{"id":353777,"date":"2026-07-07T19:51:41","date_gmt":"2026-07-07T19:51:41","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/trackid-dropping-acid-with-pbr-streetgang\/"},"modified":"2026-07-07T19:51:41","modified_gmt":"2026-07-07T19:51:41","slug":"trackid-dropping-acid-with-pbr-streetgang","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=353777","title":{"rendered":"trackID: Dropping acid with PBR Streetgang"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>I\u2019ll listen to anything if it\u2019s acid and I\u2019ll probably end up liking it. But it will take about 30 seconds of listening to \u201cScotch Mist\u201d before it hits you, hard, between the eyes with the truth that <em>THIS<\/em> one \u2014 this one is a cut above. It\u2019s a high-octane, high performance groover, built for small spaces with speakers that touch the ceiling and DJs that play with the needle dancing on the edge of the red. <\/p>\n<p><iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/0rb23plwDPpUywa3iqNoJo?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/p>\n<p>\u201cScotch Mist\u201d is the centerpiece of <a href=\"https:\/\/linktr.ee\/pbrstreetgang\">PBR Streetgang<\/a>\u2018s new release, <a href=\"https:\/\/pbrstreetgangmusic.bandcamp.com\/album\/kurtz-08-darker-shades\">Darker Shades<\/a>. But it\u2019s far from the only highlight. \u201cAcid Mouth\u201d is one of those unholy births from the dark and sinister side of acid house, heavy as lead and likely to melt more than your mouth when enjoyed at the proper decibel. It\u2019s remixed by Ruf Dug in a style he dubs \u201cstoner trance,\u201d and followed by the bizarre but utterly irresistible ambient dub of Scotch Mist, influenced by too many nights that crashed out in the chill out room.<\/p>\n<p><a href=\"https:\/\/www.beatport.com\/release\/darker-shades\/5797179\">Darker Shades<\/a> was released on Kurtz Records, a label that 5 Mag has followed closely from day one. <a href=\"https:\/\/5mag.net\/features\/new-label-profiles\/pbr-streetgang-kurtz-records\/\">Bruce Tantum wrote about Kurtz when <\/a><a href=\"https:\/\/www.instagram.com\/pbrstreetgangmusic\">PBR Streetgang<\/a> launched the label in 2019 to assert some control over their own extremely eclectic output. The release of <em>Darker Shades<\/em> gave us a chance not just to spotlight the story behind the incredibly dope tracks on this EP, but to catch up with the Leeds, UK-based duo of Tom Thorpe and Bonar Bradberry and see if Kurtz has lived up to their expectations. <\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3001282555\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/pbrstreetgangmusic.bandcamp.com\/album\/kurtz-08-darker-shades\">Kurtz 08 \u2013 Darker Shades by PBR STREETGANG<\/a><\/iframe><\/p>\n<h2>We don\u2019t often get a chance to followup like this. I don\u2019t know if your remember but Bruce Tantum interviewed you for 5 Mag when you launched Kurtz. You mentioned doing \u201cthree or four\u201d records a year and Tom said you weren\u2019t in any rush to do any more. Has the label matched your expectations from the lofty era of 2019?<\/h2>\n<p><strong>Bonar:<\/strong> I\u2019m not sure we had any grand designs or ambitions for the label. It was always intended to be a home for us to release our own music with complete freedom and collaborate with remixers we really admire \u2014 that\u2019s probably as far as we saw it. I\u2019m really pleased with what we\u2019ve put out so far.<\/p>\n<h2>The other thing that came to mind reading that and looking at the catalog is This is way more acid than I think of with PBR Streetgang. You\u2019ve released a lot of acid tracks as a proportion of the whole! There\u2019s Joe Harvey\u2019s <a style=\"color: #ff6b66;\" href=\"https:\/\/pbrstreetgangmusic.bandcamp.com\/album\/movin-on-acid-ep\">Movin\u2019 On Acid<\/a> and your own <a style=\"color: #ff6b66;\" href=\"https:\/\/www.beatport.com\/release\/acid-tools-ep\/2722995\">Acid Tools<\/a> and now the tracks on Darker Shades. Did you fall into this? Was it part of a plan? or are you making a sassy career move and you\u2019re going to start doing photoshoots cradling 303s on the beach or in the Pennines?<\/h2>\n<p><strong>Tom:<\/strong> Hahaha, you\u2019ve given us inspiration for our next press shots! But this EP wasn\u2019t particularly part of a plan \u2014 it was more creative experimentation, making music that comes natural, in the moment. I\u2019m aware that can sound super clich\u00e9 but we\u2019ve always bounced around the musically spectrum. We probably sit in the house, disco, and Italo arenas, but as we all know there are so many shades within those genres. <\/p>\n<p>The EP sprang from a simple jam from revisiting the 303 in the studio. There was however a conscious decision to make something with more grit than our previous releases. <\/p>\n<p><iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/0CmVl5kUmGBGDg16FVtA40?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/p>\n<h2>Out of the two originals \u2014 \u201cScotch Mist\u201d and \u201cAcid Mouth\u201d \u2014 which one came first?<\/h2>\n<p><strong>Tom:<\/strong> \u201cAcid Mouth\u201d was the first to be made. The aim was bringing together acid sounds to something raw, stripped back and \u201cchuggy.\u201d We have such a soft spot for the 110-115 tempo range \u2014 it\u2019s just got sass!  <\/p>\n<p>\u201cScotch Mist\u201d followed. We wanted to make another acid track, but this time more of a club record. Something to complement \u201cAcid Mouth.\u201d We\u2019re sometimes quite old fashioned in how we approach making EPs. Creating something with lots of variety is important to us. <\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<h2>I don\u2019t understand what \u201cScotch Mist\u201d means (if it a drink I think it might be refreshing but if it\u2019s a perfume I\u2019m not sure I want to spritz with it) but I think I get where \u201cDarker Shades\u201d comes from. Between these two tracks you sort of have \u201cMist,\u201d which is one of those face-melting hyper-euphoric rave anthems and \u201cAcid Mouth\u201d which is way more dark and subterranean. It\u2019s like the double-helix in the DNA of all acid tracks. Am I reading too much into this?<\/h2>\n<p><strong>Bonar:<\/strong> That\u2019s a beautiful insight but sadly I don\u2019t think it\u2019s that complex. Tom will answer as he named this one \u2014 \u201cScotch Mist\u201d  is an English slang \/comedy turn of phrase we\u2019ve said to each other over the years. You kinda ask it as rhetorical question: \u201cWhat\u2019s this then? Scotch Mist?\u201d meaning there\u2019s nothing there at all! <\/p>\n<p><strong>Tom:<\/strong> Haha love where you\u2019re going with this!! It\u2019s really not as complex. Bonar\u2019s described what \u201cScotch Mist\u201d is perfectly. <\/p>\n<p>Sometimes we name tracks for no reason other than it\u2019s fun, or an unusual or uncommon word or phrase, or to amuse ourselves. No doubt stemming from making lots of music over a long timespan. <\/p>\n<p>I do like the idea of someone saying, \u201cHave you got the new one by PBR? \u2018Scotch Mist.\u2019 Great track, no idea what it means\u2026\u201d<\/p>\n<figure id=\"attachment_45577\" aria-describedby=\"caption-attachment-45577\" style=\"width: 1800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/5mag.net\/issues\/juliet-mendoza-5-mag-224\/\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34.jpg\" alt=\"PBR Streetgang in 5 Mag Issue 224\" width=\"1800\" height=\"1200\" class=\"size-full wp-image-45577\" srcset=\"https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34.jpg 1800w, https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34-300x200.jpg 300w, https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34-1024x683.jpg 1024w, https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34-768x512.jpg 768w, https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34-1536x1024.jpg 1536w, https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34-696x464.jpg 696w, https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34-1392x928.jpg 1392w, https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34-1068x712.jpg 1068w, https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34-630x420.jpg 630w, https:\/\/5mag.net\/wp-content\/uploads\/2026\/03\/5-magazine-issue-224-34-1260x840.jpg 1260w\" sizes=\"auto, (max-width: 1800px) 100vw, 1800px\"\/><\/a><figcaption id=\"caption-attachment-45577\" class=\"wp-caption-text\">PBR Streetgang in <a href=\"https:\/\/5mag.net\/issues\/juliet-mendoza-5-mag-224\/\">5 Mag Issue 224<\/a>.<\/figcaption><\/figure>\n<h2>What\u2019s your favorite acid back-of-the-crate track? It doesn\u2019t have to be something you play now, but something that you loved to hear at a club or break out yourself.<\/h2>\n<p><strong>Bonar:<\/strong> I don\u2019t know about my favorite but the most beautiful acid track I know is Larry Heard feat. Mr White \u201cThe Sun Can\u2019t Compare.\u201d It\u2019s been played to death, I know, but it\u2019s still amazing. I\u2019m sure Tom will serve up something more gritty.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Larry Heard Presents Mr. White: The Sun Can&amp;apos;t Compare (Long Version)\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/tdIQTEYXDP4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span><\/p>\n<p><strong>Tom:<\/strong> Josh Wink (Size 9)\u2019s \u201cI Am Ready\u201d is a personal favorite. I can remember hearing it for the first time in 1995 and being completely blown away. The acid line was so savage. Then you get hit by the hip hop break, into a huge build and back out. Such a clever track. <\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Size 9 (Josh Wink) - I Am Ready (Official Video)\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/Bw3QkElLpB0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span><\/p>\n<h2>Did you get a chance to play these tracks out? Did you get a lot of What IS that? when you did and is that the best feedback you can get? And is that harder to do and keep tracks under wraps today than it was when you started since there are about 58 phones pointed at a DJ at any given moment?<\/h2>\n<p><strong>Tom:<\/strong> We haven\u2019t had the opportunity to play it out yet. The last run of shows have been fairly disco-orientated. We\u2019re playing a festival in Kerry, Ireland this weekend which feels like it could be the perfect environment. Hopefully it gets a good reaction. These tracks have been designed with the dancefloor and a big system in mind so I\u2019m really excited to see the reaction. <\/p>\n<p>Getting feedback on your music through the crowd whilst playing out is the a special feeling. It\u2019s resonates with people and shows we\u2019re on the right track as producers. <\/p>\n<p>Certainly phones, and apps like Shazam has made it increasingly hard to keep tracks under wraps. It\u2019s virtually impossible these days. <\/p>\n<div class=\"tve-leads-shortcode tve-leads-triggered tve-tl-anim tl-anim-instant tve-leads-track-shortcode_34845\">\n<div class=\"tl-style\" id=\"tve_tcb2_1-step-set-022\" data-state=\"17\" data-form-state=\"\">\n<div class=\"tve-leads-conversion-object\" data-tl-type=\"shortcode_34845\">\n<div class=\"tve_flt\">\n<div id=\"tve_editor\" class=\"tve_shortcode_editor\">\n<div class=\"thrv-leads-form-box tve_no_drag tve_no_icons thrv_wrapper tve_editor_main_content thrv-leads-in-content tve_empty_dropzone\" style=\"\" data-css=\"tve-u-18688ff9598\">\n<div class=\"thrv_wrapper thrv-page-section\" style=\"\" data-css=\"tve-u-18688ff959a\">\n<div class=\"tve-page-section-in tve_empty_dropzone\" data-css=\"tve-u-18688ff959d\">\n<div class=\"thrv_wrapper thrv_contentbox_shortcode thrv-content-box tve-elem-default-pad\" data-css=\"tve-u-18688ff959e\" style=\"\">\n<div class=\"tve-cb\">\n<div class=\"thrv_wrapper thrv-columns\" style=\"--tcb-col-el-width: 720;\" data-css=\"tve-u-18688ff95a1\">\n<div class=\"tcb-flex-row tcb--cols--2 tcb-resized v-2\" data-css=\"tve-u-18688ff95a2\" style=\"\">\n<div class=\"tcb-flex-col\" data-css=\"tve-u-18688ff95a3\" style=\"\">\n<div class=\"tcb-col tve_empty_dropzone\" style=\"\">\n<div class=\"thrv_wrapper tve_image_caption img_style_rounded_corners\" data-css=\"tve-u-18688ff95a5\" style=\"width: 142px;\"><span class=\"tve_image_frame\" style=\"width: 100%;\"><img loading=\"lazy\" decoding=\"async\" class=\"tve_image wp-image-28686 tve-not-lazy-loaded\" alt=\"\" width=\"142\" height=\"1500\" title=\"logo-1500p-mansfield\" data-id=\"28686\" src=\"https:\/\/5mag.net\/wp-content\/uploads\/2020\/07\/logo-1500p-mansfield.png\" style=\"aspect-ratio: auto 1500 \/ 1500;\" data-width=\"142\" data-init-width=\"1500\" data-init-height=\"1500\" data-css=\"tve-u-1868904a609\"\/><\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"tcb-flex-col\" data-css=\"tve-u-18688ff95a7\" style=\"\">\n<div class=\"tcb-col tve_empty_dropzone\" style=\"\" data-css=\"tve-u-18688ff95a8\">\n<div class=\"thrv_wrapper thrv_text_element tve_empty_dropzone\" style=\"\" data-css=\"tve-u-18688ff95a9\">\n<p data-css=\"tve-u-18688ff95ab\"><strong><strong>Don&#8217;t Stay In <img decoding=\"async\" role=\"img\" class=\"emoji\" alt=\"\ud83d\udc8c\" src=\"https:\/\/s.w.org\/images\/core\/emoji\/13.1.0\/svg\/1f48c.svg\"\/><\/strong><\/strong><\/p>\n<\/div>\n<div class=\"thrv_wrapper thrv_text_element tve_empty_dropzone\" style=\"\" data-css=\"tve-u-18688ff95ac\">\n<p data-css=\"tve-u-18688ff95ae\">Get on our guest list for news from 5 Mag and you&#8217;ll never miss a thing. It&#8217;s free and we don&#8217;t sell your shit. <img decoding=\"async\" role=\"img\" class=\"emoji\" alt=\"\u2705\" src=\"https:\/\/s.w.org\/images\/core\/emoji\/13.1.0\/svg\/2705.svg\"\/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h2>It\u2019s crazy but compared to the 808, there are so many devices that can make squelchy stuff on the fly and it seems like it\u2019s a matter of taste. What is your preferred acid box or emulator that you used on this?<\/h2>\n<p><strong>Bonar:<\/strong> Yeah, honestly we\u2019re not 303 purists at all. We just love anything that squelches and squiggles. We went through a phase of using the Novation Bass Station for our acid sounds, the filter on that is great, and the Volca Bass is great fun too. But we use plugins as well\u2026<\/p>\n<p><strong>Tom:<\/strong> Exactly what Bonar said. That being said the 303 is a cult classic. Plus user friendly \u2014 it\u2019s hard not to want to play with it.<\/p>\n<h2>I hear an \u201canalog approach,\u201d particularly on \u201cScotch Mist,\u201d which follows that MIDI-flavored arrangement style of one element added after another \u2014 like they\u2019re machines chained together and blinking on one-by-one. That\u2019s such a classic sound and it works so well with stomping tracks like these. So I\u2019m curious what machines you used to capture this aesthetic from the past \u2014 or was it a skillful use of software?<\/h2>\n<p><strong>Tom:<\/strong> Very much a fusing of different machines. The Roland TB-303 was used along with a number of plugins. We spent a long time experimenting, layering different acid lines together to find the right fit and balance. It was important to make \u201cScotch Mist\u201d sound authentic, slightly old and dusty. Something you could imagine hearing Ron Hardy play back in the day. I really hope people can get a feel of that. <\/p>\n<p><iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/2HeRE2nSN6KBkx5nGTMe9f?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/p>\n<h2>Explain the \u201cAmbient Dub.\u201d Again, I love trippy \u201990s electronica tracks that you\u2019d buy and there\u2019d be pictures of chakras on the label and some stuff about how music could expand your mind better than drugs, and it feels like some homage to that era (or a label like Kalahari Oyster Cult). It\u2019s such a crazy fun thing.<\/h2>\n<p><strong>Bonar:<\/strong> We both started going to clubs in the \u201990s when  \u201cthe chill out room\u201d was a thing and we loved dipping into them and that definitely influenced tracks like this. And as Tom mentioned earlier we also like to give our EPs balance, and as the other tracks are so furious and full of energy we thought this would give the works a bit more context. Plus I\u2019ve been loaned an amazing synth called a Solar 42 which is perfect for making tracks like this and diving down wormholes.<\/p>\n<p><iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/4HgS5UJAyBFbd9INRTBRgp?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/p>\n<h2>How did you link up with Ruf Dug for his remix of \u201cAcid Mouth\u201d?<\/h2>\n<p><strong>Tom:<\/strong> We\u2019ve been friends for a number of years and have a connection through both being represented by The FINA Agency. Over the last year or two we\u2019ve discussed the idea of coming together on something, so it was just about timing and the right project. As soon as we started the EP we knew it would lend itself nicely to a Ruffy remix. And what a cracker it is!<\/p>\n<h2>You\u2019re the proprietors of the label as well as the artist, so I have to ask about release strategies. You\u2019re an artist and most artists kinda want their tracks on vinyl if they have a choice. How do you decide what to press to wax on Kurtz?<\/h2>\n<p><strong>Tom:<\/strong> We always want to see our music pressed up, but for this release the priority right now is hitting a tight release schedule. We have a number of releases in the pipeline for 2026 so making them all drop in line and in time is crucial. Timing is key and the main focus. We may revisit pressing later down the line though \u2014 we would love to have this one on wax! <\/p>\n<h2>How much do you think about streaming, as a business and as artists?<\/h2>\n<p><strong>Tom:<\/strong> We are aware of streaming numbers and monitor each release but try not to get too distracted by the figures. For the music we produce the numbers and financial margins are relatively small to be honest. And the return on putting music out in the public through record sales, streaming, etc. makes up a very small part of our income. Creating a decent revenue through streaming is possible but not something we want to focus on right now. <\/p>\n<h2>What more can we look for from Kurtz and from yourselves?<\/h2>\n<p><strong>Tom:<\/strong> This year is set to be the busiest to date for Kurtz. Mainly loads more music from us, but there should be some releases from friends and peers along the way too.<\/p>\n<p><em><strong>There\u2019s more inside 5 Mag\u2019s member\u2019s section \u2014 <\/strong><a href=\"https:\/\/5mag.net?msopen=\/member\/plans\/f3e810a08e\">get first access to each issue for a few bucks a month<\/a>.<\/em><\/p>\n<\/p><\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019ll listen to anything if it\u2019s acid and I\u2019ll probably end up liking it. But it will take about 30 seconds of listening to \u201cScotch Mist\u201d before it hits you, hard, between the eyes with the truth that THIS one \u2014 this one is a cut above. It\u2019s a high-octane, high performance groover, built for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":353778,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12031],"tags":[3066,42554,72668,174972,174971],"dealstore":[],"offerexpiration":[],"class_list":["post-353777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ambient-music","tag-acid","tag-dropping","tag-pbr","tag-streetgang","tag-trackid"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>trackID: Dropping acid with PBR Streetgang - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=353777\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"trackID: Dropping acid with PBR Streetgang - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"I\u2019ll listen to anything if it\u2019s acid and I\u2019ll probably end up liking it. 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