[1]<\/a><\/sup> From it sugar, rice, coffee, and fruits are either exported or sold for a small part of their value to the Chinese, who exploit the simplicity and vices of the native farmers.<\/p>\nWhen on a clear day the boys ascend to the upper part of the church tower, which is beautified by moss and creeping plants, they break out into joyful exclamations at the beauty of the scene spread out before them. In the midst of the clustering roofs of nipa, tiles, corrugated iron, and palm leaves, separated by groves and gardens, each one is able to discover his own home, his little nest. Everything serves as a mark: a tree, that tamarind with its light foliage, that coco palm laden with nuts, like the Astarte Genetrix, or the Diana of Ephesus with her numerous breasts, a bending bamboo, an areca palm, or a cross. <\/p>\n
Yonder is the river, a huge glassy serpent sleeping on a green carpet, with rocks, scattered here and there along its sandy channel, that break its current into ripples. There, the bed is narrowed between high banks to which the gnarled trees cling with bared roots; here, it becomes a gentle slope where the stream widens and eddies about. Farther away, a small hut built on the edge of the high bank seems to defy the winds, the heights and the depths, presenting with its slender posts the appearance of a huge, long-legged bird watching for a reptile to seize upon. <\/p>\n
Trunks of palm or other trees with their bark still on them unite the banks by a shaky and infirm foot-bridge which, if not a very secure crossing, is nevertheless a wonderful contrivance for gymnastic exercises in preserving one\u2019s balance, a thing not to be despised. The boys bathing in the river are amused by the difficulties of the old woman crossing with a basket on her head or by the antics of the old man who moves tremblingly and loses his staff in the water.<\/p>\n\n\n