{"id":276957,"date":"2025-06-06T10:40:39","date_gmt":"2025-06-06T10:40:39","guid":{"rendered":"https:\/\/peraltafinancing.com\/uncategorized\/nadah-el-shazly-laini-tani\/"},"modified":"2025-06-06T10:40:39","modified_gmt":"2025-06-06T10:40:39","slug":"nadah-el-shazly-laini-tani","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=276957","title":{"rendered":"Nadah El Shazly: Laini Tani"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<figure id=\"attachment_479480\" aria-describedby=\"caption-attachment-479480\" style=\"width: 300px\" class=\"wp-caption alignright\"><img fetchpriority=\"high\" decoding=\"async\" onerror=\"this.src=\" https:=\"\" class=\"size-medium wp-image-479480\" src=\"https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-300x300.jpeg\" alt=\"Nadah El Shazly - Laini Tani album cover\" width=\"300\" height=\"300\" srcset=\"https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-300x300.jpeg 300w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-700x700.jpeg 700w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-150x150.jpeg 150w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-768x768.jpeg 768w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-1536x1536.jpeg 1536w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-2048x2048.jpeg 2048w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-420x420.jpeg 420w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-696x696.jpeg 696w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-1068x1068.jpeg 1068w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-595xh.jpeg 595w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-600x600.jpeg 600w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-100x100.jpeg 100w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-24x24.jpeg 24w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-48x48.jpeg 48w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-96x96.jpeg 96w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/Laini-Tani-album-artwork-scaled.jpeg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\"\/><figcaption id=\"caption-attachment-479480\" class=\"wp-caption-text\">Nadah El Shazly Laini Tani album artwork<\/figcaption><\/figure>\n<p><strong>Nadah El Shazly: Laini Tani<\/strong><\/p>\n<p><a href=\"https:\/\/www.w3schools.com\" target=\"_blank\" rel=\"noopener\"><strong>One Little Independent Records<\/strong><\/a><\/p>\n<p><strong>CD | Black Vinyl | Coloured Vinyl<\/strong><\/p>\n<p><strong>Released 06 June 2025<\/strong><\/p>\n<p><strong>Adam Brady reviews the second solo album from Nadah El Shazly, released on her new label One Little Independent Records<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>There have been, and will continue to be, times where I wish I knew different languages. Not from a learned or scholarly perspective, but from an instinctive, natural, and emotional perspective. As good and as helpful as translations are, there is always something lost in translation; emotion. The same can be said for non-Western musical traditions. For example, I\u2019m going to be referencing at least one maqam from the Arabic family (the other two families are Persian and Turkish). If I haven\u2019t lost you yet, then thank you.<\/p>\n<p>Laini Tani (\u0668- \u0644\u0627\u0642\u064a\u0646\u064a \u062a\u0627\u0646\u064a) is the second solo album from Egyptian-born, Canada-based Nadah El Shazly and it is due for release on her new label One Little Independent Records on 06 June.<\/p>\n<p>The title of the album translates from Egyptian Arabic as \u2018Find Me Again\u2019 and you would expect threads of love, loss, and hope \u2013 and you do. Not all of it is of the traditional Western romantic variety.<\/p>\n<p>Opening track Elnadaha (Siren\/\u0661- \u0627\u0644\u0646\u062f\u0627\u0647\u0629 ) is ethereal, calling upon the listener to \u201c\u2026unfreeze, wake up from shock slumber\u201d. El Shazly\u2019s voice is becoming and beguiling, with frequent collaborator Sarah Page\u0301\u2019s harp adding plucked and strung atmospherics whilst Patrick Graham\u2019s hydraulophone playing adds to the just woken, eyes blinking state of wonder.<\/p>\n<p>The album as a whole is a beautiful mixture of Egyptian and Arabic musical tradition and heritage with Western sensibilities. Kaaba Aali (High-Heeled\/\u0662- \u0643\u0639\u0628\u064a \u0639\u0627\u0644\u064a), the second single released from the album, with its electronic riff and percussion beats is a perfect synthesis of (cue internal screaming) East and West.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Nadah El Shazly - Kaabi Aali \u0643\u0639\u0628\u064a \u0639\u0627\u0644\u064a\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/Y9YJsPZaWME?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span><\/p>\n<p>Third track Banit (Summoned\/\u0663- \u0628\u0627\u0646\u0650\u062a) takes as its inspiration the zar ceremonies in Cairo that are female-led and which are performed to heal body and spirit. The chorus of \u2018My road is long and I\u2019ll protect it\u2019 serves as a commitment to holistically looking after one\u2019s self, and the ritualistic and hypnotic percussive beat underscores the spiritual nature of the song\u2019s initial genesis.<\/p>\n<p>The middle of the album is dominated by Enti Fi Neama (You Are In Bliss\/\u0665- \u0627\u0646\u062a\u064a \u0641\u064a \u0646\u0639\u0645\u0629) and Dafaa Robaai (4\u00d74\/\u0666- \u062f\u0641\u0639 \u0631\u0628\u0627\u0639\u064a); the former is an almost industrial instrumental that, as it progresses, coalesces into a rhythm which is as unique as El Shazly\u2019s hometown of Cairo. From the ground all is chaos, but with each second of the song that passes you are elevated so that come the zenith and you look down below, all is revealed.<\/p>\n<p>As it segues into Dafaa Robaai the rhythm percussively explodes giving the track a solid beat. El Shazly says \u201cIt\u2019s about getting the poetry and the music out of the tombs. Contrasting heavy lyrics with a dance beat has always been a main characteristic of Egyptian music, offering a chance to express things that are otherwise harder to confess\u201d.<\/p>\n<p>Penultimate track, and the title track of the album, Laini Tani sees Page\u0301\u2019s hard tuned to the saba maqam (one of El Shazly\u2019s favourites), and it is used first softly, giving the song the feel of a lullaby. Then as the chorus kicks in the lower registers of the harp propels the song forwards, with the electronics and beats as accompaniment. It\u2019s stunning.<\/p>\n<p>Lead single, and album closer, Ghorzetein (Two Stitches\/\u0669- \u063a\u0631\u0632\u062a\u064a\u0646) is a song of love and heartbreak twice over. Two stitches for each tear; two stitches to love again; two stitches as a \u2018fuck you\u2019 to the people that caused the need:<\/p>\n<p><em>Two stitches<br \/>Two stitches<br \/>Both lean into my heart<br \/>My tongue loose<\/em><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Nadah El Shazly - Ghorzetein\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/iee2rYmeF2E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span><\/p>\n<p>One aspect I\u2019ve not touched upon yet is that of vocal manipulation, which is a hallmark of Arabic singing. It is said of Umm Kulthum that she never sang a line in a song the same way twice. As much as the album is a fixed object, El Shazly\u2019s does manipulate and modulate her voice (naturally). Performed live there would be ample opportunities here should she wish to follow in the footsteps of <em>Egypt\u2019s Fourth Pyramid<\/em>. Songs such as Banit (Summoned\/\u0663- \u0628\u0627\u0646\u0650\u062a), Eid(\u0664- \u0639\u064a\u062f), and Labkha(Jumbled\/\u0667- \u0644\u0628\u062e\u0629) could offer up such chances. That being said, El Shazly is her own artist; she stands in the shadow of no-one, and her forward looking experimentalism means her legacy will be as unique and as distinct as Kulthum\u2019s<\/p>\n<p>Blithely speaking, Laini Tani is a successful mash-up of East and West. The more considered amongst us would call it a perfect blend of tradition and innovation, that speaks to the heart of the heart in a language intelligible to all \u2013 nothing lost in translation.<\/p>\n<p style=\"text-align: center;\">~<\/p>\n<figure id=\"attachment_479479\" aria-describedby=\"caption-attachment-479479\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" onerror=\"this.src=\" https:=\"\" class=\"size-medium wp-image-479479\" src=\"https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-300x287.png\" alt=\"Nadah El Shazly\" width=\"300\" height=\"287\" srcset=\"https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-300x287.png 300w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-700x670.png 700w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-768x735.png 768w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-1536x1471.png 1536w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-2048x1961.png 2048w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-439x420.png 439w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-696x666.png 696w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-1068x1023.png 1068w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-595xh.png 595w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-600x574.png 600w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-24x24.png 24w, https:\/\/louderthanwar.com\/wp-content\/uploads\/2025\/06\/6794-lead-image-cropped-scaled.png 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\"\/><figcaption id=\"caption-attachment-479479\" class=\"wp-caption-text\">Image by Omar Sha3<\/figcaption><\/figure>\n<p><strong>All words by Adam Brady, who hosts <a href=\"https:\/\/louderthanwar.com\/louder-than-war-radio\/adam-brady-the-adam-brady-show\/\" target=\"_blank\" rel=\"noopener\">The Adam Brady Show on Louder Than War Radio<\/a>. You can find his author\u2019s archive <a href=\"https:\/\/louderthanwar.com\/author\/adam-brady\/\">here<\/a><\/strong><\/p>\n<div style=\"background-color:#F2F2F2;\">\n<p><b>A Plea From Louder Than War<\/b><\/p>\n<p>Louder Than War is run by a small but dedicated independent team, and we rely on the small amount of money we generate to keep the site running smoothly. Any money we do get is not lining the pockets of oligarchs or mad-cap billionaires dictating what our journalists are allowed to think and write, or hungry shareholders. We know times are tough, and we want to continue bringing you news on the most interesting releases, the latest gigs and anything else that tickles our fancy. We are not driven by profit, just pure enthusiasm for a scene that each and every one of us is passionate about. <\/p>\n<p> To us, music and culture are eveything, without them, our very souls shrivel and die. We do not charge artists for the exposure we give them and to many, what we do is absolutely vital. <b>Subscribing to one of our paid tiers takes just a minute, and each sign-up makes a huge impact, helping to keep the flame of independent music burning! Please click the button below to help. <\/b><\/p>\n<p> John Robb \u2013 Editor in Chief <\/p>\n<p> <a id=\"subscribe-btn\" href=\"https:\/\/louderthanwar.com\/subscribe-to-louder-than-war\/\">PLEASE SUBSCRIBE TO LTW<\/a><\/p>\n<\/div>\n<\/div>\n<p><script>(function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src=\"https:\/\/connect.facebook.net\/en_GB\/sdk.js#xfbml=1&amp;appId=249643311490&version=v2.3\"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk'));<\/script><br \/>\n<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nadah El Shazly Laini Tani album artwork Nadah El Shazly: Laini Tani One Little Independent Records CD | Black Vinyl | Coloured Vinyl Released 06 June 2025 Adam Brady reviews the second solo album from Nadah El Shazly, released on her new label One Little Independent Records \u00a0 There have been, and will continue to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":276958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104692,105,102190,97309,104693],"tags":[104696,104694,104695,104697],"dealstore":[],"offerexpiration":[],"class_list":["post-276957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","category-music","category-music-reviews","category-new-music","category-world-music","tag-laini","tag-nadah","tag-shazly","tag-tani"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - 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