{"id":226468,"date":"2025-05-06T09:28:22","date_gmt":"2025-05-06T09:28:22","guid":{"rendered":"https:\/\/peraltafinancing.com\/acting\/the-power-of-voice-for-actors\/"},"modified":"2025-05-06T09:28:22","modified_gmt":"2025-05-06T09:28:22","slug":"the-power-of-voice-for-actors","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=226468","title":{"rendered":"The Power of Voice for Actors"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>In Peter Yates\u2019 excellent 1983 film <em>The Dresser\u2014<\/em>perhaps one of the best films about the theatre ever made<em>\u2014<\/em><a href=\"https:\/\/www.imdb.com\/name\/nm0001215\/\">Albert Finney<\/a> delivers an iconic, three word line that sums up everything you need to know about the power of voice for actors. If you\u2019ve yet to see this film, look it up on a streaming service and do yourself the biggest of favours.<\/p>\n<p><iframe loading=\"lazy\" title=\"Stop That Train - Albert Finney (The Dresser)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/-IhxCBBqUNA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>An actor\u2019s voice is one of the most important tools they can develop as part of their craft. It aids in the pursuit of a character\u2019s objective, as well as the crafting of said character\u2019s personality. Strengthening one\u2019s voice improves a sense of confidence and gravitas, and is one of the most under-utilised tools on modern film sets\u2014in an age where most sins of the weak-voiced actors are seemingly covered by a lapel mic. Every actor can stand to improve their voice, and should take every opportunity to do so.<\/strong><\/p>\n<p>Here at StageMilk, we harp on about actors\u2019 voices a lot in our articles and our <a href=\"https:\/\/www.stagemilk.com\/scene-club\/\">tailored Scene Club feedback<\/a>. We\u2019ll link you to a number of these resources at the bottom of this page. For now, let us focus on\u00a0<em>why<\/em> the development of an actor\u2019s voice is so important. Because learning this might give you the push you need to lift your craft and career from a place of \u2018good\u2019 to a plateau of great.<\/p>\n<h2><strong>Making Your Case<\/strong><\/h2>\n<p>If we could only make one argument in favour of vocal strength, it would be this: actors with better voices are more persuasive. They make better, more impassioned cases as to their characters\u2019 wants, increasing the effectiveness in how they pursue their\u00a0 <a href=\"https:\/\/www.stagemilk.com\/how-to-find-your-characters-objective\/\">objective<\/a>.<\/p>\n<p>Funnily enough, the reason behind this isn\u2019t actorly as much as it is extremely human. When we care about something, we signal this by communicating louder and clearer. We raise the volume of our voice.\u00a0We clarify our speech by elongating vowels and over-enunciating consonants\u2014so much so at times that we come across as condescending.<\/p>\n<p>Passion uplifts our words in conversation, sometimes over the words and thoughts of others. And so it\u2019s absurd to think that characters in a scene wouldn\u2019t do the same. If the <a href=\"https:\/\/www.stagemilk.com\/how-to-raise-the-stakes-in-your-acting\/\">stakes<\/a> are high, our voices reflect this: we don\u2019t drop to a dramatic whisper because it might sound cool.<\/p>\n<p>So let your voice carry your characters thoughts, feelings and desires. To deny them this for any reason is to do them a disservice in their path through a narrative. And if you won\u2019t give them a sense of strength, who the hell else will?<\/p>\n<h2><strong>Finding The Character<\/strong><\/h2>\n<p>Speaking of character: voice can give you plenty to play with in your interpretation. You could consider an <a href=\"https:\/\/www.stagemilk.com\/how-to-master-any-accent\/\">accent<\/a>, some kind of tonal shift that raises or lowers your pitch, or the <a href=\"https:\/\/www.stagemilk.com\/rhythm-and-pace-in-acting\/\">rhythm and pacing<\/a> of your character\u2019s words.<\/p>\n<p>Even if you decide to utilise your natural speaking voice, there are still considerations to be made in how your character speaks. Do they speak with confidence? Can they adequately command a room, or an army of soldiers on the battlefield? Does speaking, public or otherwise, come easy to them? And do they speak in different ways to friends, enemies, lovers?<\/p>\n<p>Consider, as well, how a character uses their voice in different contexts, particularly in times of distress. Does a slow, measured pace give way to something higher-pitched and quick in moments of danger? Does their <a href=\"https:\/\/www.stagemilk.com\/how-to-act-angry\/\">anger<\/a> show by the way their voice flares up when challenged?<\/p>\n<p>Sometimes, the most interesting choices come out of unexpected character\/voice\/situational pairings: a frightening character might go very quiet in the exact moment an audience expect a yelling match.<\/p>\n<p>We\u2019re not suggesting that you go full cartoon voice actor in your next role. But like body language, posture or costume, voice is something to consider when crafting your character. There\u2019s nothing wrong with neutrality, provided that you have an answer as to\u00a0<em>why.<\/em><\/p>\n<h2><strong>Developing Confidence<\/strong><\/h2>\n<p>Now that we\u2019ve covered performance and character, let\u2019s step away from acting for a moment. Let\u2019s focus on the performer behind the character\u2014meaning you.<\/p>\n<p>Work on your voice to gain confidence in your career. Confidence can make all the difference when you\u2019re navigating the industry\u2014in rehearsal rooms, on film sets and in auditions. It can help you sound excited and engaged about a project, and navigate the sometimes tricky, always important <a href=\"https:\/\/www.stagemilk.com\/best-actor-director-partnerships\/\">relationship between director and actor<\/a>.<\/p>\n<p>If this point sounds so relevant to you that it\u2019s almost a little pointed, don\u2019t stress. A large number of actors struggle with confidence and selling themselves in the industry. And those who don\u2019t seem to struggle likely do: they just hide it behind the public persona they\u2019ve been careful to craft.<\/p>\n<p>It can help to think of your efforts to connect and be confident in industry settings like building a character. You, the person, might not feel like speaking your mind in <a href=\"https:\/\/www.stagemilk.com\/what-to-expect-on-opening-night\/\">the opening night foyer<\/a>. But you, the actor, has opinions and wants to <a href=\"https:\/\/www.stagemilk.com\/how-to-network-as-an-actor\/\">network<\/a>. So create that actor from scratch and play them with conviction!<\/p>\n<p>One more piece of advice on this note: if you lead with a clear and confident voice, you\u2019ll not only see people respond to this fairly quickly, you\u2019ll start to respond to it yourself. Yes\u2014you can trick yourself into being confident by acting so. It\u2019s like some strange, beautiful variation of the \u2018outside-in\u2019 acting technique. Find the physiological response, and your mind will follow.<\/p>\n<h2><strong>Don\u2019t Forget Screen<\/strong><\/h2>\n<p>At this point, you might be wondering why voice is such a dying art. If it\u2019s so important, why isn\u2019t it taught and drilled by drama schools any more?<\/p>\n<p>A lot of this has to do with the rise of screen-based media, and the evolution of what we loosely call \u2018screen acting\u2019 and screen acting schools. Don\u2019t get us wrong: screen acting is most definitely a thing, and it trains some highly important skills such as <a href=\"https:\/\/www.stagemilk.com\/how-to-use-the-film-frame-for-actors-2\/\">knowing your framing<\/a> and how to trust and understand the team-work aspect of the craft.<\/p>\n<p>But the problem is, too many screen acting schools and classes focus solely on the technical side of things, such as looking good in a close-up. Acting fundamentals, voice chief among them, are lost.\u00a0<em>\u201c<\/em><\/p>\n<p><em>Why should I project when the microphone is strapped to my chest?\u201d\u00a0<\/em>You often hear young actors ask.\u00a0<em>\u201cI don\u2019t talk loudly in a real conversation, won\u2019t it feel over-the-top, or fake?\u201d<\/em><\/p>\n<p>To these questions, we\u2019d direct the asker back to our point about making your case. Sure, you might not speak up and out and dominate a room in everyday conversation. But\u00a0<span style=\"text-decoration: underline\">very<\/span> few scenes in drama, filmed or otherwise, are \u201creal conversations\u201d. They\u2019re high sakes, they\u2019re life-or-death, ride-or-die moments for the characters.<\/p>\n<p>This doesn\u2019t mean the characters are yelling, but they\u2019re not whispering either. That\u2019s just as fake as projecting like Brian Cox stepping on Lego.<\/p>\n<h2><strong>How do I Improve my Voice?<\/strong><\/h2>\n<p>With practice. Like exercise, or warming up your body prior to a day\u2019s rehearsal, you need to put some time aside each day to work on your voice. As promised at the top of this article, we\u2019ve collected some helpful resources from our own archives for you to look over:<\/p>\n<p>If you manage to get through all of that \u2026 don\u2019t stop. Keep reading, researching, learning. And remember that the best vocal technique is going to come from developing your own process\u2014your own set of tools and exercises. Try it all, keep what works and leave the rest.<\/p>\n<h2><strong>Conclusion<\/strong><\/h2>\n<p>So there you have it: our breakdown of the power of voice for actors! We hope this has given you enough motivation to get you working on your voice, and understanding why it\u2019s such an underrated area of the actor\u2019s toolkit.<\/p>\n<p>As you work on your voice, you\u2019re likely to find yourself discouraged at time. It takes a lot of work, and constant work at that! But every time you focus on your craft like this, remember that you are in the\u00a0<em>vast\u00a0<\/em>minority of actors who will actually bother to do so. Most will wait for the next job, do a little scene work here or there and the complain about the lack of opportunities.<\/p>\n<p>So set yourself apart, with voice and work ethic alike. Pretty soon, you\u2019ll start to see people take notice. And before long, with your voice booming into their ears\/heads\/hearts, they won\u2019t even have a choice.<\/p>\n<p>Good luck!<\/p>\n<\/p><\/div>\n<p><script type=\"9ebc62dd668532eebcceda90-text\/javascript\">\n  !function(f,b,e,v,n,t,s)\n  {if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n  n.callMethod.apply(n,arguments):n.queue.push(arguments)};\n  if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n  n.queue=[];t=b.createElement(e);t.async=!0;\n  t.src=v;s=b.getElementsByTagName(e)[0];\n  s.parentNode.insertBefore(t,s)}(window, document,'script',\n  'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n  fbq('init', '1218447108811544');\n  fbq('track', 'PageView');\n<\/script><script type=\"9ebc62dd668532eebcceda90-text\/javascript\">(function(d, s, id) {\n  var js, fjs = d.getElementsByTagName(s)[0];\n  if (d.getElementById(id)) return;\n  js = d.createElement(s); js.id = id;\n  js.src=\"https:\/\/connect.facebook.net\/en_GB\/sdk.js#xfbml=1&version=v2.11&appId=134675019996303\";\n  fjs.parentNode.insertBefore(js, fjs);\n}(document, 'script', 'facebook-jssdk'));<\/script><br \/>\n<br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Peter Yates\u2019 excellent 1983 film The Dresser\u2014perhaps one of the best films about the theatre ever made\u2014Albert Finney delivers an iconic, three word line that sums up everything you need to know about the power of voice for actors. If you\u2019ve yet to see this film, look it up on a streaming service and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":226469,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12021],"tags":[13126,1783,5002],"dealstore":[],"offerexpiration":[],"class_list":["post-226468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acting","tag-actors","tag-power","tag-voice"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Power of Voice for Actors - Som2ny Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fivemor.com\/?p=226468\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Power of Voice for Actors - Som2ny Network\" \/>\n<meta property=\"og:description\" content=\"In Peter Yates\u2019 excellent 1983 film The Dresser\u2014perhaps one of the best films about the theatre ever made\u2014Albert Finney delivers an iconic, three word line that sums up everything you need to know about the power of voice for actors. 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