a><\/div>\n<div><span><span><span><\/p>\n<p><i>The Grove Book of Hollywood, <\/i>a book of Hollywood anecdotes edited by Christopher Silvester in 2007, \u00a0contains an anecdote concerning Strunk&#8217;s salary as literary adviser for the film. \u00a0Strunk wanted a salary of $400, but Thalberg thought that was too much. \u00a0Samuel Marx was headed east on other MGM business, and Thalberg asked him to contact Strunk and see if he could negotiate Strunk&#8217;s salary. \u00a0Strunk wanted the dean of Cornell to ask as his agent since part of Strunk&#8217;s salary would go toward paying the salary of other professors who would teach his classes while Strunk was in Hollywood. \u00a0Marx offered two hundred dollars. \u00a0But the dean turned it down saying that many professors are paid four hundred dollars a month! \u00a0Marx was shocked because the studio paid salaries by the week; whereas the college paid salaries by the month. \u00a0He told the dean he&#8217;d have to think it over. \u00a0A little while later he notified the dean that Thalberg realized that Strunk would find it difficult to live in Hollywood on $400 a month, so he offered a salary of $600 a month! \u00a0Strunk and the dean were completely satisfied. \u00a0And soon after Strunk arrived in Hollywood, Thalberg raised Strunk&#8217;s salary to $800 a month!<\/p>\n<div>\n<p><span><span><span><span>For more than the past ten years, I have been corresponding with Jim Myers, whose father, Henry Alonzo Myers, was a professor of English at Cornell, and one of William Strunk&#8217;s long-time friends. \u00a0Jim mentions his father&#8217;s friendship with Strunk, in an article in the June 1977 issue of <i>The Cornell Alumni News <\/i>that is titled &#8220;A University of the Mind.&#8221;<i>\u00a0 <\/i>His father, while still a graduate student, was the secretary of the Cornell Department of English. \u00a0The job consisted of two duties: listening to William Strunk, and writing letters to job applicants informing them that no jobs were available.<\/span><\/span><\/span><\/span><\/p>\n<p>By far the best Strunkian anecdote that Jim Myers ever told me was when Strunk was turning his English class over to Myers before departing for Hollywood. \u00a0Strunk&#8217;s desk was covered with books. \u00a0And as Strunk was hurrying out the door, Myers asked, &#8220;What should I do with the books?&#8221; \u00a0Strunk yelled back, &#8220;Keep them!&#8221;\u00a0<\/p>\n<p>\u00a0Henry Alonzo Myers kept Strunk&#8217;s books. \u00a0And now his son Jim Myers has them. \u00a0He also has letters that Strunk wrote to his father on Hollywood Hotel Stationary. \u00a0In the letters, Strunk writes about the actors and actresses he met \u00a0on the movie set. \u00a0<\/p>\n<p>I asked to buy some of Strunk&#8217;s books from Jim Myers, and even asked for copies of some of the letters. But he has other plans for what he will do with them.<\/p>\n<\/div>\n<p><\/span><\/span><\/span><\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>The Elements of Style, William Strunk Jr&#8217;s\u00a0little book, is the little book that E. B. White made famous. \u00a0But that&#8217;s not\u00a0the only book of his. \u00a0Here are some of his other books. \u00a0 Macaulay&#8217;s and Carlyle&#8217;s Essay on Samuel \u00a0Johnson edited by William Strunk, Jr. New York: Henry Holt, 1895. Macaulay&#8217;s and Carlyle&#8217;s Essays on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7029748,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1752,193363,5091],"dealstore":[],"offerexpiration":[],"class_list":["post-7029747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-books","tag-strunk","tag-william"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>About William Strunk Jr. and His Other Books - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=7029747\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"About William Strunk Jr. and His Other Books - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"The Elements of Style, William Strunk Jr&#8217;s\u00a0little book, is the little book that E. 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B. White made famous. \u00a0But that&#8217;s not\u00a0the only book of his. \u00a0Here are some of his other books. \u00a0 Macaulay&#8217;s and Carlyle&#8217;s Essay on Samuel \u00a0Johnson edited by William Strunk, Jr. New York: Henry Holt, 1895. 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