{"id":265561,"date":"2025-05-31T16:33:03","date_gmt":"2025-05-31T16:33:03","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/heloise-okeeffe-quiet-assured-unapologetic\/"},"modified":"2025-05-31T16:33:03","modified_gmt":"2025-05-31T16:33:03","slug":"heloise-okeeffe-quiet-assured-unapologetic","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=265561","title":{"rendered":"H\u00e9lo\u00efse O’Keeffe: Quiet, Assured, Unapologetic"},"content":{"rendered":"


\n<\/p>\n

\n

H\u00e9lo\u00efse O\u2019Keeffe is feeling inspired. Inspired in such a way that you want to lean in, like a flower to the sun, to soak up some of that inspiration too.<\/p>\n

By Sophie Heatley<\/span> | 28 May 2025<\/p>\n<\/div>\n

\n

There is something truly uplifting about being in the presence of someone undergoing a wave of motivation or ingenuity. Whilst it can be cultivated, inspiration is a limited resource. It rarely arrives when you need it most, and when it does strike, it can be fleeting.\u00a0<\/p>\n

O\u2019Keeffe<\/a>, who only recently gave birth to her first child, understands all too well the frustration of inspiration\u2019s poor time management. \u201cMaia only naps for about 25 minutes, tops. Non-negotiable practice time doesn\u2019t exist anymore.\u201d And just like babies, inspiration rarely decides to stick to your schedule. It certainly doesn\u2019t always show up during nap time, no matter your pleading.\u00a0<\/p>\n

\"H\u00e9loise
O’Keeffe arranges a series of in-progress drawings on her dining room table<\/figcaption><\/figure>\n

On arrival, she walks me into her sunlit living room and gestures to a large dining table where an inviting collection of new and in-progress drawings is laid out. Smooth, undulating bodies bathe in the May light streaming through the windows. Pencils and figurative art<\/a> books are scattered among the display of works, hinting at her process.<\/p>\n

Draped across textured, milk white paper are metallic, voluptuous forms. \u201cDraped\u201d might imply passivity, but these bodies are far from passive. There is a resoluteness to them, an assuredness in their positioning that feels assertive without being confrontational.\u00a0<\/p>\n

\"H\u00e9loise
Figure and floral studies by the artist<\/figcaption><\/figure>\n

O\u2019Keeffe, who is classically trained, cites Jenny Saville as an influence, something perceived in the expressive quality of her mark-making and the physicality of her forms. But unlike Saville\u2019s often visceral, abattoir-like expos\u00e9s of flesh, O\u2019Keeffe\u2019s voluminous figures are not bruised or smeared but coolly laid back. One might say that they are less about provocation and more about presence.<\/p>\n

One of the first things I notice, aside from the obvious nakedness, is their quietness. Despite being so exposed, the bodies do not force shock or challenge. Quite the opposite. They are sensual but not lewd, beckoning but without constraint. If anything, they soothe and comfort; you want to be enveloped in their ease.<\/p>\n

\"H\u00e9loise
O’Keeffe’s study\u00a0<\/figcaption><\/figure>\n

O\u2019Keeffe has worked with some of the same life models for several years now. During lockdown, when in-person sessions were no longer possible, she transitioned to online drawing classes. There, she encountered women from as far afield as South America, many of whom she still draws and studies today.<\/p>\n

When I ask why she chooses to depict larger bodies, O\u2019Keeffe explains that her work is less about representation and more about honesty. \u201cWe don\u2019t really know what a normal body should look like anymore. We\u2019re bombarded by edited, photoshopped bodies on social media, billboards, and adverts. And terrifyingly, some of these bodies aren\u2019t even real! They\u2019re AI-generated. We\u2019re not exposed to normal, honest bodies in the media or online world. We don\u2019t see their edges, their grit, bumps or lines.\u201d<\/p>\n

\"H\u00e9loise
Pencil Study of Eliana<\/a> by H\u00e9loise O’Keeffe<\/a> (pencil on paper, 2021, 52 x 40.5 cm)<\/figcaption><\/figure>\n

As well as Saville, other art historical approaches have been a catalyst for O\u2019Keeffe\u2019s work; the emotional depth of Rembrandt and the unorthodox studies of Rodin, both known for their refusal to idealise the human form. Like Rodin, who captured the raw, primal nature of his subjects, and Rembrandt, whose portraits seem to hold entire lifetimes in a single glance, O\u2019Keeffe\u2019s figures strive to express something internal, something lived. \u201cI am in a constant state of flux between wanting to create real, cellular representations of skin and texture alongside depicting the organic, innate, sometimes crude, experience of being human.\u201d\u00a0<\/p>\n

For years, her biggest artistic challenge had been inviting \u201csoul and humanity\u201d into her compositions. O\u2019Keeffe admits to a period when her figures felt a little flat and lifeless, even two-dimensional, something she couldn\u2019t quite put her finger on.\u00a0It wasn\u2019t until a transformative joint residency with R.A.R.O in Barcelona and OpenBach in Paris (ending with an exhibition at Yellow Cube Gallery, Paris) that she found she was able to give her portraits a pulse. \u201cNow I know when a work is done because it feels like it has a soul. It has a heartbeat. I want them to feel real.\u201d<\/p>\n

\"H\u00e9loise<\/a>
O’Keeffe’s study | Bottom left: Pencil Study of a Seated Woman<\/a> by H\u00e9loise O’Keeffe (pencil on paper, 2021, 52 x 40.5 cm)<\/figcaption><\/figure>\n

The most important thing for O\u2019Keeffe is that these figures are not merely simulacrums but that they feel alive. \u201cIt\u2019s not about naturalism. It\u2019s about capturing something essential about living in a woman\u2019s body today. The awkwardness. The strength. The softness. The tension.\u201d Her use of dry materials, such as graphite<\/a>, charcoal<\/a>, and pastel<\/a>, further emphasise the intimate and immediate state her work portrays.\u00a0<\/p>\n

\"H\u00e9loise<\/a>
Magnolia Studies: Magnolia I<\/a>, Magnolia II<\/a>, Magnolia III<\/a> (pencil on paper, 2024, 30 x 21cm)\u00a0<\/figcaption><\/figure>\n

O\u2019Keeffe is currently working towards a new series of larger, more ambitious portraits<\/a>, gesturing with an enthusiastic sweeping motion that illustrates the scale of her vision. \u201cI want my work and these women to take up more space,\u201d she manifests. \u201cI want to encourage deeper conversations around self-awareness and identity, and to continue contributing to the ongoing redefinition of how we see the female body.\u201d<\/p>\n

These women appear to have been caught mid-moment, simply enjoying their own company. In hindsight, I realise what I felt when looking at them was a kind of longing, a yearning to feel so at home in my body that I, too, might linger in it undisturbed, draped like a silken robe and warmed by the sun.\u00a0<\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

H\u00e9lo\u00efse O\u2019Keeffe is feeling inspired. Inspired in such a way that you want to lean in, like a flower to the sun, to soak up some of that inspiration too. By Sophie Heatley | 28 May 2025 There is something truly uplifting about being in the presence of someone undergoing a wave of motivation or […]<\/p>\n","protected":false},"author":1,"featured_media":265562,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[14088,14089,14091,14090,95067,95070,95073,95068,95066,14093,14092,95069,14054,14094,46390,95072,8992,47385,95071],"dealstore":[],"offerexpiration":[],"class_list":["post-265561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art-articles","tag-art-blog","tag-art-events","tag-art-news","tag-assured","tag-feminist-art","tag-heloise","tag-heloise-okeeffe","tag-heloise-okeeffe-quiet","tag-latest-art-releases","tag-latest-news","tag-nudes","tag-okeeffe","tag-online-art-gallery","tag-portraits","tag-portraits-of-women","tag-quiet","tag-unapologetic","tag-women-art"],"yoast_head":"\nH\u00e9lo\u00efse O'Keeffe: Quiet, Assured, Unapologetic - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=265561\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"H\u00e9lo\u00efse O'Keeffe: Quiet, Assured, Unapologetic - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"H\u00e9lo\u00efse O\u2019Keeffe is feeling inspired. 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