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Q: Your greatest inspirations or influences?<\/em><\/strong> Q: How is the current world around you part of your artistic process?<\/em><\/strong> Q: Tell us about your creative process.<\/em><\/strong> Q: How do you combine your music with your art practice?<\/em><\/strong> Q: How do you feel about AI, as it relates to the art world?<\/em><\/strong> Q: Do you feel artists have a responsibility to be activists for a better world?<\/em><\/strong> Q: Anything else you would like to share with us?<\/em><\/strong>
I\u2019m driven by contrast \u2014 the emotional gaps between silence and chaos, softness and violence. I find stories in those in-between spaces. My background in art and journalism taught me how to look deeply, and being self-taught in music lets me express without rules. I\u2019m always seeking beauty where people overlook it \u2014 in imperfection, confusion, vulnerability.<\/p>\n
The world is constantly shaping me. I absorb things \u2014 people, places, politics, overheard words on a train \u2014 and they live inside my process. I don\u2019t separate my life from my art. They melt into each other, and my work becomes a reflection of the time I live in, the energy I\u2019m surrounded by.
But if you refer specially to the current world… which is very uncertain and chaotic \u2014 secretly, I can be pretty political and opinionated. Still, through my music and art, I try to create a safe space. A space of care, especially for my community. Sometimes the world feels too big, and we feel helpless… but when I come back to my computer, listen to music, and make music, I can at least escape from the noise for a while.<\/p>\n
It starts from chaos \u2014 messy recordings from the street, concerts, random noises that catch my emotion. I gather fragments: sound, visuals, feelings. But when I sit down at my laptop, I shift into focus \u2014 I try to transmit that raw energy into form. It doesn\u2019t always follow my intention. Sometimes the music tells\u00a0me<\/em>\u00a0where it wants to go.<\/p>\n
They\u2019re two limbs of the same body. My visual and sonic work feed into each other \u2014 both ritualistic, both searching for emotional transformation. I see my sets and installations as emotional spaces, like ceremonies. Sound and image, for me, are just different textures of the same feeling.
When I create music, I often visualize the cover, the music video, or an entire cinematic world around it. And when I work on visual art \u2014 especially immersive or digital pieces \u2014 I use my own sound design to pull people into the space fully. It\u2019s all about immersion and emotional depth, guiding the viewer into an inner world where sound and image breathe together.<\/p>\n
I use AI more like a collaborator \u2014 not to make music\u00a0for<\/em>\u00a0me, but to help sort out my ideas, analyze chord progressions, or expand a concept I already have. It\u2019s like having a really sharp assistant who helps me reflect or clarify things. I believe we can live and create together with AI only if we collaborate wisely, not overuse it or let it replace our human chaos and magic.<\/p>\n
Absolutely. Especially now \u2014 the world feels more uncertain, and people are scared, disconnected. Art can raise awareness, challenge injustice, and also comfort. Artists can hold both rage and hope in the same hand. We have a voice. We should use it.<\/p>\n
We just have to keep living, and keep creating. Maybe art won\u2019t always feed us bread, but it will stop us from falling into despair. Art helps us survive ourselves \u2014 and that\u2019s powerful enough.<\/p>\n