![](\"https:\/\/novafuture.blog\/wp-content\/uploads\/2024\/12\/IRIS014-800x800-1.jpg\")
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Artist:<\/span> \u00a0<\/p>\n Title:<\/span> \u00a0<\/p>\n Label:<\/span> \u00a0<\/p>\n Cat#:<\/span> \u00a0<\/p>\n Release Date:<\/span> \u00a0<\/p>\n Format:<\/span> \u00a0<\/p>\n Tracklist:<\/span> \n02.<\/span> \u00a0<\/p>\n Press Info:<\/span> In 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi\u2019s \u201cDry Bridge\u201d flea market.The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of the USSR. It was through this process that the idea of Recollection was born, as Glonti aimed to create an album that would utilize samples from his growing collection.<\/p>\n Recollections I-II will be the first release in a series of 7\u2019\u2019 records, followed by three more releases. The artwork by Dmytro Nikolaienko of Day Night reflects the generic qualities of Soviet-era cover art.<\/p>\n \u00a0<\/p>\n Snippets:<\/span>
Rezo Glonti<\/p>\n
Recollections I\u2013II<\/p>\n
Intergalactic Research Institute For Sound<\/p>\n
IRIS014<\/p>\n
06th December 2024<\/p>\n
vinyl, download & streaming<\/p>\n
01.<\/span>
Recollections I<\/p>\n
Recollections I<\/p>\n
During the Soviet era, art often had to align with propaganda, seemingly fostering a symbiotic relationship between the state and its people. Consequently, in the realm of \u201cSocial Realism,\u201d most forms of artistic experimentation were strongly discouraged and even punishable. With few exceptions, 20th-century Georgian classical\/chamber music remained quite conservative; however, when faced with dysfunctional cultural phenomena, there will always be gaps in societal walls through which oppressed cultures can carry their historical heritage and unique paradigms.<\/p>\n