{"id":283934,"date":"2025-06-09T16:37:28","date_gmt":"2025-06-09T16:37:28","guid":{"rendered":"https:\/\/peraltafinancing.com\/animation\/collectors-vault-vol-1\/"},"modified":"2025-06-09T16:37:28","modified_gmt":"2025-06-09T16:37:28","slug":"collectors-vault-vol-1","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=283934","title":{"rendered":"Collector\u2019s Vault Vol. 1\u201d |"},"content":{"rendered":"


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\"\"<\/a>Warner Archive Collection has followed up its killer Looney Tunes: Collector\u2019s Choice<\/em> series with something even better: Looney Tunes: Collector\u2019s Vault Vol. 1<\/em><\/a>. It\u2019s a continuation of producers Jerry Beck and George Feltenstein\u2019s goal to get as many of the classic Warner cartoons to physical media as possible, only now it\u2019s two discs for almost the same price! You\u2019d have to be looney not to get it.<\/p>\n

With the advent of MeTV Toons now broadcasting almost every old cartoon ever on a daily basis, it\u2019s getting more recognized that the Golden Age of animation sometimes wasn\u2019t so golden. The Warner cartoons are the exception: their track record is lightning in a bottle, and there\u2019s a streak of some two decades in which the studio rarely produced anything legitimately bad. (Ironically, this collection begins with a cartoon from failed directing pair Ben Hardaway and Cal Dalton, the last time producer Leon Schlesinger would get rid of directors he didn\u2019t like in favor of keeping ones that he did.) The result is that it\u2019s a struggle to compile a Warner collection that doesn\u2019t have mostly classics. However, every well eventually runs dry, so it was a very smart thing to move the home video series in this new two-disc direction.<\/p>\n

Disc one continues the theme of Collector\u2019s Choice<\/em>: using only cartoons that have never been on physical media in restored versions. And we are getting into the latter half, quality-wise, that wouldn\u2019t be anyone\u2019s first choices: \u201830s Merrie Melodies that aren\u2019t part of the renowned house style, auto-pilot chase cartoons from the \u201850s onward, etc. But even with what\u2019s left, we still get a good share of funny moments and interesting history. We\u2019re also gifted with three brand new beautiful-looking restorations specifically for this disc: Friz Freleng\u2019s grim Each Dawn I Crow<\/em> and Tex Avery\u2019s A Day at the Zoo<\/em> and Of Fox and Hounds<\/em>.<\/p>\n

\"\"<\/a>Disc two exploits the fact that Warners has remastered 90% of the Looney Tunes library in high-definition, going back some 20 years, so they\u2019re all Blu-Ray ready. This disc is cartoons that may have been restored on DVD but have never been issued to Blu-Ray. And at this point, the complaint of \u201cdouble-dipping\u201d is stupid and irrelevant (and I think there was some viral news about how those mid-2000s Warner discs don\u2019t work anymore). This is where the real entertainment starts: back-to-back classics with all the characters from all directors, making you wonder why they didn\u2019t start this concept a decade ago.<\/p>\n

Collector\u2019s Vault Vol. 1<\/em> is almost a history lesson in modern restoration at Warners\u2014different tastes and standards had varying results, but, with one exception, they still look mostly just fine whenever they were done. Most of the cartoons that originated on the Golden Collection<\/em> sets two decades ago didn\u2019t have much digital clean-up, so, as with the Tom & Jerry Cinemascope<\/em> set, they\u2019ve been freshly spiffed up, carefully, quite a bit here. Some of the earlier versions without clean-up (like Bye, Bye Bluebeard<\/em>) did look particularly dirty, so going the extra mile here is appreciated.<\/p>\n

We do unfortunately have one cartoon, Tom Turk and Daffy<\/em>, that came from a period in the 2010s where hack colorists crushed the blacks and everything looks far too dark on some 100+ circulating transfers of Warner and MGM cartoons (the ones done for the cancelled Tom & Jerry Golden Collection Vol. 2<\/em> are so bad it\u2019s a good thing it never got released). While WAC did marginally improve how it looked on the old Super Stars DVD, if one cartoon on this set should have been completely done over, it\u2019s this one.<\/p>\n

\"\"<\/a>While the picture quality here gets mostly full marks, the lackluster audio, often originating from 1990s transfers, is getting difficult to excuse in this day and age (even on the newly restored Each Dawn I Crow<\/em>, the audio quality takes a nosedive in its second half). And it does stink that we\u2019re stuck with WAC trying to fix the \u201cPhotoshop\u201d titles on the masters done for HBO Max rather than just going back to the raw scan (some howlers still made it through, like a jump cut rather than a dissolve in Quackodile Tears<\/em>, and some appalling clone stamp artifacting on the director credit for A Kiddie\u2019s Kitty). <\/p>\n

In a non-existent physical media market, however, the small WAC department is to be commended they did the best with what they have to work with, and the shortcomings don\u2019t impact the enjoyability of the cartoons themselves. And fortunately George F. did make sure those Golden Collection<\/em> transfers were done correctly back in the day, so there\u2019s little to worry about even two decades later. <\/p>\n

In short, Looney Tunes: Collector\u2019s Vault Vol. 1<\/em><\/a> is exactly what collectors want: Warner cartoons we don\u2019t have on Blu-Ray already, with exceptionally few distracting issues. It\u2019s a great balance of obscurer curios for the diehards, and also enough all-time masterpieces to make it an easier sell to more casual fans (with the \u201ccancelled\u201d Pepe and Speedy fully and proudly present on the cover).<\/p>\n

Notes and commentary follow\u2026<\/p>\n

Disc One<\/strong><\/u><\/p>\n

Bars and Stripes Forever<\/strong> (1939, Ben Hardaway and Cal Dalton)
One of the misbegotten cartoons, this one spot-gags about a prison, from director team Ben Hardaway and Cal Dalton, a pairing that only proved Leon Schlesinger had to get Friz Freleng back as soon as possible. Not a great opener.<\/p>\n

\"\"<\/p>\n

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Beauty and the Beast<\/strong> (1934, Friz Freleng)
One of the earliest Warner cartoons in color (this one in Cinecolor), and an awkward outright attempt at making a Disney Silly Symphony on a fraction of the budget.<\/p>\n

\"\"<\/p>\n

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A Day at the Zoo<\/strong> (1939, Tex Avery)
Making its restoration debut, one of the many, many spot-gag cartoons Avery would make, this one taking place at the zoo. Egghead channels new radio star Lou Costello (before he made it to pictures) and is eaten by a lion. \u201cI\u2019m a baaad boy.\u201d<\/p>\n

\"\"<\/p>\n

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The Dixie Frye<\/strong>r (1960, Robert McKimson)
The second (and best) cartoon with hawks Pappy and Elvis (both voiced by Daws Butler), who want to make a meal out of traveling Foghorn Leghorn. The only cartoon where Foggy is in actual danger from a non-pint-sized predator, it\u2019s interesting to see that even when he\u2019s in a role more suited for Bugs or Daffy, he still gets it as bad as his adversaries.<\/p>\n

\"\"<\/p>\n

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Double or Mutton<\/strong> (1955, Chuck Jones)
So good, they had to have it twice in two successive releases? We\u2019ve been promised Vol. 2 will have an extra cartoon to make up for this error.<\/p>\n

\"\"<\/p>\n

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Each Dawn I Crow<\/strong> (1949, Freleng)
A parody of the radio show Inner Sanctum, with the neurotic and homicidal John Rooster misinterpreting Farmer Elmer Fudd\u2019s intentions. Jerry hates this one, but I always thought it was one of a handful of dark Freleng classics. It also has a throwaway scene that perfectly epitomizes Elmer\u2019s stupidity: him jovially accepting the duck decoy hat and a death sentence while doing his stupid laugh.<\/p>\n

\"\"<\/p>\n

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Easy Peckin\u2019s<\/strong> (1953, McKimson)
One of those retrograde cartoons McKimson often made that feels like it could\u2019ve been made years earlier, with generic blackout gags about a burly rooster versus a panicky fox. Bizarrely ignores the fact his unit actually came up with a rather colorful barnyard cast. \u201cYa shouldn\u2019t have done it, George!\u201d<\/p>\n

\"\"<\/p>\n

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Feather Dusted<\/strong> (1955, McKimson)
Foghorn tries to educate Egghead Jr. on manly games, only to be shot several times.<\/p>\n

\"\"<\/p>\n

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A Fox in a Fix<\/strong> (1951, McKimson)
McKimson\u2019s passive aggressive chummy bulldog in his last appearance, this time putting a fox disguised as a dog through the wringer.<\/p>\n

\"\"<\/p>\n

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Good Night Elmer<\/strong> (1940, Jones)
Elmer in a comedy of frustration against a candle that keeps him up all night. The closest Warners got to making a cartoon that could\u2019ve been made in live-action, though Oliver Hardy or Edgar Kennedy this ain\u2019t. So plodding, even the old HBO Max description warned that you probably shouldn\u2019t watch it.<\/p>\n

\"\"<\/p>\n

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The Goofy Gophers<\/strong> (1947, started by Bob Clampett, finished by Art Davis)
Mac and Tosh in their debut, raiding a garden guarded by the Shakespearean dog (in his debut, too). Bob Clampett started this cartoon and got it through the voice recording before he left in 1945. Art Davis picked it up when he inherited the unit, threw out all of Clampett\u2019s roughs (he couldn\u2019t make heads or tails of them), and carried it through production. Evidence that, contrary to what the true believers want you to think, Clampett knew which way the wind was blowing in the industry and the kind of cartoons a more limited production model would favor.<\/p>\n

\"\"<\/p>\n

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I\u2019d Love to Take Orders from You<\/strong> (1936, Avery)
Noteworthy as an early Avery cartoon with no actual jokes, and for a lot of live-action reference footage being shot for the scarecrow kid trying to scare the crow (seen in Bugs Bunny Superstar<\/em>). <\/p>\n

\"\"<\/p>\n

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A Kiddie\u2019s Kitty<\/strong> (1955, Freleng)
The sadistic child Suzanne adopts Sylvester and uses him to demonstrate several household appliances. Believe it or else, Suzanne actually took on life in a regular feature in the Western Publishing comics (one with Marc Anthony and Pussyfoot, yet).<\/p>\n

\"\"<\/p>\n

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Let it Be Me<\/strong> (1936, Freleng)
Emily the Chicken is lured away from her bumpkin beau Clem by a rooster version of Bing Crosby, who immediately kicks her to the curb. Clem travels to the city to beat the hell out of Bing. Curiously, this was *not* the cartoon Crosby threatened to sue over for the less than flattering depiction (it was Bingo Crosbyana).<\/p>\n

\"\"<\/p>\n

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Of Fox and Hounds<\/strong> (1940, Avery)
One of the last real important Warner cartoons that needed restoration badly (it looks beautiful here). Avery begins his career-long fascination with Lon Chaney Jr.\u2019s portrayal of Lennie in Of Mice and Men, with Willoughby the dog (voiced by Tex himself) who just can\u2019t seem to catch a fox or break. Like Crackpot Quail, Avery tries slapping a different animal costume onto the Bugs Bunny voice and persona he unveiled earlier in 1940, but the fox (and quail) is a nothing. Your sympathy\u2019s always with the dog.<\/p>\n

\"\"<\/p>\n

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Quackodile Tears<\/strong> (1962, Davis)
Henpecked Daffy tries to reclaim his wife\u2019s egg from a doting crocodile father. Davis, no longer a Warner employee, \u201cdirected\u201d this cartoon freelance, only doing the character layouts and having a meeting with the animators, which may explain its utterly detached, soulless quality.<\/p>\n

\"\"<\/p>\n

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Ready, Woolen and Able<\/strong> (1960, Jones)
Another workday ends with Ralph Wolf in a straightjacket. Jones and Maltese pay homage to their pal Tex Avery\u2019s own dog and wolf shorts for this cartoon\u2019s final minutes.<\/p>\n

\"\"<\/p>\n

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Robin Hood Makes Good<\/strong> (1939, Jones)
Almost a tie-in for Warners\u2019 The Adventures of Robin Hood, with a couple of squirrels obsessed with the legend being taken in by a fox posing as Maid Marian.<\/p>\n

\"\"<\/p>\n

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The Squawkin\u2019 Hawk<\/strong> (1942, Jones)
Henery Hawk makes his debut (voiced here by Kent Rogers) in Mike Maltese\u2019s first collaboration with Chuck Jones. The pair abandoned the character, but he took on life in a rather affable feature in the Looney Tunes comic books, and eventually Henery was \u201cadopted\u201d by McKimson to team with what proved to be a much more popular character.<\/p>\n

\"\"<\/p>\n

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Terrier-Stricken<\/strong> (1952, Jones)
Household violence with Claude Cat and Frisky Puppy in this rather unremarkable entry, a rarity for the Jones-Maltese team in this period.<\/p>\n

\"\"<\/p>\n

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Tweet and Lovely<\/strong> (1959, Freleng)
Sylvester adopts a Wile E. Coyote-ish penchant for inventions that fail to catch Tweety or evade Hector, including a robotic dog that immediately mauls the cat.<\/p>\n

\"\"<\/p>\n

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Tweety\u2019s Circus<\/strong> (1955, Freleng)
A Sylvester and Tweety romp in a desolate big top that ends with the psychotic bird showcasing the cat\u2019s murder by way of lions.<\/p>\n

\"\"<\/p>\n

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Two\u2019s a Crowd<\/strong> (1950, Jones)
Claude Cat tries to do in birthday present Frisky Puppy, only to wreck the house\u2019s furnace.<\/p>\n

\"\"<\/p>\n

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Wild About Hurry<\/strong> (1959, Jones)
The one with the Acme Indestructo Steel Ball. More noteworthy are the Latin names (Hardheadipus Oedipus, Batoutahelius) which are about as bawdy as a Jones cartoon got.<\/p>\n

\"\"<\/p>\n

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Zip n\u2019 Snort<\/strong> (1961, Jones)
The one where the Coyote puts axle grease on his feet.<\/p>\n

\"\"<\/p>\n

\n

Disc Two<\/strong><\/u><\/p>\n

Ain\u2019t She Tweet<\/strong> (1952, Freleng)
To catch Tweety, Sylvester must get past Granny\u2019s yard full of bulldogs. Speaking to Greg Ford, Jones cited this one as an example of Freleng\u2019s genius for presenting outrageous ideas matter-of-factly and plausible.<\/p>\n

\"\"<\/p>\n

\n

Banty Raids<\/strong> (1963, McKimson)
McKimson signs off with a hit with his last Foghorn Leghorn cartoon, though the real star is the disgusting beatnik rooster. \u201cSick, man, sick!\u201d<\/p>\n

\"\"<\/p>\n

\n

Birth of a Notion<\/strong> (1947, started by Bob Clampett, finished by Robert McKimson)
Immortal classic with Daffy conning himself a home for the winter, where his wishbone is needed for a scientific experiment. Another cartoon started by Clampett (he cast Stan Freberg as Peter Lorre, and did it again at Screen Gems in Cockatoos for Two<\/em>), though McKimson deserves most of the credit for making it all work so beautifully with his trademark over-posing and beatings. \u201cOh you mad, impetuous boy you!\u201d<\/p>\n

\"\"<\/p>\n

\n

Bye, Bye Bluebeard<\/strong> (1949, Davis)
The last cartoon from the Art Davis unit is one of his best, with Porky the victim of a home invasion by the homicidal maniac Bluebeard (and a poser mouse).<\/p>\n

\"\"<\/p>\n

\n

Cat-Tails for Two<\/strong> (1953, McKimson)
Benny and George seek Mexican food on an ocean liner. Speedy\u2019s first appearance in a more \u201cinsensitive\u201d form, before Hawley Pratt refined him. (Ironically, this is one of the only good Speedy cartoons MeTV has regularly played.)<\/p>\n

\"\"<\/p>\n

\n

Daffy Dilly<\/strong> (1948, Jones)
Cheap laughs salesman Daffy gets more than he bargained for when he tries to inherit ailing buzzsaw baron J.P. Cubish\u2019s fortune. The beginning of the Jones-Maltese postwar duck who\u2019s always driven by greed\/fame\/envy.<\/p>\n

\"\"<\/p>\n

\n

Daffy Duck and Egghead<\/strong> (1938, Avery)
Another immortal duck classic, with Daffy singing \u201cThe Merry-Go-Round Broke Down\u201d (animated by Irv Spence). Served as the template for every studio\u2019s screwball protagonist picture for at least a decade. The competition usually didn\u2019t get what the cartoon and Avery tell us from the start, with both characters emerging from literal Nuts in May: the antagonist isn\u2019t much saner. And that\u2019s what makes it so funny. \u201cOofty-magoofty\u201d indeed.<\/p>\n

\"\"<\/p>\n

\n

Gee Whiz-z-z-z-z-z-z<\/strong> (1956, Jones)
One of the best in the Road Runner series with every gag a winner, and features maybe the most famous pratfall in the series: the Acme Bat-Man\u2019s Outfit (animated by Ken Harris). Ernie Nordli did the color and layouts, adding the unique flavor of every scene being in a different desert.<\/p>\n

\"\"<\/p>\n

\n

Gonzales\u2019 Tamales<\/strong> (1957, Freleng)
The mice conspire to have gringo pussycat Sylvester run womanizer Speedy G. out of town. Freleng\u2019s showmanship goes a long way in making a cartoon without a single likable character still pretty funny.<\/p>\n

\"\"<\/p>\n

\n

Hare Conditioned<\/strong> (1945, Jones)
Breakthrough cartoon for the Jones unit (co-written by Mike Maltese without credit) with Bugs pursued by burly bully, store clerk Gildersneeze (voiced by Dave Barry). \u201cKind of outsmarted you, eh, little chum?\u201d<\/p>\n

\"\"<\/p>\n

\n

Hare Trigger<\/strong> (1945, Freleng)
And, a breakthrough cartoon for the Freleng unit (also written by Maltese), with Bugs in his first encounter with his greatest adversary, Yosemite Sam. Even with all the classics to follow, Freleng still cited the first one as his favorite of the series.<\/p>\n

\"\"<\/p>\n

\n

Hare Trimmed<\/strong> (1953, Freleng)
Good scout Bugs comes to the rescue when Sam decides millionaire widow Granny ought to get married.<\/p>\n

\"\"<\/p>\n

\n

Horton Hatches the Egg<\/strong> (1942, Clampett)
The first wholly Bob Clampett cartoon with his golden unit, this adaptation of Dr. Seuss\u2019 story with Horton the Elephant (voiced by Kent Rogers) is genuinely heartwarming. Just so you don\u2019t forget who\u2019s actually running this picture, there\u2019s an inexplicable scene with a Peter Lorre fish blowing his brains out.<\/p>\n

\"\"<\/p>\n

\n

Little Boy Boo<\/strong> (1954, McKimson)
Foghorn\u2019s first attempt as a father figure to Egghead Jr. that has too many great Leghornisms to count. \u201cThere\u2019s somethin\u2019 kinda YEEEEH about a kid that\u2019s never played baseball.\u201d<\/p>\n

\"\"<\/p>\n

\n

Much Ado About Nutting<\/strong> (1953, Jones)
A squirrel tries everything, including destroying a NYC block, to crack open a coconut, to no avail. Underrated pantomime picture that feels more like something Jones might have done ten years earlier, only now he\u2019s a much better filmmaker with stronger collaborators. <\/p>\n

\"\"<\/p>\n

\n

Odor-Able Kitty<\/strong> (1945, Jones)
What was first a comic book story by Mike Maltese launches a series (perhaps ill-advisedly), with a male cat disguised as a skunk pursued by the horny Pepe Le Pew. Notably ends with Pepe married with kids and his act being a put-on.<\/p>\n

\"\"<\/p>\n

\n

Past Perfumance<\/strong> (1955, Jones)
Pepe in pursuit of Penelope at a French movie studio in the silent era. During production, Jones commented to his daughter Linda in a letter that he was having too much fun with fractured French gags that take up most of this cartoon. Considering how much funnier all of those gags are than the Pepe chase (the sycophantic group of \u201coui-men\u201d following a dirty old man director and his shapely secretary is trailblazing), perhaps he should\u2019ve pursued that as the focus of the series. \u201cSacre PEW! Zat picture STINK!\u201d<\/p>\n

\"\"<\/p>\n

\n

Porky\u2019s Duck Hunt<\/strong> (1937, Avery)
Maybe one of the most important cartoons ever made, with duck hunter Porky (now voiced by Mel Blanc) encountering a truly daffy duck (animated by Bob Clampett). They\u2019ve been skipping over the black-and-white Porkys in this series, so it\u2019s nice to see an exceptional classic show up here.<\/p>\n

\"\"\"\"<\/p>\n

\n

Rabbit Punch<\/strong> (1948, Jones)
Bugs versus the Crusher in a boxing match that goes on for so seemingly endless rounds. Maybe they\u2019d have run out of film to finish it even if Bugs didn\u2019t cut it!<\/p>\n

\"\"<\/p>\n

\n

Red Riding Hoodwinked<\/strong> (1955, Freleng)
Fairy tale retelling with Sylvester, Tweety, that wolf that can\u2019t remember a damn thing, and a Granny that might owe something to Jackie Gleason.<\/p>\n

\"\"<\/p>\n

\n

Rhapsody Rabbit<\/strong> (1946, Freleng)
Bugs plays piano against a mouse? I dissected the controversy over the similarities with Tom & Jerry\u2019s Cat Concerto a decade ago, where I concluded it was all purely coincidental. Neither of them rank highly for me, but I\u2019d give the edge to the Bugs cartoon since it\u2019s simply funnier, as out-of-character as he is in it.<\/p>\n

\"\"<\/p>\n

\n

Snow Business<\/strong> (1953, Freleng)
Sylvester and Tweety are snowed in at Granny\u2019s cabin with nothing to eat but bird seed. Potential monotony is broken up brilliantly by the abrupt introduction of a starving mouse who decides to eat Sylvester.<\/p>\n

\"\"<\/p>\n

\n

Tom Turk and Daffy<\/strong> (1944, Jones)
Glutton Daffy betrays Tom Turk\u2019s whereabouts to pilgrim Porky, only to become the hunted himself. Another breakthrough Jones picture with streamlined layouts and poses that strengthen the acting. \u201cThe yams did it!\u201d<\/p>\n

\"\"<\/p>\n

\n

Two Crows from Tacos<\/strong> (1956, Freleng)
The dimwitted duo of Jose and Manuel pursue a grasshopper. Tom Holland and Don Diamond voice the crows. The beginning of Freleng\u2019s penchant for covering old stories and gags with broad Mexican caricatures, a concept that caused an uptick in the cartoons\u2019 international popularity.<\/p>\n

\"\"<\/p>\n

\n

Zoom and Bored<\/strong> (1957, Jones)
Described once by historian Milt Gray as \u201cthe perfect Road Runner cartoon\u201d, another one where every gag and pose is uniquely funny. The scene with the bomb chute is arguably the funniest in the series.<\/p>\n

\"\"<\/p>\n

Over and out, see you for Vol. 2 later.<\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"

Warner Archive Collection has followed up its killer Looney Tunes: Collector\u2019s Choice series with something even better: Looney Tunes: Collector\u2019s Vault Vol. 1. It\u2019s a continuation of producers Jerry Beck and George Feltenstein\u2019s goal to get as many of the classic Warner cartoons to physical media as possible, only now it\u2019s two discs for almost […]<\/p>\n","protected":false},"author":1,"featured_media":283935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12035],"tags":[3624,54245,3863],"dealstore":[],"offerexpiration":[],"class_list":["post-283934","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-collectors","tag-vault","tag-vol"],"yoast_head":"\nCollector\u2019s Vault Vol. 1\u201d | - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=283934\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Collector\u2019s Vault Vol. 1\u201d | - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Warner Archive Collection has followed up its killer Looney Tunes: Collector\u2019s Choice series with something even better: Looney Tunes: Collector\u2019s Vault Vol. 1. 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