{"id":326434,"date":"2025-12-01T18:09:50","date_gmt":"2025-12-01T18:09:50","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/5-standout-shows-to-see-at-small-galleries-in-december-2025\/"},"modified":"2025-12-01T18:09:50","modified_gmt":"2025-12-01T18:09:50","slug":"5-standout-shows-to-see-at-small-galleries-in-december-2025","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=326434","title":{"rendered":"5 Standout Shows to See at Small Galleries in December 2025"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Art<\/p>\n<p><a display=\"block\" text-decoration=\"none\" class=\"RouterLink__RouterAwareLink-sc-9666ec9-0 fbNnYj\" href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-5-standout-small-galleries-december-12-01-25\"\/><\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:6970 \/ 4648;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><img src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FwJq-t7I4NgQScZCsIsVvFw%2Fmain.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FwJq-t7I4NgQScZCsIsVvFw%2Fmain.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FwJq-t7I4NgQScZCsIsVvFw%2Fmain.jpg&amp;width=1820 2x\" width=\"100%\" height=\"100%\" alt=\"Marco Emmanuele, \u2018ISO #250\u2019, 2025, Painting, Glass powder, sand and rabbit glue on canvas, LABS Contemporary Art\" fetchpriority=\"high\" decoding=\"async\" style=\"display:block;width:100%;height:100%;object-fit:cover\"\/><\/button><\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<p>In this monthly roundup, we spotlight five stellar exhibitions at small and rising galleries.<\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<h3>\u201c<a href=\"https:\/\/www.artsy.net\/show\/labs-contemporary-art-marco-emmanuele-palmo-panorama\">Palmo Panorama<\/a>\u201d<\/h3>\n<h3><a href=\"https:\/\/www.artsy.net\/partner\/labs-contemporary-art\">LABS Contemporary Art<\/a>, Bologna, Italy <\/h3>\n<h3>Through Jan. 10, 2026<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:6016 \/ 4016;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FbufdxURRm8VOjQgKFgZoCQ%2Fmain.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FbufdxURRm8VOjQgKFgZoCQ%2Fmain.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FbufdxURRm8VOjQgKFgZoCQ%2Fmain.jpg&amp;width=1820 2x\" alt=\"Marco Emmanuele, \u2018Ruscente Bellezza\u2019, 2025, Mixed Media, Aluminium and glass, LABS Contemporary Art\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<p>Instead of a brush, <a href=\"https:\/\/www.artsy.net\/artist\/marco-emmanuele\">Marco Emmanuele<\/a> grips a spatula to create his paintings, spreading a mixture of glass and sand across the canvas to form textured surfaces. One of his most ambitious iterations of this technique is <em><a href=\"https:\/\/www.artsy.net\/artwork\/marco-emmanuele-iso-number-250\">ISO #250<\/a><\/em> (2025), the centerpiece of \u201c<a href=\"https:\/\/www.artsy.net\/show\/labs-contemporary-art-marco-emmanuele-palmo-panorama\">Palmo Panorama<\/a>\u201d at <a href=\"https:\/\/www.artsy.net\/partner\/labs-contemporary-art\">LABS Contemporary Art<\/a>. This work stretches across five panels in sweeping, abstract bands of blue and earth tones that shift like light moving over terrain.<\/p>\n<p>In front of <em>ISO #250<\/em>, Emmanuele has placed five aluminum sculptures, each shaped after the profile of a different 20th-century Italian poet\u2019s face. These are created by pressing laser-cut iron plates into sand to carve their silhouettes, which are then cast in aluminum. These works point to a practice rooted in mapping identity onto physical materials.<\/p>\n<p>Based in Rome, Emmanuele started painting after studying engineering and architecture in Catania, Italy. His recent solo shows have been presented by Daniele Agostini Gallery in 2023, LABS Contemporary Art in 2022, and Operativa arte contemporanea in 2021. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<h3>\u201c<a href=\"https:\/\/www.artsy.net\/show\/nibelungen-gallery-a-place-beyond-her-eyes\">A Place Beyond Her Eyes<\/a>\u201d<\/h3>\n<h3><a href=\"https:\/\/www.artsy.net\/partner\/nibelungen-gallery\">Nibelungen Gallery<\/a>, Antwerp<\/h3>\n<h3>Through Jan. 24, 2026<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:5906 \/ 7187;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Fr8UA-j9-DnkZdyHS34Ys_w%2Fmain.jpg&amp;width=450\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Fr8UA-j9-DnkZdyHS34Ys_w%2Fmain.jpg&amp;width=450 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Fr8UA-j9-DnkZdyHS34Ys_w%2Fmain.jpg&amp;width=900 2x\" alt=\"Anuk Rocha, \u2018Red Velvet\u2019, 2024, Painting, Acrylic on canvas,  Nibelungen Gallery\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:8079 \/ 10821;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F65y31z5t6TUYsXraODVtzg%2Fmain.jpg&amp;width=450\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F65y31z5t6TUYsXraODVtzg%2Fmain.jpg&amp;width=450 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F65y31z5t6TUYsXraODVtzg%2Fmain.jpg&amp;width=900 2x\" alt=\"Anuk Rocha, \u2018We Lived Alone, My House And I\u2019, 2025, Painting, Acrylic on archival paper,  Nibelungen Gallery\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<p><a href=\"https:\/\/www.artsy.net\/artist\/anuk-rocha\">Anuk Rocha<\/a> studied at the National School of Decorative Arts in Paris before working in the fashion industry for Maison Martin Margiela and Croatian designer Damir Doma. Although she left the fashion world behind, clothing remains central to her figurative paintings, gesturing to the works\u2019 most important themes. A selection of these paintings is part of the German artist\u2019s solo show with <a href=\"https:\/\/www.artsy.net\/partner\/nibelungen-gallery\">Nibelungen Gallery<\/a>, \u201c<a href=\"https:\/\/www.artsy.net\/show\/nibelungen-gallery-a-place-beyond-her-eyes\">A Place Beyond Her Eyes<\/a>.\u201d She depicts stoic figures in bold attire, from the scarlet-toned outfit of <em><a href=\"https:\/\/www.artsy.net\/artwork\/anuk-rocha-red-velvet\">Red Velvet<\/a><\/em> (2024) to the blue floral dress of <em><a href=\"https:\/\/www.artsy.net\/artwork\/anuk-rocha-jasmina-1\">Jasmina<\/a><\/em> (2025). \u201c[Clothes] are symbolic of what I\u2019m trying to convey and often reappear in my work,\u201d Rocha has <a href=\"https:\/\/www.les-nouveaux-riches.com\/interview-with-anuk-rocha\/\">said<\/a>. <\/p>\n<p>Rocha refers to her works as \u201cpatchwork portraits,\u201d drawn from several memories rather than one source image. Here, garments act as the primary markers of identity. Each figure is relatively unemotive; instead, the narrative relies on the clothing depicted, which even provides the titles of the works. The yellow headscarf in <em><a href=\"https:\/\/www.artsy.net\/artwork\/anuk-rocha-babushka-1\">Babushka<\/a><\/em> (2025) creates a sense of protection, whereas the bird-patterned robe in <em><a href=\"https:\/\/www.artsy.net\/artwork\/anuk-rocha-the-crane-kimono\">The Crane Kimono<\/a><\/em> (2024) conveys a more poised, ornamental grace. <\/p>\n<p>Her paintings have been featured in group shows around Europe, including at Helsinki\u2019s Delphian Gallery in 2024 and Paris\u2019s <a href=\"https:\/\/www.artsy.net\/partner\/cohle-gallery\">Cohle Gallery<\/a> in 2023.<\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<h3><a href=\"https:\/\/www.artsy.net\/partner\/dada-gallery\">DADA Gallery<\/a>, Lagos<\/h3>\n<h3>Through Feb. 1, 2026<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:1008 \/ 1458;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FI9KjVnwdqeQsm9V_bYvVKA%2Fmain.jpg&amp;width=450\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FI9KjVnwdqeQsm9V_bYvVKA%2Fmain.jpg&amp;width=450 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FI9KjVnwdqeQsm9V_bYvVKA%2Fmain.jpg&amp;width=900 2x\" alt=\"Taylor Simmons, \u2018FOUND PHOTO HANDSOME YOUNG BLACK MAN FASHION\u2019, 2023, Painting, Oil, acrylic on canvas, DADA Gallery\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:1146 \/ 1454;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F-SFVgRN62UUZcqRko905QA%2Fmain.jpg&amp;width=450\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F-SFVgRN62UUZcqRko905QA%2Fmain.jpg&amp;width=450 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F-SFVgRN62UUZcqRko905QA%2Fmain.jpg&amp;width=900 2x\" alt=\"Silvana Mendes, \u2018Iemanj\u00e1\u2019, 2023, Drawing, Collage or other Work on Paper, From Frestas series                Digital collage printed on Hahnem\u00fchle Photo Rag paper, DADA Gallery\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<p>Titled after part of Ghanaian writer Ayi Kwei Armah\u2019s 1968 novel about post-independence disillusionment, \u201c<a href=\"https:\/\/www.artsy.net\/show\/dada-gallery-the-beautyful-ones\">The Beautyful Ones<\/a>\u201d at <a href=\"https:\/\/www.artsy.net\/partner\/dada-gallery\">DADA Gallery<\/a> presents Black artists\u2019 visions of a more hopeful future. This show inaugurates the gallery\u2019s new permanent location in Lagos.<\/p>\n<p>The gallery brings together six artists\u2014Nigerian artist <a href=\"https:\/\/www.artsy.net\/artist\/yagazie-emezi\">Yagazie Emezi<\/a>, British painter <a href=\"https:\/\/www.artsy.net\/artist\/sahara-longe\">Sahara Longe<\/a>, Brazilian artist <a href=\"https:\/\/www.artsy.net\/artist\/silvana-mendes\">Silvana Mendes<\/a>, American painter <a href=\"https:\/\/www.artsy.net\/artist\/taylor-simmons\">Taylor Simmons<\/a>, Brazilian painter <a href=\"https:\/\/www.artsy.net\/artist\/larissa-de-souza\">Larissa de Souza<\/a>, and Austrian Nigerian sculptor <a href=\"https:\/\/www.artsy.net\/artist\/cameron-ugbodu\">Cameron Ugbodu<\/a>\u2014whose works approach identity and memory from different angles. <\/p>\n<p>Simmons, an <a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-artsy-vanguard-2025-taylor-simmons\">Artsy Vanguard 2025<\/a> alum, paints Black men with loose, expressive brushwork and saturated tones, as in <em><a href=\"https:\/\/www.artsy.net\/artwork\/taylor-simmons-found-photo-handsome-young-black-man-fashion\">FOUND PHOTO HANDSOME YOUNG BLACK MAN FASHION<\/a><\/em> (2023). Mendes overlays photographic portraiture with symbolic gold motifs, as in her digital collage <em><a href=\"https:\/\/www.artsy.net\/artwork\/silvana-mendes-iemanja\">Iemanj\u00e1<\/a><\/em> (2023), where a serene, moonlit figure is adorned with sculptural forms that reference Afro Brazilian spiritual iconography. Together, these artists show how Black life can be seen on its own terms.<\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<h3>\u201c<a href=\"https:\/\/www.artsy.net\/show\/escat-gallery-unfolding\">Unfolding<\/a>\u201d<\/h3>\n<h3><a href=\"https:\/\/www.artsy.net\/partner\/escat-gallery\">Escat Gallery<\/a>, Barcelona<\/h3>\n<h3>Through Jan. 3, 2026<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:3965 \/ 5948;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FMfSqdjoiFCNn3hUDSy_AsQ%2Fmain.jpg&amp;width=450\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FMfSqdjoiFCNn3hUDSy_AsQ%2Fmain.jpg&amp;width=450 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FMfSqdjoiFCNn3hUDSy_AsQ%2Fmain.jpg&amp;width=900 2x\" alt=\"Carolin Kreutzer, \u2018Unfolding 3\u2019, 2025, Painting, Acrylic on cotton canvas, Escat Gallery\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:1510 \/ 1821;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FWmBohGDO-oGTplWbpLZXJA%2Fmain.jpg&amp;width=450\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FWmBohGDO-oGTplWbpLZXJA%2Fmain.jpg&amp;width=450 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FWmBohGDO-oGTplWbpLZXJA%2Fmain.jpg&amp;width=900 2x\" alt=\"Carolin Kreutzer, \u2018Resilience II\u2019, 2025, Painting, Acrylic on cotton canvas, Escat Gallery\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<p>After years in corporate graphic design, <a href=\"https:\/\/www.artsy.net\/artist\/carolin-kreutzer\">Carolin Kreutzer<\/a> channels her training into minimalist, geometric paintings concerned with structure and spatial tension. A series of new works, known as her \u201cUnfolding\u201d series, explores how a single plane can tilt, overlap, or rotate to create subtle spatial shifts. These are the subjects of her debut solo exhibition with <a href=\"https:\/\/www.artsy.net\/partner\/escat-gallery\">Escat Gallery<\/a> in Barcelona.<\/p>\n<p>For instance, <em><a href=\"https:\/\/www.artsy.net\/artwork\/carolin-kreutzer-unfolding-3\">Unfolding 3<\/a><\/em> (2025) shows a brown form folded in on itself, overlapping to create a new interior edge. Elsewhere, the artist reveals these subtle movements in diptychs, including <em><a href=\"https:\/\/www.artsy.net\/artwork\/carolin-kreutzer-unfolding-5-10\">Unfolding 5, 10<\/a><\/em> (2025), where the same shade of blue is folded in on itself in different variations. These studies support the artist\u2019s idea that \u201cshapes, colors, and spaces interact, much like people do.\u201d The artist <a href=\"https:\/\/www.escatgallery.com\/carolinkreutzer\">wrote<\/a> on the gallery website: \u201cIt\u2019s about finding balance and harmony while leaving room for individuality and freedom.\u201d<\/p>\n<p>Kreutzer lives near Stuttgart in southern Germany, where she established her own studio practice. The artist completed a master\u2019s degree in media from the University of Portsmouth in the U.K. in 2006. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq\">\n<h3>\u201c<a href=\"https:\/\/www.artsy.net\/show\/frosch-and-co-bubble\">Bubble<\/a>\u201d<\/h3>\n<h3><a href=\"https:\/\/www.artsy.net\/partner\/frosch-and-co\">Frosch&amp;Co<\/a>, New York<\/h3>\n<h3>Dec. 4, 2025\u2013Jan. 11, 2026<\/h3>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:1800 \/ 1341;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FIGTEjRhTjaPZjjmeIqRdUg%2Fmain.jpg&amp;width=450\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FIGTEjRhTjaPZjjmeIqRdUg%2Fmain.jpg&amp;width=450 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FIGTEjRhTjaPZjjmeIqRdUg%2Fmain.jpg&amp;width=900 2x\" alt=\"Brad Nelson, \u2018Small Bubble\u2019, 2025, Painting, Oil on canvas, FROSCH&amp;CO\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:1800 \/ 1307;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F7llCfbhc3KNptCjWeGUCLw%2Fmain.jpg&amp;width=450\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F7llCfbhc3KNptCjWeGUCLw%2Fmain.jpg&amp;width=450 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2F7llCfbhc3KNptCjWeGUCLw%2Fmain.jpg&amp;width=900 2x\" alt=\"Brad Nelson, \u2018Eggs Frying\u2019, 2025, Painting, Oil on canvas, FROSCH&amp;CO\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-9d54f417-0 hsljei jzMDrq ArticleSectionText__ArticleHTMLLastChild-sc-dc4648d4-1 fFJXgY\">\n<p>Pan-frying eggs, a shimmering soap bubble on a kitchen counter, and a close-up of flower stems in a vase are just a few subjects of 13 new paintings in <a href=\"https:\/\/www.artsy.net\/artist\/brad-nelson-1\">Brad Nelson<\/a>\u2019s latest solo show. \u201cBubble\u201d at New York\u2019s <a href=\"https:\/\/www.artsy.net\/partner\/frosch-and-co\">Frosch&amp;Co<\/a> mostly focuses on the American artist\u2019s photorealistic still lifes, alongside one sculpted brick. <\/p>\n<p>Nelson selects his subjects from the moments and objects that serendipitously enter his life. \u201cI\u2019m interested in exploring how a daily ritual or rhythm can bring me things that are at times outside my sphere of control,\u201d the artist once <a href=\"https:\/\/www.newamericanpaintings.com\/artists\/brad-nelson\">said<\/a>. One of three paintings that reference the show\u2019s name, <em><a href=\"https:\/\/www.artsy.net\/artwork\/brad-nelson-large-bubble\">Large Bubble<\/a><\/em> (2025) is a delicate depiction of a glossy soap bubble. At any moment, the object might pop and disappear, evoking a sense of ephemerality. Nelson treats each of his subjects as if they might suddenly vanish as fast as they appeared.<\/p>\n<p>Nelson is now represented by <a href=\"https:\/\/www.artsy.net\/partner\/frosch-and-co\">Frosch&amp;Co<\/a>, where he has previously presented four of his solo exhibitions. Nelson graduated with a master\u2019s in art from Boston\u2019s School of the Museum of Fine Arts in 2000. He has also staged a solo exhibition with Massachusetts-based gallery Room 68 in 2022. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 hsljei\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 iLjkQU\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 bDkjdY\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 bBxDgb\">\n<div size=\"45\" overflow=\"hidden\" display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 iYwWgI\">\n<p>MR<\/p>\n<div width=\"100%\" height=\"100%\" display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 vEgIm\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?height=60&amp;quality=80&amp;resize_to=fill&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fq8L1aYkTHzC1SzNvSp65Pg%252FArtsy_Max.png&amp;width=60\" alt=\"MR\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?height=60&amp;quality=80&amp;resize_to=fill&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fq8L1aYkTHzC1SzNvSp65Pg%252FArtsy_Max.png&amp;width=60 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?height=120&amp;quality=50&amp;resize_to=fill&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Fq8L1aYkTHzC1SzNvSp65Pg%252FArtsy_Max.png&amp;width=120 2x\" class=\"Box-sc-15se88d-0 eBGKlz\"\/><\/div>\n<\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 dacALD\">\n<p>Maxwell Rabb<\/p>\n<p>Maxwell Rabb (Max) is a writer. Before joining Artsy in October 2023, he obtained an MFA from the School of the Art Institute of Chicago and a BA from the University of Georgia. Outside of Artsy, his bylines include the Washington Post, i-D, and the Chicago Reader. He lives in New York City, by way of Atlanta, New Orleans, and Chicago.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Art In this monthly roundup, we spotlight five stellar exhibitions at small and rising galleries. \u201cPalmo Panorama\u201d LABS Contemporary Art, Bologna, Italy Through Jan. 10, 2026 Instead of a brush, Marco Emmanuele grips a spatula to create his paintings, spreading a mixture of glass and sand across the canvas to form textured surfaces. One of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":326435,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[153055,24556,153057,153056,3764,153060,153061,25558,153058,4249,153054,153059,5033,709,30961],"dealstore":[],"offerexpiration":[],"class_list":["post-326434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-anuk-rocha","tag-artist-list","tag-brad-nelson","tag-carolin-kreutzer","tag-december","tag-escat-gallery","tag-froschco","tag-galleries","tag-labs-contemporary-art","tag-list","tag-marco-emmanuele","tag-nibelungen-gallery","tag-shows","tag-small","tag-standout"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>5 Standout Shows to See at Small Galleries in December 2025 - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=326434\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"5 Standout Shows to See at Small Galleries in December 2025 - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Art In this monthly roundup, we spotlight five stellar exhibitions at small and rising galleries. \u201cPalmo Panorama\u201d LABS Contemporary Art, Bologna, Italy Through Jan. 10, 2026 Instead of a brush, Marco Emmanuele grips a spatula to create his paintings, spreading a mixture of glass and sand across the canvas to form textured surfaces. 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Som2ny Network","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/fivemor.com\/?p=326434","og_locale":"en_US","og_type":"article","og_title":"5 Standout Shows to See at Small Galleries in December 2025 - Som2ny Network","og_description":"Art In this monthly roundup, we spotlight five stellar exhibitions at small and rising galleries. \u201cPalmo Panorama\u201d LABS Contemporary Art, Bologna, Italy Through Jan. 10, 2026 Instead of a brush, Marco Emmanuele grips a spatula to create his paintings, spreading a mixture of glass and sand across the canvas to form textured surfaces. 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