{"id":24780,"date":"2025-01-12T19:56:07","date_gmt":"2025-01-12T19:56:07","guid":{"rendered":"https:\/\/peraltafinancing.com\/acting\/self-directing-your-animation-voice-over\/"},"modified":"2025-01-12T19:56:07","modified_gmt":"2025-01-12T19:56:07","slug":"self-directing-your-animation-voice-over","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=24780","title":{"rendered":"Self-Directing Your Animation Voice Over"},"content":{"rendered":"


\n<\/p>\n

\n

You\u2019ve done it! You\u2019ve gotten an amazing voiceover agent. The sound equipment you\u2019ve put together is perfectly suited for your voice and your home studio is an oasis of creativity. After months of commercial auditions, your inbox dings<\/em> with the opportunity you\u2019ve been waiting for since starting your voiceover journey: an animation audition!<\/p>\n

Panic sets in. It has been your dream to audition for animation since you were old enough to know what cartoons were. You run through all the silly voices you can possibly do in your head, but nothing is working. Perhaps they all feel like they are derivative of your favorite voice actors\u2019 performances. The audition is due in the morning\u2026what do you do?!<\/p>\n

Fear not. Take a deep breath. Here are some tips to help you self-direct that audition so that when you hit the \u201csend\u201d button on that email, you can rest assured that you gave your best performance.<\/p>\n

\"\"<\/a><\/figure>\n

Stop Trying to Come Up with a \u201cSilly Voice\u201d<\/strong><\/h3>\n

The trend in animation lately is to lean into natural voices. Now, that doesn\u2019t mean that you won\u2019t be playing a character. It will be your natural voice at the various extremes \u2013 what do you sound like at the peak of joy or the doldrums of depression? Changing your energy rather than changing your voice will do wonders for character creation.\u00a0<\/p>\n

Granted, there are genres and exceptions to that rule- where the characters are a bit zanier and broad- but being too focused on what \u201cvoice\u201d you will be performing will distract you from the acting.<\/p>\n

Everyone in the world has a couple of crazy voices they can do. What makes you different is that you are an actor<\/em>, not just a voice machine. Focus on the script, the emotions, and the relationships of the script. Once you have all of those, if you still want to layer on a \u201ccrazy voice\u201d, go for it, but only if <\/em><\/strong>you can still sustain your emotional range while changing your voice.<\/p>\n

Practice and Analyze the Script BEFORE You Record<\/strong><\/h3>\n

Take your time with the script. Find out where the jokes are. Read the ENTIRE script if you are provided with the other characters\u2019 dialogue and the action lines. Know what you are reacting to. Find places where you can add \u201caction\u201d noises (Lifting grunts, running, fighting, whispering, etc). Utilize your text analysis skills.<\/p>\n

Spend time with the script ahead of time and practice it OUT LOUD. You will find where your stumbling blocks are, and which moments are working in your performance and which moments need to be adjusted. Do this before<\/em> you step into the booth; do twenty takes, and get frustrated.<\/p>\n

Voice Over Text Analysis \u2013 Who, What, Where, When, Why, How?<\/strong><\/h3>\n
\"\"<\/a><\/figure>\n
    \n
  1. Who<\/strong> are you? What kind of person\/ creature\/ thing are you? What is important to you? Who is the character you are talking to, what is your relationship to him\/her\/it\/them?<\/li>\n<\/ol>\n
      \n
    1. What<\/strong> are you doing, what have you done, what do you plan to do, and what\u2019s going on?<\/li>\n<\/ol>\n
        \n
      1. Where<\/strong> are you physically, where are you usually, where would you like to be, and where are you in the telling of the story?<\/li>\n<\/ol>\n
          \n
        1. When<\/strong> is this scene\/story\/moment taking place and how much time do you have to do whatever it is you\u2019re doing?<\/li>\n<\/ol>\n
            \n
          1. Why <\/strong>are you doing\/saying what you are doing\/saying anyway? Why aren\u2019t you saying\/doing something else?<\/li>\n<\/ol>\n
              \n
            1. How<\/strong> does your character choose to do what he\/she\/it is doing, and how is that different from how you, yourself, in real life might do it?\n
                \n
              1. Thinking about the differences between how you might say something and how the character says it will teach you something important about the character.<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n

                Put On Two Hats: Actor and Director<\/strong><\/h3>\n
                \n
                \"\"<\/a><\/figure>\n<\/div>\n

                When we get an important audition, it is easy to judge ourselves in the moment and nitpick every choice. If you do this, the recording will come off stilted and tentative. The mic will pick up if you are holding back or if you are having fun. So, while you are recording, banish your inner director and just be an actor in the booth. Focus on the performance without judgement.<\/p>\n

                Then, once you have done a take or two, step out of your booth and listen back.<\/p>\n

                Listen With a Director\u2019s Ear<\/strong><\/h3>\n

                You\u2019ve done the hard part. You\u2019ve put out a stellar performance and because you worked on the script, you were able to have fun doing it. Casting directors can always hear when the actor is having fun versus trying to deliver what they think the client wants.<\/p>\n

                Here are a few objective questions to ask yourself as you listen to your takes:<\/p>\n

                  \n
                1. Connection<\/strong> \u2013 Did I take the character through a dynamic emotional journey? Did I find all the emotional and comedic turns both between and in-between the lines?<\/li>\n<\/ol>\n
                    \n
                  1. Articulation<\/strong> \u2013 Can I understand every word or are there mumbled bits?<\/li>\n<\/ol>\n
                      \n
                    1. Tone<\/strong> \u2013 Was the read and the \u201cvoice\u201d consistent throughout?<\/li>\n<\/ol>\n
                        \n
                      1. Pace<\/strong> \u2013 How was my speed? Too fast? Too Slow? Just right?<\/li>\n<\/ol>\n
                          \n
                        1. Imagination<\/strong> \u2013 Did I make bold, interesting choices?<\/li>\n<\/ol>\n
                            \n
                          1. Sustainability<\/strong> \u2013 If I decided to put on a voice, is this something I could maintain for a four-hour session? Or will my voice be destroyed after 10 minutes?<\/li>\n<\/ol>\n
                              \n
                            1. Style<\/strong> \u2013 Did it sound like I was having fun or, if dramatic, did it sound \u201cacted\u201d or real?<\/li>\n<\/ol>\n

                              If you had some moments that didn\u2019t quite fit all the criteria, record it again. Or just record those few lines that you feel you need to pick up. However, if you do only record pickups, be sure that you are a savvy enough editor so that everything flows, and it doesn\u2019t sound Frankenstein\u2019d together.<\/p>\n

                              Don\u2019t do too many takes. You will get in your head and the flop-sweat will come through in the recording. If you\u2019ve done five takes and still aren\u2019t happy \u2013 step away for fifteen minutes. Go for a walk or do something else. Then come back to it fresh.<\/p>\n

                              Double Check Submission Instructions<\/strong><\/h3>\n

                              Once you are happy with your performance, be sure to check the submission instructions before you send your audition. Is your audition labeled properly? Is it in .mp3 format? Have you submitted before the deadline? Is your audition attached to the email?<\/p>\n

                              Click that \u201csend\u201d button and move on with your life. What happens after that is out of your hands. But if you did all the work ahead of time, you can be confident that you put your best performance out into the world.<\/p>\n

                              Happy Auditioning!<\/p>\n

                              \n
                              \"\"<\/a><\/figure>\n<\/div>\n

                              Brad Grusnick<\/a> is a 20-year VO veteran. He can be heard in the video games Diablo IV, Back4Blood, Elder Scrolls Online, Metro: Exodus, Days Gone, Bioshock Infinite, God of War Ascension, Elder Scrolls V: Skyrim, Asura\u2019s Wrath, and more. Brad voices characters in several animated series, including Bear in Underwear and Bunnicula. He is best known as \u201cMagnus Finke\u201d in Dreamworks Dragons Rescue Riders.<\/p>\n<\/p><\/div>\n\n","protected":false},"excerpt":{"rendered":"

                              You\u2019ve done it! You\u2019ve gotten an amazing voiceover agent. The sound equipment you\u2019ve put together is perfectly suited for your voice and your home studio is an oasis of creativity. After months of commercial auditions, your inbox dings with the opportunity you\u2019ve been waiting for since starting your voiceover journey: an animation audition! Panic sets […]<\/p>\n","protected":false},"author":1,"featured_media":24781,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12021],"tags":[6119,16795,5002],"dealstore":[],"offerexpiration":[],"class_list":["post-24780","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acting","tag-animation","tag-selfdirecting","tag-voice"],"yoast_head":"\nSelf-Directing Your Animation Voice Over - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=24780\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Self-Directing Your Animation Voice Over - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"You\u2019ve done it! 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