{"id":333514,"date":"2025-12-07T19:22:43","date_gmt":"2025-12-07T19:22:43","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/5-undeniable-reasons-to-love-scottish-national-gallery\/"},"modified":"2025-12-07T19:22:43","modified_gmt":"2025-12-07T19:22:43","slug":"5-undeniable-reasons-to-love-scottish-national-gallery","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=333514","title":{"rendered":"5 Undeniable reasons to love Scottish National Gallery"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>(First published in December 12, 2019. Updated in November, 25, 2025.)<\/p>\n<p>In this article, I\u2019d like share why this free art museum feels more luxurious than any paid one. The Scottish National Gallery is a much less known art museum, but it offers beautiful gems by famous artists and amazing Scottish artists alike. There are about 120,000 objects in Scotland\u2019s collection of art! This art museum\u2019s central location makes it an easy and pleasant stroll from the Edinburgh Old Town.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"920\" height=\"193\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/edinburgh-art-travel-veronica-winters-art-blog-920x193.jpg\" alt=\"\" class=\"wp-image-33517\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/edinburgh-art-travel-veronica-winters-art-blog-920x193.jpg 920w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/edinburgh-art-travel-veronica-winters-art-blog-300x63.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/edinburgh-art-travel-veronica-winters-art-blog-768x161.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/edinburgh-art-travel-veronica-winters-art-blog-700x147.jpg 700w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/edinburgh-art-travel-veronica-winters-art-blog.jpg 950w\" sizes=\"auto, (max-width: 920px) 100vw, 920px\"\/><\/figure>\n<p>Please know that this gallery consists of three separate buildings. The National Gallery is on the Mound, the Modern Gallery is 73&amp;75 Belford Road, and the Portrait Gallery is 1 Queen Street.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"681\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Eric-Harald-Macbeth-Robertson-Miss-Maidie-and-Miss-Elsie-Scott-detail-blog.jpg\" alt=\"\" class=\"wp-image-33547\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Eric-Harald-Macbeth-Robertson-Miss-Maidie-and-Miss-Elsie-Scott-detail-blog.jpg 800w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Eric-Harald-Macbeth-Robertson-Miss-Maidie-and-Miss-Elsie-Scott-detail-blog-300x255.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Eric-Harald-Macbeth-Robertson-Miss-Maidie-and-Miss-Elsie-Scott-detail-blog-768x654.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Eric-Harald-Macbeth-Robertson-Miss-Maidie-and-Miss-Elsie-Scott-detail-blog-700x596.jpg 700w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><figcaption class=\"wp-element-caption\"><em>Eric Harald Macbeth Robertson, Miss Maidie and Miss Elsie Scott, detail, 1915, oil on canvas<\/em>, closeup of a painting, <em>Scottish National Portrait Gallery.<\/em><\/figcaption><\/figure>\n<p>The gallery has expanded since my last visit in 2019, and I could enjoy looking at many 19th and 20th-century paintings by Scottish artists in 2025. This wing is fascinating because the displayed art is top notch, diverse, and sincere. Yet none of the presented artists and paintings are in major art history books. So, it\u2019s a lot of discovery for me personally. There are many colorists, landscape art, portraiture with a contemporary feel, stylized paintings, and inspirational paintings of children, spiritual &amp; religious art. <a href=\"https:\/\/www.nationalgalleries.org\/art-and-artists\/93425?search=queen%20of%20scots&amp;search_set_offset=29\" target=\"_blank\" rel=\"noreferrer noopener\">William Brassey Hole, The Landing of St Margaret at Queensferry<\/a> A.D. 1068 is a welcoming mural, painted on the first floor of the Great Hall in the Scottish National Portrait Gallery. It depicts the arrival of the Anglo-Saxon princess Margaret (about 1045-1093) in Scotland.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/11\/John-Duncan-1866-1945-scottish_st.bride-1913-detail_web.jpg\" alt=\"Scottish national gallery\" class=\"wp-image-12841\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/11\/John-Duncan-1866-1945-scottish_st.bride-1913-detail_web.jpg 800w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/11\/John-Duncan-1866-1945-scottish_st.bride-1913-detail_web-300x200.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/11\/John-Duncan-1866-1945-scottish_st.bride-1913-detail_web-768x512.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/11\/John-Duncan-1866-1945-scottish_st.bride-1913-detail_web-700x466.jpg 700w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><figcaption class=\"wp-element-caption\"><em>John Duncan (1866-1945) St.bride, 1913, detail | Scottish National Gallery<\/em><\/figcaption><\/figure>\n<h2 class=\"wp-block-heading has-blush-light-purple-gradient-background has-background\"># 1 A mix of big names and beautiful paintings <\/h2>\n<p>I found my new favorite painting, and it\u2019s in Scotland! I was stunned to see Sargent\u2019s Lady Agnew in this building!<\/p>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\"> John Singer Sargent <\/h4>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"710\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/John-Singer_Sargent_Lady_Agnew.jpg\" alt=\"John Singer_Sargent_Lady_Agnew Scottish National Gallery\" class=\"wp-image-12888\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/John-Singer_Sargent_Lady_Agnew.jpg 560w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/John-Singer_Sargent_Lady_Agnew-237x300.jpg 237w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\"\/><figcaption class=\"wp-element-caption\">John Singer Sargent, Gertrude Vernon, Lady Agnew of Lochnaw (1864-1932). When the painting was exhibited at the Royal Academy in London in 1893, it was an instant success for both the artist and the sitter, launching their celebrity status in Britain. Look at this soft lilac and white next to her skin\u2026Her confidence. I felt it in my chest. I had to stop taking pictures and just admire the beauty.<\/figcaption><\/figure>\n<p>Although some famous artists like Sargent, Raphael, Hals, Gainsborough &amp; Botticelli occupy the walls, it\u2019s nice to see lesser-known painters presented in the art museum as well. In a way, they run the show with art pieces of greater impact. The gallery opens with Sargent\u2019s Lady Agnew of Lochnaw, and Hugo van der Goes\u2019 Margaret of Denmark, Queen of Scotland, altarpiece, 1478. The art museum pleasantly surprises with some 19th-century epic paintings of colossal size, produced in prints for the popular market during that time period.<\/p>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\"> Thomas Gainsborough <\/h4>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"533\" height=\"800\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Thomas-Gainsborough-The-Honourable-Mrs-Graham-1757-1792-1775-1777-detail_scottish-national-gallery.jpg\" alt=\"Thomas Gainsborough The Honourable Mrs Graham \" class=\"wp-image-12890\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Thomas-Gainsborough-The-Honourable-Mrs-Graham-1757-1792-1775-1777-detail_scottish-national-gallery.jpg 533w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Thomas-Gainsborough-The-Honourable-Mrs-Graham-1757-1792-1775-1777-detail_scottish-national-gallery-200x300.jpg 200w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\"\/><figcaption class=\"wp-element-caption\"><em>Thomas Gainsborough The Honourable Mrs Graham (1757 \u2013 1792) 1775 \u2013 1777, painting close-up, Scottish National Gallery<\/em>. According to the museum\u2019s description, after Mary\u2019s death, Graham could not bear to contemplate her picture. <\/figcaption><\/figure>\n<p>English portrait and landscape painter, Gainsborough had a successful career. Like Van Dyck, he painted royalty but also included imaginative English landscapes behind the figures. A rival of Reynolds, the artist was a founder member of the Royal Academy in 1768.<\/p>\n<p><em>The Honourable Mrs Graham<\/em> is an amazing full-length portrait that features painterly brushwork and sophisticated shades of grey. Dressed in a beautiful gown, the young woman exhibits elegance and confidence. Daughter of Baron Cathcart, she married the Perthshire landowner Thomas Graham, and after her death, Graham passed the painting to her sister. Rediscovered in storage by his heir, It was bequeathed to the National Gallery by one of their descendants on condition that it never leaves Scotland.<\/p>\n<p>Let\u2019s dive deeper into the best Scottish art in national gallery Edinburgh. We\u2019ll look at even more famous paintings in Scottish national gallery!<\/p>\n<h3 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\">Art about Mary, Queen of Scots (reigned 1542 \u2013 1567) in the National Gallery of Scotland:<\/h3>\n<p>Next, let\u2019s dive into the heart of the Scottish collection, where art and national identity are locked together.<\/p>\n<ul class=\"wp-block-list\">\n<li><em><strong>Sir William Allan<\/strong>\u00a0(1782 \u2013 1850), Scottish, <strong>The Murder of David Rizzio, <\/strong>1833, oil on panel.<\/em> This painting is not huge but presents a real historic scene captured in beautiful, energetic brushstrokes by the artist. Sir William Allan depicts the dramatic assassination of David Rizzio, the queen\u2019s Italian secretary, in March 1566. According to the museum, the artist paid close attention to detail, being historically accurate. He established the identity and role of all people involved in the scene, and painted the exact interior of Mary\u2019s rooms at the Palace of Holyrood (Unfortunately, the palace was closed both times I visited Edinburgh, but it\u2019s definitely worth your visit! It\u2019s located at the end of the Royal Mile, and buying tickets beforehand seems like a great idea. The artist depicted the Earl of Morton in a black hat to the far right, and Mary was restrained by her husband, Lord Darnley, who was part of the conspiracy but later denied any involvement.<\/li>\n<li>Another classically-painted artwork of Mary is by <em><strong>Robert Herdman<\/strong>, Mary, Queen of Scots: The Farewell to France<\/em>, 1867. In 1867 the Glasgow Art Union commissioned Herdman to complete 4 paintings depicting  the life of Mary, Queen of Scots. This is the second picture in the set that depicts the young Queen\u2019s return to Scotland in 1561 after the death of her first husband Fran\u00e7ois II of France.<\/li>\n<li><em><strong>James Drummond<\/strong>\u00a0(1816 \u2013 1877), Scottish, Edinburgh, 16th June 1567 (formerly known as The Return of Mary, Queen of Scots to Edinburgh),\u00a0<\/em>1870. Mary is shown encountering the banner with its hostile slogan, accusing her of Darnley\u2019s murder.\u00a0<\/li>\n<li>Unknown, Mary, Queen of Scots, 1542 \u2013 1587, 19th century small painting on panel. <\/li>\n<li>There are numerous engravings of the queen, such as by George Vertue (1684 \u2013 1756), English, Mary, Queen of Scots, 1542 \u2013 1587, line engraving on paper.<\/li>\n<\/ul>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\"> Sir Edwin Landseer <\/h4>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"771\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/The-Monarch-of-the-Glen-by-Sir-Edwin-Landseer-1851_scottish-national-gallery.jpg\" alt=\"The Monarch of the Glen by Sir Edwin Landseer 1851_Scottish national gallery\" class=\"wp-image-12891\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/The-Monarch-of-the-Glen-by-Sir-Edwin-Landseer-1851_scottish-national-gallery.jpg 800w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/The-Monarch-of-the-Glen-by-Sir-Edwin-Landseer-1851_scottish-national-gallery-300x289.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/The-Monarch-of-the-Glen-by-Sir-Edwin-Landseer-1851_scottish-national-gallery-768x740.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/The-Monarch-of-the-Glen-by-Sir-Edwin-Landseer-1851_scottish-national-gallery-700x675.jpg 700w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><figcaption class=\"wp-element-caption\"><em>The Monarch of the Glen, Sir Edwin Landseer (1802-1873), oil on canvas, 1851, Scottish National Gallery<\/em><\/figcaption><\/figure>\n<p>The Monarch of the Glen is one of the most famous British pictures of the nineteenth century. Painted in the 19th-century Romanticism era, this oil painting almost overwhelms viewers with its powerful representation of a majestic animal. Depicting a single deer as a symbol of the vastness and majesty of Scotland, this beautiful, realistic painting of a deer is huge, colorful, and breathtaking when viewed in person. The oil painting was reproduced in prints and achieved even greater success in the twentieth century when used in marketing campaigns. Famous artist, Landseer, was known for his technical skill and sensitivity in painting animals. He first visited Scotland in 1824 and made friends with Sir Walter Scott. The painting was planned as part of a series for the House of Lords in London, but was sold to a private collector.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"549\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/scottish-national-gallery-painting-detail.jpg\" alt=\"\" class=\"wp-image-12897\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/scottish-national-gallery-painting-detail.jpg 800w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/scottish-national-gallery-painting-detail-300x206.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/scottish-national-gallery-painting-detail-768x527.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/scottish-national-gallery-painting-detail-700x480.jpg 700w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><\/figure>\n<h2 class=\"wp-block-heading has-blush-light-purple-gradient-background has-background\">#2 A great place for a family visit. <\/h2>\n<p>You won\u2019t be overwhelmed by endless corridors, galleries, and installations. The art museum is quite intimate, which makes it easy to devote some quality time to art, education, and learning with children.<\/p>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\"> <strong>Sir Joshua Reynolds<\/strong> <\/h4>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Sir-Joshua-Reynolds-The-Ladies-Waldegrave-1780_detail_scottish-national-gallery.jpg\" alt=\"Sir Joshua Reynolds The Ladies Waldegrave 1780_detail_scottish national gallery\" class=\"wp-image-12892\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Sir-Joshua-Reynolds-The-Ladies-Waldegrave-1780_detail_scottish-national-gallery.jpg 800w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Sir-Joshua-Reynolds-The-Ladies-Waldegrave-1780_detail_scottish-national-gallery-300x200.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Sir-Joshua-Reynolds-The-Ladies-Waldegrave-1780_detail_scottish-national-gallery-768x512.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Sir-Joshua-Reynolds-The-Ladies-Waldegrave-1780_detail_scottish-national-gallery-700x466.jpg 700w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><figcaption class=\"wp-element-caption\"><em>Sir Joshua Reynolds, The Ladies Waldegrave, 1780, painting close up, Scottish National Gallery<\/em><\/figcaption><\/figure>\n<p>English artist Sir Joshua Reynolds was a founding member of the Royal Academy of Arts and its first president. He painted portraits of royalty and nobility in classical tradition, relying on strong compositions and referencing historical painting. Yet, his loose brushwork looks fresh and contemporary similar to Sargent.<\/p>\n<p>In a large-scale painting, we see three sisters, the daughters of the 2nd Earl Waldegrave, busy working on some needlework. Expertly painted, the composition draws us in with figures carefully arranged in a semicircle, reminiscent of the Three Graces found in antiquity. Commissioned by their great-uncle, the art collector Horace Walpole, this painting depicts Lady Anna Horatia on the right, who is making silk lace on a net-covered tambour frame, helped by her sisters.<\/p>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\"><strong><em>Jan van der Vaardt<\/em> &amp; <em>Willem Wissing<\/em><\/strong><\/h4>\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"800\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Jan-van-der-Vaardt-queen-Anne-painting.jpg\" alt=\"\" class=\"wp-image-33611\" style=\"width:615px;height:auto\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Jan-van-der-Vaardt-queen-Anne-painting.jpg 605w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Jan-van-der-Vaardt-queen-Anne-painting-227x300.jpg 227w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\"\/><figcaption class=\"wp-element-caption\"><em><strong>Jan van der Vaardt<\/strong>\u00a0(1647 \u2013 1721), Dutch and Willem Wissing (1656 \u2013 1687) ,\u00a0<a href=\"https:\/\/www.nationalgalleries.org\/art-and-artists\/1738\" target=\"_blank\" rel=\"noreferrer noopener\">Queen Anne, when Princess of Denmark<\/a>, 1665 \u2013 1714, 1685, oil on canvas<\/em>. <\/p>\n<p>This is a very beautiful painting that depicts 18-year-old Queen Anne in a luxurious red dress and opulent interior. Her tall figure forms a classical diagonal compositionally, with fabric\u2019 folds complimenting her stance. White patches of color also create eye movement around the painting. The tragedy of her life was 12 children dead either in infancy or miscarriages. She was the last of the Stuart dynasty on the British throne and her reign involved the war with the French. Under her rule, there was the union, which created Great Britain by uniting the kingdoms of England and Scotland in 1707.<\/p>\n<\/figcaption><\/figure>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\">Canova<\/h4>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"499\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Canova-3-graces-nat-gallery-of-Scotland-front-art-blog.jpg\" alt=\"\" class=\"wp-image-33522\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Canova-3-graces-nat-gallery-of-Scotland-front-art-blog.jpg 750w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Canova-3-graces-nat-gallery-of-Scotland-front-art-blog-300x200.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Canova-3-graces-nat-gallery-of-Scotland-front-art-blog-700x466.jpg 700w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\"\/><figcaption class=\"wp-element-caption\"><em>Antonio Canova (1757-1822), The Three Graces, 1815-17, Marble sculpture. <\/em><\/p>\n<p>This beautiful Canova sculpture represents the three daughters of Zeus and Euryoneme- Euphrosyne, Aglaia, and Thalia. Since ancient Greek mythology, the Three Graces have been a popular motif in art depictions. The women symbolize chastity, beauty, and love. <a href=\"https:\/\/veronicasart.com\/the-most-beautiful-art-in-the-louvre-from-sculpture-to-painting-to-ancient-cultures-of-egypt-assyria-and-greece\/\">In Canova\u2019s art<\/a>, realistic graces have the interlocked movement and gentle beauty shared among the figures. According to the museum, the Duke and Duchess of Bedford commissioned the group from Canova in Rome in 1815. In two years, it was installed in the specially constructed Temple of the Graces at Woburn Abbey, the Bedfords\u2019 country residence outside London. The first version of this realistic sculpture is in the Hermitage Museum, St. Petersburg.<\/p>\n<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"499\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Canova-3-graces-back-nat-gallery-of-Scotland-art-blog.jpg\" alt=\"\" class=\"wp-image-33523\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Canova-3-graces-back-nat-gallery-of-Scotland-art-blog.jpg 750w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Canova-3-graces-back-nat-gallery-of-Scotland-art-blog-300x200.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Canova-3-graces-back-nat-gallery-of-Scotland-art-blog-700x466.jpg 700w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\"\/><figcaption class=\"wp-element-caption\"><em>Antonio Canova (1757-1822), The Three Graces, 1815-17, Marble sculpture, back view. <\/em><\/figcaption><\/figure>\n<p>Besides Canova\u2019s art, you\u2019ll find several beautiful neoclassical sculptures on display decorating the main galleries of the art museum, like David Hill bust by Amelia Robertson Hill.<\/p>\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><a href=\"https:\/\/amzn.to\/3fRpoEb\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"191\" class=\"wp-image-10320\" style=\"width: 150px;\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2016\/11\/colored-pencil-manual-by-veronica-winters-front-cover.jpg\" alt=\"colored pencil manual veronica winters\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2016\/11\/colored-pencil-manual-by-veronica-winters-front-cover.jpg 707w, https:\/\/veronicasart.com\/wp-content\/uploads\/2016\/11\/colored-pencil-manual-by-veronica-winters-front-cover-236x300.jpg 236w, https:\/\/veronicasart.com\/wp-content\/uploads\/2016\/11\/colored-pencil-manual-by-veronica-winters-front-cover-700x891.jpg 700w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><\/a><\/td>\n<td><a href=\"https:\/\/amzn.to\/2LtH0Iq\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"200\" class=\"wp-image-5313\" style=\"width: 150px;\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2016\/09\/how-to-color-like-an-artist_coloring-book_veronica-winters.jpg\" alt=\"how to color like an artist_coloring book_veronica winters\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2016\/09\/how-to-color-like-an-artist_coloring-book_veronica-winters.jpg 532w, https:\/\/veronicasart.com\/wp-content\/uploads\/2016\/09\/how-to-color-like-an-artist_coloring-book_veronica-winters-225x300.jpg 225w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"\/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><figcaption class=\"wp-element-caption\">These art instruction books are on sale on Amazon!<\/figcaption><\/figure>\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-veronica-winters-painting wp-block-embed-veronica-winters-painting\"\/>\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n<h2 class=\"wp-block-heading has-blush-light-purple-gradient-background has-background\">#3 Scottish artists: famous paintings in Scottish national gallery<\/h2>\n<p>I spent a long time in the new art gallery, and it was perfect. When I revisited the Scottish National Gallery in 2025, I enjoyed viewing expanded gallery spaces presenting many famous Scottish artists who are largely unknown to the general public outside the country. There were many colorists and the 19th-20th-century landscape and portrait artists.<\/p>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\"> John Duncan <\/h4>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"603\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/10\/John-Duncan-1866-1945-scottish_st.bride-1913_s.jpg\" alt=\"\" class=\"wp-image-12584\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/10\/John-Duncan-1866-1945-scottish_st.bride-1913_s.jpg 710w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/10\/John-Duncan-1866-1945-scottish_st.bride-1913_s-300x255.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/10\/John-Duncan-1866-1945-scottish_st.bride-1913_s-700x595.jpg 700w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\"\/><figcaption class=\"wp-element-caption\"><em>John Duncan (1866-1945), Scottish, St. Bride, 1913<\/em>, tempera on canvas<br \/>This is one of the outstanding creations of the Celtic revival movement, which had begun during the last decade of the nineteenth century in Scotland. Known as \u2018the foster mother of Christ\u2019, the Irish saint Bride is shown being carried by angels over the Hebridean seas to Bethlehem to witness the nativity of Christ.<br \/>In the background on the right is the silhouette of lona Abbey. Duncan drew on his knowledge of Celtic design and the techniques and aesthetics of early Italian fresco paintings to create a dreamlike and<br \/>otherworldly image, subtly combining naturalism and formal pattern.<\/figcaption><\/figure>\n<p>Duncan studied art in Scotland, England, and Belgium to settled in Edinburgh in 1892. The artist represents the Celtic Revival movement in Scottish art, and his illustrative style looks innovative even today. This colorful painting looks like it\u2019s made of collaged pieces of religious symbols, and even the ornate frame mimics the artist\u2019s unique style.<\/p>\n<figure class=\"wp-block-pullquote\">\n<blockquote>\n<p>\u201cAccording to the legend of the Irish Saint Bride she was transported miraculously to Bethlehem to attend the nativity of Christ. Here two angels carry the white robed saint across the sea. The seascape reflects Duncan\u2019s fascination with the Outer Hebrides and the Isle of Iona. The birds and seal provide an effective naturalistic foil for the supernatural angels overlapping the patterned border. Scenes from the life of Christ decorate the angel\u2019s robes, and may include the artist\u2019s self-portrait as the tiny clown (a holy fool) accompanying the procession of the magi on the leading angel\u2019s gown. \u201c<\/p>\n<p><cite>from the website of Scottish National Gallery<\/cite><\/p><\/blockquote>\n<\/figure>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\"> <strong>W<\/strong>illiam Bell Scott\u00a0 <\/h4>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"632\" height=\"800\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/William-Bell-Scott-Una-and-the-Lion_national-scottish-gallery.jpg\" alt=\"William Bell Scott Una and the Lion_national scottish gallery\" class=\"wp-image-12893\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/William-Bell-Scott-Una-and-the-Lion_national-scottish-gallery.jpg 632w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/William-Bell-Scott-Una-and-the-Lion_national-scottish-gallery-237x300.jpg 237w\" sizes=\"auto, (max-width: 632px) 100vw, 632px\"\/><figcaption class=\"wp-element-caption\"><em>William Bell Scott (1811 \u2013 1890), Una and the Lion, 1860, oil on canvas, the Scottish National Gallery<\/em>. <br \/>Scott\u2019s inspiration was Edmund Spenser\u2019s late Elizabethan epic poem The Faerie Queene, an allegory of true chivalry. From the gallery\u2019s description: The heroine Una, is surprised by a lion. Captivated and tamed by her innocence and beauty, it becomes her protector. The model for Una was Alice Boyd, whom the artist had recently met in Newcastle, when Master of the School of Design. Later, an intimate friend, Miss Boyd commissioned murals from Scott on the theme of The Kingis Quair for her Ayrshire seat at Penkill Castle.<\/figcaption><\/figure>\n<p>Influenced by the Pre-Raphaelites, William and his brother were trained as artists at the Trustees\u2019 Academy in Edinburgh and worked for their father, who was an engraver, before becoming full-time artists.<\/p>\n<figure class=\"wp-block-pullquote\">\n<blockquote>\n<p>\u201cScott\u2019s painting was inspired by Edmund Spenser\u2019s sixteenth-century poem \u2018The Faerie Queen\u2019. In the poem, Una is the beautiful young daughter of a king and queen who have been imprisoned by a ferocious dragon. Una undertakes a quest to free her parents, but on her journey she encounters a fierce lion. The lion is so captivated by Una\u2019s innocence and beauty that he abandons his plan to eat her, and vows instead to become her protector and companion. Scott shows Una gently resting her fingers in the lion\u2019s terrific mane, as they make their way through the autumnal wood together.\u201d<\/p>\n<p><cite>from the website of Scottish National Gallery<\/cite><\/p><\/blockquote>\n<\/figure>\n<h2 class=\"wp-block-heading has-blush-light-purple-gradient-background has-background\">#4 Central location<\/h2>\n<p>The art museum\u2019s central location makes it easy to get in and out. There is no standing in long lines (like going to the Castle).<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"1128\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/views-of-edinburgh-by-veronica-winters.jpg\" alt=\"views of Edinburgh\" class=\"wp-image-12884\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/views-of-edinburgh-by-veronica-winters.jpg 550w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/views-of-edinburgh-by-veronica-winters-146x300.jpg 146w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/views-of-edinburgh-by-veronica-winters-449x920.jpg 449w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\"\/><figcaption class=\"wp-element-caption\"><em>Views of Edinburgh from the Castle and central streets<\/em><\/figcaption><\/figure>\n<\/div>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\"> Francois-Xavier Fabre <\/h4>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"808\" height=\"800\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Francois-Xavier-Fabre-Portrait-of-a-Man-1809_scottish-national-gallery.jpg\" alt=\"Francois-Xavier Fabre Portrait of a Man 1809_scottish national gallery\" class=\"wp-image-12894\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Francois-Xavier-Fabre-Portrait-of-a-Man-1809_scottish-national-gallery.jpg 808w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Francois-Xavier-Fabre-Portrait-of-a-Man-1809_scottish-national-gallery-300x297.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Francois-Xavier-Fabre-Portrait-of-a-Man-1809_scottish-national-gallery-150x150.jpg 150w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Francois-Xavier-Fabre-Portrait-of-a-Man-1809_scottish-national-gallery-768x760.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Francois-Xavier-Fabre-Portrait-of-a-Man-1809_scottish-national-gallery-700x693.jpg 700w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Francois-Xavier-Fabre-Portrait-of-a-Man-1809_scottish-national-gallery-100x100.jpg 100w\" sizes=\"auto, (max-width: 808px) 100vw, 808px\"\/><figcaption class=\"wp-element-caption\"><em>Fran\u00e7ois-Xavier Fabre, Portrait of a Man, 1809, Scottish National Gallery<\/em><\/figcaption><\/figure>\n<p>By looking at this painting of Fabre, the influence of the neoclassical painter Jacques-Louis David is clear. This portrait is exceptionally painted with a masterful sense of color, light, and unseen brushwork (characteristic of the neoclassical painters). The unknown young man\u2019s intense gaze is captivating, and his fashionable clothes and hair are beautifully arranged into a simple yet elegant composition. A pupil of David, the artist won the French Academy\u2019s Rome Prize in 1787 and spent most of his life in Italy. Fabre was a very popular portrait and historical painter who was also an art collector! His art collection consists of 16-17th century Italian paintings housed in the Mus\u00e9e Fabre, Montpellier.<\/p>\n<h2 class=\"wp-block-heading has-blush-light-purple-gradient-background has-background\"># 5 Free of charge<\/h2>\n<p>Free. You can\u2019t beat that. Open daily, 10 am-5 pm. Thursdays until 7 pm. Location: The Mound, Edinburgh, Scotland. Check current hrs. and more here: <a href=\"https:\/\/www.nationalgalleries.org\/visit\/scottish-national-gallery\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.nationalgalleries.org\/visit\/scottish-national-gallery<\/a><\/p>\n<h4 class=\"wp-block-heading has-pale-ocean-gradient-background has-background\"> <strong>Paul Delaroche<\/strong><\/h4>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"670\" height=\"800\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Paul-Delaroche_Study-for-the-Head-of-Christ-for-La-Madeleine_scottish-national-gallery.jpg\" alt=\"Paul Delaroche_Study for the Head of Christ for La Madeleine_scottish national gallery\" class=\"wp-image-12895\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Paul-Delaroche_Study-for-the-Head-of-Christ-for-La-Madeleine_scottish-national-gallery.jpg 670w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Paul-Delaroche_Study-for-the-Head-of-Christ-for-La-Madeleine_scottish-national-gallery-251x300.jpg 251w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\"\/><figcaption class=\"wp-element-caption\"><em>Paul Delaroche, Study for the Head of Christ for La Madeleine, (Portrait of Eug\u00e8ne Buttura)<strong>  1834<\/strong>, Scottish National Gallery<\/em><\/figcaption><\/figure>\n<p>Classically trained French artist Paul Delaroche painted scenes from French and English history. Delaroche served as a professor at the \u00c9cole des Beaux-Arts in Paris, where he trained many students, including Couture and G\u00e9r\u00f4me. His two major, large-scale works include <em>The Execution of Lady Jane Grey<\/em> in the National Gallery in London and the 27-meter-long <em>The Hemi-Cycle<\/em>. This painting reminds of Raphael\u2019s School of Athens, only here he depicts over seventy artists from various epochs caught in conversation.<\/p>\n<p>This small portrait of his friend Eug\u00e8ne Buttura proves the artist\u2019s great knowledge of anatomy and oil painting technique. Wrapped up in his thoughts, the man appears lifelike. <\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"563\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Frans-Hals_detail_scottish-national-gallery.jpg\" alt=\"Frans Hals_detail_scottish national gallery\" class=\"wp-image-12896\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Frans-Hals_detail_scottish-national-gallery.jpg 800w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Frans-Hals_detail_scottish-national-gallery-300x211.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Frans-Hals_detail_scottish-national-gallery-768x540.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Frans-Hals_detail_scottish-national-gallery-700x493.jpg 700w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"\/><figcaption class=\"wp-element-caption\"><em><strong>Frans Hals <\/strong>(1582\/3 \u2013 1666<\/em>), Dutch<em>, Portrait of Francois Wouter (1600-1661), 1645, oil on canvas, painting closeup, Scottish National Gallery<\/em>. <br \/>The sitter has recently been identified as Franpois Wouters, a councilor, alderman, and mayor in Haarlem. Hals depicted him twice in group portraits: in 1639 as lieutenant of the S George Civic Guard and in 1641 one of the regents of the St Elisabeth Hospital (both paintings are in the Frans Hals-Museum<br \/>Haarlem).<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading has-blush-light-purple-gradient-background has-background\">Other famous artists in the Scottish National Gallery:<\/h2>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"653\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/francesca-da-rimini-scottish-national-gallery-blog.jpg\" alt=\"\" class=\"wp-image-33630\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/francesca-da-rimini-scottish-national-gallery-blog.jpg 743w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/francesca-da-rimini-scottish-national-gallery-blog-300x264.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/francesca-da-rimini-scottish-national-gallery-blog-700x615.jpg 700w\" sizes=\"auto, (max-width: 743px) 100vw, 743px\"\/><figcaption class=\"wp-element-caption\"><em><strong>William Dyce<\/strong> (1806-1864), Francesca da Rimini, 1837, oil on canvas.<\/em> <\/p>\n<p>Dyce\u2019s colorful and realistic painting is an example of artistic fascination with famous Italian poet, Dante Alighieri (1265-1321) in 19th-century England. The artist depicted a doomed affair between Francesca and her husband\u2019s younger brother, Paolo. Francesca was in an arranged, political marriage to an old, ugly enemy husband, Gianciotto (the master of Rimini), who originally appeared on canvas to the left aiming to kill the lovers. The story comes from Dante\u2019s divine comedy, <em>Hell.<\/em> In Dante\u2019s writing, the murdered lovers were condemned to wander eternity in the second circle of hell. So the painting depicts the start of the illicit affair and the end of it. The presence of Gianciotto\u2019s disembodied hand in the painting is the only part left from the original depiction of an old husband. The canvas was severely damaged and trimmed in 1882.<\/p>\n<\/figcaption><\/figure>\n<p><em><strong>Sir James Guthrie,<\/strong> Sir Winston Churchill, 1874 \u2013 1965. Statesman<\/em>. Painted after the first world war, Churchill has been celebrated for his leadership as Prime Minister of Britain during the Second World War from 1940\u201345.<\/p>\n<ul class=\"wp-block-list\">\n<li><strong>Paul Gauguin\u00a0<\/strong><em>Vision of the Sermon (Jacob Wrestling with the Angel),\u00a01888 <\/em>(French). The scene is imaginary, intended to evoke the simple piety of the Breton peasant women of Pont-Aven. The biblical story of Jacob wrestling with the Angel \u2013 symbolising the struggle between spirit and flesh \u2013 is being recounted by a priest (bottom right) who has Gauguin\u2019s facial features. The bold outlines, flattened perspective, and vermillion landscape were inspired by stained glass and Japanese woodcuts.<\/li>\n<li><strong>Paul Gauguin (1848 \u2013 1903), French, Three Tahitians, 1899, Oil on canvas.<\/strong> The fusion of \u2018primitive\u2019 and Western mythologies is a frequent theme in Gauguin\u2019s later Tahitian paintings. The young man with his back to the viewer appears to be offered a choice between vice and virtue, like Hercules at the crossroads. The woman with a mango promises a life of pleasure and indulgence, while the woman on the right displays a wedding ring, representing a more conventional route. <\/li>\n<li><strong>Gavin Hamilton<\/strong>\u00a0(1723 \u2013 1798),\u00a0<em>Achilles Lamenting the Death of Patroclus,\u00a0<\/em>1760 \u2013 1763, oil on canvas. In this classical oil painting, Patroclus\u2019 body is painted beautifully. <\/li>\n<li><strong>Sandro Botticelli, <\/strong>The Virgin adoring a sleeping Christ child, 1485, Tempera on canvas. The image depicts a garden described in the Old Testament. This is contrasted with the geometric blocks of the rocky outcrop behind.<\/li>\n<li><strong>Van Gogh,<\/strong> Les Olievers, oil on canvas<\/li>\n<\/ul>\n<p><em><strong>Jan Steen<\/strong> (1626-1679), Dutch, A School for Boys and Girls, oil on canvas, 1670. <\/em>This painting \u2013 Steen\u2019s largest school scene of a classroom- shows the drawbacks of a place having no discipline via moral symbols. We can see a discarded print of the great scholar Erasmus on the floor, and a child who offers a pair of spectacles to the owl near the lantern. The boy\u2019s action paints the Dutch proverb,<em> \u2018What use are<br \/>glasses or light if the owl does not want to see?\u2019<\/em><\/p>\n<p><strong>Edgar Degas (1834-1917)<\/strong>, Portrait of Diego Martelli (1839-96), 1879, oil on canvas. Martelli was a Florentine writer and art critic, closely associated with the progressive group of Italian artists. While visiting Paris, the artist painted two portraits of Martelli. The unusual point of view, color, and subject make this painting a standout. The writer is captured, lost in his thoughts among scattered papers inside a modest room.<\/p>\n<p><strong>Angelica Kauffmann<\/strong>, Alexander Gordon, 4th Duke of Gordon (1743-1827), oil on canvas, 1774. Angelica Kauffmann was a rare female artist at that time, but the duke noticed her talent and commissioned a series of copies of Italian masters for her. They met in Rome in 1762, and a young Swiss woman painted her patron in a dashing red dress similar to van Dyck\u2019s costumes to give him an air of opulence.<\/p>\n<p><em><strong>Titian<\/strong> (Tiziano Vecellio), (about 1485\/90 \u2013 1576), Italian, The Three Ages of Man,<\/em> about 1512-14, oil on canvas. The painting captures the transient nature of human life and love through the allegorical theme of the Three Ages of Man. Titian paints an idyllic landscape with babies, Cupid and lovers. The old man stands in the background looking at the symbol of the skull. The church symbolizes salvation. Also, the Venetian master Titian gives us <em>Diana and Actaeon<\/em>. it\u2019s a painting about the exact moment a man\u2019s life is over before he knows it. Hunter Actaeon has stumbled upon bathing goddess Diana, and Titian has loaded the scene with clues to his fate. The stag skull mounted on the pillar is chilling foreshadowing for Actaeon, who will be turned into a stag and torn apart by his own dogs.<\/p>\n<p><strong>Poussin<\/strong>\u2018s gallery has a series of his large, religious paintings titled Seven Sacraments, 1644-1648. Painted in Rome by the 17th-century French artist Nicolas Poussin, the Seven Sacraments represent the seven holy rites of the Roman Catholic Church. Poussin aimed to convey the solemnity and religious importance of each rite, and he situated the scenes in early Christian times.<\/p>\n<p><strong>Diego Vel\u00e1zquez<\/strong>, An Old Woman Cooking Eggs, 1618, Oil on canvas. Vel\u00e1zquez painted a group of the poor in scenes of everyday life with unapologetic realism and conviction. Using a limited palette of browns and black, the artist re-created a scene from the past.<\/p>\n<p><strong>Sir James Guthrie,<\/strong> In the Orchard, (1859 \u2013 1930) Scottish. There are several beautiful paintings of children hanging in the gallery.<\/p>\n<p><strong>Frans Hals,<\/strong>\u00a0<em>Verdonck<\/em>,1627<\/p>\n<p><strong>Sir Anthony van Dyck.<\/strong> In the galleries you\u2019ll find many paintings done by this famous and prolific Flemish artist, such as <em>An Italian Noble, 1625 \u2013 1627, oil on canvas<\/em> and <em>Marchese Ambrogio Spinola (1569 \u2013 1630<\/em>).<\/p>\n<p> Attributed to<strong> <em>Bernardino Lanino,<\/em><\/strong><em> (1509\/13 \u2013 after 1581), Italian, St John the Baptist in the Wilderness<br \/>about 1550, Oil and gold on panel. <\/em>This small painting is very reminiscent of Leonardo da Vinci\u2019s art in terms of subject, color, and composition. St John points towards the banderole wound round his cross, on which are inscribed the words \u2018Ecce Agnus Dei\u2019 (Behold the Lamb of God), in reference to Christ as God\u2019s sacrificial lamb. The lamb itself appears in a<br \/>blaze of glory to the right. The pose of St John is based closely on a design by Leonardo da<br \/>Vinci (1452-1519).<\/p>\n<p><em><strong>Sir William Fettes Douglas<\/strong>\u00a0(1822 \u2013 1891),\u00a0Scottish,\u00a0The Spell, 1864, oil on canvas. <\/em>This is a highly unusual painting depicting a priest or a magician, or an alchemist. An avid art collector, the artist channels his interests in mysticism and occult. In this painting, an old man is trying to raise the spirit of a dead one. The books in disarray, the stone walls with strange pentagram drawings create a strange surreal feeling. <\/p>\n<p><em><strong>Sir Francis Grant,<\/strong>\u00a0Anne Emily Sophia Grant (known as \u2018Daisy\u2019 Grant), Mrs William Markham (1836 \u2013 1880),\u00a01857<\/em>. This is a depiction of the artist\u2019s daughter. <\/p>\n<p><em><strong>Arthur Melville<\/strong> (1855-1904), King Cophetua and the Beggar Maid, 1898, watercolor on paper.<\/em> Melville travelled extensively in the Middle East, Spain and north Africa in the 1880s and 1890s. He used his travel experiences to imagine the settings for dramatic incidents and stories. According to legend, the African King Cophetua swore to shun the company of women, until one day he saw a woman begging, all dressed in grey. He fell in love at first sight, vowing to marry her or take his own life. Melville depicts the<br \/>King, dressed in orange and leading a leopard, approaching his future queen.<\/p>\n<p><em><strong>Louis Gauffier\u00a0<\/strong>(1761 \u2013 1801),\u00a0French,\u00a0Cleopatra and Octavian, 1787 \u2013 1788<\/em>. The painting is the depiction of Octavian\u2019s meeting with the Egyptian queen Cleopatra after his victory over Mark Anthony at the battle of Actium in 31 BC. Octavian displays his distrust to Cleopatra. The painting was commissioned by the Comte d\u2019Angiviller, the superintendent of the king\u2019s art collection. It meant to be a pendant for a painting by another classical French artist, Jacques-Louis David.<\/p>\n<p><em><strong>Sir Peter Paul Rubens <\/strong>(1577 \u2013 1640), Flemish, The Feast of Herod, 1635 \u2013 1638<\/em>, oil on canvas, Measurements: 208.30 x 271.50 x 5.00 cm. Commissioned by a Flemish merchant, this large, bold, energetic, and colorful painting depicts Herodias\u2019 daughter, Salome. Herod had promised to grant her any wish for her beautiful dance, and so Salome asked for the head of John the Baptist. This was Herodias\u2019 revenge for the Baptist\u2019s outspoken criticism of her marriage to Herod. In this dramatic painting, the popular Biblical scene is Salome \u2018s presentation of Saint John the Baptist\u2019s head to King Herod. Herod shrinks back in horror. Herodias prods the Baptist\u2019s tongue with a fork. <\/p>\n<p><em><strong>Guercino <\/strong>(Giovanni Francesco Barbieri), Erminia Finding the Wounded Tancred, 1650<\/em>. Erminia has rushed to the spot where her lover Tancred lies severely wounded.<\/p>\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"760\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Jan-Lievens-Portrait-of-a-Young-Man-About-1631-veronica-winters-art-blog.jpg\" alt=\"\" class=\"wp-image-33500\" style=\"width:662px;height:auto\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Jan-Lievens-Portrait-of-a-Young-Man-About-1631-veronica-winters-art-blog.jpg 700w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Jan-Lievens-Portrait-of-a-Young-Man-About-1631-veronica-winters-art-blog-276x300.jpg 276w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\"\/><figcaption class=\"wp-element-caption\"><strong>Jan Lievens<\/strong> (1607 \u2013 1674), Dutch,\u00a0<em>Portrait of a Young Man<\/em>,\u00a0oil on canvas, about 1631. <\/p>\n<p>A contemporary and friend of young Rembrandt, Lievens trained with Pieter Lastman together with Rembrandt in Amsterdam in the 1620s. Both young artists returned to their native Leiden for a while, where they collaborated and competed with one another. Rembrandt soon moved back to Amsterdam to have a thriving art career. You can read about <a href=\"https:\/\/veronicasart.com\/revealing-rembrandts-artistic-career-inside-the-amsterdams-house-museum\/\">Rembrandt\u2019s Amsterdam house here<\/a>. This painting was created at the end of this period, before Lievens left Leiden, and shows his talent and technical abilities. So similar to Rembrandt\u2019s art style, this painting was probably a self-portrait.<\/p>\n<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"800\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Hugo_van_der_Goes_-_The_Trinity_Altarpiece_-_James_III_of_Scotland_accompanied_by_his_son_James_presented_by_St_Andrew-wikipedia.jpg\" alt=\"\" class=\"wp-image-33506\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Hugo_van_der_Goes_-_The_Trinity_Altarpiece_-_James_III_of_Scotland_accompanied_by_his_son_James_presented_by_St_Andrew-wikipedia.jpg 386w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Hugo_van_der_Goes_-_The_Trinity_Altarpiece_-_James_III_of_Scotland_accompanied_by_his_son_James_presented_by_St_Andrew-wikipedia-145x300.jpg 145w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\"\/><figcaption class=\"wp-element-caption\">This is one of the panels painted by Hugo van der Goes,https:\/\/www.rct.uk\/collection\/403260\/the-trinity-altarpiece-panels, Public Domain, https:\/\/commons.wikimedia.org\/w\/index.php?curid=81550161. It\u2019s displayed under glass in the first, red gallery of the art museum.<\/p>\n<p><strong><a href=\"https:\/\/www.nationalgalleries.org\/search?artists[4944]=4944\" target=\"_blank\" rel=\"noreferrer noopener\">Hugo van der Goes<\/a>\u00a0<\/strong>(died 1482),\u00a0Netherlandish,\u00a0<em>The Trinity Altarpiece<\/em>, about 1475 \u2013 1480, oil on panel, Each panel: 202.00 x 100.50 cm.  <br \/>Four panels formed the most important altarpiece painted for a Scottish chapel. This Northern Renaissance artwork was commissioned by Edward Bonkil, Provost of the Collegiate Chapel of the Holy Trinity in Edinburgh. Here, King James III wears the open crown.<br \/>The missing central panel probably depicted the Virgin and Child Enthroned. According to the museum, when the altarpiece is open, the wings show a devout King James III with his elder son and his queen Margaret of Denmark, accompanied by Saint Andrew and Saint George. The lion rampant on the king\u2019s coat of arms is reversed in deference to the holy figures on the missing central panel. The closed wings feature a vision of the Holy Trinity appearing to the kneeling Edward Bonkil.<\/p>\n<\/figcaption><\/figure>\n<h3 class=\"wp-block-heading\">Open vs. Closed (Imperial) Crown:<\/h3>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"325\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/shape-of-Scottish-crown-history-art-blog.jpg\" alt=\"\" class=\"wp-image-33525\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/shape-of-Scottish-crown-history-art-blog.jpg 900w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/shape-of-Scottish-crown-history-art-blog-300x108.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/shape-of-Scottish-crown-history-art-blog-768x277.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/shape-of-Scottish-crown-history-art-blog-700x253.jpg 700w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\"\/><figcaption class=\"wp-element-caption\"><strong><em>History of the Scottish Crown\u2019s<\/em><\/strong> shape: The shape of the Scottish Crown changed at the end of the 15th century. A silver coin (right) from 1485 has a portrait of King James III (1460-1488) wearing an arched or imperial crown. It\u2019s the only surviving image of King James III wearing the Imperial Crown. It must have been used at the coronation of his son, King James IV (1488-1513). Originally, only the Holy Roman<br \/>The emperor could wear an arched crown \u2013 symbolizing his worldwide dominance. Once imperial crowns became widely used, many styles emerged in Europe.<\/p>\n<p>Before 1485, the crown had no arches, being open with fleurs de lis or lily circlets in it. The King of Scots was among several European monarchs to adopt the \u201cclosed\u201d or arched or Imperial crown. The circlet or diadem of the new Scottish Crown consisted of eight fleurs de lis, and the four arches were surmounted by an orb and cross.<\/p>\n<p>THE HONOURS of Scotland: the Scottish Crown Jewels- the crown, scepter, and sword of state used in the coronation of Mary, Queen of Scots in 1543 are displayed in the ancient Crown Room of the Castle. There\u2019s a line to get there, and no pictures are allowed inside. \ud83d\ude41 The scepter has a very beautiful, giant sparkling diamond.<br \/>* I don\u2019t remember where I took pictures of this information, probably in one of the museums or the Castle.<\/p>\n<\/figcaption><\/figure>\n<p><em><strong>Sir Daniel Macnee<\/strong> (1806-1882), Scottish, A Lady in Grey, 1859, Oil on canvas<\/em><br \/>From the museum\u2019s description: Macnee was the leading portraitist in the west of Scotland from the 1840s to the 1860s and was eventually elected President of the Royal Scottish Academy. First shown in London in 1859, this is an unusually ambitious likeness of the artist\u2019s daughter, Isabella Wiseman. Two<br \/>years earlier, Reynolds\u2019s enchanting portrait of the actress Nelly O\u2019Brien (The Wallace<br \/>Collection, London, had been one of the greatest attractions of the Manchester Art Treasures Exhibition \u2013 an event which drew artists from all over Britain. This Reynolds was almost certainly the source for Isabella\u2019s pose and the very striking lighting effects.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"531\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Joseph-Farquharson-Winter-Day-at-Finzean-blog.jpg\" alt=\"\" class=\"wp-image-33493\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Joseph-Farquharson-Winter-Day-at-Finzean-blog.jpg 750w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Joseph-Farquharson-Winter-Day-at-Finzean-blog-300x212.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Joseph-Farquharson-Winter-Day-at-Finzean-blog-700x496.jpg 700w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\"\/><figcaption class=\"wp-element-caption\"><em><strong>Joseph Farquharson<\/strong> (1846-1935), Scottish, Winter Day, Finzean, about 1901, oil on canvas<\/em>. A famous painter of the snow textures, Farquharson combined a successful career as a professional painter with his inherited role as Laird of Finzean in Aberdeenshire. His beautiful wooded estate, far up the Dee Valley, inspired many of the snowy landscapes for which he is renowned \u2013 mostly painted from the shelter of a moveable hut on wheels. Large editions of prints earned him wide popularity and the nickname of \u2018frozen mutton Farquharson\u2019 by allusion to the sheep which populate many of his pictures. With its exquisite treatment of the textures of snow and iridescent shadows, this is the only known Farquharson with a garden motif.<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"611\" height=\"800\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Jan-van-Huysum-Flower-Still-Life-with-Birds-Nest-About-1718-blog.jpg\" alt=\"\" class=\"wp-image-33490\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Jan-van-Huysum-Flower-Still-Life-with-Birds-Nest-About-1718-blog.jpg 611w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Jan-van-Huysum-Flower-Still-Life-with-Birds-Nest-About-1718-blog-229x300.jpg 229w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\"\/><figcaption class=\"wp-element-caption\"><em><em><strong>Jan van Huysum <\/strong>(1682 \u2013 1749), Dutch, Flower Still Life in a Sculpted Stone Vase with bird\u2019s nest, 1718, Oil on copper, Measurements: 80.10 x 61.40 cm.<\/em> <\/em><br \/>According to the taste and fashion of the Dutch at that time, this extravagant bouquet consists of a variety of flowers from different seasons, insects, and butterflies. Jan van Huysum was the leading Dutch painter of flowers in the eighteenth century, and he received prestigious commissions from royal households and aristocrats around Europe. This is his largest painting done on copper, a support he only occasionally used. It once formed part of the famous Czernin collection in Vienna.<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"469\" height=\"710\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/raphael_national-scottish-gallery.jpg\" alt=\"raphael\" class=\"wp-image-12909\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/raphael_national-scottish-gallery.jpg 469w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/raphael_national-scottish-gallery-198x300.jpg 198w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\"\/><figcaption class=\"wp-element-caption\"><strong>Raphael<\/strong>, Mary, and Child, around 1507<\/figcaption><\/figure>\n<h4 class=\"wp-block-heading\">Scottish landscapes<\/h4>\n<p>There are a number of beautiful, colorful landscapes painted by Scottish artists. One of such examples is <em><strong>James Paterson<\/strong> (1854-1932), Autumn in Glencairn, Moniaive, 1887<\/em>, Oil on canvas. He painted rural Dumfriosshire, south-west Scotland. Paterson explored the surroundings painting different seasons. Another one is by <strong>Sir William Fettes Douglas<\/strong> (1822-1891), Stonehaven Harbor, 1874. <strong>Waller Hugh Paton <\/strong>(1828-1895), Entrance to the Cuiraing, Skye, 1873 paints a unique landscape with a rock formation called the Needle from his pencil sketch only. Peter Groham (1836-1921), D\u2019er Moor and Moss is a colorful local landscape of sunset hues and trees.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"699\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Robert-Burns-The-Hunt-1926-scottish-national-gallery-blog.jpg\" alt=\"\" class=\"wp-image-33576\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Robert-Burns-The-Hunt-1926-scottish-national-gallery-blog.jpg 700w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Robert-Burns-The-Hunt-1926-scottish-national-gallery-blog-300x300.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Robert-Burns-The-Hunt-1926-scottish-national-gallery-blog-150x150.jpg 150w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Robert-Burns-The-Hunt-1926-scottish-national-gallery-blog-400x400.jpg 400w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Robert-Burns-The-Hunt-1926-scottish-national-gallery-blog-100x100.jpg 100w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\"\/><figcaption class=\"wp-element-caption\"><em>Robert Burns, The Hunt, 1926, Scottish National Gallery. <\/em>Burns painted in the Art Nouveau style in Scotland and was a fantastic colorist. His beautiful combination of textures and materials, colors, and lines makes this painting a standout. His most famous interior designs were for Crawford\u2019s Tea Rooms on Princes Street. He combined commercial projects with teaching and became Head of Painting at Edinburgh College of Art.<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"368\" height=\"800\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Phoebe-Anna-Traquair-Progress-of-a-Soul-Victory-blog.jpg\" alt=\"painting of angel\" class=\"wp-image-33580\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Phoebe-Anna-Traquair-Progress-of-a-Soul-Victory-blog.jpg 368w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Phoebe-Anna-Traquair-Progress-of-a-Soul-Victory-blog-138x300.jpg 138w\" sizes=\"auto, (max-width: 368px) 100vw, 368px\"\/><figcaption class=\"wp-element-caption\"><em>Phoebe Anna Traquair Progress of a Soul: Victory, embroidery. The National Gallery of Scotland. <\/em><\/p>\n<p>This colorful embroidery is the final artwork in a series of four called The Progress of a Soul and was made between 1899 and 1902. The human soul is represented by an ideal young man dressed in an animal skin, who was based on the character of Denys L\u2019Auxerrois from Imaginary Portraits by the English critic and writer Walter Pater. In this panel, The Victory, Denys is seen after death, reborn into eternal life. He has been awoken with a kiss from a red-haired, red-winged seraph, suggesting he has entered the realm of heaven. (museum\u2019s description).<\/p>\n<\/figcaption><\/figure>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"526\" height=\"750\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2020\/08\/singing-angel-painting-in-the-scottish-national-gallery-blog.jpg\" alt=\"\" class=\"wp-image-33592\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2020\/08\/singing-angel-painting-in-the-scottish-national-gallery-blog.jpg 526w, https:\/\/veronicasart.com\/wp-content\/uploads\/2020\/08\/singing-angel-painting-in-the-scottish-national-gallery-blog-210x300.jpg 210w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\"\/><figcaption class=\"wp-element-caption\"><em>Painting of a singling angel in the Scottish National Gallery<\/em><\/figcaption><\/figure>\n<h2 class=\"wp-block-heading has-blush-light-purple-gradient-background has-background\">Scottish National Portrait Gallery<\/h2>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"499\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Scottish-National-Portrait-Gallery-hall-and-lights-blog.jpg\" alt=\"\" class=\"wp-image-33556\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Scottish-National-Portrait-Gallery-hall-and-lights-blog.jpg 750w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Scottish-National-Portrait-Gallery-hall-and-lights-blog-300x200.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2019\/12\/Scottish-National-Portrait-Gallery-hall-and-lights-blog-700x466.jpg 700w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\"\/><\/figure>\n<p>There is also a smaller portrait gallery located 15 minutes away from the main building of the National Gallery of Scotland. It has a very beautiful entrance with paintings on the walls, elegant lights, and some classical and contemporary art inside. Very few people get there as it\u2019s off of Edinburgh\u2019s Royal Mile, but it\u2019s totally worth a visit if you are an artist. It would take an hour or so to walk through it. One of the interesting large, contemporary art paintings is \u201cAlan Cumming\u201d by Christian Hook (b.1972), 2014. Alan Cumming is a very talented Scottish actor who has appeared in numerous films, TV, and plays in Scotland, London and New York. The painting is the winner\u2019s commission for the Sky Arts Portrait Artist of the Year 2014 competition. Christian Hook is from Gibraltar.<\/p>\n<h3 class=\"wp-block-heading has-text-align-center has-blush-light-purple-gradient-background has-background\">Check out <a href=\"http:\/\/veronicasart.com\/\">visionary art for sale<\/a><\/h3>\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/veronicasart.com\/product\/still-life-with-seashells-and-peacock-feather-drawing\/\"><img loading=\"lazy\" decoding=\"async\" width=\"920\" height=\"604\" src=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2025\/10\/still-life-with-shells-and-peacock-feather-veronica-winters-colored-pencil-14.5x22in-920x604.jpg\" alt=\"\" class=\"wp-image-33200\" srcset=\"https:\/\/veronicasart.com\/wp-content\/uploads\/2025\/10\/still-life-with-shells-and-peacock-feather-veronica-winters-colored-pencil-14.5x22in-920x604.jpg 920w, https:\/\/veronicasart.com\/wp-content\/uploads\/2025\/10\/still-life-with-shells-and-peacock-feather-veronica-winters-colored-pencil-14.5x22in-300x197.jpg 300w, https:\/\/veronicasart.com\/wp-content\/uploads\/2025\/10\/still-life-with-shells-and-peacock-feather-veronica-winters-colored-pencil-14.5x22in-768x505.jpg 768w, https:\/\/veronicasart.com\/wp-content\/uploads\/2025\/10\/still-life-with-shells-and-peacock-feather-veronica-winters-colored-pencil-14.5x22in-352x230.jpg 352w, https:\/\/veronicasart.com\/wp-content\/uploads\/2025\/10\/still-life-with-shells-and-peacock-feather-veronica-winters-colored-pencil-14.5x22in-700x460.jpg 700w, https:\/\/veronicasart.com\/wp-content\/uploads\/2025\/10\/still-life-with-shells-and-peacock-feather-veronica-winters-colored-pencil-14.5x22in.jpg 1300w\" sizes=\"auto, (max-width: 920px) 100vw, 920px\"\/><\/a><figcaption class=\"wp-element-caption\"><em>still life with shells and peacock feather, Veronica Winters, colored pencil, 14.5\u00d722 in<\/em><\/figcaption><\/figure>\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-veronica-winters-painting wp-block-embed-veronica-winters-painting\"\/>\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-veronica-winters-painting wp-block-embed-veronica-winters-painting\"\/>\n\t\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>(First published in December 12, 2019. Updated in November, 25, 2025.) In this article, I\u2019d like share why this free art museum feels more luxurious than any paid one. The Scottish National Gallery is a much less known art museum, but it offers beautiful gems by famous artists and amazing Scottish artists alike. There are [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":333515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[13842,465,5306,7545,3905,14464],"dealstore":[],"offerexpiration":[],"class_list":["post-333514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-gallery","tag-love","tag-national","tag-reasons","tag-scottish","tag-undeniable"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>5 Undeniable reasons to love Scottish National Gallery - Som2ny Network<\/title>\n<meta name=\"description\" content=\"This is an Artist\u2019s Love Letter to the Scottish National Gallery showing the best paintings of Scottish artists and famous artists.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=333514\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"5 Undeniable reasons to love Scottish National Gallery - 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