{"id":359213,"date":"2026-07-30T23:38:33","date_gmt":"2026-07-30T23:38:33","guid":{"rendered":"https:\/\/peraltafinancing.com\/uncategorized\/a-damn-mob-of-scribbling-girls\/"},"modified":"2026-07-30T23:38:33","modified_gmt":"2026-07-30T23:38:33","slug":"a-damn-mob-of-scribbling-girls","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=359213","title":{"rendered":"\u201cA ‘Damn Mob’ of Scribbling Girls\u201d"},"content":{"rendered":"


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\u00a0\u00a0 \u00a0<\/span>As someone encountering Dr. Maria Tatar\u2019s work for the first time during this event, I was not disappointed! Dr. Tatar is a research professor at Harvard University and specializes in children\u2019s literature, modern German culture, and folklore. Her research includes authors like the Brothers Grimm and Hans Christian Andersen, childhood reading and cultural studies, and folklore and mythology. Her most recent work, The Heroine with 1001 Faces, takes on the staggering yet hidden history of heroines, challenging the male-centric models of heroism in Joseph Campbell\u2019s The Hero with a Thousand Faces. In this latest publication, Dr. Tatar flips the script on what it means to be a \u201ccurious\u201d young woman, emphasizing how these girls depart from the canon through their compassion and craft. Her interests culminated in the event titled \u201cA \u2018Damn Mob\u2019 of Scribbling Girls: From Jo March to Starr Carter,\u201d which explored girls from popular media and literature who find agency within domestic spaces and enact their power, not only to survive, but to care for others.\u00a0<\/p>\n

\t<\/span>Dr. Tatar began her lecture with images of warrior women \u2013 cinematic women who are dramatically armed and ready for battle. She highlights their strength that both ornaments and sustains their femininity. Whether glittering in golden armor or fitted in a flowing red dress while riding in a chariot, these young women embody a feminine power that defies the traditional domestic spaces they find themselves in. In this opening, Dr. Tatar introduces her argument: these girls, trained to accommodate themselves in a society of gendered propriety, rebel against dominant power structures through their craft.\u00a0<\/p>\n

\t<\/span>The first literary work Dr. Tatar introduces is Louisa May Alcott\u2019s beloved novel Little Women. However, she invokes the character Jo March through the film directed by Greta Gerwig (2019) instead of the novel. While Alcott captures all the dimensions of the domestic, the acts meant to make a home comfortable, Gerwig\u2019s Jo March exuberantly displays how reading, writing, and acting are radical acts of rebellion. This emphasis on a young woman\u2019s reach for autonomy allowed Dr. Tatar to identify the potential for heroism within domesticity. She identifies writing as a craft that provides an opportunity for heroism, an action that involves both curiosity and care. Tatar defines craft as cunning design, work that has been carried out in multiple modalities such as knitting, weaving, storytelling, or simply talking.\u00a0<\/p>\n

\t<\/span>In both the novel and the film, the heroes of the story are the fathers heading off to war while the women maintain the home space. Dr. Tatar urges us to ask: Who are our heroes? Our heroines? She grafts onto her argument the concept of the hero from Campbell\u2019s The Hero with a Thousand Faces to assert that women are not the ones receiving the call to action. If anything, this persistence of men at the forefront of heroism has become the Hollywood narrative playbook. It becomes an easy correlation to see men returning from war as a literalized hero\u2019s journey. However, Dr. Tatar reminds us that the return in the hero\u2019s journey is always about healing. Here, in curious and caring spaces, is where women can no longer be silenced.\u00a0<\/p>\n

\t<\/span>The lecture took a poignant turn when Dr. Tatar connected her ideas with the COVID-19 lockdowns we have collectively experienced in the past two years. In lockdown, she notes, we were looking for heroes. We found them in our community caretakers, like doctors and nurses, childcare workers, and educators. More than anything, though, we encountered silence. Like the image of Philomena weaving her tapestry, the concept of heroism faces a cultural reboot during the COVID-19 pandemic. The investment in healing and care work, fields predominantly held by women, found a refreshed prioritization and attention from the public. Dr. Tatar turns to Carlos Fuentes and restates, \u201cWriting is a struggle against silence.\u201d Here, she draws a comparison to the strategy of silenced women. As mentioned before, craft becomes the strategy to find a voice. Through texts and textiles, women speak truth to power.\u00a0<\/p>\n

\t<\/span>One of the tenets of her work, curiosity, is seen as the cardinal sin of women while care is delegitimized on the basis of gender oppressive attitudes. Dr. Tatar moves from writing as a form of discovering identity and self actualization to a desire for immortality. This curiosity thus becomes a commitment to causes these young women are passionate about, concretizing their thoughts and ideas in written word. The literary text Dr. Tatar closes her lecture with is Angie Thomas\u2019s The Hate U Give. Through the protagonist, Starr Carter, Dr. Tatar realizes that self-actualization and a commitment to social causes are not mutually exclusive. From Anne of Green Gables to Matilda, Anne Frank to Harriet the Spy, the craft of writing becomes a mode of achieving an encounter with an empowered self, a political act that speaks truth to power.\u00a0<\/p>\n

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\u00a0\u00a0 \u00a0<\/span>I was very intrigued by Dr. Tatar\u2019s inspirations for this work. One of the most compelling was Scheherazade, a major female character from One Thousand and One Nights who is also a scholar and reader. She is a storyteller, and known as a master of cliffhangers, who understands the seductive power of stories. Dr. Tatar also emphasizes that she is a survivor, ensuring that others will be saved and protected from the antagonist of her story. She also invokes the classic tales of Pandora and Eve, two young women whose bodies are sexualized and whose curiosity is read as carnal rather than intellectual. Through these figures, she calls on us to consider replacing empathy with curiosity, craft, and care. Rather than universalizing our characters or their experiences, Dr. Tatar invites us to raise critical awareness about the codes of gender that inform power in these texts and, ultimately, the way we perceive \u201cdomestic\u201d activities as passive. As she states in the lecture, \u201creaders often seek their mirrors in books.\u201d Through the close reading Tatar promotes, we achieve tools for learning how to navigate our real world relationships via the representations we find in these stories and move with the mob of scribbling women.\u00a0<\/p>\n

\u00a0\u00a0 \u00a0<\/span>Readers and writers in the audience also asked some very intriguing questions about Dr. Tatar\u2019s work. Some listeners asked about the labor of our bodies, the work of our hands, and how to reconcile this with the public arena. Dr. Tatar invited us to compare Jo March with Starr Carter, and the modes they used to share their voices. While Jo March hand-wrote her thoughts, Starr Carter takes on a megaphone and a computer keyboard as powerful instruments for securing justice. Other listeners discussed what it means to \u201cgive up\u201d one\u2019s femininity in exchange for strength, or if femininity can be perceived as strength itself. Dr. Tatar invokes examples from modern film and media, like Katniss Everdeen of The Hunger Games (dir. Gary Ross) or Snow White from Snow White and the Huntsmen (dir. Rupert Sanders) \u2013 both of these young women display strength while also being connected to poetry, song, and art. A few others brought up the question of rethinking passivity from past to present. We\u2019re invited to look more deeply into domestic actions while understanding the circumstances of women like Jo March as narrow. Dr. Tatar inspired me to use that historical past to reimagine curiosity, craft, and care in today\u2019s world. This reimagining allows us to reconstruct our imaging of girlhood while understanding our own writing as heroic.<\/p>\n

DN<\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

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Her research includes authors like the Brothers Grimm and Hans Christian Andersen, childhood reading and cultural studies, […]<\/p>\n","protected":false},"author":1,"featured_media":359214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[180661,180662,180663,113053,149305,180664,180665,180666,180667,180668,43,115599],"tags":[18779,516,173645,121214],"dealstore":[],"offerexpiration":[],"class_list":["post-359213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academic-lecture","category-american-childrens-lit","category-cultural-studies","category-feminism","category-girlhood","category-girlhood-studies","category-lecture","category-sdsu-event","category-sdsu-library-event","category-sdsu-scholars","category-women","category-young-readers","tag-damn","tag-girls","tag-mob","tag-scribbling"],"yoast_head":"\n\u201cA 'Damn Mob' of Scribbling Girls\u201d - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=359213\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cA 'Damn Mob' of Scribbling Girls\u201d - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"\u00a0\u00a0 \u00a0As someone encountering Dr. Maria Tatar\u2019s work for the first time during this event, I was not disappointed! 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