{"id":7026324,"date":"2026-08-04T05:48:08","date_gmt":"2026-08-04T05:48:08","guid":{"rendered":"https:\/\/peraltafinancing.com\/animation\/the-70-deadly-sins-director-tara-hou-on-uscs-xa-shutdown\/"},"modified":"2026-08-04T05:48:08","modified_gmt":"2026-08-04T05:48:08","slug":"the-70-deadly-sins-director-tara-hou-on-uscs-xa-shutdown","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=7026324","title":{"rendered":"&#8216;The 70 Deadly Sins&#8217; Director Tara Hou On USC\u2019s XA Shutdown"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>This year hasn\u2019t gone quite the way that Chinese animator Zehao \u201cTara\u201d Hou planned. She started 2026 working on <em>The Mobius of Life<\/em>, a film about nature and philosophy, while completing her first year in USC\u2019s Expanded Animation Research + Practice MFA program. Then the university uncremoniously announced that it would <a href=\"https:\/\/www.cartoonbrew.com\/schools\/usc-closing-expanded-animation-program-259082.html\">close<\/a> the program, known as XA and <a href=\"https:\/\/www.cartoonbrew.com\/schools\/usc-launches-the-expanded-animation-xa-mfa-program-a-bold-new-frontier-for-artists-and-innovators-247539.html\">launched<\/a> only a few years prior, effective June 30.<\/p>\n<figure id=\"attachment_265128\" aria-describedby=\"caption-attachment-265128\" class=\"wp-caption alignright\"><a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/Zehao-Hou.jpg\" class=\"colorbox\" data-gallery=\"\"><img decoding=\"async\" class=\"wp-image-265128 size-full\" src=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/Zehao-Hou.jpg\" alt=\"Zehao Hou\" width=\"500\" height=\"500\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/Zehao-Hou.jpg 500w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/Zehao-Hou-380x380.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/Zehao-Hou-1536x1536.jpg 1536w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/Zehao-Hou-2048x2048.jpg 2048w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/Zehao-Hou-150x150.jpg 150w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/Zehao-Hou-180x180.jpg 180w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" loading=\"lazy\"\/><\/a><figcaption id=\"caption-attachment-265128\" class=\"wp-caption-text\">Zehao \u201cTara\u201d Hou<\/figcaption><\/figure>\n<p>\u201cI felt like there were so many emotions inside of me, and I couldn\u2019t let them out,\u201d Hou told <em>Cartoon Brew<\/em> in a recent conversation.<\/p>\n<p>She abandoned the project she had planned and, in roughly ten days, wrote a new script, created new opening and closing material, and pulled two years\u2019 worth of animation experiments into a three-minute short called\u00a0<em>The 70 Deadly Sins<\/em>, which we\u2019re excited to exclusively debut today.<\/p>\n<p><!--googleoff: index--><\/p>\n<aside class=\"cb-ad cb-post inset\"\/><!--googleon: index--><\/p>\n<p>\u201cIt was a really intense journey,\u201d she told us, \u201cbut it was a good way for me to release my thoughts and my emotions.\u201d<\/p>\n<h3><strong>Little Sins<\/strong><\/h3>\n<p>Those earlier loops began as <em>My Little Monsters<\/em>, small embodiments of the contradictory voices and opinions in Hou\u2019s head. \u201cI thought it was really interesting just to study myself through these little monsters,\u201d she said. Over time, however, she began to see them less as private quirks than as behaviors popular among people living in a highly interconnected 21st century.<\/p>\n<p>Reframed as the first seven of a proposed 70 contemporary sins, the loops became a study of how technology, the internet, and social media are changing human behavior, often without people noticing. Each vignette has its own visual identity, but together they speak a shared language of restless figures, transforming bodies, bright colors, and repetition.<\/p>\n<p><a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-1.jpg\" class=\"colorbox\" data-gallery=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-265126\" src=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-1.jpg\" alt=\"70 Deadly Sins \" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-1.jpg 1920w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-1-380x214.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-1-580x326.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-1-768x432.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-1-145x81.jpg 145w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-1-180x101.jpg 180w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\"\/><\/a><\/p>\n<p>The film\u2019s animation was done digitally, hand-drawn, frame-by-frame in Procreate and Procreate Dreams. She edited in Premiere Pro, completed final compositing in After Effects, and used TouchDesigner for some backgrounds. The backgrounds in the \u201cSnapping\u201d and \u201cMalblooming\u201d segments combine AI-generated footage with After Effects. Hou saw those sequences as a chance to test how generated elements could interact with hand-drawn animation and whether the two approaches could coexist within the same visual language, in the spirit of the soon-to-be-defunct Expanded Animation program.<\/p>\n<p>XA encouraged students to move among 2D and 3D animation, stop motion, VR and AR, immersive installation, motion capture, AI, and other forms. In Lisa Mann\u2019s classes, Hou worked with sand, food, paint, and projection; Kathy Smith introduced her to more technology-based approaches. The <em>My Little Monsters<\/em> loops were also adapted into a projection-mapping installation and a VR immersive project. The installation appeared in <em>Concrete Oasis 3.0<\/em>, an exhibition by Mann\u2019s XA installation class held at Grand LA in April.<\/p>\n<p>\u201cI draw on my iPad frame by frame, and I do stop motion. And they\u2019re working magically together into something that, I think, kind of breaks traditional storytelling.\u201d<\/p>\n<figure id=\"attachment_265127\" aria-describedby=\"caption-attachment-265127\" class=\"wp-caption alignnone\"><a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-BTS-scaled.jpg\" class=\"colorbox\" data-gallery=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-265127\" src=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-BTS-scaled.jpg\" alt=\"70 Deadly Sins \" width=\"2000\" height=\"1500\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-BTS-scaled.jpg 2000w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-BTS-380x285.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-BTS-580x435.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-BTS-108x81.jpg 108w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-BTS-768x576.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-BTS-180x135.jpg 180w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-BTS-288x216.jpg 288w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\"\/><\/a><figcaption id=\"caption-attachment-265127\" class=\"wp-caption-text\">Zehao Hou Behind The Scenes<\/figcaption><\/figure>\n<h3><strong>A Change In Thinking<\/strong><\/h3>\n<p>\u201cXA changed me the most in the way that I think,\u201d Hou said. Before USC, she spent years making commercial work, including visuals for large concerts in China, and arrived with what she described as a business mindset. \u201cAfter just one semester, my whole mindset changed. I was finally starting to think with my inner self as an artist.\u201d<\/p>\n<p>That commercial <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/tarahou.com\/\">background<\/a> still serves her. It gave Hou discipline, a familiarity with professional production pipelines, and an understanding of how to package and promote her work. But it also trained her some habits that didn\u2019t translate to the XA program, like starting every project by thinking about what a client or audience might want. Working independently required her to reverse that instinct. Her years in commercial production, she said, made her appreciate how \u201cmeaningful and precious\u201d it is to pursue ideas that come entirely from her own curiosity.<\/p>\n<p><a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-4.jpg\" class=\"colorbox\" data-gallery=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-265129\" src=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-4.jpg\" alt=\"70 Deadly Sins \" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-4.jpg 1920w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-4-380x214.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-4-580x326.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-4-768x432.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-4-145x81.jpg 145w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-4-180x101.jpg 180w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\"\/><\/a><\/p>\n<p>That transformation makes USC\u2019s decision especially painful. The school said it was ending XA because of declining enrollment and would support current students through the John C. Hench Division of Animation + Digital Arts and other programs. Faculty said they were told the program was not financially viable. Non-tenured appointments concluded, adjunct agreements ended, and staff positions were eliminated. The announcement came less than a year after USC promoted XA as a \u201cbold new frontier\u201d with an interdisciplinary, artist-centered curriculum.<\/p>\n<h3><strong>An Education Interrupted<\/strong><\/h3>\n<p>Hou\u2019s cohort was caught in the middle. Second-year students were heading into their thesis work, while third-year students were preparing to graduate. Hou and her fellow first-year students still had two years remaining. Some transferred to CalArts or other USC programs. Hou considered leaving school and returning to commercial work, but ultimately chose to remain because XA was the reason she picked USC in the first place.<\/p>\n<p>Staying does not mean continuing the education she was promised. Hou had expected Smith to mentor her through a designed curriculum and thesis process, and says that losing her hand-picked mentor has been a tough blow to deal with. Smith is no longer at USC, and Hou said she now has neither that mentor nor the XA course structure. \u201cIt\u2019s more self-driven at this point,\u201d she said. \u201cI guess it\u2019s just a lot of things for me to figure out still.\u201d<\/p>\n<p><a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-3.jpg\" class=\"colorbox\" data-gallery=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-265131\" src=\"http:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-3.jpg\" alt=\"70 Deadly Sins \" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-3.jpg 1920w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-3-380x214.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-3-580x326.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-3-768x432.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-3-145x81.jpg 145w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2026\/08\/70-Deadly-Sins-3-180x101.jpg 180w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\"\/><\/a><\/p>\n<p><em>The<\/em> 70<em> Deadly Sins<\/em> nevertheless gave Hou an early taste of what she had come to the XA program to find. She had previously watched imagery she created play at massive C-Pop concerts, but the work never felt completely hers. Screening her short for a festival audience, much smaller than the auditoriums where her previous work had screened in China, was meaingful in a completely different way.<\/p>\n<p>\u201cI felt like this time, I was showing people my work,\u201d Hou said. \u201cIt was something completely owned by me and from the bottom of my heart.\u201d<\/p>\n<p>        <!-- NEWSLETTER SECTION --><\/p>\n<p>        <!-- \/ NEWSLETTER SECTION -->\n     <\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>This year hasn\u2019t gone quite the way that Chinese animator Zehao \u201cTara\u201d Hou planned. She started 2026 working on The Mobius of Life, a film about nature and philosophy, while completing her first year in USC\u2019s Expanded Animation Research + Practice MFA program. Then the university uncremoniously announced that it would close the program, known [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7026325,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12035],"tags":[6813,6034,80933,17962,40812,3991,190031],"dealstore":[],"offerexpiration":[],"class_list":["post-7026324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-deadly","tag-director","tag-hou","tag-shutdown","tag-sins","tag-tara","tag-uscs"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;The 70 Deadly Sins&#039; Director Tara Hou On USC\u2019s XA Shutdown - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=7026324\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&#039;The 70 Deadly Sins&#039; Director Tara Hou On USC\u2019s XA Shutdown - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"This year hasn\u2019t gone quite the way that Chinese animator Zehao \u201cTara\u201d Hou planned. 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