{"id":320421,"date":"2025-11-26T19:22:56","date_gmt":"2025-11-26T19:22:56","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/books\/mars-is-pretty-far-but-too-close-for-comfort-guest-article-by-author-jake-korell-dystopic\/"},"modified":"2025-11-26T19:22:56","modified_gmt":"2025-11-26T19:22:56","slug":"mars-is-pretty-far-but-too-close-for-comfort-guest-article-by-author-jake-korell-dystopic","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=320421","title":{"rendered":"Mars is Pretty Far, but Too Close for Comfort \u2013 guest article by author Jake Korell \u2013 DYSTOPIC"},"content":{"rendered":"


\n<\/p>\n

\n

Outer space and the future are the two most overused settings in science fiction\u2014and that\u2019s because they\u2019re such a gosh darn fun playground. There\u2019s nothing more freeing as a writer than having the entire universe and all of time as your sandbox. Complete creative freedom.<\/p>\n

And I\u2019ve always been drawn to building my sandcastles in the near future, where the technology is advanced enough to be imaginative but the world is familiar enough to relate to. Societal and historical references don\u2019t feel out of place. Mars offers the same sweet spot: it\u2019s otherworldly, but still our next-door neighbor\u2014relatively. And in real life, we\u2019re only decades away from sending humans there, which makes it plausible enough to feel real. The Red Planet was the perfect setting for my debut novel The Second World<\/em>.<\/p>\n

I didn\u2019t set out to write a political satire. It just sort of happened\u2014if you count writing dozens of terrible drafts before landing on one version you don\u2019t hate as something \u201cjust happening.\u201d What hooked me early on was the idea of a Mars colony developing its own governance, because entirely new nations don\u2019t really pop up on Earth anymore. All the land\u2019s spoken for. And the more I thought about it, the more I realized how naturally a Martian colony mirrors the thirteen American ones. Outer space is just a much bigger Atlantic Ocean. Add \u201cspace\u201d in front of \u201cship,\u201d and you\u2019re sailing to the \u201cNew World.\u201d<\/p>\n

From there, I became obsessed with the idea of history repeating itself. The project actually started as a pilot for an adult animated series that was a satire of the American Revolution, with plans for later seasons to echo other eras of U.S. history. When I turned it into a novel, I had the room to explore everything from independence to the Space Race. (I think most authors would\u2019ve split it into a trilogy given the scope, but my attention span isn\u2019t what it used to be. Plus, comedy is brevity!)<\/p>\n

That\u2019s when the major world-building ramped up. Every historical detail got twisted for Mars and sci-fi absurdity: guerilla warfare became gorilla warfare, Nazis became robots, Native Americans became Native Martians\u2014aliens living underground. At first, everything was on the nose, deliberately so. That was part of the humor. But I eventually realized that if I wanted to keep readers engaged, the book couldn\u2019t just be a parody of America for 400-plus pages. That would get very old, very fast. A crystal-clear reflection in a mirror isn\u2019t nearly as interesting as a reflection in a pond. The image is hazier, distorted. It\u2019s recognizable, but different\u2014and the real fun happens when you create ripples and morph the image into something new. Mars needed to develop as a separate world, with its own culture and contradictions.<\/p>\n

That extra breathing room allowed the historical satire to deepen into political satire. The parallels to American history became the scaffolding. The story structure was held up by the past, but the tone and themes were undeniably modern. Suddenly I was writing about nationalism, media, and culture.<\/p>\n

Still, the early drafts read like a history textbook with punchlines. The world felt clever but cold. I like to think I\u2019m pretty funny, but I knew my jokes couldn\u2019t sustain an entire book. I had created an interesting world, but the readers needed to care about the people living in it. That\u2019s when I borrowed a father-son dynamic from another project I\u2019d shelved\u2014a self-absorbed, pompous father and his angsty, irreverent son.<\/p>\n

Their relationship gave the story emotional gravity\u2014the personal became the political, and vice versa. The father became the epitome of a Baby Boomer: hell-bent on success and legacy, while criticizing the younger generation for lacking the same values, failing to realize those values no longer fit the world the older generation shaped. The son became the voice of a generation living through \u201conce-in-a-lifetime\u201d events on a monthly basis, numb to the broken systems, resorting to apathetic posts about injustice on social media and calling it \u201cactivism.\u201d<\/p>\n

Through their conflict, I could explore not just the farce of politics, but the exhaustion of existing inside it. That tension opened everything up: the satire of history and politics became one about generational divides. The son\u2019s father became the \u201cFounding Father\u201d of Mars, giving me the perfect lens to explore the disillusionment of Millennials and Gen Z.<\/p>\n

My humor is an unpretentious crockpot of dark comedy, observant irreverence, and parody with empathy. It\u2019s easy to exaggerate the ridiculousness of our world\u2014especially with the freedom of a near-future, outer-space setting\u2014but what makes the story work is that it\u2019s still grounded in human messiness. People still want to be seen, to matter, to understand their self-worth.<\/p>\n

That balance of humor and humanity is at the heart of The Second World<\/em>. Beneath the aliens, clones, and hee-haws of a space donkey, it\u2019s really a story about purpose and legacy\u2014what it means to build something new while living a finite life in an infinite universe. Satire just lets me sneak that question in disguised as a joke. My hope is that readers laugh, then cry, then maybe do a little bit of both at the same time.<\/p>\n

Writing the book reminded me that no matter how far away you set your story\u2014through distance or time\u2014it\u2019ll still be a story about humanity in one form or another. And hopefully, one with plenty of laughs.<\/p>\n

By Jake Korell<\/em><\/strong><\/p>\n

About the writer<\/h2>\n
\"\"<\/figure>\n

JAKE KORELL\u2019s voice and sense of humor have been shaped by a cast of hilariously
unforgettable friends and family, and by his serious, deeply held conviction that life shouldn\u2019t be
taken too seriously\u2014or held with such deep conviction. He lives in Los Angeles with his partner,
McCauley, and their dog, Dewey, and never misses a Martini Monday.<\/p>\n

About Jake Korell\u2019s debut novel, The Second World<\/em> \u2013 coming soon!<\/h2>\n
\"\"<\/figure>\n

Mars has declared its independence from Earth. But building a country takes more than a new flag, an arena-worthy anthem, and naming Pluto the donkey the national animal. As the Red Planet spirals into political upheaval, Flip Buchanan\u2014the irreverent, reluctant son of the most powerful man on Mars\u2014stumbles through two tumultuous decades of alien discoveries, killer clones, and the chaos of a new nation still working out the kinks.<\/p>\n

Always second-best in a family obsessed with being first, Flip must grapple with the absurdity of Martian society and the gravity of legacy to step out of his father\u2019s shadow and define self-worth on his own terms\u2014a feat that can feel as impossible as climbing Olympus Mons.<\/p>\n

For fans of Andy Weir and Kurt Vonnegut, this satirical coming-of-age space epic blends sharp wit, surprising emotional depth, and bold world-building. Equal parts hilarious and heartfelt, The Second World<\/em> navigates found family, generational divides, and the outrageous struggle to make your finite life matter in an infinite universe\u2014with poignant reflections on power, sensationalized media, and fractured culture.<\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Outer space and the future are the two most overused settings in science fiction\u2014and that\u2019s because they\u2019re such a gosh darn fun playground. There\u2019s nothing more freeing as a writer than having the entire universe and all of time as your sandbox. Complete creative freedom. And I\u2019ve always been drawn to building my sandcastles in […]<\/p>\n","protected":false},"author":1,"featured_media":320422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[101],"tags":[15491,3685,4065,498,4576,4251,7602,147879,2056,2534],"dealstore":[],"offerexpiration":[],"class_list":["post-320421","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","tag-article","tag-author","tag-close","tag-comfort","tag-dystopic","tag-guest","tag-jake","tag-korell","tag-mars","tag-pretty"],"yoast_head":"\nMars is Pretty Far, but Too Close for Comfort \u2013 guest article by author Jake Korell \u2013 DYSTOPIC - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=320421\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mars is Pretty Far, but Too Close for Comfort \u2013 guest article by author Jake Korell \u2013 DYSTOPIC - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Outer space and the future are the two most overused settings in science fiction\u2014and that\u2019s because they\u2019re such a gosh darn fun playground. 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