{"id":266271,"date":"2025-06-01T02:53:45","date_gmt":"2025-06-01T02:53:45","guid":{"rendered":"https:\/\/peraltafinancing.com\/animation\/10-shorts-you-dont-want-to-miss-at-annecy-2025\/"},"modified":"2025-06-01T02:53:45","modified_gmt":"2025-06-01T02:53:45","slug":"10-shorts-you-dont-want-to-miss-at-annecy-2025","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=266271","title":{"rendered":"10 Shorts You Don&#8217;t Want To Miss At Annecy 2025"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>While Hungary is the country of focus at this year\u2019s Annecy animation festival, it\u2019s Canada that\u2019s stealing the spotlight in both the short and feature competitions. The Canucks boast three feature films in this year\u2019s lineup, alongside five Official Short entries (six if you count resident Canadian Theodore Ushev\u2019s latest French production) and two more in the Perspectives strand. In the face of relentless \u2014 and frankly misguided \u2014 bullying from our southern neighbours, Canadian animation continues to shine with power, originality, and sheer diversity.<\/p>\n<p>But enough patriotism: let\u2019s get to the shorts you shouldn\u2019t miss. This year\u2019s Official Short Competition, Off\u2011Limits, and Perspectives programs showcase 62 films \u2014 five fewer than in 2024 \u2014 underscoring an annoying <a href=\"https:\/\/www.cartoonbrew.com\/shorts\/when-did-animated-shorts-get-so-long-an-investigation-into-the-uncomfortable-rise-of-long-shorts-245307.html\" target=\"_blank\">trend toward longer formats<\/a>. You\u2019ll find a mix of veterans (Priit and Olga P\u00e4rn, Thomas Renoldner) alongside a host of fresh voices, all rendered in an eclectic array of techniques, from stop\u2011motion and motion capture to hand\u2011drawn and hybrid styles.<\/p>\n<p>Below are ten standout shorts that slice through the Hollywood haze engulfing Annecy\u2019s corporate amusement\u2011park landscape \u2014 and, mercifully, can\u2019t be hit with Trump\u2011era tariffs\u2026 yet.<\/p>\n<p><!--googleoff: index--><\/p>\n<aside class=\"cb-ad cb-post inset\"\/><!--googleon: index--><\/p>\n<p><strong><em>Il burattino e la balena,<\/em> Roberto Catani, Italy<\/strong><\/p>\n<p>Roberto Catani, whose previous films include the award\u2011winning <em>La\u202fSagra<\/em> and <em>La\u202fFunabola<\/em>, unveils a hand\u2011drawn allegory in <em>Il\u202fBurattino e\u202fla\u202fBalena<\/em>. We witness Pinocchio\u2019s first breaths: the crack of wood, a tentative toe\u2011tap, then the instant a simple cap transforms his playful prance into something more ominous. Ascending a tight staircase, he encounters a line of people moving with unsettling precision, as if carved from the same timber. Catani\u2019s stark visuals blur the line between puppet and person, asking whether free will survives when strings, literal or not, pull every step.<\/p>\n<p><iframe loading=\"lazy\" title=\"Il burattino e la balena - trailer\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/Hr46F6mdgfU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<hr\/>\n<p><strong><em>Bread Will Walk<\/em>, Alex Boya, Canada<\/strong><\/p>\n<p>In a world ravaged by famine, The Mill\u00a9 unveils its so\u2011called \u201cMiracle Loaf,\u201d bread that not only fills your belly but transforms anyone who eats it into a living, breathing loaf. When a young boy becomes one of these cursed creations, his sister plunges into the city\u2019s labyrinthine alleys, pursued by a ravenous mob hungry for fresh bread.<\/p>\n<p>Blending Hansel and Gretel\u2019s eerie charm with the dystopian bite of <em>Black Mirror,<\/em> <em>Bread Will Walk<\/em> unfolds as a relentless, hand\u2011drawn fresco in motion. Every frame pulses with raw energy, its surreal morphs and twitchy character animation exposing a world twisted by corporate propaganda and mass desperation.<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/1065843108?h=d61fbd1b09&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<hr\/>\n<p><strong><em>Chronicity<\/em>, Aleta Rajic, Bosnia and Herzegovina<\/strong><\/p>\n<p><em>Chronicity<\/em> opens with a woman casually swatting a fly, then whisks us into a dance through Sarajevo on June 28, 1914. We glimpse street vendors, flirting couples, and nosy onlookers, all caught in a delicate choreography of chance encounters. Each small diversion \u2014 a barking dog, a pickpocket\u2019s deft hand, a stray cat in the gutter \u2014 sets off a domino effect of almost comical mishaps.<\/p>\n<p>In its final moments, these interwoven threads converge on Gavrilo Princip, mere seconds before he shoots Archduke Franz Ferdinand and ignites a global conflagration. <em>Chronicity<\/em> is at once humorous, disorienting, and taut with suspense, subtly suggesting how the course of existence hinges on the smallest of decisions, and how, with one tiny change, the course of the world might have veered entirely differently.<\/p>\n<p><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/chronicity.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[247507]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/chronicity.jpg\" alt=\"Chronicity\" width=\"1500\" height=\"840\" class=\"alignnone size-full wp-image-247515\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/chronicity.jpg 1500w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/chronicity-380x213.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/chronicity-580x326.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/chronicity-768x430.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/chronicity-145x81.jpg 145w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/chronicity-180x101.jpg 180w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\"\/><\/a><\/p>\n<hr\/>\n<p><strong><em>K\u2019uchu: A Childhood Place,<\/em> Alessio Del Pozo, Peru<\/strong><\/p>\n<p><em>K\u2019uchu<\/em> confronts upheaval through a universally resonant coming\u2011of\u2011age lens. The film follows \u00d3scar, a young boy torn between the innocence of his games and the harsh demands of survival as conflict engulfs his hometown. Drawing on two defining crises \u2014 the 1980s rural\u2011to\u2011urban migration triggered by terrorist violence and the pandemic\u2011driven exodus from the city \u2014 Del\u202fPozo intertwines personal memory with collective trauma. Through \u00d3scar\u2019s eyes, fiery, explosive colors mirror societal fragmentation, while intimate moments probe identity, masculinity, and belonging. By fusing individual and communal experiences, past and present, <em>K\u2019uchu<\/em> becomes a vivid meditation on how childhood and memory endure amid turmoil.<\/p>\n<p><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/kuchuachildhoodplace.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[247507]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/kuchuachildhoodplace.jpg\" alt=\"K'uchu: A Childhood Place\" width=\"1000\" height=\"563\" class=\"alignnone size-full wp-image-247516\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/kuchuachildhoodplace.jpg 1000w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/kuchuachildhoodplace-380x214.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/kuchuachildhoodplace-580x326.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/kuchuachildhoodplace-768x432.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/kuchuachildhoodplace-145x81.jpg 145w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/kuchuachildhoodplace-180x101.jpg 180w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\"\/><\/a><\/p>\n<hr\/>\n<p><strong><em>The Girl Who Cried Pearls<\/em>, Chris Lavis, Maciek Szczerbowski, Canada<\/strong><\/p>\n<p>The long\u2011awaited return from the Oscar\u2011nominated team behind <em>Madame\u202fTutli\u202fPutli,<\/em> this stop\u2011motion short immerses you in miniature worlds, from the faded grandeur of a Parisian villa to the cramped intimacy of a 1910\u202fMontr\u00e9al tenement. On his 80th birthday, a wealthy grandfather catches his granddaughter stealing a rare pearl, and in telling its origin, recalls a childhood encounter with a girl whose tears transformed into jewels. Lush textures, lifelike puppets, and smooth camera moves draw you into a modern fable, while a haunting score by Patrick Watson underscores themes of greed, loss and the unexpected magic found in small wonders. <\/p>\n<p><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/girlwhocriedpearls.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[247507]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/girlwhocriedpearls.jpg\" alt=\"The Girl who Cried Pearls\" width=\"1500\" height=\"742\" class=\"alignnone size-full wp-image-247517\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/girlwhocriedpearls.jpg 1500w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/girlwhocriedpearls-380x188.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/girlwhocriedpearls-580x287.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/girlwhocriedpearls-768x380.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/girlwhocriedpearls-180x89.jpg 180w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\"\/><\/a><\/p>\n<hr\/>\n<p><strong><em>Snake Soup,<\/em> Zack Demirtshyan, Armenia<\/strong><\/p>\n<p>A soldier sips shitty, machine-brewed coffee at a roadside rest stop. Nearby, other troops linger while a father and daughter feed coins into a claw machine whose metal arm eerily resembles a missile dropping from a drone. Soon, the men pile into the back of a truck and roll toward the front.<\/p>\n<p>A hazy, dark palette and glitchy soundscape amplify the tension, foreshadowing the darkness to come. As they drive, the soldier drifts into memory: a stray cat slinking down a deserted street, the liberating feel of an open road, a peaceful afternoon fishing by a riverbank. Past and present collide until a sudden blast rips through time, fusing warm recollection with sheer panic. War steals the moments that make us human.<\/p>\n<p><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/snakesoup.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[247507]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/snakesoup.jpg\" alt=\"Snake Soup\" width=\"1500\" height=\"844\" class=\"alignnone size-full wp-image-247512\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/snakesoup.jpg 1500w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/snakesoup-380x214.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/snakesoup-580x326.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/snakesoup-768x432.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/snakesoup-145x81.jpg 145w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/snakesoup-180x101.jpg 180w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\"\/><\/a><\/p>\n<hr\/>\n<p><strong><em>The Pool or Death of a Goldfish,<\/em> Daria Kopiec, Poland<\/strong><\/p>\n<p>A series of surreal tableaux unfolds: a woman swims serenely, only to sink inexplicably to the pool\u2019s bottom, tethered by a single thread. Abruptly, we\u2019re thrust into a grotesque banquet \u2014 a woman served on a plate and devoured by a man and another woman. The next cut reveals a full\u2011term fetus in utero, then returns us to the same figure as a young girl, her wide\u2011eyed gaze echoing innocence, emptiness, confusion, and a dash of dread.<\/p>\n<p>Evoking the ephemeral dreamscapes of Andrei Tarkovsky, <em>The Pool employs<\/em> stop\u2011motion puppets with hollow, expressionless faces to reflect the protagonist\u2019s unprocessed grief, suffocation, and emotional entrapment. The startling transitions capture the bewilderment of adulthood, where childhood memories haunt every moment yet defy comprehension. Kopiec\u2019s cryptic short is a dark exploration of loss and the chasm between past and present \u2014 and between mother and daughter.<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/1062359066?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<hr\/>\n<p><strong><em>By the Way,<\/em> Mahboobeh Kalaee, Ali Fotoohi, Iran<\/strong><\/p>\n<p>Set entirely inside a single apartment, bulb\u2011obsessed Majid recalls the day electricity first lit his childhood home and how it sparked his lifelong fascination. Soon, his sole dream is to fashion a \u201cfairyland of bulbs.\u201d This lighthearted, mixed\u2011media reminiscence, borrowing the intimate setting and techniques of Kalaee\u2019s earlier film <em>The Fourth Wall<\/em>, effortlessly shifts from personal and familial anecdotes to a broader cultural history, tracing both individual memories and Iran\u2019s own evolution through the changing glow of electric light.<\/p>\n<p><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/bytheway.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[247507]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/bytheway.jpg\" alt=\"By the Way\" width=\"1000\" height=\"563\" class=\"alignnone size-full wp-image-247511\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/bytheway.jpg 1000w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/bytheway-380x214.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/bytheway-580x326.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/bytheway-768x432.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/bytheway-145x81.jpg 145w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/bytheway-180x101.jpg 180w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\"\/><\/a><\/p>\n<hr\/>\n<p><strong><em>Dollhouse Elephant,<\/em> Jenny Jokela, Finland<\/strong><\/p>\n<p>Following her striking short <em>Sweet Like Lemons<\/em> (2023), which dissected a fractured relationship, Jokela returns with a visual delight painted in acrylic on paper. Accompanied by a richly layered choral soundtrack, its harmonies underscoring how a single voice out of tune can shatter unity, the film probes the tension between communal bonds and individual ambition. Fluid brushstrokes warp and shift in time with the choir\u2019s crescendos, mirroring the ebb and flow of social cohesion. Through these vivid, painterly sequences, <em>Dollhouse Elephant<\/em> leaves us pondering whether we can ever truly unite for the collective good in a world increasingly driven by personal priorities.<\/p>\n<p><a href=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/dollhouselephant.jpg\" class=\"colorbox\" data-gallery=\"\" rel=\"gal[247507]\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/dollhouselephant.jpg\" alt=\"Dollhouse Elephant\" width=\"1500\" height=\"1125\" class=\"alignnone size-full wp-image-247510\" srcset=\"https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/dollhouselephant.jpg 1500w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/dollhouselephant-380x285.jpg 380w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/dollhouselephant-580x435.jpg 580w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/dollhouselephant-108x81.jpg 108w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/dollhouselephant-768x576.jpg 768w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/dollhouselephant-180x135.jpg 180w, https:\/\/www.cartoonbrew.com\/wp-content\/uploads\/2025\/05\/dollhouselephant-288x216.jpg 288w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\"\/><\/a><\/p>\n<hr\/>\n<p><strong><em>Shadows,<\/em> Rand Beiruty, France\/Jordan<\/strong><\/p>\n<p>Amid the bustle of an airport terminal, 15\u2011year\u2011old Ahlam watches travelers with quiet awe, until a stray deer brushes past her, triggering a flood of memories. We shift between her whispered anxieties and the judgmental glances of passersby as she recalls being married at 13 to an abusive, mentally unstable husband, giving birth at 14, and having her child taken away soon after. Now, fleeing Baghdad, Ahlam makes her way to the departure gate while the shadows of her past cling close.<\/p>\n<p>Don\u2019t be fooled by the film\u2019s lush, painterly backdrops: <em>Shadows<\/em> is a visceral journey into a reality most of us cannot imagine. Based on interviews with Ahlam, its expressive visuals and shifting perspectives bring her story and memories powerfully to life, leaving us to wonder: while physical escape may be possible, can she ever truly flee the pain of her past?<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.facebook.com\/plugins\/video.php?height=295&amp;href=https%3A%2F%2Fwww.facebook.com%2FHollywoodArabFilmFestival%2Fvideos%2F1232563081723159%2F&amp;show_text=false&amp;width=560&amp;t=0\" width=\"560\" height=\"295\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowfullscreen=\"true\" allow=\"autoplay; clipboard-write; encrypted-media; picture-in-picture; web-share\"><\/iframe>\n     <\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>While Hungary is the country of focus at this year\u2019s Annecy animation festival, it\u2019s Canada that\u2019s stealing the spotlight in both the short and feature competitions. The Canucks boast three feature films in this year\u2019s lineup, alongside five Official Short entries (six if you count resident Canadian Theodore Ushev\u2019s latest French production) and two more [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":266272,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12035],"tags":[95282,95283,17859,95284,27141,66351,30813,95285,4629,95286,30820,95287,95288,95289,323,95290],"dealstore":[],"offerexpiration":[],"class_list":["post-266271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-alessio-del-pozo","tag-aleta-rajic","tag-alex-boya","tag-ali-fotoohi","tag-annecy","tag-annecy-2025","tag-chris-lavis","tag-daria-kopiec","tag-dont","tag-jenny-jokela","tag-maciek-szczerbowski","tag-mahboobeh-kalaee","tag-rand-beiruty","tag-roberto-catani","tag-shorts","tag-zack-demirtshyan"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>10 Shorts You Don&#039;t Want To Miss At Annecy 2025 - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=266271\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"10 Shorts You Don&#039;t Want To Miss At Annecy 2025 - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"While Hungary is the country of focus at this year\u2019s Annecy animation festival, it\u2019s Canada that\u2019s stealing the spotlight in both the short and feature competitions. 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