{"id":27621,"date":"2025-01-15T02:59:57","date_gmt":"2025-01-15T02:59:57","guid":{"rendered":"https:\/\/peraltafinancing.com\/ambient-music\/shrine-mytrip-descent\/"},"modified":"2025-01-15T02:59:57","modified_gmt":"2025-01-15T02:59:57","slug":"shrine-mytrip-descent","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=27621","title":{"rendered":"Shrine & Mytrip \u2013 Descent"},"content":{"rendered":"


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Shrine & Mytrip \u2013 Descent <\/em>7\u201dEP Amek Collective \/ Corvus Records 2022<\/strong><\/p>\n

For this short two-track release, these two Bulgarian artists have teamed up with an apparent intent on bridging the gap between their respective sounds. To be a little more specific on that assertion, Shine are typically known for deep cinematic dark ambience tinged with organic toned field recordings, while Mytrip is concerned with electronic-ambient soundscapes which also push towards rhythmic and beat-driven spheres.<\/p>\n

The first track is Ruin Dweller<\/em> is concerned with inky black tonal washes, deep guttural drones and lighter echoed textures to provide the perception of sonic depth. Minimalist orchestral synth pads provide a melodious edge, and a mid-paced flow pushing the track forwards its six or so minutes pass rather quickly. The flip side brings Dark Rays of Light <\/em>which is a tad (\u2018ahem\u2019<\/em>) lighter, where the soundscape has a slightly less forceful ebb and flow, instead settles into a central melodious churn. Of note, the minimalist rhythmic textures sitting within the background have a clear fingerprint of Mytrip, while the widescreen shimmering textures bring clearly to mind Shine\u2019s approach.<\/p>\n

Ultimately Descent<\/em> is a successful release that delivers an interesting but all too short EP of sonic material that sits comfortably at the sonics midpoint of the two contributing artists. A high gloss gatefold cover completes the package.<\/p>\n

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