In a 1992 New York Times op-ed<\/a>, Paul Lewis denounced the Food and Drug Administration\u2019s (FDA) decision to exempt genetically engineered crops from case-by-case review. He likened modern agricultural scientists to the scientist Victor Frankenstein in Mary Shelley\u2019s novel and introduced the now famous term \u201cFrankenfoods.\u201d Frankenfoods invokes Shelley\u2019s Frankenstein to capture public unease about the unforeseen consequences of consuming genetically modified foods. The term soon drew scrutiny from proponents of the technology, including industry-sponsored front groups, agricultural businesses (also referred to as agribusiness), respected journalists, plant geneticists, and scientific organizations. Citing evidence of the proven safety of consuming genetically modified foods, they rejected the label as a reactionary, scientifically inaccurate, and fear-mongering indictment of a new and thus, unfamiliar, technology.<\/p>\n Cover page of the zine version of this essay, created for the Society for Social Studies of Science conference in Seattle. Collage and illustration of Frankenstein by author.<\/p>\n<\/div>\n Reading GMOs in the true spirit of Shelley\u2019s novel, however, encourages a specific attunement\u2014one that both proponents and critics of the technology often overlook in their debates. Frankenstein isn\u2019t a simple condemnation of technology. It is an interrogation of the sociocultural context in which inventions are conceived and deployed. The application of the \u201cfranken\u201d prefix, then, should not be used\u2014or read\u2014simply as an expression of fear towards unnatural creations. Instead, it calls for an examination of how innovation, power, and avarice shape the development and impacts of genetic modification in the food system.<\/p>\n This understanding of Shelley\u2019s novel is essential for clarifying the judgment embedded in the label \u201cfranken-foods.\u201d If the novel works to direct attention towards the inventor, and even garner sympathy for the invention, then a Frankensteinian assessment of this technology will inherently start with its creators and their methodologies. It follows that an examination of genetic modification must center agribusiness. But how can we recognize a negligent scientist? What driving forces motivate agribusinesses to engineer this technology? What kinds of laboratory work\u2014within the field of agricultural technologies\u2014should prompt scrutiny? The novel helps us answer these questions.<\/p>\n Rendering of a tomato-fish emblem, originally created and used by anti-GMO protestors in response to a DNA Plant Technology experiment. Scientists inserted a winter flounder gene into a tomato genome to test frost tolerance, but the resulting seed was never sold or distributed beyond the lab. Illustration by the author.<\/p>\n<\/div>\n Mary Shelley\u2019s Frankenstein<\/em> (or The Modern Prometheus<\/em>) follows the story of a young inventor, Victor Frankenstein, who animates a monster using lightning and assembled parts from the bodies of human corpses. After the creature leaves the lab, it wreaks havoc on Frankenstein\u2019s friends and family, disaster and death following in its wake. Public misconception has blurred the novel\u2019s critique by erroneously identifying the monster as the titular character, \u201cFrankenstein.\u201d This cultural renaming shifts attention away from the human actor. However, a correct reading of Shelley\u2019s title frames the scientist as the story\u2019s central figure and bearer of responsibility.<\/p>\n It is clear why readers misallocate blame since the monster\u2019s animacy complicates the notion of responsibility. Through the novel\u2019s sustained efforts to humanize the creature, however, Shelley shifts accountability back to Victor. In a passage, the monster illustrates his care for the humans he coexists alongside, stating \u201cI had been accustomed, during the night, to steal a part of their store for my own consumption; but when I found that in doing this I inflicted pain on the cottagers, I abstained, and satisfied myself with berries, nuts, and roots which I gathered from a neighbouring wood\u201d (Shelley 2012 [1818], 114). Far from an inherently wicked beast, the creature emerges as a thoughtful, articulate, and sympathetic narrator. The redemption of the monster\u2019s inherent disposition underscores Shelley\u2019s true critique of the inventor\u2019s responsibility for the violence that ensues.<\/p>\n An analysis of Shelley\u2019s allocation of blame reframes what \u201cfranken\u201d signals in the term \u201cfranken-food.\u201d Rather than marking genetically modified crops as inherently monstrous, the modifier highlights the responsibility of agritech creators, the \u2018Frankensteins\u2019 who engineer and deploy the technology.<\/p>\n DNA rendering and title from the1931 Frankenstein film poster, layered over hybridized corn image. Collage and illustration by author.<\/p>\n<\/div>\n In the novel, Shelley makes a clear case that the catastrophic outcomes of Frankenstein\u2019s experiments are rooted in the inventor\u2019s blind ambition and god complex. In the novel, Victor, the scientist, states, \u201cwhat had been the study and desire of the wisest men since the creation of the world was now within my grasp\u201d and reflects, with excitement, that a new species will worship him, owing their existence to their blessed creator (Shelley 2012 [1818], 53-55). He envisions his work as a way to immortalize his name and even create a subservient race rather than using his work to create a technology that will benefit humanity.<\/p>\n Shelley\u2019s examination of the circumstances that shape and motivate Frankenstein\u2019s scientific practice challenges the widely held assumption that technological innovation is a value-neutral process. Applying critical attention to agricultural invention illustrates that the motives of agribusiness\u2014not the technologies themselves\u2014determine the real world impacts of genetically modified organisms.<\/p>\n Driven by logics of capital accumulation, agricultural corporations may be said to share Frankenstein\u2019s perilous arrogance and greed. Like Frankenstein, they have engineered new life forms\u2014but their ambition extends even further, as commoditization drives them to exploit technology to reshape global systems. In Seeding Empire: American Philanthrocapital and the Roots of the Green Revolution in Africa<\/a><\/em>, Aaron Eddens shows how major American corporations such as Monsanto and Dupont (now Corteva Agriscience) have pursued what they call a new Green Revolution in Africa, promoting their westernized technologies, such as genetically modified seeds, as universally superior. This project reflects the hubristic belief that these companies possess the authority and expertise to engineer an \u201coptimal\u201d model of farming\u2014one that privileges Western ideals over local knowledge and autonomy. The growth of industry across the Atlantic does not merely mark an expansion of agricultural technology. It is also an epistemological conquest grounded in western ideas about how farming should be conducted. The introduction of GMO seeds to international markets is predicated on agricultural corporations pressuring governments to enforce seed patents and protect intellectual property. In African countries, however, seeds are generally considered a common heritage and a cultural resource. As Eddens (2024, 82) explains, the creation of agritech markets requires a rejection of this fundamental belief.<\/p>\n Furthermore\u2014like Victor Frankenstein\u2014agricultural corporations do not innovate purely for humanity\u2019s benefit. Whereas Victor sought \u201cdreams of virtue, of fame\u201d (Shelley 254), corporations\u2019 stated virtuous aim veils a profit motive, often at odds with their professed mission to build a just and sustainable global food system. Eddens (2024, 50) claims that these projects, while marketed as ways to help support parts of the Global South, identify Africa as an untapped frontier for the extraction of new profits. These businesses, which work with nonprofits, like the Gates Foundation, and government groups, emphasize that there is a ripe opportunity to use philanthropy \u201cto open up new sites through which to generate profits for corporations\u201d (Eddens 2024, 13). As corporations focus on expanding their wealth, real human lives are put to risk.<\/p>\n Collage featuring the scientist and his god complex, alongside fractured laboratory. Created by the author.<\/p>\n<\/div>\n By heeding Shelley\u2019s call to investigate the inventor\u2019s pride and ambition, we uncover striking parallels between Victor Frankenstein and the pursuit of GMOs in agriculture. Yet, Shelley also instructs us to interrogate the systems that surround the scientist. To fully apply the warning from Victor Frankenstein\u2019s laboratory to modern agricultural biotechnology labs, we must examine the specifics of the setting in which genetic modification technologies are formed.<\/p>\n In the text, Shelley provides a thorough critique of Victor\u2019s isolation\u2014both social and environmental\u2014during his invention process. As Victor Frankenstein travels to university, he reflects somberly on the solitude that awaits him: \u201cI threw myself into the chaise that was to convey me away and indulged in the most melancholy of reflections. I, who had ever been surrounded by the most amiable companions [\u2026] I, was now alone\u201d (Shelley 2012 [1818], 46). At university, he descends into a solitary and obsessive pursuit of scientific discovery. His isolation leaves him unchecked, with no one to caution him against the consequences of his pursuits.<\/p>\n During a later journey, Victor is struck by the power and beauty of nature, describing its healing powers with reverence and reflects that \u201cthese sublime and magnificent scenes afforded me the greatest consolation I was capable of receiving\u201d (Shelley 2012 [1818], 99). Throughout the novel, encounters with the natural environment continue to offer him brief moments of humility, clarity, and peace\u2014feelings that dissipate when he is confined to the lab. Crucially, Victor\u2019s spatial separation from nature also leads him to create something that is fundamentally misaligned with its balance. As soon as Frankenstein sees the grotesque form of the monster among the beauty of the world, he realizes that it should never have been created. While some critics cite the role of inherent unpredictability and natural forces in the invention\u2019s disastrous outcome, Shelley\u2019s articulate portrayal of Victor\u2019s isolation in the laboratory is a clear caution against pursuing innovation in isolation from social and ecological systems.<\/p>\n Similar to Frankenstein\u2019s monster, genetically modified crops are born as decontextualized entities, disconnected from the environments they are meant to inhabit. Unlike seeds adapted through generations of reciprocal relationships with land, GMOs emerge from a process of extraction. Aaron Eddens investigates this exploitative history by articulating how, during the first Green Revolution, American scientists collected seeds from smallholder farms in Mexico, often without consent (2024, 63). These seeds embodied centuries of careful cultivation and cultural knowledge, yet were appropriated to produce hybrid and, later, genetically modified varieties. Today\u2019s patents turn these same seeds\u2014once freely shared within communities\u2014into private property, severing them from their ecological and cultural roots. Engineered in sterile laboratories, they mirror the isolation of Victor Frankenstein\u2019s workshop. And as with Victor\u2019s creation, introducing these inventions into living systems has unleashed consequences that are profoundly destructive.<\/p>\n Vandana Shiva<\/a>, in Monocultures of the Mind<\/em>, discusses some of the environmental consequences caused by the insertion of these technologies, showing how high-yield or \u201chigh-response\u201d varieties\u2014GMO seeds designed to withstand intensified chemical inputs\u2014bypass natural checks and ecological limits. By making crops resistant to potent herbicides like glyphosate, biotechnology companies have enabled the widespread, routine use of toxic chemicals. The consequences are catastrophic. In 1990, the World Health Organization (WHO) estimated that pesticide exposure poisoned an estimated 385 million farmers annually, leading to roughly 200,000 deaths per year. Shiva (1992, 124) discusses how, in the Indian province of Punjab, the use of pesticides has increased the prevalence of cancer to such a high degree that there is a \u201ccancer epidemic.\u201d The train running from Punjab\u2019s agricultural lands to the city of Rajasthan has been dubbed the \u201ccancer train\u201d because its primary use has become transferring cancer patients from the countryside to the city hospital. And this is only part of the cost; pesticide runoff pollutes waterways and destabilizes ecosystems, poisoning human and non-human organisms alike. Just as Frankenstein\u2019s monster unleashed violent consequences beyond the confines of the lab, so too have these biotechnologies\u2014creating systemic damage to ecosystems and communities far beyond their point of origin.<\/p>\n To describe genetically engineered crops as \u201cfranken-foods\u201d is not merely to scorn the dangers posed by genetically modified crops. Instead, it is to indict the self-serving ambitions that drive their creation, the imperial mindset that justifies their spread, and the ecological negligence that renders them destructive. Shelley\u2019s novel does not teach us to fear knowledge but to fear what humans become when we forget our responsibilities to each other and the world around us. Monsters and franken-foods are not born\u2014they\u2019re made by human ambition, greed, and ego left unchecked.<\/p>\n The novel\u2019s name has further critical implications: the subtitle refers to the Greek myth of Prometheus, who stole fire to empower humanity, with impacts for both himself and mankind. The story emphasizes the ultimate responsibility of those who introduce new technologies, because fire\u2014like any invention or tool\u2013is inanimate and has no motive, moral compass, or foresight. It is Prometheus, his name meaning \u201cone who thinks ahead\u201d who is accountable<\/p>\n This post was curated by Contributing Editor Tayeba Batool<\/a> and reviewed by Contributing Editor Srishti Sood<\/a>.<\/p>\n Eddens, Aaron. Seeding Empire: American Philanthrocapitalism and the Roots of the Green Revolution in Africa. University of California Press, Mar. 2024.<\/a>\u00a0<\/cite><\/cite><\/p>\n Lewis, Paul. \u201cMutant Foods Create Risks We Can\u2019t Yet Guess; Since Mary Shelley.\u201d The New York Time<\/em>s, 16 June 1992. https:\/\/www.nytimes.com\/1992\/06\/16\/opinion\/l-mutant-foods-create-risks-we-can-t-yet-guess-since-mary-shelley-332792.html<\/a>.<\/cite><\/cite><\/p>\n \u201cUN Human Rights Experts Call for Global Treaty to Regulate Dangerous Pesticides.\u201d UN News, 7 Mar. 2017, https:\/\/news.un.org\/en\/story\/2017\/03\/553852<\/a>.<\/cite><\/cite><\/p>\n![\"The](\"http:\/\/blog.castac.org\/wp-content\/uploads\/sites\/2\/2025\/10\/1.jpg\")
<\/p>\nDeconstructing \u2018Franken\u2019: Tracing Responsibility from Victor to Agritech<\/h2>\n
![\"The](\"http:\/\/blog.castac.org\/wp-content\/uploads\/sites\/2\/2025\/10\/2.jpg\")
<\/p>\nEngineering for Glory and Capital: Parallels Between Victor Frankenstein and Agribusiness<\/h2>\n
![\"\"](\"http:\/\/blog.castac.org\/wp-content\/uploads\/sites\/2\/2025\/10\/3.jpg\")
<\/p>\nConstructing The Laboratory as a Site of Isolation, Exploitation, and Control<\/h2>\n
![\"Black](\"http:\/\/blog.castac.org\/wp-content\/uploads\/sites\/2\/2025\/10\/4.jpg\")
<\/p>\nConclusion<\/h2>\n
Footnote<\/h2>\n
Works Cited<\/h2>\n