{"id":69965,"date":"2025-02-05T17:14:15","date_gmt":"2025-02-05T17:14:15","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/andrew-heath-glasbird-ambientblog\/"},"modified":"2025-02-05T17:14:15","modified_gmt":"2025-02-05T17:14:15","slug":"andrew-heath-glasbird-ambientblog","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=69965","title":{"rendered":"Andrew Heath * Gl\u00e5sbird \u2013 Ambientblog"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div itemprop=\"articleBody\">\n<p><strong><em><a href=\"https:\/\/www.andrewheath.co.uk\">Andrew Heath<\/a><\/em><\/strong> and <strong><em>Harry Towell<\/em><\/strong> are two names regularly featured on Ambientblog. Both are active musicians, and Harry also runs the <em><a href=\"https:\/\/whitelabrecs.com\/\">Whitelabrecs<\/a> <\/em>label. The two worked together in creating a new and promising ambient music label called <em><a href=\"https:\/\/driftworks.uk\/\">Driftworks<\/a><\/em>.<\/p>\n<p><em>Driftworks <\/em>specialises in lower case, ambient and minimal music from artists that specialize in soundscape, experimental electronic, and electro\/acoustic music, often containing fragmentary melodies and field recordings. Together with the label launch they also present <em><a href=\"https:\/\/whitelabrecs.com\/blog\/b\/inner-echo\" target=\"_blank\" rel=\"noreferrer noopener\">The Inner Echo<\/a><\/em>: a community platform <em>\u2018based around the Whitelabrecs and Driftwork record labels, and the wider Ambient music scenes\u2019.<\/em><\/p>\n<p>The label launched with three titles: albums by <em>Andrew Heath <\/em>and <em>Harry Towell<\/em> (as <strong><em>Gl\u00e5sbird)<\/em><\/strong> themselves as well as a short album by <strong><em>Peter Maynard<\/em><\/strong> called <a href=\"https:\/\/driftworks.bandcamp.com\/album\/upper-tranquillity-fields\"><strong><em>Upper Tranquility Fields<\/em><\/strong>.<\/a><br \/>The label launched on February 7, but was obviously highly anticipated: the (notably too small) physical editions of all three albums were sold out on the first day of pre-order.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-thumbnail\"><a href=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes.jpg\" data-slb-active=\"1\" data-slb-asset=\"1871379374\" data-slb-internal=\"0\" data-slb-group=\"slb\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" data-lazy-type=\"image\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes-150x150.jpg\" alt=\"Signals And Codes\" class=\"lazy lazy-hidden wp-image-32003\" srcset=\"\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes-150x150.jpg\" alt=\"Signals And Codes\" class=\"wp-image-32003\" srcset=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes-150x150.jpg 150w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes-350x350.jpg 350w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes-1100x1100.jpg 1100w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes-244x244.jpg 244w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes-50x50.jpg 50w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes-512x512.jpg 512w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes-1024x1024.jpg 1024w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Signals-And-Codes.jpg 1300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><\/a><\/figure>\n<\/div>\n<h3 class=\"wp-block-heading\"><strong>ANDREW HEATH \u2013 <em><a href=\"https:\/\/driftworks.bandcamp.com\/album\/signals-and-codes\">SIGNALS AND CODES<\/a><\/em><\/strong><\/h3>\n<p>Inspired by <em>\u2018academic research into paranormal activities\u2019,<\/em> <strong><em>Signals And Codes<\/em><\/strong> presents <strong><em>Andrew Heath<\/em><\/strong><em>\u2018s <\/em>trademark \u2018lower case music\u2019: subtle, immersive soundscapes crafted from acoustic instruments like guitar and piano, incorporating found sounds and field recordings as integral musical elements. <\/p>\n<p><em>\u201cI continue to explore a dreamlike impressionistic world through my sound palette of piano, guitar, electronics, treatments and field recordings. Signals and Codes further explores this lighter tone. One which drifts and then coalesces occasionally when fragments of melody surface.\u201d<\/em><\/p>\n<p>Though released as a single CDr, <em>Signals And Codes<\/em> turns out to be a double album (CDr buyers receive a download code. Literally \u2018doubled\u2019: the ten tracks are all remixed by different artists but presented in the same order as the original album. Together, these twenty tracks present two hours and fourteen minutes of music. The list of artists remixing the tracks demonstrates the vast network around <em>Heath <\/em>and <em>Towell<\/em> \u2013 most of them have published work on <em>Whitelabrecs<\/em> before. <\/p>\n<p><em>Signals And Codes<\/em> (the original album) itself is beautiful and a pleasure to listen to, but it\u2019s also nice to hear what other artists do with the original material. The source \u2013 <strong><em>Heath<\/em><\/strong><em>\u2018s <\/em>music \u2013 remains clear, but each remixer definitely puts his (yes, they\u2019re all male) own spin on it..<\/p>\n<p><iframe class=\"lazy lazy-hidden\" style=\"border: 0; width: 100%; height: 120px;\" data-lazy-type=\"iframe\" data-src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3898059846\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/driftworks.bandcamp.com\/album\/signals-and-codes\">Signals and Codes by Andrew Heath<\/a><\/iframe><noscript><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3898059846\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/driftworks.bandcamp.com\/album\/signals-and-codes\">Signals and Codes by Andrew Heath<\/a><\/iframe><\/noscript><\/p>\n<hr class=\"wp-block-separator has-text-color has-accent-1-color has-css-opacity has-accent-1-background-color has-background\"\/>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-thumbnail\"><a href=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird.jpg\" data-slb-active=\"1\" data-slb-asset=\"295464589\" data-slb-internal=\"0\" data-slb-group=\"slb\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" data-lazy-type=\"image\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird-150x150.jpg\" alt=\"Glacial Drift\" class=\"lazy lazy-hidden wp-image-32002\" srcset=\"\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird-150x150.jpg\" alt=\"Glacial Drift\" class=\"wp-image-32002\" srcset=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird-150x150.jpg 150w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird-350x350.jpg 350w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird-1100x1100.jpg 1100w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird-244x244.jpg 244w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird-50x50.jpg 50w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird-512x512.jpg 512w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird-1024x1024.jpg 1024w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/01\/Glasbird.jpg 1300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><\/a><\/figure>\n<\/div>\n<h3 class=\"wp-block-heading\"><strong>GL\u00c5SBIRD \u2013 <em><a href=\"https:\/\/driftworks.bandcamp.com\/album\/glacial-drift\">GLACIAL DRIFT<\/a><\/em><\/strong><\/h3>\n<p>Until Spring 2024, <strong><em><a href=\"https:\/\/www.glasbird.com\/\">Gl\u00e5sbird<\/a><\/em><\/strong> was an anonymous artist. But now we know that it\u2019s one of the aliases of <strong><em>Harry Towell<\/em><\/strong> (also known as Audio Gourmet, Spheruleus, and other names). <strong><em>Gl\u00e5sbird<\/em><\/strong> always presented soundtrack-like music, closely related to different geographic locations.  <br \/>Like <a href=\"https:\/\/www.ambientblog.net\/blog\/2022-09\/pruski-glasbird-toan\/\">Himalaya<\/a> (2022), <strong><em>Glacial Drift <\/em><\/strong>links to mountains: in this case the Swiss Alps. A series of photographs from the Alps from 1938 \u2013 <em>\u2018portraying glaciers, mountains, and valleys showing a very different world\u2019<\/em> \u2013 was the primary inspiration for this album. <\/p>\n<p>But, realizing that <em>Samuel Barber\u2019s<\/em> <em>Adagio For Strings<\/em> premiered in the same year, a different perspective emerged: the connection with modern classical music that inspires him. <br \/><em>\u201cClear themes developed with each track representing a year and studying the techniques, equipment and sound aesthetic for a particularly acclaimed artist, starting with Samuel Barber.\u201d<\/em><br \/>These other artists are not named explicitly, but each tracks name is year for its name (1938, 1948, 1959, \u2026 , 2016, 2022) \u2013 so you\u2019ll have to do some research to find out to whom Harry is referring.<\/p>\n<p>The music in these 10 tracks follows <em>\u2018the evolution of Ambient, Avant Garde and Minimalist music over the course of the 86 years\u2019<\/em>. Thus, the album presents different styles: starting as (modern classical) orchestral work, it slowly turns into more electronic, sometimes more ambient soundscapes. But there\u2019s always a link to <strong><em>Gl\u00e5sbird<\/em><\/strong><em>\u2018s<\/em> modern classical \u2018soundtrack\u2019 music. On a different level, with the starting point of the 1938 Swiss Alp photo in mind, it also speaks about <em>\u201cthe effects of global warming, accelerated by humans and industry.\u201d<\/em><\/p>\n<p><iframe class=\"lazy lazy-hidden\" style=\"border: 0; width: 100%; height: 120px;\" data-lazy-type=\"iframe\" data-src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=707574678\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/driftworks.bandcamp.com\/album\/glacial-drift\">Glacial Drift by Gl\u00e5sbird<\/a><\/iframe><noscript><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=707574678\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/driftworks.bandcamp.com\/album\/glacial-drift\">Glacial Drift by Gl\u00e5sbird<\/a><\/iframe><\/noscript><\/p>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related<\/em><\/h3>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Andrew Heath and Harry Towell are two names regularly featured on Ambientblog. Both are active musicians, and Harry also runs the Whitelabrecs label. The two worked together in creating a new and promising ambient music label called Driftworks. Driftworks specialises in lower case, ambient and minimal music from artists that specialize in soundscape, experimental electronic, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":69966,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12031],"tags":[12760,13769,3481,36855,36856,36857,36859,36858,36518],"dealstore":[],"offerexpiration":[],"class_list":["post-69965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ambient-music","tag-ambient","tag-ambientblog","tag-andrew","tag-andrew-heath","tag-glasbird","tag-harry-towell","tag-heath","tag-lowercase-music","tag-modern-classical"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Andrew Heath * Gl\u00e5sbird \u2013 Ambientblog - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=69965\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andrew Heath * Gl\u00e5sbird \u2013 Ambientblog - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Andrew Heath and Harry Towell are two names regularly featured on Ambientblog. Both are active musicians, and Harry also runs the Whitelabrecs label. The two worked together in creating a new and promising ambient music label called Driftworks. 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