{"id":42743,"date":"2025-01-23T09:23:29","date_gmt":"2025-01-23T09:23:29","guid":{"rendered":"https:\/\/peraltafinancing.com\/anthropology\/ecological-engineering-illustrated-in-a-painting-anthroecologycom\/"},"modified":"2025-01-23T09:23:29","modified_gmt":"2025-01-23T09:23:29","slug":"ecological-engineering-illustrated-in-a-painting-anthroecologycom","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=42743","title":{"rendered":"Ecological engineering illustrated in a painting \u2013 anthroecologycom"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Check out this painting.\u00a0<br \/>Kungkarrangkalpa Tjukurrpa, 2015 by Australian indigenous artists\u00a0<br \/>Exhibition opens at The Box, Plymouth (and thanks to cousin Clair Drever for drawing my attention to this)<\/p>\n<p>Look at the bottom right hand corner \u2013 there is a group of people there. You know what this painting looks like to me? It looks like a landscape mosaic. And it was created by the people in the right hand corner\u2026 hunter-gatherers use small burns in patches to achieve this.<\/p>\n<p>Scientific work in ecosystem dynamics has shown that such \u201cpatch dynamic\u201d landscapes maintain a high diversity of animals and plants. It has also been shown that these diversity ecologies are linked to the presence of \u201ckeystone\u201d species.\u00a0<\/p>\n<p>\u201c\u2026.The idea of patch dynamics dates back to the 1940s when plant ecologists studied the structure and dynamics of vegetation in terms of the interactive patches that it comprises. A mathematical theory of patch dynamics was developed by Simon Levin and Robert Paine in the 1970s, originally to describe the pattern and dynamics of an intertidal community as a patch mosaic created and maintained by tidal disturbances. Patch dynamics became a dominant theme in ecology between the late 1970s and the 1990s.\u201d (<a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FPatch_dynamics%3Ffbclid%3DIwAR3Egk0PxUhwU7XK27Li5IhFRXgiHi96V00aU7gmQ3McoJA36NTOIYSRS-A&amp;h=AT25mKlZzk95JYSrD9m2xH8eWXsFRo8YsgWcr4Spuq_LaBfGOgys0YaXfx3DQuJedrgSiGp2zABAC0Nizo1Gc7BU0Gcc7XdJUkiwuK-VIXq7nKF8dkUwCr6SwSDJh_55Cr8XFEk&amp;__tn__=-UK*F\" rel=\"noreferrer noopener\" target=\"_blank\">https:\/\/en.wikipedia.org\/wiki\/Patch_dynamics<\/a>)<\/p>\n<p>However, in Anthropology, these ideas were not incorporated, perhaps due to the demise of \u201ccultural ecology\u201d studies during the same period of time, as post-modernism and feminist theories of power relationships became the newest theoretical fad.\u00a0<\/p>\n<p>Some studies have continued, however, which have focussed on the cultural ecology of hunter-gatherers, and other sustainable economic systems like horticulture (forest gardening) and nomadic pastoralism. There has been some progress in integrating ecological models of humans functioning, in these economies, as a KEYSTONE species, practicing ecological engineering, through the use of fire and replanting of favoured food plants. Hunter-gatherer economies, in particular, appear to have integrated practices of \u201cpatch dynamics\u201d in the management of their landscapes.<\/p>\n<p>This refines our understanding of the \u201cniche\u201d of the our species, and all our ancestral forms, within the planetary ecology. We now need to ask ourselves how so many human economies, during the last 10,000 years, lost sight of these principles and began to undermine the species diversity.<\/p>\n<p>\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>\n<p>\u201c\u2026.After being viewed by more than 400,000 people in Australia, winning prizes and attracting rave reviews, the exhibition Songlines: Tracking the Seven Sisters opens this week at The Box in Plymouth on the first leg of a European tour that will take in Paris and Berlin.<\/p>\n<p>The exhibition features more than 300 paintings, photographs, objects \u2013 plus elements of song and dance \u2013 made by more than 100 Indigenous Australians, mostly women. A \u201cDomeLab\u201d \u2013 an immersive video projection gizmo \u2013 will transport viewers from south-west England into Australian deserts and caves and up into the solar system.<\/p>\n<p>Margo Neale, a senior indigenous curator at the National Museum of Australia and the lead curator of the exhibition, said it was driven by the desire to preserve songlines, which are hard to sum up in English but might be described as age-old paths of Indigenous knowledge and creation history, for future generations and to share them with the rest of the world.<\/p>\n<p>\u201cThis is not an art exhibition, a history exhibition or a science exhibition,\u201d Neale said. \u201cIt is all of these. It is both an Australian Aboriginal exhibition and a universal story of humankind. It offers us connectivity to each other and our planet in a fragmenting world.\u201d<\/p>\n<p>Neale has supervised the setting up of the exhibition via Zoom and Microsoft Teams from Canberra as she has been unable to travel to Devon because of Covid restrictions, but she is delighted that the UK is the first port of call outside Australia for the show. \u201cIt\u2019s the empire striking back.\u201d<\/p>\n<p>She said Plymouth in particular was a fitting berth because it was the port from which James Cook set sail in 1768 to \u201csettle or invade Australia, depending on which side of the fence you sit on\u201d.<\/p>\n<p>When it was shown in Australia, visitors came time and again and stayed for hours to drink in the exhibition. \u201cIt\u2019s really touched a nerve, it\u2019s so right for the moment,\u201d said Neale. \u201cYou learn lessons about survival, kinship, marriage rules, what you should and shouldn\u2019t do, what\u2019s proper and what isn\u2019t proper, simple truths about living in harmony, treading lightly, that the country is a member your family, something you cry over, sing to. The land doesn\u2019t belong to us. It\u2019s a story for the whole world.\u201d\u2026\u201d <a href=\"https:\/\/amp.theguardian.com\/artanddesign\/2021\/oct\/17\/the-empire-strikes-back-lauded-australian-show-begins-european-tour?fbclid=IwAR2rZL7F8bRL4CnZrgKY3_RnxvcD6becnXSiBvHTCOy3SQ5SxbbL2SI_k-I\" rel=\"nofollow\">https:\/\/amp.theguardian.com\/artanddesign\/2021\/oct\/17\/the-empire-strikes-back-lauded-australian-show-begins-european-tour?fbclid=IwAR2rZL7F8bRL4CnZrgKY3_RnxvcD6becnXSiBvHTCOy3SQ5SxbbL2SI_k-I<\/a><\/p>\n<p><span id=\"wordads-inline-marker\" style=\"display: none;\"\/>\t\t\t<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Check out this painting.\u00a0Kungkarrangkalpa Tjukurrpa, 2015 by Australian indigenous artists\u00a0Exhibition opens at The Box, Plymouth (and thanks to cousin Clair Drever for drawing my attention to this) Look at the bottom right hand corner \u2013 there is a group of people there. You know what this painting looks like to me? It looks like a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":42744,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11767],"tags":[13320,26618,14565,4217,1887],"dealstore":[],"offerexpiration":[],"class_list":["post-42743","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anthropology","tag-anthroecologycom","tag-ecological","tag-engineering","tag-illustrated","tag-painting"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ecological engineering illustrated in a painting \u2013 anthroecologycom - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=42743\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ecological engineering illustrated in a painting \u2013 anthroecologycom - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Check out this painting.\u00a0Kungkarrangkalpa Tjukurrpa, 2015 by Australian indigenous artists\u00a0Exhibition opens at The Box, Plymouth (and thanks to cousin Clair Drever for drawing my attention to this) Look at the bottom right hand corner \u2013 there is a group of people there. 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