{"id":48688,"date":"2025-01-26T13:37:31","date_gmt":"2025-01-26T13:37:31","guid":{"rendered":"https:\/\/peraltafinancing.com\/american-history\/rei-magosaki-on-sonia-c-gomezs-picture-bride-war-bride-the-role-of-marriage-in-shaping-japanese-america\/"},"modified":"2025-01-26T13:37:31","modified_gmt":"2025-01-26T13:37:31","slug":"rei-magosaki-on-sonia-c-gomezs-picture-bride-war-bride-the-role-of-marriage-in-shaping-japanese-america","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=48688","title":{"rendered":"Rei Magosaki on Sonia C. Gomez\u2019s *Picture Bride, War Bride: The Role of Marriage in Shaping Japanese America*"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<div class=\"book-review-details\">\n<h4>The Book<\/h4>\n<p>Picture Bride, War Bride: The Role of Marriage in Shaping Japanese America<\/p>\n<h4>The Author(s)<\/h4>\n<p>Sonia C. Gomez<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t<img width=\"309\" height=\"466\" src=\"https:\/\/s-usih.org\/wp-content\/uploads\/2025\/01\/Gomez-Picture-Bride-War-Bride.jpg\" class=\"review-image wp-post-image\" alt=\"\" decoding=\"async\" fetchpriority=\"high\" srcset=\"https:\/\/s-usih.org\/wp-content\/uploads\/2025\/01\/Gomez-Picture-Bride-War-Bride.jpg 309w, https:\/\/s-usih.org\/wp-content\/uploads\/2025\/01\/Gomez-Picture-Bride-War-Bride-265x400.jpg 265w\" sizes=\"(max-width: 309px) 100vw, 309px\"\/>\t\t\t\t<\/p>\n<p>In <em>Picture Bride, War Bride: The Role of Marriage in Shaping Japanese America<\/em>, Sonia C. Gomez (2024) offers a new account of Japanese American immigration history, using gender as a critical axis to challenge established historiography. Much discussion of Japanese immigration to the United States has revolved around the earliest wave of laboring men, whose arrival start after the 1882 Chinese Exclusion Act and end with the Gentlemen\u2019s Agreement in 1908. \u201cBy making the primary focus the exclusion of men,\u201d she argues, \u201cmany scholars have failed to attend to the gendered dimensions [of the Gentlemen\u2019s Agreement].\u201d<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a> As she points out, Japanese wives of the laborers were allowed to enter the U.S. as \u201cpicture brides\u201d until the National Origins Act in 1924. Thus between 1908 and 1924, a first wave of women (widely known to be about 10,000) arrived in the U.S. After the end of World War II, between 1947 and 1955, a second wave of nearly 13,000 Japanese women newly immigrated to the U.S., as wives of American military personnel stationed in Japan.<\/p>\n<p>With sustained focus on these two major mass migrations of Japanese women shaped by marriage and institutionalized heteronormativity, and on the relationship between the two groups, Gomez\u2019s interdisciplinary account seeks to move beyond an exclusive emphasis on the west coast Japanese immigration history<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a> found in more traditional accounts: \u201cBuilding on the work of sociologist Catherine Lee, this book interrogates how \u2018race making and gender construction were constitutive of immigration control\u2019 in the case of Japanese immigration to the U.S.\u201d<a href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a> Gomez grounds her thorough explorations of key legislations and studies in archival research, often skillfully bringing stories of individuals to life from careful distillation of historical records, and is indeed remarkable in her alertness to racial dynamics.<\/p>\n<p>An obvious challenge for this project, when it comes to sensitively engaging Japanese American immigration history, is the centrality of wartime incarceration which shaped the lives of 126,000 individuals during World War II. \u201cMuch has been written about the disruption WWII incarceration had on family life,\u201d Gomez asserts in her chapter focusing on unmarried Japanese men who were incarcerated, \u201cbut for marginalized<em> Issei<\/em> men who did not have families of their own, the experience of wartime incarceration differed.\u201d<a href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a> Certainly, writing a gendered history of immigration should not simply mean adding women to historical accounts of migration.<a href=\"#_ftn5\" name=\"_ftnref5\">[5]<\/a> Gomez\u2019s inclination to turn to \u201cthe margins,\u201d in these stories of bachelor men and <em>burakumin<\/em> in the U.S., resonates with Elena Tajima Creef\u2019s important work in <em>Seeing Japanese\/ American and Ainu Women in Photographic Archives<\/em> (2022). Nevertheless, mass relocation and dispossession from designated zones in the west coast was a devastating fate awaiting the women who initially came to the U.S. as \u201cpicture brides,\u201d and passing over the extreme difficulties that these same women faced at a later stage of their lives under harsh living conditions, not to mention their subsequent struggles of resettlement, could be seen as a curious and troubling omission.<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> Sonia C. Gomez, <em>Picture Bride, War Bride: The Role of Marriage in Shaping Japanese America<\/em> (New York University Press, 2024),12.<\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> ibid., 7.<\/p>\n<p><a href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a> ibid., 4.<\/p>\n<p><a href=\"#_ftnref4\" name=\"_ftn4\">[4]<\/a> ibid., 52.<\/p>\n<p><a href=\"#_ftnref5\" name=\"_ftn5\">[5]<\/a> ibid., 37.<\/p>\n<div class=\"editors-note\">\n<h4>About the Reviewer<\/h4>\n<p>Rei Magosaki is Associate Professor of English at Chapman University. She is author of <em>Tricksters and Cosmopolitans: Cross-Cultural Collaborations in Asian American Literary Production <\/em>(2016).<\/p>\n<\/p><\/div>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>The Book Picture Bride, War Bride: The Role of Marriage in Shaping Japanese America The Author(s) Sonia C. Gomez In Picture Bride, War Bride: The Role of Marriage in Shaping Japanese America, Sonia C. Gomez (2024) offers a new account of Japanese American immigration history, using gender as a critical axis to challenge established historiography. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":48689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12032],"tags":[2708,3744,2710,29056,1125,29054,4336,3893,29053,1644,13163,29055,3739],"dealstore":[],"offerexpiration":[],"class_list":["post-48688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-american-history","tag-america","tag-book-reviews","tag-bride","tag-gomezs","tag-japanese","tag-magosaki","tag-marriage","tag-picture","tag-rei","tag-role","tag-shaping","tag-sonia","tag-war"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rei Magosaki on Sonia C. 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