{"id":36083,"date":"2025-01-19T06:10:07","date_gmt":"2025-01-19T06:10:07","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/7-nyc-shows-and-a-trove-of-online-art-to-see-right-now\/"},"modified":"2025-01-19T06:10:07","modified_gmt":"2025-01-19T06:10:07","slug":"7-nyc-shows-and-a-trove-of-online-art-to-see-right-now","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=36083","title":{"rendered":"7 NYC Shows and a Trove of Online Art to See Right Now"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<aside>\n\t\t<\/aside>\n<p>Whether you\u2019re trying to beat the winter blahs or enjoy the rare moments of midwinter sunshine, there\u2019s plenty of compelling art to see in New York City\u2019s museums and galleries. Prepare for the overlap of Inauguration and MLK Day with Kamari Carter\u2019s incisive take on the American flag, check out the spiritual art of Shakers, bask in Esther Mahlangu\u2019s colorful patterns and the esoteric worlds of Forrest Bess, and wander into a field of conceptualism with Michael Asher. And when the snowstorms roll in, curl up on your couch and enjoy dozens of online exhibitions designed by the Morgan Library &amp; Museum, including two on the wondrous Beatrix Potter! If you\u2019re in need of some creative community on January 20, visit artist Eva Mueller\u2019s <em><a href=\"https:\/\/www.instagram.com\/p\/DE6xWH4O4m2\/?hl=en&amp;img_index=1\">Wall of Emotions (WOE)<\/a><\/em> pop-up event at Satellite Gallery on the Lower East Side. Mueller will be exhibiting their photo portraits of people from LGBTQ+ and allied communities and on hand to take photos of visitors who want to join their wall. \u2014<em>Natalie Haddad, Reviews Editor <\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n<h2 class=\"wp-block-heading\" id=\"h-esther-mahlangu-time-in-color\"><strong>Esther Mahlangu: Time in Color<\/strong><\/h2>\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/www.rkgallery.com\/exhibitions\/esther-mahlangu:-time-in-color\">Ross+Kramer Gallery<\/a><\/strong>, 515 W 27th Street, Chelsea, Manhattan<br \/>Through January 25<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"520\" src=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu-1200x800.jpeg?resize=780%2C520&amp;quality=90&amp;ssl=1\" alt=\"\" class=\"wp-image-984292\" srcset=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=1200%2C800&amp;quality=90&amp;ssl=1 1200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=720%2C480&amp;quality=90&amp;ssl=1 720w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=768%2C512&amp;quality=90&amp;ssl=1 768w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=1536%2C1024&amp;quality=90&amp;ssl=1 1536w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=2048%2C1366&amp;quality=90&amp;ssl=1 2048w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=1024%2C683&amp;quality=90&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=1568%2C1046&amp;quality=90&amp;ssl=1 1568w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=2000%2C1334&amp;quality=90&amp;ssl=1 2000w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=400%2C267&amp;quality=90&amp;ssl=1 400w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?resize=706%2C471&amp;quality=90&amp;ssl=1 706w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu.jpeg?w=2340&amp;quality=90&amp;ssl=1 2340w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Esther-Mahlangu-1200x800.jpeg?w=370&amp;quality=90&amp;ssl=1 370w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">A view of Esther Mahlangu\u2019s <em>Time in Color<\/em> (photo Hrag Vartanian\/<em>Hyperallergic<\/em>)<\/figcaption><\/figure>\n<aside>\n\t\t<\/aside>\n<p>Award-winning South African visual artist and a cultural ambassador of the Ndebele tribe Esther Mahlangu uses the \u201cSacred Geometry\u201d of her community to paint canvases of varying sizes that use form, colors, and lines to tell their own stories that may appear cryptic to the uninitiated. On display are more than 30 paintings created over a 10-year period (2011\u201321) as well as a fully hand-painted art car. <\/p>\n<p>Since her international art world debut during the art historically significant <a href=\"https:\/\/en.wikipedia.org\/wiki\/Magiciens_de_la_terre\"><em>Magiciens de la terre<\/em><\/a> exhibition at the Centre Pompidou in Paris, she\u2019s gone on to share her creations, which signal an important contribution to our understanding of art in southern Africa and its contributions to contemporary art. I suggest spending time with the work in order to enjoy the variations in borders and lines, and how the artist renders meaning to a vocabulary that feels as fresh as ever. \u2014<em>Hrag Vartanian<\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<h2 class=\"wp-block-heading\" id=\"h-johanna-seidel-salamander\"><strong>Johanna Seidel: Salamander<\/strong><\/h2>\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/www.gaa-gallery.com\/exhibitions\/johanna-seidel-salamander\">Gaa Gallery<\/a><\/strong>, 17 White Street, Tribeca, Manhattan<br \/>Through January 25<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"585\" src=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel-1200x900.jpeg?resize=780%2C585&amp;quality=90&amp;ssl=1\" alt=\"\" class=\"wp-image-984261\" srcset=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=1200%2C900&amp;quality=90&amp;ssl=1 1200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=720%2C540&amp;quality=90&amp;ssl=1 720w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=768%2C576&amp;quality=90&amp;ssl=1 768w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=1536%2C1152&amp;quality=90&amp;ssl=1 1536w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=2048%2C1536&amp;quality=90&amp;ssl=1 2048w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=800%2C600&amp;quality=90&amp;ssl=1 800w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=600%2C450&amp;quality=90&amp;ssl=1 600w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=400%2C300&amp;quality=90&amp;ssl=1 400w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=200%2C150&amp;quality=90&amp;ssl=1 200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=1024%2C768&amp;quality=90&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=1568%2C1176&amp;quality=90&amp;ssl=1 1568w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=2000%2C1500&amp;quality=90&amp;ssl=1 2000w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?resize=706%2C530&amp;quality=90&amp;ssl=1 706w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel.jpeg?w=2340&amp;quality=90&amp;ssl=1 2340w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Johanna-Seidel-1200x900.jpeg?w=370&amp;quality=90&amp;ssl=1 370w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">Johanna Seidel\u2019s \u201cThe third return\u201d (2024) and \u201cOctober\u201d (2024) at Gaa Gallery (photo Hrag Vartanian\/<em>Hyperallergic<\/em>)<\/figcaption><\/figure>\n<p>Named after that spritely creature that scurries across the landscape, this show doesn\u2019t feature a single salamander \u2014 even in the exhibition\u2019s namesake painting. Yet once you get over the false advertising (I\u2019m still recovering, but I\u2019ll live) you can easily see the beauty of these works (all painted in 2024), which feel happily trapped between narrative and metaphor.<\/p>\n<p>In \u201cOctober,\u201d three young women sit in the backseat of a vehicle holding hands. Two of them are smoking cigarettes, while a fourth individual who appears to be the driver focuses ahead. The spirit is carefree, even as shadowy birds and branches hover overhead. The imagery suggests the fleeting nature of loving connections.<\/p>\n<p>Each title suggests a larger narrative, of which we\u2019re never allotted more than a glimpse. In \u201cRose, Jasmine, and Narcissus,\u201d a lounging bather is surrounded by objects that look like they belong in 1924 more than today, and in \u201cPlaylist\u201d the subject of the painting is that which we can\u2019t see \u2014 even the rearview mirror foils our attempts at clarity.\u00a0<\/p>\n<p>Luxurious, urbane, and elegant, the fairytale world of White women rendered on these canvases is as familiar as it is contemplative and strange. \u2014<em>HV<\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<h2 class=\"wp-block-heading\" id=\"h-kamari-carter-vexillary\"><strong>Kamari Carter: Vexillary<\/strong><\/h2>\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/microscopegallery.com\/kamari-carter-vexillary\/\">Microscope Gallery<\/a><\/strong>, 525 West 29th Street, 2nd Floor, Chelsea, Manhattan<br \/>Through January 25<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"585\" src=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965-1200x900.jpeg?resize=780%2C585&amp;quality=90&amp;ssl=1\" alt=\"\" class=\"wp-image-984293\" srcset=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=1200%2C900&amp;quality=90&amp;ssl=1 1200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=720%2C540&amp;quality=90&amp;ssl=1 720w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=768%2C576&amp;quality=90&amp;ssl=1 768w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=1536%2C1152&amp;quality=90&amp;ssl=1 1536w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=2048%2C1536&amp;quality=90&amp;ssl=1 2048w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=800%2C600&amp;quality=90&amp;ssl=1 800w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=600%2C450&amp;quality=90&amp;ssl=1 600w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=400%2C300&amp;quality=90&amp;ssl=1 400w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=200%2C150&amp;quality=90&amp;ssl=1 200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=1024%2C768&amp;quality=90&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=1568%2C1176&amp;quality=90&amp;ssl=1 1568w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=2000%2C1500&amp;quality=90&amp;ssl=1 2000w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?resize=706%2C530&amp;quality=90&amp;ssl=1 706w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965.jpeg?w=2340&amp;quality=90&amp;ssl=1 2340w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/IMG_2965-1200x900.jpeg?w=370&amp;quality=90&amp;ssl=1 370w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">A view of Kamari Carter\u2019s exhibition at Microscope Gallery with \u201cPerfidy\u201d on the left and \u201cPatriot Act\u201d visible on the back wall (photo Hrag Vartanian\/<em>Hyperallergic<\/em>)<\/figcaption><\/figure>\n<p>One of the main works in artist Kamari Carter\u2019s exhibition is called \u201cPatriot Act\u201d and features three megaphones (one red, one white, and one blue) that are hooked up to a live feed of radio transmissions by the Metropolitan Police Department in Washington, DC. The artwork is designed to highlight the culture of surveillance leading up to, during, and after the inauguration of our 47th President, Donald Trump. Art lovers can even visit the gallery on Inauguration Day (Monday, January 20, 2025, 12\u20136pm), which is also MLK Day this year, and listen to this unique perspective, while exploring the display the artist created for this crucial event of political theater. A word of caution: Be sure not to hold your ear too close to one of the megaphones, since the transmission volume can fluctuate quite suddenly.<\/p>\n<p>The audio work is not the only piece on view, as Carter scrutinizes and transforms the US flag in varying ways, including in \u201cPerfidy,\u201d a white version of the Stars and Stripes that hangs in the space. At the back of the gallery, in an adjacent room, he\u2019s also frozen Old Glory in a block of ice, suggesting a history of conceptual art practices, but also the promise of a symbol that feels imprisoned. Titled \u201cFrozen Flag,\u201d the encased flag confronts us through temporary barriers and is a reminder that the distance between our ideals and our actual selves is challenging but not insurmountable. \u2014<em>HV<\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<h2 class=\"wp-block-heading\" id=\"h-anything-but-simple-gift-drawings-and-the-shaker-aesthetic\"><strong>Anything but Simple: Gift Drawings and the Shaker Aesthetic<\/strong><\/h2>\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/folkartmuseum.org\/exhibitions\/anything-but-simple-gift-drawings-and-the-shaker-aesthetic\/\">American Folk Art Museum<\/a><\/strong>, 2 Lincoln Square, Lincoln Square, Manhattan<br \/>Through January 26<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"657\" src=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-1200x1011.jpg?resize=780%2C657&amp;quality=90&amp;ssl=1\" alt=\"\" class=\"wp-image-984323\" srcset=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=1200%2C1011&amp;quality=90&amp;ssl=1 1200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=720%2C607&amp;quality=90&amp;ssl=1 720w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=768%2C647&amp;quality=90&amp;ssl=1 768w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=1536%2C1294&amp;quality=90&amp;ssl=1 1536w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=2048%2C1725&amp;quality=90&amp;ssl=1 2048w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=1024%2C863&amp;quality=90&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=1568%2C1321&amp;quality=90&amp;ssl=1 1568w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=2000%2C1685&amp;quality=90&amp;ssl=1 2000w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=400%2C337&amp;quality=90&amp;ssl=1 400w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?resize=706%2C595&amp;quality=90&amp;ssl=1 706w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-scaled.jpg?w=2340&amp;quality=90&amp;ssl=1 2340w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Shaker2-1200x1011.jpg?w=370&amp;quality=90&amp;ssl=1 370w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">Polly Jane Reed, \u201cA Type of Mother Hannah\u2019s Pocket Handkerchief\u201d (1851), ink and watercolor on paper, 23 5\/8 x 26 inches (\u223c60 x 66cm)  (photo courtesy the American Folk Art Museum)<\/figcaption><\/figure>\n<p>Simple lines, muted earth tones, and spare elegance are celebrated hallmarks of Shaker design, showing up in the famed oval nesting boxes, purpose-built wooden furniture, and orderly communal living spaces. But vibrant color and expressive embellishment also have a place in Shaker spiritual life, as illustrated in this special showing of 25 \u201cgift drawings,\u201d each made in the mid-19th century, during a period of spiritual revival known as the \u201cEra of Manifestations.\u201d Young Shaker women would enter trances and receive comforting divine messages that they\u2019d transcribe and give to an intended recipient. Rendered in great detail in ink and watercolor, these heavenly missives are mysterious and thoroughly fascinating, with a pull that continues to inspire artists working today, nearly two centuries later (as explored in the museum\u2019s <a href=\"https:\/\/folkartmuseum.org\/programs\/a-beautiful-stillness-artists-mariam-ghani-maria-molteni-and-cauleen-smith-in-conversation-12-19-24\/?ID=33539\">panel discussion<\/a>, which I moderated). Steady your gaze on the drawings, buzzing with symbols and laced with precise handwriting, and see if you can decode the messages of love and encouragement. <em>\u2014Julie Schneider<\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<h2 class=\"wp-block-heading\" id=\"h-jack-was-my-first-art-collector-forrest-bess-from-the-estate-of-dr-jack-weinberg\"><strong>\u201cJack was my first art collector.\u201d Forrest Bess \u2013 From the Estate of Dr. Jack Weinberg<\/strong><\/h2>\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/www.franklinparrasch.com\/forrest-bess-jack-was-my-first-art-collector\">Franklin Parrasch Gallery<\/a><\/strong>, 19 East 66th Street, Lenox Hill, Manhattan<br \/>Through January 31<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"585\" src=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess-1200x900.jpg?resize=780%2C585&amp;quality=90&amp;ssl=1\" alt=\"\" class=\"wp-image-984315\" srcset=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=1200%2C900&amp;quality=90&amp;ssl=1 1200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=720%2C540&amp;quality=90&amp;ssl=1 720w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=768%2C576&amp;quality=90&amp;ssl=1 768w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=1536%2C1152&amp;quality=90&amp;ssl=1 1536w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=800%2C600&amp;quality=90&amp;ssl=1 800w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=600%2C450&amp;quality=90&amp;ssl=1 600w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=400%2C300&amp;quality=90&amp;ssl=1 400w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=200%2C150&amp;quality=90&amp;ssl=1 200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=1024%2C768&amp;quality=90&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=1568%2C1176&amp;quality=90&amp;ssl=1 1568w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?resize=706%2C530&amp;quality=90&amp;ssl=1 706w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess.jpg?w=2000&amp;quality=90&amp;ssl=1 2000w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/forrest-bess-1200x900.jpg?w=370&amp;quality=90&amp;ssl=1 370w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">Forest Bess, \u201cUntitled\u201d (1946), oil on wood, 4 x 5 inches (10.2 x 12.7 cm) (photo Lisa Yin Zhang\/<em>Hyperallergic)<\/em><\/figcaption><\/figure>\n<p>Forrest Bess called his paintings \u201cvisions.\u201d In a show that is intimate in all senses of the word \u2014 from the canvas sizes to the personal, almost private subjects of the works \u2014 those visions are at once enigmatic and energetic. Even paintings that are ostensibly landscapes feel like portals to an interior world. An untitled work from 1946, for instance, depicts what appears to be a landscape studded with nebulous cacti in primary colors, a figure split down the middle \u2014 black on one half, white on the other \u2014 poised as if loping toward the viewer in the foreground. The star of the show might be another untitled painting from the same year, larger than the rest and hanging on the opposite wall. It\u2019s a kaleidoscopic psycho-landscape with dueling factions of color and texture that seem to meet at a frenetic chasm that cuts diagonally across the center, like contradictory ideas clashing violently within the mind. \u2014<em>Lisa Yin Zhang<\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<h2 class=\"wp-block-heading\" id=\"h-longing-in-between-homelands\"><strong>Longing: In Between Homelands<\/strong><\/h2>\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/www.palogallery.com\/exhibitions\/47-longing-in-between-homelands-nadia-bseiso-ameen-abo-kaseem-lina-khalid\/overview\/\">Palo Gallery<\/a><\/strong>, 30 Bond Street, Soho, Manhattan<br \/>Through February 8<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"521\" src=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024-1200x802.jpg?resize=780%2C521&amp;quality=90&amp;ssl=1\" alt=\"\" class=\"wp-image-984415\" srcset=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=1200%2C802&amp;quality=90&amp;ssl=1 1200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=720%2C481&amp;quality=90&amp;ssl=1 720w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=768%2C513&amp;quality=90&amp;ssl=1 768w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=1536%2C1026&amp;quality=90&amp;ssl=1 1536w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=2048%2C1368&amp;quality=90&amp;ssl=1 2048w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=1024%2C684&amp;quality=90&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=1568%2C1047&amp;quality=90&amp;ssl=1 1568w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=2000%2C1336&amp;quality=90&amp;ssl=1 2000w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=400%2C267&amp;quality=90&amp;ssl=1 400w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?resize=706%2C472&amp;quality=90&amp;ssl=1 706w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024.jpg?w=2340&amp;quality=90&amp;ssl=1 2340w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Lina-Khalid_No-Entry-Under-Penalty_2024-1200x802.jpg?w=370&amp;quality=90&amp;ssl=1 370w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">Lina Khalid, \u201cNo Entry Under Penalty\u201d (2024) (courtesy Palo Gallery)<\/figcaption><\/figure>\n<p>The silent beauty of the Dead Sea, a sorrowful child on a Beirut beach, and bathers commingling in the hot springs of Jordan. These are some of the images in this group show, captured by three Palestinian photographers who live in the diaspora: Lina Khalid, Nadia Bseiso, and Ameen Abo Kaseem. Born out of place, they observe their environments from within the gaping wound of exile. Though most were taken in 2024, the photos enclose\u00a0a generations-old memory of an ancestral land that can be seen in the near\u00a0horizon, but not reached. In a heartwarming gesture by the gallery, all proceeds from the sales will go to the artists, who need the money. \u2014<em>Hakim Bishara<\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<h2 class=\"wp-block-heading\" id=\"h-michael-asher\"><strong>Michael Asher<\/strong><\/h2>\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/artistsspace.org\/exhibitions\/michael-asher\">Artists Space<\/a><\/strong>, 11 Cortlandt Alley, Tribeca, Manhattan<br \/>Through February 8<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"585\" src=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher-1200x900.jpeg?resize=780%2C585&amp;quality=90&amp;ssl=1\" alt=\"\" class=\"wp-image-984295\" srcset=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=1200%2C900&amp;quality=90&amp;ssl=1 1200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=720%2C540&amp;quality=90&amp;ssl=1 720w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=768%2C576&amp;quality=90&amp;ssl=1 768w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=1536%2C1152&amp;quality=90&amp;ssl=1 1536w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=2048%2C1536&amp;quality=90&amp;ssl=1 2048w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=800%2C600&amp;quality=90&amp;ssl=1 800w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=600%2C450&amp;quality=90&amp;ssl=1 600w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=400%2C300&amp;quality=90&amp;ssl=1 400w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=200%2C150&amp;quality=90&amp;ssl=1 200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=1024%2C768&amp;quality=90&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=1568%2C1176&amp;quality=90&amp;ssl=1 1568w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=2000%2C1500&amp;quality=90&amp;ssl=1 2000w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?resize=706%2C530&amp;quality=90&amp;ssl=1 706w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher.jpeg?w=2340&amp;quality=90&amp;ssl=1 2340w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Michael-Asher-1200x900.jpeg?w=370&amp;quality=90&amp;ssl=1 370w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">A view of \u201cworks\u201d at the Michael Asher exhibition (photo Hrag Vartanian\/<em>Hyperallergic<\/em>)<\/figcaption><\/figure>\n<p>I\u2019m usually bored to tears with Michael Asher\u2019s institutional critiques, since they feel so staid and conservative nowadays, but I still recognize the art historical significance of an artist who helped open our understandings of what is and can be art, and what we should consider part of the conversations.<\/p>\n<p>If you want a primer on this important figure in late 20th-century art, this is a show to see. If you normally avoid archive-heavy exhibitions that are slippery in the way only a grad student can love, then don\u2019t bother \u2014 also, I find Asher much more interesting when experienced in books than in galleries but I guess curators have to make a living.<\/p>\n<p>On Thursday, January 23rd at 7:30pm, Artists Space will be rescreening \u201ca film\u201d that was first made in 1973 at Project Inc. Like so much else on display, this project apparently has no name. Have fun! Oh wait, it\u2019s Asher, so don\u2019t have fun, just think really, really hard \u2014 and make sure to perform your thinking by bunching your brows so others know that you\u2019re deep in thought. Ok, I\u2019ll stop. As I said, it\u2019s well worth a look. \u2014<em>HV<\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<h2 class=\"wp-block-heading\" id=\"h-beatrix-potter-the-picture-letters-and-other-online-exhibitions\"><strong>Beatrix Potter: The Picture Letters<\/strong> <strong>and other online exhibitions<\/strong><\/h2>\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/www.themorgan.org\/collection\/Beatrix-Potter-Picture-Letters\">Morgan Library &amp; Museum<\/a><\/strong>, 225 Madison Avenue, Murray Hill, Manhattan <br \/>Ongoing<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"591\" src=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter-1200x909.jpg?resize=780%2C591&amp;quality=90&amp;ssl=1\" alt=\"\" class=\"wp-image-984263\" srcset=\"https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=1200%2C909&amp;quality=90&amp;ssl=1 1200w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=720%2C545&amp;quality=90&amp;ssl=1 720w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=768%2C582&amp;quality=90&amp;ssl=1 768w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=1536%2C1163&amp;quality=90&amp;ssl=1 1536w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=2048%2C1551&amp;quality=90&amp;ssl=1 2048w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=1024%2C775&amp;quality=90&amp;ssl=1 1024w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=1568%2C1187&amp;quality=90&amp;ssl=1 1568w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=2000%2C1514&amp;quality=90&amp;ssl=1 2000w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=400%2C303&amp;quality=90&amp;ssl=1 400w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?resize=706%2C535&amp;quality=90&amp;ssl=1 706w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter.jpg?w=2340&amp;quality=90&amp;ssl=1 2340w, https:\/\/i0.wp.com\/hyperallergic-newspack.s3.amazonaws.com\/uploads\/2025\/01\/Potter-1200x909.jpg?w=370&amp;quality=90&amp;ssl=1 370w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">Beatrix Potter, \u201cAutograph letter signed, London, to Noel Moore, March 4, 1897, page 2\u20133\u201d (March 4, 1897), Gift of Colonel David McC. McKell, 1959 (photography by Graham S. Haber)<\/figcaption><\/figure>\n<p>Some days you\u2019d like to see art but you just can\u2019t stand to leave the house, especially in the freezing cold of mid January. For times like these, the Morgan has us covered with its rich, informative, and engrossing series of online exhibitions. These shows \u2014 continuations of in-person exhibitions (including the current show <em><a href=\"https:\/\/www.themorgan.org\/exhibitions\/belle-da-costa-greene\">Belle da Costa Greene: A Librarian\u2019s Legacy<\/a><\/em>, at the museum through May 4) \u2014 are composed like stories carrying the virtual visitor from one moment to the next, often with video or audio augmenting the text and visuals. It\u2019s easy to spend hours with the museum\u2019s dozens of online shows. <\/p>\n<p>My personal favorite at the moment is <em>Beatrix Potter: The Picture Letters<\/em>, created to accompany a 2012\u201313 museum exhibition. The show is a fascinating look at letters Potter sent to the children of her friends and family between 1892 and 1900, replete with personal details and beguiling drawings of animals at work or play. As we learn from the show, <em>The Tale of Peter Rabbit<\/em> began as a letter to Noel Moore, the young son of Potter\u2019s former governess, when he fell ill. Potter\u2019s graceful line drawings \u2014 including a charming one of the doctor Mr. Mole and Nurse Mouse tending to a bedridden child mouse \u2014 are perfectly matched with her warm messages: \u201cI hope the little mouse will soon be able to sit up in a chair by the fire.\u201d \u2014<em>NH<\/em><\/p>\n<aside>\n\t\t<\/aside>\n<section id=\"block-27\" class=\"below-content widget widget_block\"\/>\t<\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Whether you\u2019re trying to beat the winter blahs or enjoy the rare moments of midwinter sunshine, there\u2019s plenty of compelling art to see in New York City\u2019s museums and galleries. Prepare for the overlap of Inauguration and MLK Day with Kamari Carter\u2019s incisive take on the American flag, check out the spiritual art of Shakers, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":36084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[1885,23667,15935,2485,3698,5033,19612],"dealstore":[],"offerexpiration":[],"class_list":["post-36083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art","tag-new-york","tag-nyc","tag-online","tag-reviews","tag-shows","tag-trove"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>7 NYC Shows and a Trove of Online Art to See Right Now - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=36083\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"7 NYC Shows and a Trove of Online Art to See Right Now - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Whether you\u2019re trying to beat the winter blahs or enjoy the rare moments of midwinter sunshine, there\u2019s plenty of compelling art to see in New York City\u2019s museums and galleries. 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