{"id":362166,"date":"2026-08-01T17:46:10","date_gmt":"2026-08-01T17:46:10","guid":{"rendered":"https:\/\/peraltafinancing.com\/animation\/a-cat-a-strange-visitor-a-cow-a-frog-and-a-little-girl-the-world-of-cordell-barker\/"},"modified":"2026-08-01T17:46:10","modified_gmt":"2026-08-01T17:46:10","slug":"a-cat-a-strange-visitor-a-cow-a-frog-and-a-little-girl-the-world-of-cordell-barker","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=362166","title":{"rendered":"A Cat, a Strange Visitor, a Cow, a Frog and a Little Girl: The World of Cordell Barker"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>These few words alone could summarize the five films Cordell Barker made at the NFB. Five characters who aren\u2019t always the protagonists, but who invariably act as disruptive factors, setting things in motion and sometimes serving as a point of contrast. Let\u2019s take a closer look.<\/p>\n<p><strong>A cat<\/strong><\/p>\n<p><strong><em>The Cat Came Back<\/em><\/strong> (1988) tells the story of old Mr. Johnson, who one day opens the door to find a tiny yellow cat in a pretty basket on his stoop. Little does he suspect how his life is about to change. At first, he\u2019s completely taken with the adorable kitty. But the charm soon wears off when the cat breaks his favourite rattle, and he promptly decides it can\u2019t stay. The cat, however, has other ideas. Despite the old man\u2019s increasingly desperate efforts to rid himself of his furry problem, it just keeps coming back\u2014hence the film\u2019s title. This gives us our first example of a character whose role is to set the plot in motion.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/dkyhanv6paotz.cloudfront.net\/medias\/nfb_tube\/dyn_page_imgs\/2019\/The_Cat_Came_Back_XL_8t7u1pJ.jpg\"\/><\/p>\n<p>Inspired by a folk tune whose catchy refrain you\u2019re sure to find yourself humming after the film, Barker\u2019s first animated short was a huge hit with audiences and critics alike. It picked up more than 15 awards in Canada and abroad, including an Oscar nomination, and quickly became a classic in our collection. Not bad for a self-taught filmmaker who was convinced his film was terrible and that he\u2019d soon be heading back to construction work! The film effectively launched Barker\u2019s career as an animator. A Winnipeg native, he got his start at Kenn Perkins Animation before joining the animation unit at the NFB\u2019s Winnipeg Studio in 1982.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.nfb.ca\/film\/the-cat-came-back\/embed\/player\/\" width=\"530\" height=\"345\" frameborder=\"0\" allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\"><\/iframe><\/p>\n<p style=\"width:(( width ))px\"><a href=\"https:\/\/www.nfb.ca\/film\/the-cat-came-back\/\" target=\"_blank\"><em>The Cat Came Back<\/em><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\/directors\/cordell-barker\/\" title=\"more films by Cordell Barker\" target=\"_blank\"><span>Cordell Barker<\/span><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\" target=\"_blank\">provided by the National Film Board of Canada<\/a><\/p>\n<p><strong><em>The Cat Came Back<\/em><\/strong> helped Barker discover his signature style\u2014simple drawings that allowed him to focus on rhythm, pacing and comic timing\u2014and underscored the central role of music and humour in his work. Just as importantly, it let him develop his own distinct genre: hilarious, seemingly child-friendly stories with a darker undercurrent that appeals to adults. These qualities would all become the hallmarks of his later work. Finally, it\u2019s worth noting that the film bears the unmistakable stamp of the Winnipeg studio\u2019s animation style at the time, with its frumpy, rubbery everyman and his hyperbolic features: protruding teeth, bulging eyes and a guttural, piercing voice.<\/p>\n<p><strong>A strange visitor<\/strong><\/p>\n<p><strong><em>Strange Invaders<\/em><\/strong> (2001) invites us into the world of Roger and Doris, a loving couple leading a quiet life in their cozy home. One night, they\u2019re abruptly awakened by a strange visitor: a toddler. Could this be the answer to their prayers? That question is soon put to the test as their visitor takes over the house, wreaking havoc and destroying everything in its path.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.nfb.ca\/film\/strange_invaders\/embed\/player\/\" width=\"530\" height=\"345\" frameborder=\"0\" allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\"><\/iframe><\/p>\n<p style=\"width:(( width ))px\"><a href=\"https:\/\/www.nfb.ca\/film\/strange_invaders\/\" target=\"_blank\"><em>Strange Invaders<\/em><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\/directors\/cordell-barker\/\" title=\"more films by Cordell Barker\" target=\"_blank\"><span>Cordell Barker<\/span><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\" target=\"_blank\">provided by the National Film Board of Canada<\/a><\/p>\n<p>In his second film, Barker employs the same dramatic device as in his first, swapping out a tenacious cat for a disruptive infant. We find the same pared-down animation style and familiar backdrops\u2014indeed, the couple\u2019s house is strongly reminiscent of Mr. Johnson\u2019s in <strong><em>The Cat Came Back<\/em><\/strong>. His characters may be a tad more recognizably human this time around, but they still retain Barker\u2019s trademark exaggerated features.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/dkyhanv6paotz.cloudfront.net\/medias\/nfb_tube\/dyn_page_imgs\/2017\/strange-invaders_XL3_rZjs3Fj.jpg\"\/><\/p>\n<p>It\u2019s a comedy, but decidedly one for adults. Barker\u2019s message is clear: the arrival of a child in a couple\u2019s life is not unlike an alien invasion\u2014and kids have a knack for turning things upside down. You may have spotted the frame that flashes by for a split second during the rapid-fire photo montage. The hidden message reads: \u201cCordell\u2019s kids are evil. Dillon, Joshua + Jackson. Don\u2019t pause this film.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/dkyhanv6paotz.cloudfront.net\/medias\/nfb_tube\/dyn_page_imgs\/2012\/strange-invaders_vedette.jpg\" width=\"1340\" height=\"577\"\/><\/p>\n<p>Just like its predecessor, <strong><em>Strange Invaders<\/em><\/strong> was a great success with audiences and critics alike, earning an Oscar nomination and picking up more than 15 awards along the way.<\/p>\n<p><strong>A cow<\/strong><\/p>\n<p>As a cow ambles along a railway track, a passenger train barrels down the very same line at full speed. When the train inevitably collides with the animal, the impact throws its braking systems into disarray. Packed with revelers oblivious to what\u2019s happening around them, the train picks up speed and is soon careening out of control. How is this all going to end? Such is the premise of <strong><em>Runaway<\/em><\/strong> (2009), Barker\u2019s third animated short. It\u2019s unquestionably a metaphor for humanity\u2019s carelessness in the face of looming danger\u2014a humanity marked by class divisions, conflict and injustice, hurtling headlong toward catastrophe.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.nfb.ca\/film\/runaway\/embed\/player\/\" width=\"530\" height=\"345\" frameborder=\"0\" allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\"><\/iframe><\/p>\n<p style=\"width:(( width ))px\"><a href=\"https:\/\/www.nfb.ca\/film\/runaway\/\" target=\"_blank\"><em>Runaway<\/em><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\/directors\/cordell-barker\/\" title=\"more films by Cordell Barker\" target=\"_blank\"><span>Cordell Barker<\/span><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\" target=\"_blank\">provided by the National Film Board of Canada<\/a><\/p>\n<p>Just as in his first two films, a single character\u2014in this case, the cow\u2014acts as the disruptive element. Indeed, the collision with the animal is what causes the engine to malfunction. But the cow also functions as a point of contrast: its ambling pace set against the train\u2019s speed highlights the fact that both the locomotive and its passengers are rushing toward disaster.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/dkyhanv6paotz.cloudfront.net\/medias\/nfb_tube\/dyn_page_imgs\/2020\/Runaway_XL_e5ysGgN.jpg\"\/><\/p>\n<p>The subject may be serious, but Barker, as you might expect, handles it with humour and whimsy. The music by Ben Charest\u2014composer of the soundtrack for the animated feature <em>The Triplets of Belleville<\/em> (2003), which was nominated for the Best Original Song Oscar\u2014leans into the absurdity, establishing the film\u2019s comic tone while dictating its pacing and tonal shifts. Barker\u2019s animation, this time somewhat less cartoony<em>,<\/em> blends with the soundtrack seamlessly.<\/p>\n<p><strong><em>Runaway<\/em><\/strong> received some 15 international awards, including the Petit Rail d\u2019Or for Best Short Film in the Directors\u2019 Fortnight section of the 2009 Cannes Film Festival.<\/p>\n<p><strong>A frog<\/strong><\/p>\n<p>With <strong><em>If I Was God\u2026<\/em><\/strong> (2015), Barker embarks on something more personal: a true story, if the opening credits are to be believed (Barker himself narrates the film\u2019s original English version). In any case, we meet 12-year-old Cordell in his classroom, lost in a daydream. He tells us he feels \u201csort of godlike.\u201d Feeling the first stirrings of adulthood, he senses that he\u2019ll soon be able to do whatever he wants\u2014a thought that fills him with a heady sense of power. He doesn\u2019t yet know what he\u2019ll become, only that it will be something impressive. Tasked with dissecting a frog, he suddenly realizes he holds the power of life and death over the creature. He can bring it back to life at will\u2014something only God can do. Could he be God? If he was, he could rid the world of evil and get everything he wanted.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.nfb.ca\/film\/if_i_was_god\/embed\/player\/\" width=\"530\" height=\"345\" frameborder=\"0\" allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\"><\/iframe><\/p>\n<p style=\"width:(( width ))px\"><a href=\"https:\/\/www.nfb.ca\/film\/if_i_was_god\/\" target=\"_blank\"><em>If I Was God\u2026<\/em><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\/directors\/cordell-barker\/\" title=\"more films by Cordell Barker\" target=\"_blank\"><span>Cordell Barker<\/span><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\" target=\"_blank\">provided by the National Film Board of Canada<\/a><\/p>\n<p>In this darkly funny coming-of-age story, it\u2019s the frog who serves as the unlikely catalyst. After all, isn\u2019t it the frog\u2019s dissection and subsequent reanimation that sends young Cordell\u2019s imagination racing?<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/dkyhanv6paotz.cloudfront.net\/medias\/nfb_tube\/dyn_page_imgs\/2016\/If_I_Was_God_XL-2.jpg\"\/><\/p>\n<p>Barker\u2019s fourth film has all the markings of his previous work: anarchic humour, impeccable comic timing, music in a key role and a story that appeals to both kids and adults. This time, however, he uses a new technique: stop-motion puppet animation, which he combines with 2D animation. Animators Sylvie Trouv\u00e9 and Dale Hayward handle the puppets, while Barker draws the 2D sequences.<\/p>\n<p><strong><em>If I Was God\u2026<\/em><\/strong> won multiple awards, including the 2017 G\u00e9meaux for Best Animation.<\/p>\n<p><strong>A little girl<\/strong><\/p>\n<p>In the opening sequence of <strong><em>Good Luck to You All<\/em><\/strong> (2025), Barker\u2019s latest release, a little girl plays with her toys. A small robot suddenly walks up to her. She grabs it, tears off its head and replaces it with her doll\u2019s, plays with it for a while, then tosses it aside. The robot gets up, leaves the house, and sets off to explore the outside world. There, it begins to grow, eventually becoming a giant. It\u2019s not long before it poses a threat to everything around it. Meanwhile, a fragmented voiceover of scientific and philosophical reflections on the ramifications of AI plays in the background. Has the little girl unwittingly created an intelligent machine endowed with consciousness, capable of destroying us? This fanciful tale, both amusing and unsettling, offers a reflection on AI, our latest technological \u201ctoy.\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.nfb.ca\/film\/good-luck-to-you-all\/embed\/player\/\" width=\"530\" height=\"345\" frameborder=\"0\" allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\"><\/iframe><\/p>\n<p style=\"width:(( width ))px\"><a href=\"https:\/\/www.nfb.ca\/film\/good-luck-to-you-all\/\" target=\"_blank\"><em>Good Luck to You All<\/em><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\/directors\/cordell-barker\/\" title=\"more films by Cordell Barker\" target=\"_blank\"><span>Cordell Barker<\/span><\/a><span>, <\/span><a href=\"https:\/\/www.nfb.ca\" target=\"_blank\">provided by the National Film Board of Canada<\/a><\/p>\n<p>This time, it\u2019s neither a cat, nor a strange visitor, nor a cow, nor a frog, but a little girl who sets the chain of events in motion by replacing the robot\u2019s head. However, like the cow in <strong><em>Runaway<\/em><\/strong>, she also serves as a point of contrast, her childlike perspective set against the more articulated views of the scientists and philosophers. This may well reflect the viewer\u2019s own position, caught between the two.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/mediaspace.nfb.ca\/wp-content\/uploads\/GoodLuckToYouAll_Grab_10031818-700x394.jpg\" width=\"1317\" height=\"741\"\/><\/p>\n<p><strong><em>Good Luck to You All<\/em><\/strong> marks a turning point in Barker\u2019s work. Though he reverts to hand-drawn animation and his characteristic offbeat humour, he also incorporates documentary elements for the first time. Music, too, plays a less prominent role. More importantly, Barker raises difficult questions about how we will use AI in the future \u2014questions we are unable to answer. The film suggests a future that\u2019s both uncertain and unsettling. Indeed, isn\u2019t its title drawn from a radio address given by Queen Elizabeth II (then Princess Elizabeth) in 1940, at the outset of the most devastating war in history? In the end, Barker seems to be wishing us all luck in a world governed by AI.<\/p>\n<p>I invite you all to check out the film, newly available on our website. And if you haven\u2019t already, you can catch his other four films on our channel, <a href=\"https:\/\/www.nfb.ca\/channels\/cordell-barker\/\" target=\"_blank\" rel=\"noopener\"><strong>The Cordell Barker Collection<\/strong><\/a>.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>A short message from our Marketing team<\/strong><\/p>\n<p>Our dreams are about to come true! Cordell is currently wrapping up work on a Christmas-themed animated piece for the whole family: a 30-minute tale about a main character who\u2019s straight from the South Pole. <strong><em>ANTA CLAUS<\/em><\/strong> is slated for release in December 2026. Stay tuned!<\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>These few words alone could summarize the five films Cordell Barker made at the NFB. Five characters who aren\u2019t always the protagonists, but who invariably act as disruptive factors, setting things in motion and sometimes serving as a point of contrast. Let\u2019s take a closer look. A cat The Cat Came Back (1988) tells the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":362170,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12035],"tags":[33795,176542,14625,42706,13788,6772,183356,17867,2246,183361,176549,1204,7425,991,183357,183358,153044,136900,7508,77382,5640,183359,183360,41153,44827,2379],"dealstore":[],"offerexpiration":[],"class_list":["post-362166","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-_carousel","tag-2d-drawn-animation","tag-3d-animation","tag-adult-animation","tag-animator","tag-barker","tag-brad-caslor","tag-carousel","tag-cat","tag-cordell","tag-cordell-barker","tag-cow","tag-frog","tag-girl","tag-good-luck-to-you-all","tag-if-i-was-god","tag-puppet-animation","tag-richard-condie","tag-runaway","tag-stop-motion-animation","tag-strange","tag-strange-invaders","tag-the-cat-came-back","tag-visitor","tag-winnipeg","tag-world"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A Cat, a Strange Visitor, a Cow, a Frog and a Little Girl: The World of Cordell Barker - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=362166\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Cat, a Strange Visitor, a Cow, a Frog and a Little Girl: The World of Cordell Barker - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"These few words alone could summarize the five films Cordell Barker made at the NFB. 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Five characters who aren\u2019t always the protagonists, but who invariably act as disruptive factors, setting things in motion and sometimes serving as a point of contrast. Let\u2019s take a closer look. A cat The Cat Came Back (1988) tells the [&hellip;]","og_url":"https:\/\/fivemor.com\/?p=362166","og_site_name":"Som2ny Network","article_published_time":"2026-08-01T17:46:10+00:00","og_image":[{"width":2560,"height":1440,"url":"https:\/\/fivemor.com\/wp-content\/uploads\/2026\/08\/GoodLuckToYouAll_Billet-blog_3840x2160-scaled.jpg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/fivemor.com\/?p=362166#article","isPartOf":{"@id":"https:\/\/fivemor.com\/?p=362166"},"author":{"name":"admin","@id":"https:\/\/fivemor.com\/#\/schema\/person\/b85e3c3dc0e1daea076524dc8810c371"},"headline":"A Cat, a Strange Visitor, a Cow, a Frog and a Little Girl: The World of Cordell Barker","datePublished":"2026-08-01T17:46:10+00:00","mainEntityOfPage":{"@id":"https:\/\/fivemor.com\/?p=362166"},"wordCount":1679,"commentCount":0,"publisher":{"@id":"https:\/\/fivemor.com\/#organization"},"image":{"@id":"https:\/\/fivemor.com\/?p=362166#primaryimage"},"thumbnailUrl":"https:\/\/fivemor.com\/wp-content\/uploads\/2026\/08\/GoodLuckToYouAll_Billet-blog_3840x2160-scaled.jpg","keywords":["_carousel","2D drawn animation","3D animation","Adult Animation","Animator","Barker","Brad Caslor","carousel","Cat","Cordell","Cordell Barker","Cow","Frog","Girl","good luck to you all","If I was god...","Puppet Animation","Richard Condie","Runaway","stop motion animation","strange","Strange Invaders","The Cat Came Back","Visitor","Winnipeg","World"],"articleSection":["Animation"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/fivemor.com\/?p=362166#respond"]}]},{"@type":"WebPage","@id":"https:\/\/fivemor.com\/?p=362166","url":"https:\/\/fivemor.com\/?p=362166","name":"A Cat, a Strange Visitor, a Cow, a Frog and a Little Girl: The World of Cordell Barker - 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