{"id":230280,"date":"2025-05-08T07:15:55","date_gmt":"2025-05-08T07:15:55","guid":{"rendered":"https:\/\/peraltafinancing.com\/american-history\/americanstudies-may-8-2025-the-works-progress-administration-iconic-individuals\/"},"modified":"2025-05-08T07:15:55","modified_gmt":"2025-05-08T07:15:55","slug":"americanstudies-may-8-2025-the-works-progress-administration-iconic-individuals","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=230280","title":{"rendered":"AmericanStudies: May 8, 2025: The Works Progress Administration: Iconic Individuals"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"post-body-7165225360820922589\" itemprop=\"description articleBody\">\n<p>[On <a href=\"https:\/\/www.presidency.ucsb.edu\/documents\/executive-order-7034-establishing-the-division-applications-and-information-the-advisory\">May 6<sup>th<\/sup>,<br \/>\n1935<\/a>, Franklin Roosevelt established the <a href=\"https:\/\/www.pbs.org\/wgbh\/americanexperience\/features\/surviving-the-dust-bowl-works-progress-administration-wpa\/\">Works<br \/>\nProgress Administration<\/a> [WPA]. So this week I\u2019ll AmericanStudy a<br \/>\nhandful of WPA histories, leading up to a weekend post on why we need a 21<sup>st<\/sup><br \/>\ncentury revival!]<\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">On three<br \/>\niconic and inspiring figures linked to the WPA (alongside the many many artists<br \/>\nwho became associated with it, like <a href=\"https:\/\/www.roosevelthouse.hunter.cuny.edu\/roosevelts-john-steinbeck-75th-anniversary-grapes-wrath\/\">John<br \/>\nSteinbeck<\/a> and <a href=\"https:\/\/www.nypl.org\/blog\/2014\/01\/08\/zora-neale-hurston-federal-writers-project\">Zora<br \/>\nNeale Hurston<\/a>!).<\/span><\/p>\n<p class=\"MsoListParagraphCxSpFirst\" style=\"margin-top: 12.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 142.5pt; text-indent: -.25in;\"><!--[if !supportLists]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;\"><span style=\"mso-list: Ignore;\">1)<span style=\"font: 7.0pt &quot;Times New Roman&quot;;\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/span><\/span><!--[endif]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/millercenter.org\/president\/fdroosevelt\/essays\/hopkins-1938-secretary-of-commerce\">Harry<br \/>\nHopkins<\/a>: I wrote a bit about Hopkins in yesterday\u2019s post, referencing his<br \/>\nexcellent quote about artists needing to eat too. But Roosevelt\u2019s Commerce<br \/>\nSecretary was influential and instrumental <a href=\"https:\/\/socialwelfare.library.vcu.edu\/eras\/great-depression\/harry-hopkins-influence-new-deal\/\">in<br \/>\nthe New Deal<\/a> far beyond just its artistic and cultural programs, and one of<br \/>\nthe main ways he did so was as <a href=\"https:\/\/www.pbs.org\/wgbh\/americanexperience\/features\/surviving-the-dust-bowl-works-progress-administration-wpa\/\">a<br \/>\nprincipal architect<\/a> of the Works Progress Administration. By that time Hopkins<br \/>\nhad had a <a href=\"https:\/\/millercenter.org\/president\/fdroosevelt\/essays\/hopkins-1938-secretary-of-commerce\">long<br \/>\nand varied career<\/a>, all of which I\u2019m sure played into his New Deal and WPA<br \/>\nefforts, but I would especially highlight his first professional jobs, <a href=\"https:\/\/socialwelfare.library.vcu.edu\/eras\/great-depression\/hopkins-harry-lloyd\/\">as<br \/>\na social worker<\/a>, including his stint as executive secretary of the Board of<br \/>\nChild Welfare. The WPA made clear that federal social programs were crucial<br \/>\nforms of social work, and I have to believe a good bit of that emphasis came<br \/>\nfrom Hopkins. <\/span><\/p>\n<p class=\"MsoListParagraphCxSpMiddle\" style=\"margin-top: 12.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 142.5pt; text-indent: -.25in;\"><!--[if !supportLists]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;\"><span style=\"mso-list: Ignore;\">2)<span style=\"font: 7.0pt &quot;Times New Roman&quot;;\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/span><\/span><!--[endif]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/libguides.unm.edu\/meem\">John<br \/>\nGaw Meem<\/a>: The WPA\u2019s programs and jobs spanned many different aspects of<br \/>\nsociety and culture, but at its heart were <a href=\"https:\/\/www.krabarchive.com\/ralphmag\/JH\/wpa-building.html\">architectural<br \/>\nprojects<\/a>, including countless building and transportation projects that<br \/>\nremain in use to this day. Those projects required tons of workers across a<br \/>\nwide variety of roles, among them the architects and other creatives who<br \/>\nimagined and designed these buildings, bridges, and more. One particularly<br \/>\nimpressive example of a WPA-supported architect was <a href=\"https:\/\/lospoblanos.com\/about\/art-architecture\/john-gaw-meem\">John Gaw Meem<\/a>,<br \/>\nthe New Mexico architect who helped keep traditional <a href=\"https:\/\/www.historicsantafe.org\/545-hsff-blog\/2020\/7\/23\/john-gaw-meem-respecting-the-past-building-the-future\">Southwestern<br \/>\narchitecture and art<\/a> (influenced by Mexican, indigenous, and Anglo presences<br \/>\nalike) alive and thriving in the 20<sup>th<\/sup> century. It\u2019s impossible to<br \/>\nknow how many such architects and artists might not have been able to continue<br \/>\ntheir work without the WPA and the New Deal, but it\u2019s clear that our society<br \/>\nand nation would be infinitely impoverished if we didn\u2019t have the work they produced.<br \/>\n<\/span><\/p>\n<p class=\"MsoListParagraphCxSpLast\" style=\"margin-top: 12.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 142.5pt; text-indent: -.25in;\"><!--[if !supportLists]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin;\"><span style=\"mso-list: Ignore;\">3)<span style=\"font: 7.0pt &quot;Times New Roman&quot;;\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/span><\/span><!--[endif]--><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"><a href=\"https:\/\/vcencyclopedia.vassar.edu\/faculty\/prominent-faculty\/hallie-flanagan-davis\/\">Hallie<br \/>\nFlanagan<\/a>: Yesterday\u2019s post focused on the WPA\u2019s artistic and cultural<br \/>\nprograms, those comprised by the Federal Project Number One. Harry Hopkins was<br \/>\ninstrumental in creating those programs overall, and not coincidentally one of<br \/>\nhis college classmates and friends at <a href=\"https:\/\/www.grinnell.edu\/spaces\/flanagan-studio-theatre\">Iowa\u2019s Grinnell<\/a><br \/>\nCollege, Hallie Flanagan, became a central figure in <a href=\"https:\/\/www.projectcontinua.org\/hallie-flanagan\/\">these artistic programs<\/a>,<br \/>\nand specifically the <a href=\"https:\/\/www.loc.gov\/exhibits\/federal-theatre-project\/birth-of-federal-theatre-project-coast-to-coast.html\">Federal<br \/>\nTheatre Project<\/a>. Flanagan eventually became a successful target of the<br \/>\nconservative fears and attacks I also highlighted yesterday, but I don\u2019t want<br \/>\nto give them further credence by dwelling on them at least here. Instead, I<br \/>\nwant to note just how fully she and the FTR supported the work of American<br \/>\ndrama, from the political and social realism of the great <a href=\"https:\/\/www.loc.gov\/item\/musftpplaybills.200220220\/\">Clifford Odets<\/a><br \/>\nto the Modernist experimentation of young <a href=\"https:\/\/www.orsonwelles.org\/2012\/10\/federal-theatre-project.html\">Orson Welles<\/a><br \/>\nto a central emphasis on <a href=\"https:\/\/www.blackpast.org\/african-american-history\/federal-theatre-project-negro-units\/\">African<br \/>\nAmerican playwrights<\/a> and productions (through the Negro Theatre Project).<br \/>\nContra those conservatives, I can\u2019t imagine a more essentially and inspiringly<br \/>\nAmerican figure than Hallie Flanagan. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Last WPA<br \/>\npost tomorrow,<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">Ben<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin-top: 12.0pt; tab-stops: 142.5pt;\"><span style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\">PS. What<br \/>\ndo you think?<\/span><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>[On May 6th, 1935, Franklin Roosevelt established the Works Progress Administration [WPA]. So this week I\u2019ll AmericanStudy a handful of WPA histories, leading up to a weekend post on why we need a 21st century revival!] On three iconic and inspiring figures linked to the WPA (alongside the many many artists who became associated with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12032],"tags":[13820,13299,6505,13912,13500,1232],"dealstore":[],"offerexpiration":[],"class_list":["post-230280","post","type-post","status-publish","format-standard","hentry","category-american-history","tag-administration","tag-americanstudies","tag-iconic","tag-individuals","tag-progress","tag-works"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>AmericanStudies: May 8, 2025: The Works Progress Administration: Iconic Individuals - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=230280\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AmericanStudies: May 8, 2025: The Works Progress Administration: Iconic Individuals - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"[On May 6th, 1935, Franklin Roosevelt established the Works Progress Administration [WPA]. 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