{"id":270146,"date":"2025-06-03T08:21:57","date_gmt":"2025-06-03T08:21:57","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/dennis-farrell-interpreting-his-surroundings\/"},"modified":"2025-06-03T08:21:57","modified_gmt":"2025-06-03T08:21:57","slug":"dennis-farrell-interpreting-his-surroundings","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=270146","title":{"rendered":"Dennis Farrell | Interpreting his surroundings"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"post-body-4838942926061700192\">\n<div class=\"separator\" style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiNBb5CLF-CLyARTvvSMdkZ23natvfkjW8L2lKdKC-zmkWMm5hGZGSCvaZBhyBPwNhD0BIcnYQyPzRH3Zrq-Qxa1h8s7JksjlJ5UXOU5pyXnBmj6RJsApBDIzT8ATZQ8J1ypSuP70_KGwk\/s1600\/Dennis-Farrell-2.jpg\" imageanchor=\"1\" style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"427\" data-original-width=\"640\" height=\"266\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiNBb5CLF-CLyARTvvSMdkZ23natvfkjW8L2lKdKC-zmkWMm5hGZGSCvaZBhyBPwNhD0BIcnYQyPzRH3Zrq-Qxa1h8s7JksjlJ5UXOU5pyXnBmj6RJsApBDIzT8ATZQ8J1ypSuP70_KGwk\/s400\/Dennis-Farrell-2.jpg\" width=\"400\"\/><\/a><\/div>\n<p>We have been quiet for a couple of weeks with our blog posting, busy with exhibitions in the gallery and taking advantage of the late summer warmth in London to head off to the coast for a few days&#8230;<\/p>\n<p>\nWe are back this week with Dennis Farrell. We first sold Dennis Farrell&#8217;s ceramics a few years back, when he took part in a Christmas exhibition, so it is nice to see him back in the gallery, this time with the inclusion of some larger vessels &#8211; the perfect canvases for his expressive painting.\u00a0\u00a0<\/p>\n<p>\nDennis draws inspiration from historical references. Observations directly influence his approach to form and surface, and the connections can be seen through his use of techniques and colour. Over the years, this has heightened his awareness of his surroundings and how everyday experiences subconsciously influence his practice.\u00a0<\/p>\n<p>\nCeramics by Dennis Farrell will be on display and for sale in the gallery between September and the end of December 2019.<\/p>\n<h3>\nContemporary Ceramics in conversation with the artist, Dennis Farrell.<\/h3>\n<div>\n<table cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"float: left; margin-right: 1em; text-align: left;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEg52fdWEFB2c1zeaszEEHvHYZHjc4PKrBzIezDmRXHgX2keKljNRUe0GYEEL5xIM7cEJp7szCtZq9sIImjm-LTN7MWAVWr2l9QFaMqCSOPlBqhEPZBMacEnjXE4JWovvROLfVkxGAalqaM\/s1600\/Dennis+Farrell.jpg\" imageanchor=\"1\" style=\"clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"427\" data-original-width=\"640\" height=\"266\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEg52fdWEFB2c1zeaszEEHvHYZHjc4PKrBzIezDmRXHgX2keKljNRUe0GYEEL5xIM7cEJp7szCtZq9sIImjm-LTN7MWAVWr2l9QFaMqCSOPlBqhEPZBMacEnjXE4JWovvROLfVkxGAalqaM\/s400\/Dennis+Farrell.jpg\" width=\"400\"\/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\">Dennis Farrell in his studio<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><b style=\"background-color: white; color: #073763; font-family: &quot;PT Sans&quot;; font-size: 16px;\">Contemporary Ceramics:\u00a0<\/b><span style=\"color: #073763;\">Why do you do what you do?<\/span>\u00a0<\/div>\n<p>\n<b><span style=\"color: #660000;\">Dennis Farrell:<\/span><\/b> Quite simply I have always enjoyed being creative, expressing and interpreting what I see around me has always been the starting point for my artworks particularly my ceramics.\u00a0<\/p>\n<p>\n<span style=\"color: #073763;\"><b>CC:<\/b>\u00a0 How did you first get involved in working with clay?<\/span>\u00a0<\/p>\n<p>\n<b><span style=\"color: #660000;\">DF:\u00a0<\/span><\/b>Art was my favourite subject at school and I was lucky to have young inspirational teachers who encouraged me. My Foundation Course was like being in an arts sweet shop, I enjoyed every technique and discipline. I was set on being a painter until I found the ceramics studio in the basement. Frank Egerton was a young tutor just graduated from Manchester Polytechnic and he brought a vibrant approach to the possibilities of working clay.<\/p>\n<table cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"float: right; margin-left: 1em; text-align: right;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjt8wK4STBa4QVjnlSSz5sjRLiJOvIcrQ7aTI9X_txtpAUC-WK1WyV79SklEvsFw9TbGlloq_7RLkmZI2NXFUtGix4MaVZOAcE8P5kecUyae3OhJX6IkUXm7ePWmDkb8QA_P87Wfcn-WMs\/s1600\/2.jpg\" imageanchor=\"1\" style=\"clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"524\" data-original-width=\"750\" height=\"278\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjt8wK4STBa4QVjnlSSz5sjRLiJOvIcrQ7aTI9X_txtpAUC-WK1WyV79SklEvsFw9TbGlloq_7RLkmZI2NXFUtGix4MaVZOAcE8P5kecUyae3OhJX6IkUXm7ePWmDkb8QA_P87Wfcn-WMs\/s400\/2.jpg\" width=\"400\"\/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\">Dennis Farrell | Sweeping Landscape 60x27x39cm\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\n<span style=\"color: #073763;\"><b>CC:\u00a0<\/b>Are there new pieces or a new direction in your work that will be explored for this display feature?\u00a0<\/span><\/p>\n<p>\n<b><span style=\"color: #660000;\">DF:\u00a0<\/span><\/b>I use very similar hand-building techniques each time I undertake a block of work, however, the way I approach laying down the surface will be influenced to some degree by the subject matter I&#8217;m responding to at the time. Recently, following a study visit to the North East Yorkshire coast, I have become fascinated by the chalk cliff formations at Flamborough and North Landing. This has led to a more linear drawing like approach to surface and mark making. Recent pieces exploring these qualities are included in the group of pieces for the display.\u00a0<\/p>\n<table cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"float: left; margin-right: 1em; text-align: left;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgEBkGZwecaqKT_LiIhz4-_GWbiRC11FondkrQR6-1UNzOl7v-Cr0NUl6QftFrTQOt-pkg4vx9_UXKxKN37PKjcqHn7q8Da6c36cGiUELIsYpAIg1vA8cTLxshNOtjw3Si95ZhlrtADyhw\/s1600\/7.jpg\" imageanchor=\"1\" style=\"clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"750\" data-original-width=\"474\" height=\"400\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgEBkGZwecaqKT_LiIhz4-_GWbiRC11FondkrQR6-1UNzOl7v-Cr0NUl6QftFrTQOt-pkg4vx9_UXKxKN37PKjcqHn7q8Da6c36cGiUELIsYpAIg1vA8cTLxshNOtjw3Si95ZhlrtADyhw\/s400\/7.jpg\" width=\"252\"\/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\">Dennis Farrell |\u00a0\u00a0Secret space 15x11x29cm ht.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\n<b style=\"color: #073763;\">CC:\u00a0<\/b><span style=\"color: #073763;\">How do you work?\u00a0<\/span><\/p>\n<p>\n<b><span style=\"color: #660000;\">DF:\u00a0<\/span><\/b>I have always drawn inspiration from historical references and what I see around me. The idea that we&#8217;ve tried to understand so much about human existence from the artefacts we have uncovered has played a part in the way I develop ideas for form and surface. For instance, the inspiration for my work in the seventies was drawn from seeing the demolition of textile mills and housing in West Yorkshire and East Lancashire. Once the buildings were opened up the scars of constant interior decorating created multi-layered patterns, torn edges and contrasting materials. These observations inspired an experimental approach to applying coloured slips using patterned cut sponges and paper resists combined with direct brushwork. The fragmented buildings encouraged me to look at archaeological fragments with eroded surfaces and semi-constructed forms. This led me to create forms that in themselves were perceived as fragments or sections of something more complete.\u00a0<\/p>\n<p>\n<b style=\"color: #073763;\">CC:<\/b>\u00a0<span style=\"color: #073763;\">How has your practice changed over time?<\/span>\u00a0<\/p>\n<p>\n<b><span style=\"color: #660000;\">DF:\u00a0<\/span><\/b>Teaching ceramics has required me to absorb and understand contemporary and historical ceramics practice and references, this, in turn, has influenced my approach throughout the years. For instance, 16th-century Japanese ceramics, particularly the work of Ogata Kenzan, Oribeware and the work of Shoji Hamada have been significantly influential. Over time techniques have varied only slightly, but the subject matter has inspired changes in the way I express form and surface.\u00a0<\/p>\n<table cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"float: right; margin-left: 1em; text-align: right;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiAS8ndd4Qi8ngNO84cwhdNV8Fzc3a-7ykMyXEu4L7TvaqFi5F0QTRdncwh323YE4B4wnhrncV8DGd_7pM6_wxuFs4x9q5ETWoYabJB_IZaevkeejpvMbk6DRZpN0oo5ccUJvipZsWhjLs\/s1600\/9.jpg\" imageanchor=\"1\" style=\"clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"734\" data-original-width=\"750\" height=\"391\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiAS8ndd4Qi8ngNO84cwhdNV8Fzc3a-7ykMyXEu4L7TvaqFi5F0QTRdncwh323YE4B4wnhrncV8DGd_7pM6_wxuFs4x9q5ETWoYabJB_IZaevkeejpvMbk6DRZpN0oo5ccUJvipZsWhjLs\/s400\/9.jpg\" width=\"400\"\/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\">Dennis Farrell | Clifftop Walk<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\n<b style=\"color: #073763;\">CC:<\/b>\u00a0<span style=\"color: #073763;\">What images keep you company in the space where you work?<\/span>\u00a0<\/p>\n<p>\n<b><span style=\"color: #660000;\">DF:\u00a0<\/span><\/b>Currently I have photos, sketchbook drawings and paintings from my visit to the North Yorks coastline, but I&#8217;m also referencing William De Kooning and Barbara Rae to absorb vibrancy and directness in their approach.\u00a0<\/p>\n<p>\n<b style=\"color: #073763;\">CC:<\/b>\u00a0<span style=\"color: #073763;\">What was the first piece of art that really mattered to you?<\/span><\/p>\n<p>\n<b><span style=\"color: #660000;\">DF:<\/span><\/b>\u00a0I can&#8217;t recall a single &#8216;oh my god&#8217; piece. In my teenage years, it was the work of the Impressionists that had an impact.\u00a0 In terms of ceramics, I was blown away by the work of Hans Coper in\u00a0the Coper Collingwood exhibition at the V&amp;A.\u00a0<\/p>\n<table cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"float: left; margin-right: 1em; text-align: left;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi-jbMNgpo-tsWSRFeBNteTwgHI10b853XCuq6fcyan_uzonIII4OtN4qxDpDR2jPxyeWNs1EyJf3tu2-8D_ejDcDYFwRYRLKdjXFqjWGe34uGKCUxhg4dAP6oJROFrygB1VSFbeVyvE4c\/s1600\/14.jpg\" imageanchor=\"1\" style=\"clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"750\" data-original-width=\"628\" height=\"400\" src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi-jbMNgpo-tsWSRFeBNteTwgHI10b853XCuq6fcyan_uzonIII4OtN4qxDpDR2jPxyeWNs1EyJf3tu2-8D_ejDcDYFwRYRLKdjXFqjWGe34uGKCUxhg4dAP6oJROFrygB1VSFbeVyvE4c\/s400\/14.jpg\" width=\"333\"\/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center;\">Dennis Farrell |\u00a0Estuary Light 35x9x40cm ht<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\n<b style=\"color: #073763;\">CC:<\/b>\u00a0<span style=\"color: #073763;\">What role does the potter\/ceramist have in the 21st Century?\u00a0<\/span><\/p>\n<p>\n<b><span style=\"color: #660000;\">DF:\u00a0<\/span><\/b>To continue to engage in the relevance and importance of individual craft practice in an ever-increasing technological &#8216;hands-off&#8217; society.\u00a0<\/p>\n<p>\n<b style=\"color: #073763;\">CC:<\/b>\u00a0<span style=\"color: #073763;\">How do you hope people experience your ceramics?\u00a0<\/span><\/p>\n<p>\n<b><span style=\"color: #660000;\">DF:\u00a0<\/span><\/b>Being engaged with the work long enough to absorb something for themselves\u00a0<\/p>\n<p>\n<b style=\"color: #073763;\">CC:<\/b>\u00a0<span style=\"color: #073763;\">How does working with clay influence your life beyond the workshop?<\/span>\u00a0<\/p>\n<p>\n<b><span style=\"color: #660000;\">DF:\u00a0<\/span><\/b>I have been invited to meet many students groups and have made friends worldwide through my clay practice over the years. Also, my practice has heightened my awareness of my surroundings and how everyday experiences can subconsciously affect my approach.\u00a0<\/p>\n<p>\n<b><i>Dennis Farrell, September 2019<\/i><\/b><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>We have been quiet for a couple of weeks with our blog posting, busy with exhibitions in the gallery and taking advantage of the late summer warmth in London to head off to the coast for a few days&#8230; We are back this week with Dennis Farrell. We first sold Dennis Farrell&#8217;s ceramics a few [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":270147,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[17491,96297,13908,51934],"dealstore":[],"offerexpiration":[],"class_list":["post-270146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-dennis","tag-farrell","tag-interpreting","tag-surroundings"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dennis Farrell | Interpreting his surroundings - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=270146\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dennis Farrell | Interpreting his surroundings - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"We have been quiet for a couple of weeks with our blog posting, busy with exhibitions in the gallery and taking advantage of the late summer warmth in London to head off to the coast for a few days&#8230; We are back this week with Dennis Farrell. 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