{"id":265019,"date":"2025-05-31T08:50:14","date_gmt":"2025-05-31T08:50:14","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/gallery-weekend-beijing-2025-defies-market-gloom-with-risk-and-vibrancy\/"},"modified":"2025-05-31T08:50:14","modified_gmt":"2025-05-31T08:50:14","slug":"gallery-weekend-beijing-2025-defies-market-gloom-with-risk-and-vibrancy","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=265019","title":{"rendered":"Gallery Weekend Beijing 2025 Defies Market Gloom with Risk and Vibrancy"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Art Market<\/p>\n<p><a display=\"block\" text-decoration=\"none\" class=\"RouterLink__RouterAwareLink-sc-77e33c7f-0 bGjAxA\" href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-gallery-weekend-beijing-2025-defies-market-gloom-risk-vibrancy\"><\/p>\n<p>Arun Kakar<\/p>\n<p><\/a><\/p>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:1920 \/ 1280;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FP3zSuJDzdd4Se53La3pb-w%252F798%25C2%25B7751%2BArt%2BDistrict.%2BCourtesy%2Bof%2BGallery%2BWeekend%2BBeijing.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FP3zSuJDzdd4Se53La3pb-w%252F798%25C2%25B7751%2BArt%2BDistrict.%2BCourtesy%2Bof%2BGallery%2BWeekend%2BBeijing.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FP3zSuJDzdd4Se53La3pb-w%252F798%25C2%25B7751%2BArt%2BDistrict.%2BCourtesy%2Bof%2BGallery%2BWeekend%2BBeijing.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"mono60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>798\u00b7751 Art District. Courtesy of Gallery Weekend Beijing. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-630152bc-0 hsljei kyjxio\">\n<p>Tariffs, trade wars, and a tricky economic landscape: Such is the backdrop for the global art market as 2025 approaches its halfway point. <\/p>\n<p>This narrative is particularly pervasive when it comes to China. The country was the hardest hit by Donald Trump\u2019s tariffs on imports to the U.S., which rose to as high as 145% in April (China responded with tariffs of up to 125% in response) before negotiations reduced the levies to 30% earlier in May. <\/p>\n<p>While <a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-art-trumps-tariffs\">art is understood to be exempt from tariffs<\/a>, these trade measures can hurt the spending power of the wealthy and affect economic sentiment, which impacts the art market. The trade war came at an already difficult period for China\u2019s art market. The <a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-5-key-takeaways-art-basel-ubss-report-the-art-market-2025\">2025 edition of the Art Basel and UBS Art Market report<\/a> found that art sales in the country fell by 31% in 2024, causing it to fall behind the U.K. as the world\u2019s third-largest art market.<\/p>\n<p>One might have expected such discussions to cloud the conversations at Gallery Weekend Beijing, but at the ninth edition of the event (held from May 23rd to June 1st), the outlook among collectors and dealers was tentatively optimistic and even defiant. The art scene here is crafting its own narrative: The shows on view and artistic discoveries highlight vibrancy and experimentation, and there is plenty for art lovers to be excited about. <\/p>\n<p>\u201cThe general vibe is quite good despite the economic uncertainties,\u201d the Hong Kong-based collector KK Chan told Artsy. \u201cThe Gallery Weekend is much busier this year than last year.\u201d <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:5305 \/ 3596;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FOJopLuqNotycKsfruPhAhQ%252FUCCA%2BCenter%2Bfor%2BContemporary%2BArt.%2BImages%2Bcourtesy%2BOffice%2Bfor%2BMetropolian%2BArchitecture%252C%2Bphotography%2Bby%2BBian%2BJie.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FOJopLuqNotycKsfruPhAhQ%252FUCCA%2BCenter%2Bfor%2BContemporary%2BArt.%2BImages%2Bcourtesy%2BOffice%2Bfor%2BMetropolian%2BArchitecture%252C%2Bphotography%2Bby%2BBian%2BJie.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FOJopLuqNotycKsfruPhAhQ%252FUCCA%2BCenter%2Bfor%2BContemporary%2BArt.%2BImages%2Bcourtesy%2BOffice%2Bfor%2BMetropolian%2BArchitecture%252C%2Bphotography%2Bby%2BBian%2BJie.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"mono60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Exterior view of UCCA Center for Contemporary Art. Photo by Brian Jie. Courtesy of the Office for Metropolian Architecture. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-630152bc-0 hsljei kyjxio\">\n<p>Chan is one of many collectors who have travelled across the region for this year\u2019s series of art events. The weekend is centered around the 798\u00b7751 Art District\u2014a sprawling cluster of former factory buildings that were transformed into a 148-acre arts complex in 2002. This year, Gallery Weekend Beijing casts itself as part of a new \u201cBeijing Art Season,\u201d bringing together a coalition of arts organizations throughout the city. Also opening during the week was the seventh edition of the Beijing Dangdai Art Fair, which hosted 88 galleries, and the newly rebranded ART021 BEIJING, formerly known as Jingart. ART021 BEIJING runs a longstanding edition in Shanghai in November and launched a new fair in Hong Kong last year; this year it brought together more than 20 exhibitors to Beijing. Also joining the party is the Aranya Art Center with four solo presentations; the center is situated two hours outside Beijing in a beachside resort town of Aranya. For its part, Gallery Weekend is showcasing over 30 local galleries and more than 10 non-profit spaces across the city, from foundations such as the <a href=\"https:\/\/www.artsy.net\/partner\/ucca\">UCCA<\/a> and Espace Louis Vuitton Beijing through to stalwart galleries such as SPURS and Beijing Commune. <\/p>\n<p>This union of what the organizers called an \u201cextended cultural network\u201d was evident in a buzzy and busy week of events and activities, boosted by ideal gallery-hopping weather: There are worse ways to enjoy a stroll between galleries than with an ice cream in hand. \u201cThis synergy has attracted a diverse assembly of professional artists, discerning collectors, and art-curious members of the public, transforming the event into a dynamic hub for artistic exchange and appreciation,\u201d said ShiYing, a director at regional heavyweight <a href=\"https:\/\/www.artsy.net\/partner\/tang-contemporary-art\">Tang Contemporary Art<\/a>, which operates two spaces in the 798\u00b7751 District. <\/p>\n<p>Another smart decision was to make this year\u2019s Gallery Weekend free for galleries to participate in. At the same time, the event has transitioned from an open application system to an invitation-only model to emphasize \u201ccuratorial integrity\u201d and \u201cacademic focus,\u201d and the result is a series of shows that are perhaps more inclined to take risks with their presentations. <\/p>\n<p>A large chunk of galleries are showing solo or two-person shows, with several taking experimental, conceptual approaches\u2014a bold move in a time where other corners of the art world are leaning into safer propositions amid a testing market. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:1280 \/ 853;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Ferh-suuFhpYBqvT3WPINFA%252FInstallation%2Bview%2Bof%2B_Tant%2BYunshu%2BZhong_%2BUnbelievably%2BSoft%2BProcess_%252C%2B10%2BMay%2B-%2B21%2BJune%2B2025.%2BCourtesy%2BTabula%2BRasa%2BGallery.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Ferh-suuFhpYBqvT3WPINFA%252FInstallation%2Bview%2Bof%2B_Tant%2BYunshu%2BZhong_%2BUnbelievably%2BSoft%2BProcess_%252C%2B10%2BMay%2B-%2B21%2BJune%2B2025.%2BCourtesy%2BTabula%2BRasa%2BGallery.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2Ferh-suuFhpYBqvT3WPINFA%252FInstallation%2Bview%2Bof%2B_Tant%2BYunshu%2BZhong_%2BUnbelievably%2BSoft%2BProcess_%252C%2B10%2BMay%2B-%2B21%2BJune%2B2025.%2BCourtesy%2BTabula%2BRasa%2BGallery.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"mono60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Tant Yunshu Zhong, installation view of \u201cUnbelievably Soft Process \u201d at Tabula Rasa. Courtesy of Tabula Rasa Gallery<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-630152bc-0 hsljei kyjxio\">\n<p>At <a href=\"https:\/\/www.artsy.net\/partner\/hunsand-space\">Hunsand Space<\/a>, for example, artist Yang Yang excavates his personal relationship to his upbringing in Inner Mongolia with a series of fragmented works. These take the form of bronze-cast leaves that pile up by the gallery\u2019s entrance, as well as bases made of plaster, etched with pigment and textures that simulate the erosion of grassland. <\/p>\n<p>Yang is one of several emerging artists based in the region who make for rewarding discoveries across the shows on view. Other highlights included Tabula Rasa\u2019s show featuring <a href=\"https:\/\/www.artsy.net\/artist\/tant-zhong\">Tant Zhong<\/a>, whose assemblages of car washing tools, twisted metal, rubber tubes, and other industrial miscellania evoke road signage and viscera. <a href=\"https:\/\/www.artsy.net\/artist\/guo-chen\">guo cheng<\/a>\u2019s hanging sculpture of an insect-like figure crafted from twisted Ethernet cables is the anchor of Magician Space\u2019s show\u2014which won the weekend\u2019s best exhibition award. It takes the word \u2018bug\u2019 as a cue to explore the dualities between computer bugs and insects. Vietnamese artist <a href=\"https:\/\/www.artsy.net\/artist\/nguyen-trinh-thi\">Nguy\u1ec5n Trinh Thi<\/a>\u2019s multichannel immersive film installation, <em>47 Days, Sound-Less<\/em> (2024), at SPURS, which won the Infinity prize, is another standout. The work positions two projection screens diagonally across from each other, accompanied by a mirror system suspended from the ceiling. In the installation, the artist explores how, in the film <em>Apocalypse Now<\/em>, villagers from Ifugao, northern Philippines, were cast to stand in for Vietnamese Indigenous peoples. Bringing together chanting of Vietnam\u2019s Jarai people with jungle sound effects drawn from Hollywood war films and misaligned subtitles from science fiction texts, the work is both disorienting and moving. <\/p>\n<p>As well as fresh discoveries, the Gallery Weekend also features no shortage of established names. A dual presentation of works by <a href=\"https:\/\/www.artsy.net\/artist\/megan-rooney-1\">Megan Rooney<\/a> and <a href=\"https:\/\/www.artsy.net\/artist\/joan-mitchell\">Joan Mitchell<\/a> at Louis Vuitton\u2019s Espace, a survey of <a href=\"https:\/\/www.artsy.net\/artist\/anicka-yi\">Anicka Yi<\/a> at UCCA, and a monumental retrospective of <a href=\"https:\/\/www.artsy.net\/artist\/chiharu-shiota\">Chiharu Shiota<\/a> at Red Brick Art Museum are among the highlights. <\/p>\n<p>Indeed, there is something for almost every taste here, mirroring what many galleries have described as a \u201cdiversifying\u201d domestic collector base. This is particularly being felt by younger collectors from both outside the Chinese capital and across the country, who are drawn to the dynamism of the Beijing scene. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:4000 \/ 2653;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FXS4H1dd7MnUgG0GOH-MO3g%252FInstallation%2Bview%2Bof%2B_Joan%2BMitchell%2B%2526%2BMegan%2BRooney_%2BPainting%2BFrom%2BNature_.%2BCourtesy%2BThe%2BEstate%2Bof%2BJoan%2BMitchell%2Band%2BEspace%2BLouis%2BVuitton%2BBeijing.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FXS4H1dd7MnUgG0GOH-MO3g%252FInstallation%2Bview%2Bof%2B_Joan%2BMitchell%2B%2526%2BMegan%2BRooney_%2BPainting%2BFrom%2BNature_.%2BCourtesy%2BThe%2BEstate%2Bof%2BJoan%2BMitchell%2Band%2BEspace%2BLouis%2BVuitton%2BBeijing.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FXS4H1dd7MnUgG0GOH-MO3g%252FInstallation%2Bview%2Bof%2B_Joan%2BMitchell%2B%2526%2BMegan%2BRooney_%2BPainting%2BFrom%2BNature_.%2BCourtesy%2BThe%2BEstate%2Bof%2BJoan%2BMitchell%2Band%2BEspace%2BLouis%2BVuitton%2BBeijing.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"mono60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Joan Mitchell and Megan Rooney, installation view of \u201cPainting From Nature\u201d at Louis Vuitton Espace, Beijing. Courtesy of The Estate of Joan Mitchell and Espace Louis Vuitton Beijing.jpg<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-630152bc-0 hsljei kyjxio\">\n<p>\u201cSecond-generation collectors are now at least 40-50% of our sales,\u201d noted Craig Yee, founder of <a href=\"https:\/\/www.artsy.net\/partner\/ink-studio\">Ink Studio<\/a>, which specializes in experimental Chinese ink art. \u201cIn particular, what I call globalized Chinese\u2014young Chinese who have gone to school, live, and or worked overseas\u2014seem to immediately recognize the value of our program.\u201d<\/p>\n<p>Many dealers also noted that these younger collectors are interested primarily in Chinese art, reflecting a broader trend in Asia, where collectors are increasingly buying within their domestic art scenes. \u201cGiven the [COVID] travel restrictions before, the kind of situations with international trade and shipments, and the current geopolitical situation with the United States, there\u2019s much more focus on artists from China,\u201d said David Tung, director of <a href=\"https:\/\/www.artsy.net\/partner\/lisson-gallery\">Lisson Gallery<\/a>\u2019s Beijing space. <\/p>\n<p>Conversely, this may mirror the broader regional trend of Asian buyers engaging less in the Western art market. In the recent New York auctions, for example, Sotheby\u2019s reported that 10% of buyers in its Modern evening sale\u2014which primarily consists of artworks by Western artists\u2014were from Asia, according to the <em><a href=\"https:\/\/www.nytimes.com\/2025\/05\/19\/arts\/design\/new-york-art-auctions-assess.html\">New York Times<\/a><\/em>. That figure was as high as a third across all auction houses a few years ago. <\/p>\n<p>In Beijing, galleries that are positioning the programs for a domestic audience are the most bullish, too. \u201cWe are lucky enough to have a strong local market in China,\u201d said Hadrien de Montferrand, founder of <a href=\"https:\/\/www.artsy.net\/partner\/hdm-gallery\">HdM Gallery<\/a>, which recently expanded its presence in the city. \u201cWe sell works by Chinese artists to Chinese collectors and have seen increased interest in recent years.\u201d <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:8180 \/ 5456;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FNJ3Fg5zzvEirvP2sRPdoZw%252FInstallation%2Bview%2Bof%2B_Zhao%2BYinou_%2BGhost%2BRaising_%252C%2B17%2BMay%2B-%2B28%2BJune%2B2025.%2BCourtesy%2BHdM%2BGallery.JPG&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FNJ3Fg5zzvEirvP2sRPdoZw%252FInstallation%2Bview%2Bof%2B_Zhao%2BYinou_%2BGhost%2BRaising_%252C%2B17%2BMay%2B-%2B28%2BJune%2B2025.%2BCourtesy%2BHdM%2BGallery.JPG&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FNJ3Fg5zzvEirvP2sRPdoZw%252FInstallation%2Bview%2Bof%2B_Zhao%2BYinou_%2BGhost%2BRaising_%252C%2B17%2BMay%2B-%2B28%2BJune%2B2025.%2BCourtesy%2BHdM%2BGallery.JPG&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"mono60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Zhao Yinou, installation view of \u201cGhost Raising\u201d at HdM Gallery Beijing. Courtesy of HdM Gallery.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-630152bc-0 hsljei kyjxio\">\n<p>That\u2019s not to say the Chinese scene is closing off to the international art world. Many of the Chinese artists on view in Beijing are also seeing international interest. At Ink Studio, for example, several artists on its roster are achieving attention abroad, including <a href=\"https:\/\/www.artsy.net\/artist\/bingyi-bing-yi\">Bingyi<\/a>, who has two upcoming shows in New York, and <a href=\"https:\/\/www.artsy.net\/artist\/zheng-chongbin-zheng-zhong-bin\">Zheng Chongbin<\/a>, who earlier this year opened a solo show at <a href=\"https:\/\/www.artsy.net\/partner\/los-angeles-county-museum-of-art\">LACMA<\/a>. \u201cOur artists have been extremely active overseas,\u201d Yee asserted. <\/p>\n<p>And it\u2019s worth noting that the Beijing commercial art scene, as many dealers will tell you, is still young compared to other similar-sized art hubs. This is emphasized by a banner year in which a handful of the city\u2019s senior galleries\u2014<a href=\"https:\/\/www.artsy.net\/partner\/galleria-continua\">Galleria Continua<\/a>, Star Gallery, SPURS, Platform China, and Beijing Commune\u2014all celebrate two decades in business this year. Yet this seniority is a comparative infancy compared to other, more longstanding parts of the global art market. \u201cThe oldest auction house [in China] started only 30 years ago\u2014compared to Sotheby\u2019s, for example, which was founded in 1744,\u201d said de Montfort. \u201cThe potential of development here is huge.\u201d<\/p>\n<p>Perhaps this is the reason that many in the city are taking a long-term view amid the current economic rollercoaster. Many gallerists are holding firm when it comes to their programming and belief in the artists they are showcasing. While few doubt the difficulties of the current market, they also point to the fact that many issues facing its art market are not exclusive to China. After all, the U.S., according to the Art Basel and UBS report, also experienced a 10% decline in art sales last year. <\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0\">\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 idkEHS\">\n<div width=\"100%\" overflow=\"hidden\" style=\"aspect-ratio:6720 \/ 4480;max-width:100%\" class=\"Box-sc-15se88d-0 jJVzlg\"><button width=\"100%\" height=\"100%\" cursor=\"pointer\" type=\"button\" class=\"Clickable-sc-10cr82y-0 ArticleZoomButton__Button-sc-1dcbc19e-1 hgRaTA ivFEyf\"><\/p>\n<div width=\"100%\" height=\"100%\" class=\"Box-sc-15se88d-0 fnOOKv\"><img decoding=\"async\" width=\"100%\" height=\"100%\" display=\"block\" style=\"transition:opacity 0.2s ease-in-out;opacity:0\" loading=\"lazy\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FAt5w2VHd41Zew_XfcfAPLA%252FInstallation%2Bview%2Bof%2B_Chiharu%2BShiota_%2BMetamorphosis%2Bof%2BConsciousness_%252C%2B23%2BMarch%2B-%2B31%2BAugust%2B2025.%2BCourtesy%2Bthe%2Bartist%2Band%2BRed%2BBrick%2BArt%2BMuseum.jpg&amp;width=910\" srcset=\"https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FAt5w2VHd41Zew_XfcfAPLA%252FInstallation%2Bview%2Bof%2B_Chiharu%2BShiota_%2BMetamorphosis%2Bof%2BConsciousness_%252C%2B23%2BMarch%2B-%2B31%2BAugust%2B2025.%2BCourtesy%2Bthe%2Bartist%2Band%2BRed%2BBrick%2BArt%2BMuseum.jpg&amp;width=910 1x, https:\/\/d7hftxdivxxvm.cloudfront.net?quality=80&amp;resize_to=width&amp;src=https%3A%2F%2Fartsy-media-uploads.s3.amazonaws.com%2FAt5w2VHd41Zew_XfcfAPLA%252FInstallation%2Bview%2Bof%2B_Chiharu%2BShiota_%2BMetamorphosis%2Bof%2BConsciousness_%252C%2B23%2BMarch%2B-%2B31%2BAugust%2B2025.%2BCourtesy%2Bthe%2Bartist%2Band%2BRed%2BBrick%2BArt%2BMuseum.jpg&amp;width=1820 2x\" alt=\"\" class=\"Box-sc-15se88d-0 guRykI\"\/><\/div>\n<p><\/button><\/div>\n<\/div>\n<div display=\"flex\" class=\"Box-sc-15se88d-0 Flex-sc-cw39ct-0 kdTUFJ\">\n<div overflow=\"hidden\" class=\"Box-sc-15se88d-0 dyysfQ\">\n<div class=\"Box-sc-15se88d-0\">\n<div color=\"mono60\" font-family=\"sans\" class=\"Box-sc-15se88d-0 Text-sc-18gcpao-0 HTML__Container-sc-1im40xc-0 irDwAE bbAxnM eaQyqh\">\n<p>Chiharu Shiota, installation view of \u201cMetamorphosis of Consciousness\u201d at Red Brick Art Museum. Courtesy of the artist and Red Brick Art Museum <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"Box-sc-15se88d-0 ArticleHTML__Container-sc-630152bc-0 hsljei kyjxio ArticleSectionText__ArticleHTMLLastChild-sc-dc4648d4-1 fFJXgY\">\n<p>According to many of those in Beijing, this resilience may only be the beginning of the enormous growth potential of the Chinese art market. \u201cThe trade, finance, and technology war between the U.S. and China and its impact on world trade has only accelerated a global realignment that has been underway for the past 10 to 20 years,\u201d said Yee. <\/p>\n<p>For him, these broader shifts are working in China\u2019s favor, which he hopes will have a secondary effect on Beijing and its art scene. \u201cBeijing has never been busier nor more important to not just affairs in China, but to world affairs,\u201d he said. \u201cWe will see how things develop, but it would not surprise me to see Beijing return to the center stage, at least in the national discourse on art and culture.\u201d<\/p>\n<\/div>\n<div class=\"Box-sc-15se88d-0 hsljei\">\n<div class=\"Box-sc-15se88d-0\">\n<p>Arun Kakar<\/p>\n<p>Arun Kakar is Artsy\u2019s Art Market Editor.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Art Market Arun Kakar 798\u00b7751 Art District. Courtesy of Gallery Weekend Beijing. Tariffs, trade wars, and a tricky economic landscape: Such is the backdrop for the global art market as 2025 approaches its halfway point. This narrative is particularly pervasive when it comes to China. The country was the hardest hit by Donald Trump\u2019s tariffs [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":265020,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[25543,23724,13842,94922,66067,94925,94924,26914,11209,11115,94923,94926,4766],"dealstore":[],"offerexpiration":[],"class_list":["post-265019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-beijing","tag-defies","tag-gallery","tag-gallery-scene-spotlights","tag-gloom","tag-hdm-gallery","tag-hunsand-space","tag-lisson-gallery","tag-market","tag-risk","tag-tang-contemporary-art","tag-vibrancy","tag-weekend"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gallery Weekend Beijing 2025 Defies Market Gloom with Risk and Vibrancy - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=265019\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gallery Weekend Beijing 2025 Defies Market Gloom with Risk and Vibrancy - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"Art Market Arun Kakar 798\u00b7751 Art District. Courtesy of Gallery Weekend Beijing. Tariffs, trade wars, and a tricky economic landscape: Such is the backdrop for the global art market as 2025 approaches its halfway point. This narrative is particularly pervasive when it comes to China. 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Courtesy of Gallery Weekend Beijing. Tariffs, trade wars, and a tricky economic landscape: Such is the backdrop for the global art market as 2025 approaches its halfway point. This narrative is particularly pervasive when it comes to China. 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