{"id":38363,"date":"2025-01-20T17:32:02","date_gmt":"2025-01-20T17:32:02","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/curator-at-large-the-london-lowdown\/"},"modified":"2025-01-20T17:32:02","modified_gmt":"2025-01-20T17:32:02","slug":"curator-at-large-the-london-lowdown","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=38363","title":{"rendered":"Curator at Large: The London Lowdown"},"content":{"rendered":"


\n<\/p>\n

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Uncover six exhibitions we think you should see in London before spring, from Japanese Art History \u00e0 la Takashi Murakami to tech-tinged dreamscapes.<\/p>\n

By Sophie Heatley<\/span> | 16 Jan 2025<\/p>\n<\/div>\n

\n

With Christmas behind us and New Year resolutions underway (kind of), I can\u2019t quite believe we\u2019re already halfway through January 2025. Torn between being thrilled that the hardest month of the year is almost over and somewhat shook at how quickly it\u2019s gone, I\u2019m distracting myself with the fortification of my arts and culture diet. Now definitely feels like a good time to sit back, have a coffee, and plan a few exhibition visits. Here are six we think you should check out in the next few months.<\/p>\n

\"Curator<\/a>
Installation view, Japanese Art History \u00e0 la Takashi Murakami<\/i>, Gagosian, Grosvenor Hill, London | Photo: Prudence Cuming Associates Ltd<\/figcaption><\/figure>\n

Gagosian London presents new works by Takashi Murakami<\/a>, reinterpreting iconic Japanese art through his signature lens. Blending tradition and modernity, Murakami explores Japan’s cultural evolution post-Edo period, pairing mythical guardians of Kyoto with contemporary landscapes. Using AI, sketches, and past works, Murakami reimagines historical motifs with vibrant inventiveness. Highlights include his take on the Four Symbols and re-workings of Matabei\u2019s Rakuch\u016b-Rakugai-zu and the Rinpa school. Also for the diary: the artist will be in conversation with Hans Ulrich Obrist on December 11 at the Royal Academy.\u00a0<\/p>\n

Gagosian Grosvenor Hill, London,<\/strong> until 8 Mar 2025<\/strong><\/p>\n

\"Curator<\/a>
Neena, aan uthii<\/i>\u2014Acaye Kerunen<\/a> Installation View | Courtesy of Pace Gallery<\/a><\/figcaption><\/figure>\n

Pace presents\u00a0Neena, aan uthii<\/i>\u2014Acaye Kerunen\u2019s vibrant UK solo debut. Translating to\u00a0See me, I am here<\/i> in Alur, this exhibition showcases sculptures, sound installations, and performance inspired by Ugandan communities and ecological knowledge. Based in Kampala, Kerunen combines visual art, performance, and activism in climate-conscious creations. Her vivid tapestries use natural dyes from roots, flowers, and grasses, blending rich hues like indigos, tangerines, and fuchsias that reflect Uganda\u2019s diverse landscapes. I wouldn\u2019t want to miss this immersive celebration of embodied knowledge and environmental artistry.<\/p>\n

Pace, London<\/strong>, until 22 Feb 2025<\/strong><\/p>\n

\"Curator<\/a>
Installation view of Lawrence Perry: They Shoot Horses, Don\u2019t They?<\/i><\/a> at IBF Contemporary<\/a>, London | Photo: Tom Carter<\/figcaption><\/figure>\n

Lawrence Perry\u2019s psychologically charged, witty paintings bring universal fables into sharp, contemporary focus. Blending sumptuous textures with uncanny worlds, his work explores themes of desire, violence, and image saturation. Ambitious and visceral, the show crowns Perry\u2019s unique and arresting style, an aesthetic that fuses Renaissance opulence with 70s Californian excess.\u00a0<\/p>\n

IBF Contemporary, London, until 12 Feb 2025<\/strong><\/p>\n

\"Curator<\/a>
Installation view of Claudia Mart\u00ednez Garay: Borrowed Air<\/a> | Courtesy of GRIMM Gallery<\/a><\/figcaption><\/figure>\n

Following acclaimed shows at Nottingham Contemporary and Dundee Contemporary Arts, GRIMM Gallery presents Borrowed Air, Mart\u00ednez Garay\u2019s third UK solo exhibition. Exploring “moments of rupture” where European modernity collides with Andean cosmo-visions, her works in printmaking, etching, and painting give voice to historically underrepresented perspectives. Pieces like\u00a0Intrusos en sus tierras (2024)<\/i> challenge official histories, using school textbook aesthetics and a striking brown-white chromatic motif to confront colonial narratives with political and emotional depth.<\/p>\n

GRIMM, London, u<\/strong>ntil 22 Feb 2025<\/strong><\/p>\n

\"Curator<\/a>
Installation view of Jana Schroder: M. I. G. H. T<\/a> | Courtesy of Skarstedt Gallery<\/a><\/figcaption><\/figure>\n

Showcasing a selection of new paintings across three different series: SYNACLIPS, FRONTRACKS SYNACLIPS SPE and CORTEXOPHIS,\u00a0Jana Schroder: M. I. G. H. T<\/i>. explores the\u00a0Metamorphosis in Generative Human Thinking (M.I.G.H.T.)<\/i>, an acronym devised by the artist to evoke ambiguity and doubt. Immersed in a tech-tinged dreamscape, Schr\u00f6der explores the clash between digital floods of information and our analogue minds, reflecting how constant connectivity is reshaping our perception and attention\u2013 and not necessarily for the better. Biomorphic shapes undulate in vivid pinks, greens, yellows, and blues, like neural networks suspended in water\u2014a mesmerising look at our evolving relationship with technology.<\/p>\n

Skarstedt, London, <\/strong>until 1 Feb 2025<\/strong><\/p>\n

\"Curator<\/a>
Installation view from Jonathan McCree\u2019s\u00a0Through The Wrong End Of A Telescope<\/i><\/a> <\/i>| Courtesy of Sim Smith<\/a> Gallery\u00a0<\/figcaption><\/figure>\n

I couldn\u2019t\u00a0not<\/i> include Jonathan McCree\u2019s\u00a0Through The Wrong End Of A Telescope<\/i>. A playful, improvisational journey, McCree\u2019s third solo show with the gallery features a constellation of cardboard, cast aluminium, folded metal sculptures, paintings, and drawings in a fluid exploration of lived experience and non-linearity. Each piece invites viewers into a dynamic game of perception, challenging them to carve their own unique path through its emergent relationships.\u00a0<\/p>\n

Sim Smith, London, until 8 Feb 2025<\/strong><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Uncover six exhibitions we think you should see in London before spring, from Japanese Art History \u00e0 la Takashi Murakami to tech-tinged dreamscapes. By Sophie Heatley | 16 Jan 2025 With Christmas behind us and New Year resolutions underway (kind of), I can\u2019t quite believe we\u2019re already halfway through January 2025. Torn between being thrilled […]<\/p>\n","protected":false},"author":1,"featured_media":38364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[14088,14089,14091,14090,16985,24679,24678,847,14093,14092,1543,24680,24682,14094,24681],"dealstore":[],"offerexpiration":[],"class_list":["post-38363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art-articles","tag-art-blog","tag-art-events","tag-art-news","tag-curator","tag-curator-at-large","tag-curator-at-large-the-london-lowdown","tag-large","tag-latest-art-releases","tag-latest-news","tag-london","tag-london-exhibitions","tag-lowdown","tag-online-art-gallery","tag-takashi-murakmi"],"yoast_head":"\nCurator at Large: The London Lowdown - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=38363\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Curator at Large: The London Lowdown - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Uncover six exhibitions we think you should see in London before spring, from Japanese Art History \u00e0 la Takashi Murakami to tech-tinged dreamscapes. 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