{"id":227535,"date":"2025-05-06T22:01:27","date_gmt":"2025-05-06T22:01:27","guid":{"rendered":"https:\/\/peraltafinancing.com\/entertainment\/art\/the-road-to-2022\/"},"modified":"2025-05-06T22:01:27","modified_gmt":"2025-05-06T22:01:27","slug":"the-road-to-2022","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=227535","title":{"rendered":"The Road to 2022"},"content":{"rendered":"


\n<\/p>\n

\n

<\/p>\n\n\n\n\n
\"highway<\/a><\/td>\n<\/tr>\n
The Hottest Art Trends of 2022<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/b><\/span><\/span><\/p>\n

Every year about this time, I
\nwrite a new article predicting the next year’s art trends and colour schemes and
\nthis year is no different! With my usual level of over the top research and
\nmany, many hours of running through the numbers, flicking between Google, Bing
\nand countless other search engines and consuming almost a lifetime\u2019s supply of
\nart in the process, the predictions this year are the most solid yet!<\/span><\/p>\n


<\/span><\/p>\n

With Christmas around the
\ncorner, it\u2019s time to start thinking ahead to 2022 and the art trends that any
\nself-respecting thriving artist should consider working on. We very often talk
\nabout the side-hustle on these pages and even if you have a regular style, some
\nof these trends might just give you a new sense of inspiration and to be
\ntotally honest, next years trends look like they\u2019re going to be fun to work on
\ntoo.<\/span><\/p>\n\n\n\n\n
\"highland<\/a><\/td>\n<\/tr>\n
Highland Nights by Mark Taylor – Available in my Pixels and Fine Art America Stores now!<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

Figuratively Speaking\u2026<\/span><\/b><\/p>\n

First on the list shouldn\u2019t
\nreally be a surprise, although look back a few years and figurative art gave
\nway to non-representational abstract and to an extent, for a while, it looked as
\nthough figurative works were under threat of becoming less relevant outside of
\nthe museum. The dry spell was short-lived and figurative works have become
\nincreasingly popular year on year. <\/span><\/p>\n

Even during the times when
\nnon-representational art was becoming increasingly popular, figurative works
\nnever really went away with new Hockney\u2019s coming on the market and just as
\npopular as ever. <\/span><\/p>\n

2022 will though, feel like
\nsomewhat of a resurgence for figurative work with a number of exhibitions
\nalready pencilled in (pandemic permitting), with a number already started and
\nrunning into 2022. There\u2019s a major double David Hockney exhibition at the Bozar
\nCentre for Fine Arts in Brussels, running through to the 23rd<\/sup>
\nJanuary, and displays of work by Jenny Saville at Florence\u2019s Museo Novencento,
\nand Tate Modern\u2019s large scale show of recent work by Lubaina Himid runs right
\nthe way through to July. <\/span><\/p>\n\n\n\n\n
\"rain<\/a><\/td>\n<\/tr>\n
Glassmorphism – a recurring trend?<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

Glassmorphism, and yes, that\u2019s
\nan actual thing in user interface speak, is transitioning from screen to canvas
\nand it\u2019s becoming ever popular in digital artworks where layer transparencies
\nare easier to accomplish than using traditional mediums. <\/span><\/p>\n

If you\u2019re wondering what
\nGlassmorphism is, it\u2019s essentially the effect of glass panes in a similar
\nfashion to how modern operating systems look with a slightly blurred background
\nimage behind the foreground image. Whilst not impossible to recreate with
\ntraditional mediums, it is made much simpler using tools such as Photoshop or
\nProcreate with the built-in Gaussian blur and transparency tools.<\/span><\/p>\n

It is a stylish way of
\nbringing the background of work into the foreground without it taking over
\nand the effect can be strikingly clean, although when used in user interfaces,
\nthe misuse of Glassmorphism can create confusion and the work can end up
\nbecoming what\u2019s known technically as being, a bit of a mess.<\/span><\/p>\n

Illustrations that have been
\nhand-drawn, especially when used for product marketing will become even more
\npopular during 2022. Hand drawn works can convey an immediate feeling of
\nfamiliarity and warmth, and they have become massively popular with products
\nsuch as beer cans, particularly with the small micro-breweries that have been
\npopping up to produce IPA beers. <\/span><\/p>\n

There\u2019s also a certain
\naesthetic and quality to hand drawn elements that are not always easy to
\nproduce using digital formats. Particularly popular and appearing in many
\nsearches online are works that give the appearance of being etched, or utilising
\nlines to produce the shaded areas and they also have a great fit with another
\ntrend that has begun to emerge through Google\u2019s search trends, and that is in
\nthe use of monotone and black and white images.<\/span><\/p>\n\n\n\n\n
\"80s<\/a><\/td>\n<\/tr>\n
Eighties Social Media<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

For those of you who have been
\npaying attention to the writing on these walls over the past few articles,
\nyou\u2019ll have noticed a heavy influence of creating retro and retro inspired
\nworks to evoke those nostalgic feelings that more and more of us are getting as
\nwe drift between episodes of the pandemic. <\/span><\/p>\n

Whilst nostalgia for the past
\nwill be different for everyone depending on a myriad of factors like your age,
\nwhere you grew up, and the type of childhood you had, there is no doubt that
\nthe pandemic has made us all reflect in some way and think back to simpler
\ntimes. <\/span><\/p>\n

For me, I grew up in the
\nseventies and have fond memories of my childhood though it wasn\u2019t until the
\neighties that I became much more independent and old enough to remember what I
\ndid and what I enjoyed. <\/span><\/p>\n

The eighties was a very
\nformative decade for me, not least because that\u2019s when I really began my art
\ncareer with a landscape work and the creation of graphic images using very
\nbasic home computers of the time. It was also the decade Michael Jackson hooked
\nme with his Bad album, I was able to drink alcohol legally by the end of the
\ndecade, and I had somehow managed to solve the Rubik\u2019s Cube in less than a day
\nand have never solved it since.<\/span><\/p>\n

I have never stopped creating
\n80s inspired artworks, creating hundreds, if not thousands of designs since I started
\nout that somehow still continue to find some relevance with collectors and
\nstill manage to sell today, but it seems that the art world is ready to grow up
\nand move into the nineties, or it will be in 2022.<\/span><\/p>\n

Nostalgia loving demographics
\nwho grew up in the nineties have been reaching out for a while to ask when I
\nwill be creating 90s inspired works, and an extensive search on Google Trends
\nseems to indicate that this is happening more broadly. There\u2019s a new retro
\ndemographic that we see every decade or so and this time it\u2019s the 90s that will
\nbe providing the visuals. \u00a0There are also
\nnods to the year 2000 appearing in many online art markets, influences of that
\ncrazy time when we all thought that our Nokia\u2019s would die at the stroke of
\nmidnight, a New Year\u2019s Eve spent anticipating the end of the world in between
\nbottles of alcopop, it\u2019s palm trees with a not-so-subtle hint of Miami, so let\u2019s
\nparty like it\u2019s 1999!<\/span><\/p>\n\n\n\n\n
\"hot<\/a><\/td>\n<\/tr>\n
Hot Flamingo by Mark Taylor – Available in my stores now!<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

A genre of Japanese art that flourished
\nduring the 17th<\/sup> to 19th<\/sup> centuries, Ukiyo-e is once again
\nproviding design inspiration for artists in the 21st<\/sup> century.
\nWhereas traditional Ukiyo-e works were more likely to feature prominent kabuki
\nactors and sumo wrestlers, the method was used to depict a myriad of subjects. Often
\ncreated using woodblocks, the modern twist is somewhat less traditional.<\/span><\/p>\n

The modern take is more of a
\ncombination of flat vector art and traditional woodblock, to produce flat,
\nsimple images that will often make use of negative space on a page. The subject
\nmatter is still wide and varied but the trends of the moment are more likely to
\ninspire works depicting travel and nature and simple figurative subjects.<\/span><\/p>\n

The result is a clean image
\nwith crisp lines, as simple as it is complicated to get to grips with as an
\nartist, but if the artist masters the process of creating this style, the
\neffects that can be produced can look stunning and unique. I wasn\u2019t too sure
\nwhy Google trends were pointing to this style until I began to wonder if the
\npast few years of living under the cloud of a pandemic meant that people were
\nsearching for simpler, yet bolder statement pieces. <\/span><\/p>\n\n\n\n\n
\"sunset<\/a><\/td>\n<\/tr>\n
Sunset Valley by Mark Taylor – A flat art style with added foreground and background depth! – Now available in my Pixels and Fine Art America stores!\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

The Re-emergence of Brutalism\u2026
\nsort of\u2026<\/span><\/b><\/p>\n

Maybe we\u2019re all a little bored
\nof the same old, same old by now, and by that I mean, have you noticed how
\neverything and anything these days has a tendency to look the same? Whether it’s
\ntransport or user interfaces, there\u2019s an instant familiarity to everything that
\nwe pick up, yet it hadn\u2019t used to be like this. <\/span><\/p>\n

Open up an application on your
\nsmartphone and you are likely to be greeted with the stock standard button
\ntoggles in the settings, all displayed on a completely black background in
\nsomething they call night mode. User interfaces tend to stick to specific
\ndesign standards and if there is one thing about design standards that I have
\nlearned throughout my creative career, it\u2019s that they eventually change when we get
\nbored with them. Standards are generally only the standard whilst they’re the standard!<\/span><\/p>\n

Sometimes these dark modes are
\nwrapped up in the guise of being an accessibility feature, mostly though, these
\ndark interfaces are wrapped up in a feature called, “we think people will think
\nthis looks cool”. The reality of accessibility though is that black and white
\ninterfaces might work for some accessibility needs, they don\u2019t work for all. Sorry to burst your UI bubble, but accessibility should run way deeper than a dark mode.<\/span><\/p>\n

That maybe explains why there
\nis a growing trend towards anti-design, where the artist rips up the rulebook
\nand creates new rules. Hey, what a novel idea, imagine creating something that
\ncould even become its own art movement. \u00a0<\/span><\/p>\n\n\n\n\n
\"rebirth<\/a><\/td>\n<\/tr>\n
Rebirth by Mark Taylor – planetary anti-design! Of course, it’s available now from my stores!<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

Anti-design shares more
\nsimilarities with brutalism than anything else, and yes, its alleged ugliness
\nis its beauty. Yet it also says so much, it makes a statement that we\u2019re done
\nwith conventional tastes. It challenges us, and it throws the traditional rulebook
\nright out of the window. In short, it\u2019s a trend that maybe better conveys where
\nthe world is right now, it\u2019s the new kid on the block who definitely doesn\u2019t
\nfollow the rules that someone else made up. <\/span><\/p>\n

While we\u2019re on the subject of
\nlet\u2019s break the rules, we\u2019re also done with minimalism. Sure, we all cleaned out
\nthe cupboards under the instruction of Maria Kondo, but with art, it\u2019s also
\nabout getting that hoarding habit back. It\u2019s the Tiger King to Maria, and it\u2019s
\nbold, bright, and beautiful. Intricate Maximalism isn\u2019t all about just filling the
\ncanvas, it is about making the use of the space that you have and creating
\ncolour, objects, shapes, and patterns, that once again stem from the inner
\nartist’s artist.<\/span><\/p>\n

Clashing tastes, primary
\ncolours, big, bold, always something new for the viewer to discover, statement
\npieces that have staying power and no shame. It is the perfect opportunity for an
\nartist to bring out their inner weirdness. <\/span><\/p>\n\n\n\n\n
\"data<\/a><\/td>\n<\/tr>\n
Data Corruption by Mark Taylor – big, bold, brutal, and deep, at least for those who grew up during the birth of big data.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

This time last year we were
\nall looking for paintings that reminded us of the great outdoors, a year later,
\nwe\u2019re all ready to just make a break for it and run. This style is another one
\nthat essentially rips up the rulebook, unexpected colours that just work, whimsical
\nsettings straight out of an artist’s inner artist, of course, I\u2019m talking about
\nescapism. <\/span><\/p>\n

There\u2019s almost a crossover
\nwith psychedelia inspired works and anti-deign, except this looks cleaner, if
\nnot just as strange. Why would you paint a cat sitting on the window ledge
\nlooking out at the astronaut in space while a tiger roams the jungle, all flowing
\nas one from the same canvas? Because you can and it looks great. <\/span><\/p>\n

This is a style that I have
\ntinkered with for many years, hence in some of my landscapes you might find oversized
\nflowers as a nod to the escapism genre, life is full of Easter eggs when you look
\nclosely at some of my work, but this is a style where an artist can be an artist
\nwith imagination and not feel weird that someone might not get it. <\/span><\/p>\n

Here\u2019s the thing. They don\u2019t
\nhave to get it, escapism can be you, your innermost thoughts and feelings, it\u2019s
\nsupposed to make you wonder, no, you don\u2019t have to get it at all, you just have
\nto enjoy it. I really think this is the artist’s art. Anywho, it\u2019s on the rise
\nand it\u2019s rising fast in the online trends. Hey, it\u2019s like I always say, if you
\ncan\u2019t paint a landscape or a nude and make a million, just go ahead and be
\nweird, the world needs way more weird. Oh, and that really is the best piece of
\nartistic advice in the history of ever, free of charge and only here!<\/span><\/p>\n\n\n\n\n
\"Fall<\/a><\/td>\n<\/tr>\n
Fall Wall by Mark Taylor – notice the oversize flowers!<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

Pop Art is back again\u2026<\/span><\/b><\/p>\n

I mentioned pop art last time
\naround and it\u2019s not going anywhere anytime soon. Bright, bold design, heavy
\ntext, grainy textures, and a trend more recently being influenced by the insane
\namount of comic book tie-ins that have been coming out of Hollywood of late. <\/span><\/p>\n

I think to some extent, there\u2019s
\na real shift towards bright colours, statement pieces that elevate a space and
\na mood, and if you take a look through all of the online art markets and in
\nparticular spaces like Etsy, what you will find are a multitude of works with a
\ncomic\/pop-art vibe that isn\u2019t necessarily based on official comics or
\ncharacters, but off-brand influences that trigger a nostalgic response, and there\u2019s
\nthat nostalgia thing popping up again!<\/span><\/p>\n\n\n\n\n
\"eighties<\/a><\/td>\n<\/tr>\n
Eighties Pop Music by Mark Taylor – I was creating digital pop-art way before Warhol!<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

The Third Dimension\u2026<\/span><\/b><\/p>\n

I was on the fence about including
\n3D, it\u2019s always a popular genre for digital artists but the subject matter in
\nthe images created can often have a tendency to look the same at times. I jumped
\noff the fence when I beta tested the latest version of the iPad art app, Procreate,
\nwith its shiny new 3D painting engine that takes 3D objects and allows you to
\npaint them, in 3D.<\/span><\/p>\n

One thing I have always
\nnoticed with Procreate is that they tend to add features to the app that
\nreflect the direction digital art is travelling. What convinced me, even more, was the trend data that had been emerging over the past few months including
\nsearches for more tactile mixed media works. <\/span><\/p>\n

The Staples\u2026<\/span><\/b><\/p>\n

There will always be a place
\nfor the staples of the art world, landscapes and nudes are always immensely popular,
\nas too are abstracts, and there is a clear slide towards abstract minimalism of
\nlate. The interesting one for me is around art that has a more tactile feel, so
\nassemblage art will continue to be popular, perhaps even more so as there does
\nseem to be more of a shift towards the quality and uniqueness that hand made
\narts and crafts can bring. Hopefully, the move towards supporting more and more
\nsmall businesses and independent creatives will continue too. <\/span><\/p>\n

As for the rest of the art
\nworld, you know, the high-value part of the market that the majority of
\nworking artists don\u2019t have any touchpoint with, will continue to thrive, especially
\nas shows and exhibitions that had been cancelled throughout the pandemic have
\nplans to tentatively reopen in 2022. That said, new variants of Covid could jeopardise
\nthose plans for some. I think we might be seeing a move towards owning works of
\nfamiliar names at maybe more realistic prices than we\u2019ve seen in the recent
\npast, and by realistic, that\u2019s kind of a subjective word at this level.<\/span><\/p>\n

There seems to be a growing
\ntrend of websites harvesting other people\u2019s content and displaying it on their
\nwebsites, so if you\u2019re not reading this at https:\/\/beechhousemedia.co.uk<\/a> \u00a0you will have been inadvertently directed to
\nreading a stolen copy of my work, so I can only apologise if some unscrupulous website
\nis making you either sign up, pay to read it, or serving ad after ad, but if
\nyou come to the original source I can promise you that there are no ads, no
\nneed to sign up, no charge, and you will be supporting a truly independent
\ncreative directly!<\/span><\/p>\n

Until Next Time!<\/span><\/b><\/p>\n

That\u2019s all for this week but I
\nwill be back soon with more news including news of some of the projects I have
\nbeen working on recently that have meant that my presence here has been a
\nlittle less regular of late! <\/span><\/p>\n

And I would also like to say a
\nhuge thank you to those of you who have been supporting my work here by
\npurchasing prints of my work. This site is completely funded through my own
\npocket, completely independent and I rely on a percentage of my print sales
\nthrough Fine Art America and Pixels to help with the growing costs! Even the
\npurchase of a gift card or sticker will provide funding that can go back into
\ncreating more content for this site! <\/span><\/p>\n

Until next time, stay happy,
\nstay healthy, and stay creative!<\/span><\/p>\n

Mark x<\/span><\/p>\n

About Mark\u2026<\/span><\/b><\/p>\n

I am an artist and blogger and
\nlive in Staffordshire, England. My days are filled with art, dog walking and Teams
\nMeetings, while still being stuck somewhere in the eighties. You can purchase
\nmy art through my Fine Art America store or my Pixels site here:\u00a0https:\/\/10-mark-taylor.pixels.com<\/a>\u00a0\u00a0\u00a0and
\nyou can purchase my new works, special and limited editions directly. You can
\nalso view my portfolio website at\u00a0https:\/\/beechhousemedia.com<\/a><\/span><\/p>\n

If you are on Facebook, you
\ncan give me a follow right here, \u00a0https:\/\/facebook.com\/beechhousemedia<\/a>\u00a0
\nYou can also follow me on Twitter @beechhouseart and on Pinterest at\u00a0https:\/\/pinterest.com\/beechhousemedia<\/a><\/span><\/span><\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

The Hottest Art Trends of 2022 Every year about this time, I write a new article predicting the next year’s art trends and colour schemes and this year is no different! With my usual level of over the top research and many, many hours of running through the numbers, flicking between Google, Bing and countless […]<\/p>\n","protected":false},"author":1,"featured_media":227536,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[2683],"dealstore":[],"offerexpiration":[],"class_list":["post-227535","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-road"],"yoast_head":"\nThe Road to 2022 - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=227535\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Road to 2022 - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"The Hottest Art Trends of 2022 Every year about this time, I write a new article predicting the next year’s art trends and colour schemes and this year is no different! 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