{"id":362958,"date":"2026-08-02T04:09:25","date_gmt":"2026-08-02T04:09:25","guid":{"rendered":"https:\/\/peraltafinancing.com\/acting\/contemporary-male-overdone-audition-monologues-to-avoid\/"},"modified":"2026-08-02T04:09:25","modified_gmt":"2026-08-02T04:09:25","slug":"contemporary-male-overdone-audition-monologues-to-avoid","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=362958","title":{"rendered":"Contemporary Male Overdone Audition Monologues to Avoid"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Hunting for an epic audition monologue, but don\u2019t want to be doing the same piece as everyone else? We get it. When the panel has asked you to select your own piece, there is a lot of freedom in what you perform. However, with that freedom comes the possibility of selecting a monologue the panel may have seen before. Snooze fest!<\/p>\n<p>To help you out, we\u2019ve compiled a list list of overdone audition monologues for your to read before deciding on a piece for <a href=\"https:\/\/www.stagemilk.com\/how-to-find-theatre-auditions\/\">your next theatre audition<\/a>. We also give you guidance on where to find monologues you can explore instead! Let\u2019s get into it.<\/p>\n<h2>Overused Theatre Male Contemporary Audition Monologues<\/h2>\n<p>Before we dive into the list of most common audition monologues to avoid, let us give a short disclaimer. These pieces are used often for good reason. They\u2019re well written, exciting, and dynamic. <strong>If you choose to use any of these monologues, be aware that the casting director has probably seen that monologue performed a hundred times. <\/strong>This is not meant to completely discourage you from engaging with these monologues.<\/p>\n<p>If you think you have an amazing take on a piece, then by all means do it! If you can nail an overdone monologue, you\u2019ll be truly impressive. But, if you don\u2019t blow their socks off, you could be at a disadvantage. So, actor, be wary with the following pieces!<\/p>\n<h3>Death of a Salesman by Arthur Miller<\/h3>\n<p><strong>Biff\u2019s monologue<\/strong> that begins: <em>\u201cNow hear this, Willy, this is me. You know why I had no address for three months? I stole a suit in Kansas City\u2026\u201d<\/em><\/p>\n<p>And ends with <em>\u201cI\u2019m nothing. I\u2019m just what I am, that\u2019s all.\u201d\u00a0<\/em><\/p>\n<p><iframe loading=\"lazy\" title=\"Timoth\u00e9e Chalamet - &quot;Miss Stevens&quot; award winning monologue\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/ALzXCZlqodo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>The Seagull by Anton Chekhov<\/h3>\n<p><strong>Konstantin\u2019s monologue\u00a0<\/strong>that begins <em>\u201cShe loves me \u2013 she loves me not\u2026 She loves me \u2013 she loves me not\u2026 Loves me, loves me not.\u201d<\/em><\/p>\n<p>And finishes on: <em>\u201cWhat we need are new artistic forms. And if we don\u2019t get new forms it would be better if we had nothing at all.\u201d<\/em><\/p>\n<h3>Rosencratz and Guildenstern Are Dead by Tom Stopard<\/h3>\n<p><strong>Rosenctraz\u2019s monologue<\/strong> that begins: \u201c<em>Do you ever think of yourself as actually dead, lying in a box with a lid on it? Nor do I, really \u2026 It\u2019s silly to be depressed by it.<\/em>\u201d<\/p>\n<p>And ends with: \u201c<em>You could lie there thinking \u2013 well, at least I\u2019m not dead! In a minute someone\u2019s going to bang on the lid and tell me to come out. (Banging on the floor with his fists.) \u2018Hey you, whatsyername! Come out of there!\u201d<\/em><\/p>\n<p><iframe loading=\"lazy\" title=\"Tom Stoppard - Rosenkrantz &amp; Guildenstern are dead\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/QPnAktzGWlg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3><strong>Our Town by Thornton Wilder<\/strong><\/h3>\n<p><strong>George Gibbs\u2019 monologue<\/strong> that begins with <em>\u201cI\u2019m celebrating because I\u2019ve got a friend who tells me all the things that ought to be told me\u2026\u201d<\/em><\/p>\n<p>And finishes with <em>\u201cEmily, I\u2019m going to make up my mind right now\u2014I won\u2019t go. I\u2019ll tell Pa about it tonight.\u201d<\/em><\/p>\n<h3>The Glass Menagerie by Tennessee Williams<\/h3>\n<p><strong>Tom\u2019s monologue <\/strong>that begins: <em>\u201cListen! You think I\u2019m crazy about the warehouse? You think I\u2019m in love with Continental Shoemakers? You think I want to spend fifty-five years down there in that \u2013 celotex interior! With fluorescent tubes?\u201d<\/em><\/p>\n<p>And finishes with: <em>\u201cI\u2019ll be glad, very happy, and so will you! You\u2019ll go up, up on a broomstick, over Blue Mountain with seventeen gentlemen callers, you ugly, babbling, old witch!\u201d<\/em><\/p>\n<h3>Cosi by Louis Nowra<\/h3>\n<p><strong>Doug\u2019s<\/strong> <strong>monologue<\/strong> that begins. <em>\u201cIt\u2019s what I did. Burned a cat. Quite recently. It was the fault of the psychiatrist. I\u2019d been seeing him because of my pyromania \u2013 that\u2019s a person who likes lighting fires\u201d<\/em><\/p>\n<p>And ends on <em>\u201cIf it wasn\u2019t for that damn cat, I wouldn\u2019t be in here.\u201d<\/em><\/p>\n<p><iframe loading=\"lazy\" title=\"David Wenham in &amp;apos;Cosi&amp;apos; Part Two\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/N0KRdUhc3mQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Angels in America \u2013 Part One: Millennium Approaches, by Tony Kushner<\/h3>\n<p><strong>Louis\u2019<\/strong> <strong>monologue<\/strong> that begins: <em>\u201cWhy has democracy succeeded in America? Of course by succeeded I mean comparatively, not literally, not in the present\u2026\u201d<\/em><\/p>\n<p>Ending with <em>\u201c\u2026find out how much tolerance is worth. Nothing. And underneath all the tolerance is intense, passionate hatred.\u201d<\/em><\/p>\n<h3>Angels in America \u2013 Part Two: Perestroika by Tony Kushner<\/h3>\n<p><strong>Belize\u2019s monologue <\/strong>that begins: \u201c<em>What did you drag me out here for, Louis, I don\u2019t have time for you. You walk out on your lover. Days don\u2019t pass before you are out on the town with somebody new.\u201d<\/em><\/p>\n<p>Finishing on: <em>\u201cI live in America, Louis, that\u2019s hard enough, I don\u2019t have to love it. You do that. Everybody\u2019s got to love something.\u201d<\/em><\/p>\n<h2>Other Contemporary Plays with Popular Audition Monologues<\/h2>\n<p>Beyond the above monologues, there are some other honourable mentions of monologues that actors tend to return to again and again. While not necessarily as iconic as the already listed monologues, it\u2019s worth being aware of how popular the following plays can be for audition pieces. Again, proceed with caution. Especially for any drama school auditions!<\/p>\n<p><strong>Punk Rock by Simon Stephens<\/strong><br \/><strong>Reasons to be Pretty by Neil Labute<\/strong><br \/><strong>Laughing Wild by Christopher Durang<\/strong><br \/><strong>Brighton Beach Memoirs by Neil Simon<\/strong><br \/><strong>Danny and the Deep Blue Sea by John Patrick Shanley<\/strong><br \/><strong>This is our Youth by Kenneth Lonergan<\/strong><br \/><strong>Fortinbras by Lee Blessing<\/strong><\/p>\n<h2>How To Find Unique Contemporary Male Audition Monologues<\/h2>\n<p>After reading through the above, you might be thinking<em> \u2018Oh crap, that\u2019s my monologue!\u2019 <\/em>But don\u2019t stress! We\u2019ve got an amazing library of <a href=\"https:\/\/www.stagemilk.com\/monologues-for-men\/\">Monologues for Men<\/a> and <a href=\"https:\/\/www.stagemilk.com\/comedic-monologues\/\">Comedic Monologues for Men<\/a> for you to check out.<\/p>\n<p>We also have an extended, personally curated list of incredible and unique monologues to explore inside the <a href=\"https:\/\/stagemilk.com\/members\/monologues\/\">StageMilk Drama Club<\/a>!<\/p>\n<h2>Final Thoughts<\/h2>\n<p>Choosing a unique contemporary male monologue will help you stand out from the crowd at an audition. It can make the audition panel sit up and take notice. When you choose an overdone piece, you run the risk of turning the panel off your audition before you even really have a chance to show them what you\u2019re made of. By thinking\u00a0carefully about your audition piece, and finding something\u00a0 fresh that excites you, you can be fully confident to go out and nail that audition!<\/p>\n<\/p><\/div>\n<p><script type=\"bfcab7ced2bd8e030bcdf407-text\/javascript\">\n  !function(f,b,e,v,n,t,s)\n  {if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n  n.callMethod.apply(n,arguments):n.queue.push(arguments)};\n  if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n  n.queue=[];t=b.createElement(e);t.async=!0;\n  t.src=v;s=b.getElementsByTagName(e)[0];\n  s.parentNode.insertBefore(t,s)}(window, document,'script',\n  'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n  fbq('init', '1218447108811544');\n  fbq('track', 'PageView');\n<\/script><script type=\"bfcab7ced2bd8e030bcdf407-text\/javascript\">(function(d, s, id) {\n  var js, fjs = d.getElementsByTagName(s)[0];\n  if (d.getElementById(id)) return;\n  js = d.createElement(s); js.id = id;\n  js.src=\"https:\/\/connect.facebook.net\/en_GB\/sdk.js#xfbml=1&version=v2.11&appId=134675019996303\";\n  fjs.parentNode.insertBefore(js, fjs);\n}(document, 'script', 'facebook-jssdk'));<\/script><br \/>\n<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hunting for an epic audition monologue, but don\u2019t want to be doing the same piece as everyone else? We get it. When the panel has asked you to select your own piece, there is a lot of freedom in what you perform. However, with that freedom comes the possibility of selecting a monologue the panel [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":362959,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12021],"tags":[19750,11395,4292,2829,23725,33845],"dealstore":[],"offerexpiration":[],"class_list":["post-362958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acting","tag-audition","tag-avoid","tag-contemporary","tag-male","tag-monologues","tag-overdone"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Contemporary Male Overdone Audition Monologues to Avoid - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=362958\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Contemporary Male Overdone Audition Monologues to Avoid - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Hunting for an epic audition monologue, but don\u2019t want to be doing the same piece as everyone else? 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