{"id":298518,"date":"2025-06-17T06:30:51","date_gmt":"2025-06-17T06:30:51","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/ruth-asawa-at-sfmoma-disquiet\/"},"modified":"2025-06-17T06:30:51","modified_gmt":"2025-06-17T06:30:51","slug":"ruth-asawa-at-sfmoma-disquiet","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=298518","title":{"rendered":"Ruth Asawa at SFMOMA \u2013 Disquiet"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"post-72386\">\n\t<!-- .entry-header --><\/p>\n<div class=\"entry-content\">\n<p>The Ruth Asawa retrospective at SFMOMA is a dozen shades of fantastic. I fear it\u2019s becoming clich\u00e9 to note it, but with the sculptures, the physical objects are only part of the story. The shadows carry a lot of the weight, so to speak. And it\u2019s really the interplay where things happen. It\u2019s like the sculptures are the guitar solo, and the shadows are the result of delay and reverb pedals.  <\/p>\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-1.jpeg?resize=640%2C480&amp;ssl=1\" alt=\"\" class=\"wp-image-72387\" srcset=\"https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-1.jpeg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-1.jpeg?resize=560%2C420&amp;ssl=1 560w, https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-1.jpeg?resize=185%2C139&amp;ssl=1 185w, https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-1.jpeg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"(max-width: 640px) 100vw, 640px\"\/><\/figure>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-2.jpeg?resize=640%2C480&amp;ssl=1\" alt=\"\" class=\"wp-image-72388\" srcset=\"https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-2.jpeg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-2.jpeg?resize=560%2C420&amp;ssl=1 560w, https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-2.jpeg?resize=185%2C139&amp;ssl=1 185w, https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-2.jpeg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\"\/><\/figure>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-3.jpeg?resize=640%2C480&amp;ssl=1\" alt=\"\" class=\"wp-image-72389\" srcset=\"https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-3.jpeg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-3.jpeg?resize=560%2C420&amp;ssl=1 560w, https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-3.jpeg?resize=185%2C139&amp;ssl=1 185w, https:\/\/i0.wp.com\/disquiet.com\/wp-content\/uploads\/2025\/06\/ra2025-3.jpeg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\"\/><\/figure>\n<\/p><\/div>\n<p><!-- .entry-content --><\/p>\n<p>\t<!-- .entry-footer -->\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>The Ruth Asawa retrospective at SFMOMA is a dozen shades of fantastic. I fear it\u2019s becoming clich\u00e9 to note it, but with the sculptures, the physical objects are only part of the story. The shadows carry a lot of the weight, so to speak. And it\u2019s really the interplay where things happen. It\u2019s like the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":298519,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12031],"tags":[130520,14262,4321,130521],"dealstore":[],"offerexpiration":[],"class_list":["post-298518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ambient-music","tag-asawa","tag-disquiet","tag-ruth","tag-sfmoma"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ruth Asawa at SFMOMA \u2013 Disquiet - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=298518\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ruth Asawa at SFMOMA \u2013 Disquiet - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"The Ruth Asawa retrospective at SFMOMA is a dozen shades of fantastic. I fear it\u2019s becoming clich\u00e9 to note it, but with the sculptures, the physical objects are only part of the story. The shadows carry a lot of the weight, so to speak. And it\u2019s really the interplay where things happen. 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