{"id":47014,"date":"2025-01-25T17:35:12","date_gmt":"2025-01-25T17:35:12","guid":{"rendered":"https:\/\/peraltafinancing.com\/advertising\/is-creative-advertising-really-more-effective-2\/"},"modified":"2025-01-25T17:35:12","modified_gmt":"2025-01-25T17:35:12","slug":"is-creative-advertising-really-more-effective-2","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=47014","title":{"rendered":"Is &#8220;Creative&#8221; Advertising Really More Effective?"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"post-body-6087345742534856898\" itemprop=\"description articleBody\">\n<p>As long as I&#8217;ve been in the advertising business there has been a<br \/>\nvery large question smoldering under the surface of my skin: Does<br \/>\nadvertising that we deem to be more creative actually produce better<br \/>\nbusiness results, or is that just a fond wish that &#8220;creatives&#8221; and our<br \/>\nsupporters have invented to justify treating advertising as an art, and<br \/>\nnot just a blunt instrument?<\/p>\n<p>As a former copywriter and creative<br \/>\ndirector I am a strong believer in the power of creativity in<br \/>\nadvertising. In fact, every neuron in my tiny little brain is committed<br \/>\nto this belief.\u00a0<\/p>\n<p>But there is another part of my brain (the part<br \/>\nthat used to teach science) that tries to remind me about intellectual<br \/>\nhonesty, and keeps saying to me, &#8220;How do you know this?&#8221;\u00a0<\/p>\n<p>I am not<br \/>\n a scholar on this subject. I have not gone through all the literature<br \/>\nand all the studies. But I have been exposed to some of the research on<br \/>\nthe subject and it worries me.\u00a0<\/p>\n<p>The studies that I have seen and<br \/>\nread generally seem to take the following form. The researcher starts<br \/>\nwith a group of ads that have been recognized as exceptionally creative<br \/>\nby experts or by respected awards organizations and compares their<br \/>\nreal-world business effectiveness to advertising that has not been<br \/>\nrecognized as such. The results are often convincing, and the &#8220;creative&#8221;<br \/>\n ads exhibit significantly superior effectiveness.<\/p>\n<p>An argument one could make against this methodology (which I will <i>not<\/i><br \/>\n make) is that it is dependent on two factors that ought not be taken at<br \/>\n face value. First, that the experts and award committees are actually<br \/>\nable to accurately discern levels of creativity. Creativity is a<br \/>\nnotoriously difficult thing to define and the idea that the people who<br \/>\nhave been tasked with defining it are particularly qualified to do so is<br \/>\n a difficult case to prove.\u00a0<\/p>\n<p>The second argument against this<br \/>\nmethodology is about the business results that are used to measure<br \/>\neffectiveness. How do we know they are reliable? As someone who has<br \/>\nwritten more than his share of case histories, I am very sensitive to<br \/>\nthe effect that imaginative writing can play in the description of<br \/>\nsuccess.<\/p>\n<p>If the people assessing creativity are not uniquely<br \/>\nqualified to do so, and if the measures of effectiveness are not wholly<br \/>\nreliable, then the conclusions cannot be taken seriously.<\/p>\n<p>But I am<br \/>\n not going to criticize the methodology on this basis. For the sake of<br \/>\nargument, let&#8217;s assume that the experts and awards committees are fully<br \/>\nqualified to define and assess creativity and the metrics that are used<br \/>\nto define business success are fully accurate.<\/p>\n<p>I still have a problem.<\/p>\n<p>Creative<br \/>\n awards are usually presented in the year following the initiation of a<br \/>\ncampaign. You can&#8217;t give awards for advertising created in 2020 until<br \/>\nthe year is over. Consequently, awards committees and experts usually<br \/>\ndon&#8217;t get together to make their determinations until &#8220;awards season&#8221; a<br \/>\nfew months into the following year.<\/p>\n<p>So there can be a lag time of<br \/>\nbetween 12 and 18 months between the time a campaign launches and the<br \/>\ndetermination of its level of &#8220;creativity&#8221; by the experts. In this lag<br \/>\nperiod there is every opportunity for the people who are going to be<br \/>\ncharged with determining creativity at a later date to be exposed to<br \/>\nbusiness results of campaigns. Trade publications, advertising insiders,<br \/>\n the business section of newspapers, and industry gossip are reporting<br \/>\non winners and losers every day of the year.<\/p>\n<p>It is highly likely<br \/>\nthat the experts are reading and hearing reports of advertising<br \/>\nsuccesses and failures throughout the year. By the time they are tasked<br \/>\nwith determining levels of creativity, the experts and the awards<br \/>\ncommittees have a very good idea of what campaigns produced highly<br \/>\neffective advertising the previous year and what campaigns fell flat. Is<br \/>\n it realistic to expect these people to ignore what they know about<br \/>\nsuccess and failure when they are assessing levels of creativity?<\/p>\n<p>I<br \/>\n find that hard to believe. It seems to me only natural that an<br \/>\nindividual will give higher grades for creativity to a campaign she<br \/>\nknows to have been effective than to one she knows to have bombed. It<br \/>\nseems highly unlikely that an awards judge will deem a campaign very<br \/>\ncreative if he knows the campaign was a disaster, the agency was fired,<br \/>\nthe marketing director replaced and the campaign pulled off the air.\u00a0<\/p>\n<p>I<br \/>\n am not implying that experts and awards committees are remiss in their<br \/>\nduties or unprincipled in their decision making. I am merely suggesting<br \/>\nthat they are human. The likelihood that a human will take something he<br \/>\nknows to have been a massive failure and compare it favorably to<br \/>\nsomething he knows to have been a massive success is not high.<\/p>\n<p>If<br \/>\nthis is the case, then the process can be, to a worrying degree, a<br \/>\ntautology. Campaigns known to have been effective are presented as being<br \/>\n highly creative, and campaigns thusly deemed highly creative are<br \/>\npresented as proof of superior effectiveness.<\/p>\n<p>It can be a very simple but obscure example of circular logic.<\/p>\n<p>I<br \/>\n still firmly believe that creativity is the single most important<br \/>\ndetermination of advertising effectiveness. But I wish I had a more<br \/>\nsubstantial, scientific basis for that belief.<\/p>\n<p><i>See Part 2 of this piece <a href=\"http:\/\/adcontrarian.blogspot.com\/2020\/12\/part-2-is-creative-advertising-really.html\" target=\"_blank\">here<\/a>. <\/i><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>As long as I&#8217;ve been in the advertising business there has been a very large question smoldering under the surface of my skin: Does advertising that we deem to be more creative actually produce better business results, or is that just a fond wish that &#8220;creatives&#8221; and our supporters have invented to justify treating advertising [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12023],"tags":[14239,8397,14214,17676,1087,5227,8402,2485,17677,5393],"dealstore":[],"offerexpiration":[],"class_list":["post-47014","post","type-post","status-publish","format-standard","hentry","category-advertising","tag-ads","tag-advertising","tag-branding","tag-contrarian","tag-creative","tag-effective","tag-marketing","tag-online","tag-television","tag-web"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Is &quot;Creative&quot; Advertising Really More Effective? 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