{"id":33695,"date":"2025-01-17T22:19:17","date_gmt":"2025-01-17T22:19:17","guid":{"rendered":"https:\/\/peraltafinancing.com\/african-music\/khalil-epi-memoires-electroniques-de-tunisie\/"},"modified":"2025-01-17T22:19:17","modified_gmt":"2025-01-17T22:19:17","slug":"khalil-epi-memoires-electroniques-de-tunisie","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=33695","title":{"rendered":"Khalil Epi, m\u00e9moires \u00e9lectroniques de Tunisie"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<figure class=\"wp-block-embed alignwide is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Khalil Epi, m\u00e9moires \u00e9lectronique de Tunisie | Off the Map\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/u9VJWeDW0MM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<h4 class=\"wp-block-heading\"><strong>Ce nouvel \u00e9pisode de la s\u00e9rie Off the Map vous emm\u00e8ne \u00e0 Tunis, \u00e0 la rencontre de Khalil Epi, un des muscles cr\u00e9atifs les plus puissants de la sc\u00e8ne \u00e9lectronique tunisienne. Le gar\u00e7on est en mission : depuis pr\u00e8s de deux d\u00e9cennies, il tisse un fil rouge entre musiques traditionnelles, pop, clubbing europ\u00e9en ou musique savante nord-africaine. Un film de Fatma Ben Aissa.<\/strong><\/h4>\n<p>\u201c<em>Paradoxale, tourn\u00e9e vers le pass\u00e9, mais \u00e9galement connect\u00e9e et contemporaine\u2026<\/em>\u201d Ainsi parle Khalil Epi de sa ville, Tunis, dans notre nouvel \u00e9pisode de la s\u00e9rie <em>Off the Map<\/em>. \u00c9tonnant de se dire que ces mots peuvent tout \u00e0 fait \u00eatre appos\u00e9s sur sa propre musique. Un ensemble musical sans \u0153illi\u00e8res, issu d\u2019un creuset m\u00e9dit\u00e9rran\u00e9en, dans lequel on trouve des bases jazz, rock, les r\u00e9miniscences d\u2019une \u00e9cole de cin\u00e9ma, l\u2019amour du groove analogique comme des rythmiques techno\u00efdes europ\u00e9ennes.<br \/>Khalil est le fils de Mounir Hentati, l\u2019ancien conservateur de la Phonoth\u00e8que Nationale de Tunisie, l\u2019un des d\u00e9partements du Centre des Musiques Arabes et M\u00e9diterran\u00e9ennes : le jeune homme est profond\u00e9ment impr\u00e9gn\u00e9, depuis l\u2019enfance, par l\u2019\u00e2me des musiques traditionnelles et populaires nord-africaines ou arabes. Autant de r\u00e9f\u00e9rences qui l\u2019ont amen\u00e9 \u00e0 croiser le fer \u2013 en studio ou sur sc\u00e8ne \u2013 avec le groupe N3rdistan, le live band Arabstazy, Deena Abdelwahed, le percussionniste Imed Alibi ou plus r\u00e9cemment la chanteuse Widad Mjama.<\/p>\n<p>Constamment en tension, toujours \u00e0 une petite nuit du burn-out car obs\u00e9d\u00e9 par la cr\u00e9ation, Khalil livrait fin 2023 le film <em>A\u00efchoucha<\/em>, un road-trip documentaire et pulsionnel autour des musiques traditionnelles tunisiennes, amplifi\u00e9es par de solides arrangements <em>Bass-music<\/em>. Le r\u00e9sultat, \u00e9poustouflant, donne \u00e0 voir et \u00e0 entendre une cartographie \u2013 vivante et non-exhaustive \u2013, de grandes traditions musicales tunisiennes. C\u2019est au-dessus de ce magma cr\u00e9atif que s\u2019est pench\u00e9 Pan-African-Music pour r\u00e9aliser ce nouvel \u00e9pisode d\u2019Off the Map.\u00a0<\/p>\n<p>\u201c<em>\u00c0 dix ans on m\u2019a offert un petit enregistreur \u00e0 cassettes<\/em>\u201d se souvient le musicien. \u201c<em>Arm\u00e9 de mon petit micro, je me suis alors mis \u00e0 archiver les histoires que me contait ma grand-m\u00e8re A\u00efcha, qu\u2019on appelait affectueusement <\/em>A\u00efchoucha. <em>Composer ce concert audiovisuel<\/em>\u201d<em> <\/em>poursuit Khalil, \u201c<em>c\u2019est rendre hommage \u00e0 une certaine tradition familiale, mais aussi c\u00e9l\u00e9brer des influences contemporaines comme les <\/em><a href=\"https:\/\/pan-african-music.com\/chassol-interview\/\"><em>\u201c<\/em>Ultrascores\u201d<em> initi\u00e9s par Chassol<\/em><\/a><em> ou les aventures vid\u00e9os d\u2019un <\/em>sound explorer<em> comme Vincent Moon. Le tout, bien s\u00fbr, projet\u00e9 sur trois \u00e9crans, pour \u00eatre encore plus immersif. Et se compliquer la t\u00e2che encore un peu plus<\/em>\u201d glisse Khalil avec un sourire. \u201c<em>Au risque d\u2019en faire hurler certains, je suis convaincu que les musiques traditionnelles et populaires peuvent trouver une forme de salut gr\u00e2ce \u00e0 l\u2019\u00e9lectro. Les principes de r\u00e9\u00e9dition et de sampling permettent de pr\u00e9server et de donner un second souffle \u00e0 des pratiques s\u00e9culaires menac\u00e9es. La musique \u00e9lectronique autorise, \u00e0 l\u2019envie, \u00e0 reprendre, r\u00e9animer, renouveler, m\u00e9langer et fusionner. Elle laisse libre cours aux cr\u00e9ateurs, pour d\u00e9construire et reconstruire, faire na\u00eetre et rena\u00eetre.<\/em>\u201d<\/p>\n<figure class=\"wp-block-image alignwide size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1010\" height=\"577\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2024\/11\/Khalil-OTM-Dancers-1010x577.jpg\" alt=\"\" class=\"wp-image-129290\" srcset=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2024\/11\/Khalil-OTM-Dancers-1010x577.jpg 1010w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2024\/11\/Khalil-OTM-Dancers-759x433.jpg 759w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2024\/11\/Khalil-OTM-Dancers-2048x1169.jpg 2048w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2024\/11\/Khalil-OTM-Dancers-1440x822.jpg 1440w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2024\/11\/Khalil-OTM-Dancers-661x377.jpg 661w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2024\/11\/Khalil-OTM-Dancers-465x265.jpg 465w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2024\/11\/Khalil-OTM-Dancers-375x214.jpg 375w, https:\/\/pan-african-music.com\/wp-content\/uploads\/2024\/11\/Khalil-OTM-Dancers.jpg 2736w\" sizes=\"(min-width:1010px) 759px,100vw\"\/><\/figure>\n<p>Session de Maluf entre les murs finement cisel\u00e9s du palais Ennejma Ezzahra \u00e0 Sidi Bou Sa\u00efd, chant \u00e0 capella avec la jeune diva Ons Boussi sur les bords d\u2019un plan d\u2019eau aux alentours de Zaghouan ou Rakrouki chant\u00e9 par les bergers nomades du centre-ouest du pays\u2026 A\u00efchoucha joue fort et \u00e0 haute voix le patrimoine musical \u2013 parfois menac\u00e9 \u2013 de nombreux territoires tunisiens. Autre moment fort de la cr\u00e9ation audiovisuelle, la plong\u00e9e aux c\u0153urs des musiques soufies avec une longue s\u00e9quence de transe au sein de la confr\u00e9rie Aissaouia : \u201c<em>au-del\u00e0 d\u2019un portrait intime, presque familial et musical de Khalil, cet \u00e9pisode pose en filigrane la question de l\u2019identit\u00e9 m\u00eame de son protagoniste<\/em>\u201d explique Fatma Ben Aissa, la r\u00e9alisatrice du documentaire. \u201c<em>\u00c0 mesure que Khalil arpente son propre territoire, \u00e0 la red\u00e9couverte d\u2019improbables reliefs culturels, \u00e9mergent alors les questions de son arabit\u00e9, de son africanit\u00e9, des langues et des m\u00e9moires tunisiennes.<\/em>\u201d<\/p>\n<p>\u201c<em>Parler de musique arabe, comme d\u2019ailleurs des Arabes en g\u00e9n\u00e9ral, n\u2019a, en soi, aucun sens<\/em>\u201d commente le musicien. \u201c<em>Il s\u2019agit de torsions de langages, de raccourcis \u2013 appliqu\u00e9 par pure ignorance mais aussi parfois consciemment, pour court-circuiter et recouvrir une multitude de r\u00e9alit\u00e9s culturelles, d\u2019ensembles artistiques, de sp\u00e9cificit\u00e9s patrimoniales, et donc identitaires.<\/em>\u201d C\u2019est peut-\u00eatre dans ce constat que r\u00e9side l\u2019\u00e9nergie qui alimente le geste de Khalil. Bien au-del\u00e0 de la sauvegarde ou de la protection de patrimoines sonores pluriels, le jeune musicien transgresse sa qu\u00eate, initialement musicale, pour empoigner les questions d\u2019h\u00e9ritage, d\u2019appropriation culturelle comme celle des identit\u00e9s en devenir.<\/p>\n<p>Un voyage existentiel, avec la musique pour v\u00e9hicule : un attelage r\u00eav\u00e9 pour Khalil Epi, \u00e0 d\u00e9couvrir sur la cha\u00eene <a href=\"https:\/\/www.youtube.com\/channel\/UCtqZzqZWkgQof-U5b-ZaZUQ\">Youtube de PAM<\/a> (o\u00f9 vous pourrez d\u2019ailleurs retrouver les autres \u00e9pisodes d\u2019<em>Off the Map<\/em>).<\/p>\n<p><strong>Le spectacle A\/V A\u00efchoucha est \u00e0 d\u00e9couvrir dans la grande salle de La Ga\u00eet\u00e9 Lyrique \u00e0 Paris le 12 d\u00e9cembre prochain. Pour prendre vos places :\u00a0<a href=\"http:\/\/bit.ly\/4fd3gBX\" target=\"_blank\" rel=\"noreferrer noopener\">bit.ly\/4fd3gBX<\/a><\/strong><\/p>\n<\/div>\n<p><script type=\"5ce55c2c9915c08bbe3e4696-text\/javascript\">\n!function(f,b,e,v,n,t,s){if(f.fbq)return;n=f.fbq=function(){n.callMethod?\nn.callMethod.apply(n,arguments):n.queue.push(arguments)};if(!f._fbq)f._fbq=n;\nn.push=n;n.loaded=!0;n.version='2.0';n.queue=[];t=b.createElement(e);t.async=!0;\nt.src=v;s=b.getElementsByTagName(e)[0];s.parentNode.insertBefore(t,s)}(window,\ndocument,'script','https:\/\/connect.facebook.net\/en_US\/fbevents.js?v=next');\n<\/script><script type=\"5ce55c2c9915c08bbe3e4696-text\/javascript\">\n          !function(f,b,e,v,n,t,s)\n          {if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n          n.callMethod.apply(n,arguments):n.queue.push(arguments)};\n          if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n          n.queue=[];t=b.createElement(e);t.async=!0;\n          t.src=v;s=b.getElementsByTagName(e)[0];\n          s.parentNode.insertBefore(t,s)}(window, document,'script',\n          'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n          fbq('init', '304027956726511');\n          fbq('track', 'PageView');\n        <\/script><br \/>\n<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ce nouvel \u00e9pisode de la s\u00e9rie Off the Map vous emm\u00e8ne \u00e0 Tunis, \u00e0 la rencontre de Khalil Epi, un des muscles cr\u00e9atifs les plus puissants de la sc\u00e8ne \u00e9lectronique tunisienne. Le gar\u00e7on est en mission : depuis pr\u00e8s de deux d\u00e9cennies, il tisse un fil rouge entre musiques traditionnelles, pop, clubbing europ\u00e9en ou musique [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":33696,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12025],"tags":[22430,22428,22427,22429,22431],"dealstore":[],"offerexpiration":[],"class_list":["post-33695","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-music","tag-electroniques","tag-epi","tag-khalil","tag-memoires","tag-tunisie"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Khalil Epi, m\u00e9moires \u00e9lectroniques de Tunisie - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=33695\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Khalil Epi, m\u00e9moires \u00e9lectroniques de Tunisie - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Ce nouvel \u00e9pisode de la s\u00e9rie Off the Map vous emm\u00e8ne \u00e0 Tunis, \u00e0 la rencontre de Khalil Epi, un des muscles cr\u00e9atifs les plus puissants de la sc\u00e8ne \u00e9lectronique tunisienne. Le gar\u00e7on est en mission : depuis pr\u00e8s de deux d\u00e9cennies, il tisse un fil rouge entre musiques traditionnelles, pop, clubbing europ\u00e9en ou musique [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fivemor.com\/?p=33695\" \/>\n<meta property=\"og:site_name\" content=\"Som2ny Network\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-17T22:19:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fivemor.com\/wp-content\/uploads\/2025\/01\/Screenshot-2024-11-20-at-10.42.36-1010x612.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1010\" \/>\n\t<meta property=\"og:image:height\" content=\"612\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/fivemor.com\/?p=33695#article\",\"isPartOf\":{\"@id\":\"https:\/\/fivemor.com\/?p=33695\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/fivemor.com\/#\/schema\/person\/b85e3c3dc0e1daea076524dc8810c371\"},\"headline\":\"Khalil Epi, m\u00e9moires \u00e9lectroniques de Tunisie\",\"datePublished\":\"2025-01-17T22:19:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/fivemor.com\/?p=33695\"},\"wordCount\":895,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/fivemor.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/fivemor.com\/?p=33695#primaryimage\"},\"thumbnailUrl\":\"https:\/\/fivemor.com\/wp-content\/uploads\/2025\/01\/Screenshot-2024-11-20-at-10.42.36-1010x612.png\",\"keywords\":[\"\u00e9lectroniques\",\"Epi\",\"Khalil\",\"m\u00e9moires\",\"Tunisie\"],\"articleSection\":[\"African Music\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/fivemor.com\/?p=33695#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fivemor.com\/?p=33695\",\"url\":\"https:\/\/fivemor.com\/?p=33695\",\"name\":\"Khalil Epi, m\u00e9moires \u00e9lectroniques de Tunisie - 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