{"id":348999,"date":"2025-12-18T04:12:03","date_gmt":"2025-12-18T04:12:03","guid":{"rendered":"https:\/\/peraltafinancing.com\/african-music\/remixing-womanhood-the-hip-hop-african\/"},"modified":"2025-12-18T04:12:03","modified_gmt":"2025-12-18T04:12:03","slug":"remixing-womanhood-the-hip-hop-african","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=348999","title":{"rendered":"Remixing Womanhood \u2013 The Hip Hop African"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Her Agenda: Remixing Womanhood in Hip Hop Mixtape<\/p>\n<figure class=\"wp-block-audio\"><audio controls=\"\" src=\"https:\/\/hiphopafrican.com\/wp-content\/uploads\/2025\/04\/Her-Agenda-Mixtape_mixdown.mp3\"\/><\/figure>\n<p>Hegemonic masculinity within the hip-hop industry has promoted the idea of male dominance, aggression, and hypermasculinity. This has led to the patriarchal construct within the genre that dictates how Black women are seen and how they\u2019re expected to behave. As discussed in the article<br \/>\u201cSound and Sociology: Hip-Hop Feminism and Rap\u2019s \u2018Patriarchy Problem\u2019\u201d, this dynamic is rooted in historical trauma. During slavery, Black men were emasculated and dehumanized due to the white male standard of what it means to be a man. (White, 2024) This distorted gender roles and pressured women to be submissive, sexualized, quiet, and confined to domestic life in both society and hip hop. This mixtape rejects those expectations. It centers women who assert their power, break stereotypes, and reclaim what it means to be a woman. It showcases that women have layers and will not be tied down by ideas born from times of oppression. This mixtape reveals that women can be more than what society expects them to be within the industry.<\/p>\n<p>The opening song in the mixtape is \u201cGod is a Woman\u201d by Eno Barony, where she mixes the Ghanaian language, Twi, with English. The opening immediately demonstrates how multifaceted women are. Though the music video opens with Eno Barony in a white wedding dress and baby, her lyrics reveal an assertive artist who refuses to be confined. She challenges her male counterparts as she declares, \u201cFr\u025b king no na w\u0254nb\u025bgye sack letter. We taking the game to a different dimension, Nti forgeti wakata,\u201d meaning \u201cCall the king, and they\u2019ll receive a dismissal letter. We\u2019re taking the game to a different dimension, so forget what you\u2019ve covered.\u201d She actively redefines womanhood in the industry by asserting dominance and confidence, challenging gender roles. She also reveals she is bisexual in the track, challenging heteronormativity.<\/p>\n<p>The next track in the mixtape is \u201cBeen That Girl\u201d by Bree Runway, which demonstrates a bold celebration of individuality, empowerment, and sexuality. This is seen in the lyrics, \u201cAnd my ass thick but my bank account thicker. Tasty ass bitch, skin brown like a Snicker\u201d.Not only does she represent confidence, but she also expresses her individuality in the beats of her music as she mixes pop, trap, R&amp;B, and rock. She is showing that it is ok to be unique. She employs the use of braggadocio throughout the song, one of those lines being, \u201cWake up, bitch, it\u2019s a new era. These bitches cap like New Era. They salty \u2019cause I bring the pepper. I\u2019ll be the it girl now and forever\u201d, challenging the industry\u2019s expectation for Black women to tone themselves down. Instead, she embraces being unapologetically loud, bold, and powerful.<\/p>\n<p>As the mixtape reaches the halfway point, we arrive at \u201cWoman\u201d by Little Simz. This song discusses the fluidity of being a woman and how each is different but thriving in their own way. It is a celebration of the beauty, strength, and complexity of women. She highlights women\u2019s intelligence when she makes a reference to \u201cMiss Ethiopia\u201d and strength through mentions of \u201cMiss Tanzania\u201d and the \u201cYoruba girl.\u201d She rejects the idea of women being props as she addresses their different skills. In doing<br \/>so, she challenges patriarchal norms and proves that women can be both visible and celebrated in a male-dominated industry in a subtle way.<\/p>\n<p>The fourth track in the mixtape is the famous song \u201cPeng Black Girls\u201d by ENNY, a song that earned widespread recognition despite the industry\u2019s unequal access to resources for women. She challenges media erasure in the song when she says, \u201cNever wanna put us in the media, bro,\u201d calling out<br \/>the exclusion of Black women from mainstream media. While doing this, she proves Black women are not monolithic by showing how some challenge Eurocentric standards of beauty while others may choose to follow the trend. Through her success and message, ENNY defies industry limitations and highlights the complexity within Black womanhood.<\/p>\n<p>The closing song of the mixtape is \u201cBlack Girl Magik\u201d by Sampa the Great. In this song, she asserts an unapologetic presence and strength in the lines, \u201cAbracadabra here I come \/ Magic carpet styling\u201d and \u201cOoh! my word she back again \/ You will never end the reign \/ We keep multiplying.\u201d Just like the other artist, she also touches on the resilience and power of women, because, just as previously mentioned, women are more than what society has tried to limit them to be.<\/p>\n<p>In closing, this mixtape breaks down the patriarchal concepts and marginalization of women in hip hop by showing they can be dominant, confident, masculine, feminine, loud, and unique. All of the artists in this mixtape have shown that women are not monolithic. This mixtape serves as a celebration and rebellion against the patriarchal constructs and marginalization of women. This has been seen From Eno Barony\u2019s challenge to gender roles and heteronormativity to Bree Runway\u2019s unapologetic confidence, Little Simz\u2019s celebration of diversity, ENNY\u2019s critique of media erasure, and Sampa the Great\u2019s declaration of resilience, these artists reshape what it means to be a woman in hip-hop.<\/p>\n<p><strong>Summary<\/strong><br \/>This episode explored how African\/Black women in hip hop have challenged hegemonic masculinity and the patriarchal construct. The purpose was to display how women have redefined what it means to be a woman in a male-dominated industry and society. This mixtape consisted of artists like Eno<br \/>Barony, Bree Runway, Little Simz, ENNY, and Sampa the Great, who confronted gender norms and embraced individuality. This episode is meant to show that women have and still are breaking barriers and reshaping the narrative in the hip-hop scene.<\/p>\n<p><strong>References<\/strong><br \/>White, Nahla. 2024, October 7. Sound and sociology: Hip-hop feminism and rap\u2019s \u201cpatriarchy problem\u201d \u2014 Part I. <em>The Northern Light<\/em>.<br \/><a href=\"https:\/\/www.thenorthernlight.org\/stories\/sound-and-sociology-hip-hop-feminism-and-raps-patriarchy-problem----part-i \">https:\/\/www.thenorthernlight.org\/stories\/sound-and-sociology-hip-hop-feminism-and-raps-patriarchy-problem\u2014-part-i <\/a><\/p>\n<div class=\"sharedaddy sd-block sd-like jetpack-likes-widget-wrapper jetpack-likes-widget-unloaded\" id=\"like-post-wrapper-19348687-29286-69437f132f99a\" data-src=\"https:\/\/widgets.wp.com\/likes\/?ver=15.4-a.3#blog_id=19348687&amp;post_id=29286&amp;origin=hiphopafrican.com&amp;obj_id=19348687-29286-69437f132f99a\" data-name=\"like-post-frame-19348687-29286-69437f132f99a\" data-title=\"Like or Reblog\">\n<h3 class=\"sd-title\">Like this:<\/h3>\n<p><span class=\"button\"><span>Like<\/span><\/span> <span class=\"loading\">Loading\u2026<\/span><\/p>\n<p><span class=\"sd-text-color\"\/><a class=\"sd-link-color\"\/><\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Her Agenda: Remixing Womanhood in Hip Hop Mixtape Hegemonic masculinity within the hip-hop industry has promoted the idea of male dominance, aggression, and hypermasculinity. This has led to the patriarchal construct within the genre that dictates how Black women are seen and how they\u2019re expected to behave. As discussed in the article\u201cSound and Sociology: Hip-Hop [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":349000,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12025],"tags":[9229,272,273,171009,81167],"dealstore":[],"offerexpiration":[],"class_list":["post-348999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-music","tag-african","tag-hip","tag-hop","tag-remixing","tag-womanhood"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Remixing Womanhood \u2013 The Hip Hop African - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=348999\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Remixing Womanhood \u2013 The Hip Hop African - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Her Agenda: Remixing Womanhood in Hip Hop Mixtape Hegemonic masculinity within the hip-hop industry has promoted the idea of male dominance, aggression, and hypermasculinity. 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