{"id":29843,"date":"2025-01-15T23:39:28","date_gmt":"2025-01-15T23:39:28","guid":{"rendered":"https:\/\/peraltafinancing.com\/american-history\/survey-of-textile-broadsides-past-is-present\/"},"modified":"2025-01-15T23:39:28","modified_gmt":"2025-01-15T23:39:28","slug":"survey-of-textile-broadsides-past-is-present","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=29843","title":{"rendered":"Survey of Textile Broadsides \u2013 Past is Present"},"content":{"rendered":"


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One\u00a0lesser-known collection at the American Antiquarian Society is a group of broadsides printed on textiles. Broadsides are ephemeral, single-sheet items that are usually printed only on one side. Some topics typical of broadsides include advertisements, official proclamations, theater announcements, and opinions. AAS has approximately 148 textile broadsides that showcase the breadth and type of these objects. The textiles were produced on the same presses that were used for paper printing,<\/span> \u00a0and like their paper counterparts, they combined text and decorative elements. These objects were used as keepsakes, souvenirs, or commemorative objects, and some, in theory, could be used as handkerchiefs. The themes include commemorating specific events or people, \u201cpersuasive texts\u201d that showcase social or political movements of the time, and instructional textiles that would have been used for teaching tools in reading, spelling, and arithmetic. The commemorative textiles were usually printed on silk, whereas the \u201cpersuasive\u201d and instructional textiles were printed on cotton or muslin (Affleck, 2001).<\/span>\u00a0<\/span><\/p>\n

These textiles were created using various transfer methods common in paper printing, including plate printing, letterpress, and lithography. In addition to the content being copied from other printed sources, the decorative elements like the images and borders were also not created specifically for the textile broadside. The same decorative elements are seen<\/span> in other printed formats like title pages, tail pieces, and on book covers. The tools used to create these decorations were generally made at local type founders, and many of the ornamental borders can be found in catalogues or type specimen books for these foundries (Affleck, 2001).<\/span>\u00a0<\/span><\/p>\n

To best preserve these unique items at AAS, Chief Conservator Babette Gehnrich and I conducted a survey of all our textile broadsides. This survey included assessment of each textile<\/span>\u2019<\/span>s condition as well as treatment recommendations. During the survey, I took a thumbnail photograph and assigned priorities and approximate treatment times to each item. Detail of the compiled data can be seen below (Fig. 1).<\/span>\u00a0<\/span><\/p>\n

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Figure 1. Detail of the internal working document containing the textile broadside collection survey.<\/figcaption><\/figure>\n

After all the textiles were examined<\/span>, each of the<\/span>m<\/span> w<\/span>as<\/span> rehoused in a <\/span>P<\/span>olyester <\/span>film <\/span>pocket with an unbuffered piece of paper to help create friction so that they did not move and become wrinkled when pulled <\/span>from the stacks <\/span>and handled by researchers in the Reading Room<\/span> (<\/span>Fig.<\/span> 2<\/span>). <\/span><\/span><\/p>\n

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Figure 2. Textile with acid-free paper backing and Polyester film pocket.<\/figcaption><\/figure>\n

In addition to the single<\/span>\u2013<\/span>sided broadsides<\/span>,<\/span> there were<\/span> several printed textiles<\/span> in the format of a newspaper<\/span>, either\u00a0<\/span>because they were actual <\/span>n<\/span>ewspapers,<\/span> or they copied a format of newspaper to announce an event. <\/span>The actual newspaper printed on a textile seen below was called a \u201cblizzard paper\u201d because the paper <\/span>used<\/span> for<\/span> newspaper<\/span> printing<\/span> cou<\/span>ld not reach the Dakotas due to a large blizzard<\/span>.<\/span> T<\/span>hus, they printed on what they had: textiles (<\/span>Fig.<\/span> 3<\/span>). <\/span>Because these textiles were printed on both sides<\/span>,<\/span> they were simply unfolded and placed in polyester film pockets without the paper backing<\/span>. This \u201cblizzard paper\u201d also <\/span>demonstrates<\/span> some common staining seen in the textiles that will hopefully be reduced when more comprehensive treatments are performed.\u00a0<\/span><\/span>\u00a0<\/span><\/p>\n

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Figure 3. \u201cBlizzard Newspaper\u201d textile with stain in margin.<\/figcaption><\/figure>\n

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Severely stained or wrinkled textiles were flagged for treatment so researchers will be able to view the text more easily once the stains are reduced or the wrinkles are gently flattened. Additionally, as part of the project, the front and back of each textile was imaged by the Society\u2019s photographer, so that researchers have access to digital surrogates.\u00a0<\/span>\u00a0<\/span><\/p>\n

Once the survey was completed, Gehnrich reached out to a local textile conservator, Camille Breeze, from Museum Textile Services in Andover, MA. We set up a virtual consultation in our Learning Lab where we were able to utilize our document camera and discuss the different treatment options for all the objects we felt needed to be treated immediately. The curator and assistant curator of Graphic Arts (Lauren Hewes and Christine Morris, respectively) were also able to join in the consultation which allowed for a better understanding of context for the textiles as well as ascertaining which ones were higher priority due to their scarcity (Fig. 4). <\/span>\u00a0<\/span><\/p>\n

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Figure 4. Consultation with textile conservator, Camille Breeze (on screen) in the Learning Lab at AAS, attended by Christine Morris, Marissa Maynard, Babette Gehnrich (left to right), and Lauren Hewes (not pictured). Image courtesy of Lauren Hewes.<\/figcaption><\/figure>\n

Paper and textile conservation treatments are often <\/span>very similar<\/span> in nature, <\/span>but<\/span> we wanted to make sure that we fully understood the risks, benefits<\/span>,<\/span> and <\/span>potential problems<\/span> that could arise during treatment of these textiles. Camille was able to give us some <\/span>helpful tips<\/span> and <\/span>overall guidance for our treatments. Luckily<\/span>,<\/span> because the condition issues are all <\/span>similar<\/span>,<\/span> we were able to <\/span>come up with<\/span> a <\/span>streamlined<\/span> process for <\/span>most <\/span>treatments. <\/span>However, because I will be on<\/span> leave<\/span>,<\/span> we decided to postpone the more comprehensive treatments for when I return.<\/span> In the Spring of 2024, <\/span>I was able to complete a <\/span>couple<\/span> of <\/span>minor treatments<\/span>,<\/span> including the removal of paper hinges from the verso as well as local flattening to reduce creases, which <\/span>made<\/span> the textiles more legible (<\/span>Figs.<\/span> 5<\/span> and <\/span>6<\/span>).<\/span><\/span>\u00a0<\/span><\/p>\n

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Figure 5. Before local humidification and flattening.<\/figcaption><\/figure>\n
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Figure 6. After local humidification and flattening.<\/figcaption><\/figure>\n

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In the Fall of 2024, treatments are anticipated to begin on the remaining textiles. I will create a new blog post about the final steps of this project, so stay tuned!\u00a0<\/span>\u00a0<\/span><\/p>\n

If you are looking for information on our printed textile collection, check out another blog post written by Lauren Hewes on our ribbon collection:<\/span>\u00a0<\/span><\/p>\n

https:\/\/pastispresent.org\/2018\/digital-humanities-2\/a-lot-of-handsome-badges-a-new-illustrated-inventory\/<\/span><\/a>\u00a0<\/span><\/p>\n

Marissa Maynard is the <\/span><\/i>L<\/span><\/i>ibrary and <\/span><\/i>A<\/span><\/i>rchives <\/span><\/i>C<\/span><\/i>onservator<\/span><\/i> at AAS<\/span><\/i>. Marissa helps to ensure that collections are not only preserved but also usable by researchers, working closely with library staff to prioritize and assess conservation needs.<\/span><\/i><\/p>\n

References<\/strong><\/span><\/p>\n

Consulted Lynne Bassett, independent textile and costume historian, elected AAS member (2010).<\/span>\u00a0<\/span><\/p>\n

Affleck, Diane L. Fagan. \u201cTextile Commemoratives and Broadsides from New England\u2019s Mid-Nineteenth Century.\u201d In <\/span>Textiles in New England II: Four Centuries of Material Life<\/span><\/i>. Boston University, 2001<\/span>\u00a0<\/span><\/p>\n

Celebration and Remembrance: Commemorative Textiles in America 1790-1990. Museum of American Textile History, 199<\/span><\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"

One\u00a0lesser-known collection at the American Antiquarian Society is a group of broadsides printed on textiles. Broadsides are ephemeral, single-sheet items that are usually printed only on one side. Some topics typical of broadsides include advertisements, official proclamations, theater announcements, and opinions. AAS has approximately 148 textile broadsides that showcase the breadth and type of these […]<\/p>\n","protected":false},"author":1,"featured_media":29844,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12032],"tags":[20202,383,7344,9932],"dealstore":[],"offerexpiration":[],"class_list":["post-29843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-american-history","tag-broadsides","tag-present","tag-survey","tag-textile"],"yoast_head":"\nSurvey of Textile Broadsides \u2013 Past is Present - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=29843\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Survey of Textile Broadsides \u2013 Past is Present - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"One\u00a0lesser-known collection at the American Antiquarian Society is a group of broadsides printed on textiles. 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