{"id":334972,"date":"2025-12-08T14:38:52","date_gmt":"2025-12-08T14:38:52","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/rutger-zuydervelt-machinefabriek-ambientblog\/"},"modified":"2025-12-08T14:38:52","modified_gmt":"2025-12-08T14:38:52","slug":"rutger-zuydervelt-machinefabriek-ambientblog","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=334972","title":{"rendered":"Rutger Zuydervelt * Machinefabriek \u2013 Ambientblog"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div itemprop=\"articleBody\">\n<p><em><strong><a href=\"https:\/\/www.machinefabriek.nu\">Rutger Zuydervelt<\/a><\/strong><\/em> is probably one of the most productive sound artists in the Netherlands, perhaps even in Europe. According to Discogs (of which I am not sure if it\u2019s complete), he has released no less than 154 albums since 2004: 104 as Machinefabriek and 50 under his own name. That is 7.5 albums every year! And this is not even counting EPs and compilations, etcetera. Of course, it\u2019s not just the quantity that counts. The impressive thing is that Zuydervelt manages to maintain a high-quality standard, too. <br \/>Below are three of his latest releases to demonstrate <strong><em>Zuydervelt<\/em><\/strong><em>\u2018s <\/em>versatility.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-thumbnail\"><a href=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux.jpg\" data-slb-active=\"1\" data-slb-asset=\"746616609\" data-slb-internal=\"0\" data-slb-group=\"slb\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" data-lazy-type=\"image\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux-150x150.jpg\" alt=\"Flux\" class=\"lazy lazy-hidden wp-image-33031\" srcset=\"\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux-150x150.jpg\" alt=\"Flux\" class=\"wp-image-33031\" srcset=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux-150x150.jpg 150w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux-350x350.jpg 350w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux-1100x1100.jpg 1100w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux-244x244.jpg 244w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux-512x512.jpg 512w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux-1024x1024.jpg 1024w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Flux.jpg 1300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><\/a><\/figure>\n<\/div>\n<h3 class=\"wp-block-heading\"><strong>RUTGER ZUYDERVELT &amp; LUCIJA GREGOV<\/strong> \u2013 <a href=\"https:\/\/machinefabriek.bandcamp.com\/album\/flux-music-for-a-performance-by-still-still-marta-kim\"><em><strong>FLUX<\/strong><\/em><br \/><em><strong>(MUSIC FOR A PERFORMANCE BY STILL STILL &amp; MARTA &amp; KIM)<\/strong><\/em><\/a><\/h3>\n<p>In recent years, <strong><em>Rutger Zuydervelt<\/em><\/strong> has often written scores for dance or other performances as well as for videos, documentaries, and movies. <strong><em>Flux<\/em><\/strong> is created for the performance of circus\/dance duo <em><a href=\"https:\/\/martaandkim.com\/\">Marta &amp; Kim<\/a> (Marta Alstads\u00e6ter <\/em>and <em>Kim-Jomi Fischer)<\/em>. This is not the first time they worked together: previous shows \u2018Engel\u2019 and \u2018Our Arms Grew Together\u2019 were also created in collaboration. For the music for <strong><em>Flux<\/em><\/strong>, <strong><em>Zuydervelt<\/em><\/strong> invited <strong><em><a href=\"https:\/\/lugregov.com\/\">Lucija Gregov<\/a><\/em><\/strong>, a cellist he knows from performing with the <em>Hydra Ensemble.<\/em><\/p>\n<p><strong><em>Rutger<\/em><\/strong> obviously likes to challenge himself and the artists he works with by using different approaches than usual: he asked Lucija to improvise based on \u2018inspirational keywords\u2019 like \u201ctilting horizon\u201d, \u201cslowly falling asleep\u201d, \u201cpunctuated silence\u201d, and \u201cMorton Feldman, drunk\u201d. After receiving the cello recordings, he completed music for the soundtrack. Since most of the music already existed before the rehearsals started, the music inspired the movement of the dancers. And the other way around, too: musical revisions were made, and additional music was created.<\/p>\n<p>The 12 tracks on this 45-minute (digital) album present the score in a slightly edited form, with two additional outtakes. The music definitely raises interest in the performance (check the <em>Marta &amp; Kim <\/em>tour list <a href=\"https:\/\/martaandkim.com\/tour-list\/\">here<\/a>), but also stands firm on its own. One more jewel in <em><strong>Zuydervelt<\/strong>\u2018s <\/em>crown!<\/p>\n<p><iframe class=\"lazy lazy-hidden\" style=\"border: 0; width: 100%; height: 120px;\" data-lazy-type=\"iframe\" data-src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3622622266\/size=large\/bgcol=ffffff\/linkcol=0687f5\/t=2\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><![CDATA[<a href=\"https:\/\/machinefabriek.bandcamp.com\/album\/flux-music-for-a-performance-by-still-still-marta-kim\">FLUX (music for a performance by still still \/ Marta &#038; Kim) by Rutger Zuydervelt and Lucija Gregov<\/a>]]><\/iframe><noscript><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3622622266\/size=large\/bgcol=ffffff\/linkcol=0687f5\/t=2\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><![CDATA[<a href=\"https:\/\/machinefabriek.bandcamp.com\/album\/flux-music-for-a-performance-by-still-still-marta-kim\">FLUX (music for a performance by still still \/ Marta &#038; Kim) by Rutger Zuydervelt and Lucija Gregov<\/a>]]><\/iframe><\/noscript><\/p>\n<hr class=\"wp-block-separator has-text-color has-accent-1-color has-alpha-channel-opacity has-accent-1-background-color has-background\"\/>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-thumbnail\"><a href=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength.jpg\" data-slb-active=\"1\" data-slb-asset=\"673950919\" data-slb-internal=\"0\" data-slb-group=\"slb\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" data-lazy-type=\"image\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength-150x150.jpg\" alt=\"House Of Strength\" class=\"lazy lazy-hidden wp-image-33032\" srcset=\"\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength-150x150.jpg\" alt=\"House Of Strength\" class=\"wp-image-33032\" srcset=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength-150x150.jpg 150w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength-350x350.jpg 350w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength-1100x1100.jpg 1100w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength-244x244.jpg 244w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength-512x512.jpg 512w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength-1024x1024.jpg 1024w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/House-Of-Strength.jpg 1300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><\/a><\/figure>\n<\/div>\n<h3 class=\"wp-block-heading\"><strong>RUTGER ZUYDERVELT \u2013 <\/strong><a href=\"https:\/\/dronarivm.bandcamp.com\/album\/house-of-strength\"><strong><em>HOUSE OF STRENGTH<br \/>(MUSIC FOR A PERFORMANCE BY ROSHANAK MORROWATIAN)<\/em><\/strong><\/a><\/h3>\n<p><strong><em>House of Strength <\/em><\/strong>is also a score for a (dance) performance, and was also created for\/with an artist <strong><em>Zuydervelt<\/em><\/strong> has previously worked with before: choreographer, dancer, and performer <strong><em><a href=\"https:\/\/www.rover.company\/en\/roshanak-morrowatian\/\">Roshanak Morrowatian<\/a><\/em><\/strong>. This is their fourth collaboration, after previous projects <a href=\"https:\/\/www.ambientblog.net\/blog\/2024-04\/banabila-zuydervelt\/\">Kites<\/a>, Sister, and Mask.<\/p>\n<p>The choreography of <strong><em>House of Strength<\/em><\/strong> <em>\u201ctransforms an ancient ritual, originally from Persia, into contemporary inclusive dance that celebrates the power of the collective.\u201d<\/em><\/p>\n<p><em>\u201cTraditionally, the Varzesh-e bastani (old or traditional sport) or Varzesh-e Pahlevani (heroes sport) in Iran is performed in an arena in the Zurkaneh, which literally means \u2018House of Strength\u2019. The aim of the ritual is to become a better person by a combination of power training, spirituality, poetry, and music.\u201d<\/em><\/p>\n<p>Like the performance, the music also has <em>\u201ca strong ritualistic quality\u201d, <\/em>especially in the use of percussion, which is inspired by traditional Iranian percussion as well as by contemporary club music. <br \/>For one of the tracks (Humming), <strong><em>Zuydervelt<\/em><\/strong> sampled the voices of the performers as a choir. Two other tracks also present vocal contributions by <em>Reza Mirabi<\/em> (Arise) and <em>Sjaan Flikweert <\/em>(Voorbij \u2013 a poem in Dutch). <\/p>\n<p>The album closes with two extra tracks that are not included in the performance. <br \/>In <strong><em>Rutger<\/em><\/strong><em>\u2018s<\/em> own words: <em>\u201cThe album\u2019s conclusion uplifts the spirit\u2014making it hard to resist pressing play again.\u201d<\/em><\/p>\n<p><strong><em>House of Strength<\/em><\/strong> is released on the <em><a href=\"https:\/\/dronarivm.com\/\">Dronarivm<\/a><\/em> label, and is also available on CD.<\/p>\n<p><iframe class=\"lazy lazy-hidden\" style=\"border: 0; width: 100%; height: 120px;\" data-lazy-type=\"iframe\" data-src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=452699877\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><![CDATA[<a href=\"https:\/\/dronarivm.bandcamp.com\/album\/house-of-strength\">House of Strength by Rutger Zuydervelt<\/a>]]><\/iframe><noscript><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=452699877\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><![CDATA[<a href=\"https:\/\/dronarivm.bandcamp.com\/album\/house-of-strength\">House of Strength by Rutger Zuydervelt<\/a>]]><\/iframe><\/noscript><\/p>\n<hr class=\"wp-block-separator has-text-color has-accent-1-color has-alpha-channel-opacity has-accent-1-background-color has-background\"\/>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-thumbnail\"><a href=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk.jpg\" data-slb-active=\"1\" data-slb-asset=\"1753158032\" data-slb-internal=\"0\" data-slb-group=\"slb\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" data-lazy-type=\"image\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk-150x150.jpg\" alt=\"Spelonk\" class=\"lazy lazy-hidden wp-image-33033\" srcset=\"\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk-150x150.jpg\" alt=\"Spelonk\" class=\"wp-image-33033\" srcset=\"https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk-150x150.jpg 150w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk-350x350.jpg 350w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk-1100x1100.jpg 1100w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk-244x244.jpg 244w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk-512x512.jpg 512w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk-1024x1024.jpg 1024w, https:\/\/www.ambientblog.net\/blog\/wp-content\/uploads\/2025\/11\/Spelonk.jpg 1300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><\/a><\/figure>\n<\/div>\n<h3 class=\"wp-block-heading\"><strong>MACHINEFABRIEK \u2013 <em><a href=\"https:\/\/www.cronicaelectronica.org\/245\/\">SPELONK<\/a><\/em><\/strong><\/h3>\n<p>Creating music for dance, performances, film, or other projects always means working within certain limitations \u2013 even if you vary the creation process. At times, it\u2019s nice to break away from that and create something without those limitations and free from expectations. Especially if you have a seemingly inexhaustible source of creativity, like <strong><em>Rutger Zuydervelt.<\/em><\/strong><br \/><strong><em>Spelonk <\/em><\/strong>is such a project. Because it is not related to anything but itself, it is released under his <strong><em>Machinefabriek<\/em><\/strong> moniker. <em>\u201cMade purely for myself\u201d<\/em>, <em><strong>Rutger<\/strong><\/em> says \u2013 but that\u2019s not entirely true: it is released on the <em><a href=\"https:\/\/www.cronicaelectronica.org\/\">Cronica<\/a> <\/em>label and available for anyone interested. <\/p>\n<p>The three tracks (42 minutes total) are all created with <strong><em>Machinefabriek<\/em><\/strong><em>\u2018s <\/em>live setup: effect pedals, oscillator, and electronic gadgets. <em>\u201cThe magic happens when combining different recordings, layering them, and hearing what happens. I guess it\u2019s all about creating alien landscapes \u2014 alien also to me too \u2014 that are exciting to explore.\u201d<\/em><\/p>\n<p>It may be music without the context of a performance or movie, and is intended to be enjoyed without distraction \u2013 but that does not mean it doesn\u2019t have the same quality and depth. <br \/>Of course it does \u2026 expect nothing less from <strong><em>Rutger Zuydervelt<\/em><\/strong>.<\/p>\n<p>Official release date of <strong><em>Spelonk<\/em><\/strong> is January 20, 2026, but the album (CD or Digital) can already be pre-ordered. <\/p>\n<p><iframe class=\"lazy lazy-hidden\" style=\"border: 0; width: 100%; height: 120px;\" data-lazy-type=\"iframe\" data-src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=110364052\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><![CDATA[<a href=\"https:\/\/cronica.bandcamp.com\/album\/spelonk\">Spelonk by Machinefabriek<\/a>]]><\/iframe><noscript><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=110364052\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><![CDATA[<a href=\"https:\/\/cronica.bandcamp.com\/album\/spelonk\">Spelonk by Machinefabriek<\/a>]]><\/iframe><\/noscript><\/p>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Related:<\/em><\/h3>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Rutger Zuydervelt is probably one of the most productive sound artists in the Netherlands, perhaps even in Europe. According to Discogs (of which I am not sure if it\u2019s complete), he has released no less than 154 albums since 2004: 104 as Machinefabriek and 50 under his own name. That is 7.5 albums every year! [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":334973,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12031],"tags":[12760,13769,1628,13758,48852,40617,35640,11651,38466,40618],"dealstore":[],"offerexpiration":[],"class_list":["post-334972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ambient-music","tag-ambient","tag-ambientblog","tag-electronic","tag-experimental","tag-machinefabriek","tag-rutger","tag-rutger-zuydervelt","tag-score","tag-soundtrack","tag-zuydervelt"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rutger Zuydervelt * Machinefabriek \u2013 Ambientblog - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=334972\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rutger Zuydervelt * Machinefabriek \u2013 Ambientblog - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Rutger Zuydervelt is probably one of the most productive sound artists in the Netherlands, perhaps even in Europe. According to Discogs (of which I am not sure if it\u2019s complete), he has released no less than 154 albums since 2004: 104 as Machinefabriek and 50 under his own name. That is 7.5 albums every year! [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fivemor.com\/?p=334972\" \/>\n<meta property=\"og:site_name\" content=\"Som2ny Network\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-08T14:38:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fivemor.com\/wp-content\/uploads\/2025\/12\/House-Of-Strength.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"1300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/fivemor.com\/?p=334972#article\",\"isPartOf\":{\"@id\":\"https:\/\/fivemor.com\/?p=334972\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/fivemor.com\/#\/schema\/person\/b85e3c3dc0e1daea076524dc8810c371\"},\"headline\":\"Rutger Zuydervelt * Machinefabriek \u2013 Ambientblog\",\"datePublished\":\"2025-12-08T14:38:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/fivemor.com\/?p=334972\"},\"wordCount\":843,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/fivemor.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/fivemor.com\/?p=334972#primaryimage\"},\"thumbnailUrl\":\"https:\/\/fivemor.com\/wp-content\/uploads\/2025\/12\/House-Of-Strength.jpg\",\"keywords\":[\"Ambient\",\"Ambientblog\",\"Electronic\",\"experimental\",\"Machinefabriek\",\"Rutger\",\"rutger zuydervelt\",\"Score\",\"Soundtrack\",\"Zuydervelt\"],\"articleSection\":[\"Ambient Music\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/fivemor.com\/?p=334972#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fivemor.com\/?p=334972\",\"url\":\"https:\/\/fivemor.com\/?p=334972\",\"name\":\"Rutger Zuydervelt * Machinefabriek \u2013 Ambientblog - 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Som2ny Network","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/fivemor.com\/?p=334972","og_locale":"en_US","og_type":"article","og_title":"Rutger Zuydervelt * Machinefabriek \u2013 Ambientblog - Som2ny Network","og_description":"Rutger Zuydervelt is probably one of the most productive sound artists in the Netherlands, perhaps even in Europe. According to Discogs (of which I am not sure if it\u2019s complete), he has released no less than 154 albums since 2004: 104 as Machinefabriek and 50 under his own name. That is 7.5 albums every year! 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