{"id":206072,"date":"2025-04-26T03:52:45","date_gmt":"2025-04-26T03:52:45","guid":{"rendered":"https:\/\/peraltafinancing.com\/activist\/the-adl-wasnt-founded-to-fight-antisemitism-but-to-do-pr\/"},"modified":"2025-04-26T03:52:45","modified_gmt":"2025-04-26T03:52:45","slug":"the-adl-wasnt-founded-to-fight-antisemitism-but-to-do-pr","status":"publish","type":"post","link":"https:\/\/fivemor.com\/?p=206072","title":{"rendered":"The ADL Wasn’t Founded to Fight Antisemitism. But To Do PR."},"content":{"rendered":" \r\n
\n\n \n\n\n

What the ADL\u2019s origins can tell us about what\u2019s holding it back now<\/em><\/strong><\/p>\n\n\n\n

Over a hundred years ago a lawyer stopped by a Chicago vaudeville theater to see a show. The ethnic comedy on display offended him so much that he helped create the ADL.<\/p>\n\n\n\n

Both the ADL and antisemites like Candace Owens like to link the organization to the Leo Frank case in which a Jewish man in the South who was lynched after being falsely accused of the murder of a young girl, to make the ADL seem more important.<\/p>

<\/a><\/div><\/div>\n\n\n\n

But the ADL actually had its origins in the B\u2019nai Brith\u2019s \u2018National Caricature Committee\u2019 and preceding organizations such as the \u2018Chicago Anti Stage-Jew Ridicule Committee\u2019 whose mission was to fight \u2018ethnic comedy\u2019 featuring Jews.<\/p>\n\n\n\n

Often being performed by Jews.<\/p>\n\n\n\n

The ADL was not founded as a civil rights organization, let alone an anti-lynching group, but, as an anti-defamation group. Hence the name the \u2018Anti-Defamation League\u2019. Its founding charter began by complaining that \u201ca tendency has manifested itself in American life toward the caricaturing and defaming of Jews on the stage\u201d and declared that the \u201cimmediate object of the League is to stop\u2026the defamation.\u201d<\/p>\n\n\n\n

In the 1900s and 1910s, vaudeville was booming, and successful \u2018comedians\u2019 could record their own phonograph records, cartoons were also taking off and silent movies added another form of entertainment. And about the easiest way to get laughs was with ethnic comedy: Germans, the Irish, blacks, Swedes, Italians and Jews were among the many stereotypes to appear on stage.<\/p>\n\n\n\n

While we tend to take free speech, including offensive speech, for granted, this was an era where multiple censorship boards, local ones like those in major cities, and \u2018voluntary\u2019 national ones, along with local and federal law enforcement, not to mention church groups, could decide whether movies would be released and whether theaters would be allowed to put on a show.<\/p>\n\n\n\n

Catholics, the Irish, Germans and Jews deployed pressure groups to get the theaters to stop demeaning them. The NAACP had been at it well before the B\u2019nai Brith launched the \u2018National Caricature Committee\u2019 at the initiative of Sigmund Livingston, a member of the German Jewish lodge, who saw an offensive show in Chicago, and Adolf Kraus, a B\u2019nai Brith leader trying to take the local Chicago efforts of the \u2018Chicago Anti Stage-Jew Ridicule Committee\u2019 nationwide.<\/p>\n\n\n\n

The \u2018Chicago Anti Stage-Jew Ridicule Committee\u2019 was not even the most awkwardly worded ethnic comedy pressure group name, that honor likely went to the elongated \u2018Society for the Prevention of Ridiculous and Pervasive Misrepresentation of the Irish Character\u2019. The \u2018National Caricature Committee\u2019 streamlined the name and the \u2018Anti-Defamation League\u2019 streamlined it further. Today the ADL and the NAACP prefer their initials over their awkward full names.<\/p>\n\n\n\n

But the much more awkward thing about the ADL was how much of its focus was spent on \u2018shande\u2019 politics, policing the wrong kind of Jewish people who were seen as causing antisemitism. Much of the material that the ADL and allied groups objected to was coming from Jewish comedians, theater owners and movie studios. While most of the targets are entirely (and probably deservedly) forgotten, they included future mainstream stars like Fanny Brice who was accused of contributing to \u201cthe recrudescence and continuance of the spirit of Anti-Semitism in America\u201d.<\/p>\n\n\n\n

This reflected the conviction of many of the German Jews who made up the ADL that the real problem came from the Russian and Eastern European Jewish immigrants like Brice. Sigmund Livingston argued that \u201cthe Eastern European immigrants caused an anti-Semitic upsurge\u201d.<\/p>\n\n\n\n

The ADL claimed to be fighting against antisemitism, but many of its targets were Russian and Eastern European Jewish performers who were practicing a more traditional brand of humor. The next generation of immigrant vaudeville performers cut their teeth on what would become the Borscht Belt and form internationally famous groups like the Three Stooges and the Marx Brothers, the Bud half of Abbott and Costello, and the George Burns half of George and Gracie.<\/p>\n\n\n\n

The lazy ethnic stereotype comedy that the ADL objected to mostly disappeared on its own. The vaudeville performers that went on doing \u2018Stage Jews\u2019, \u2018Stage Irish\u2019 and blackface (the \u2018Stage Germans\u2019 vanished around WWI and were rebranded as \u2018Stage Swedes\u2019 like El Brendel or like Groucho, entirely dropped his German\/Jewish accent) were left behind with the times. The Marx Brothers dropped most of their stage ethnic comedy (with the exception of Chico) and became a universally absurdist surrealist group rather than a collection of ethnic stereotypes.<\/p>\n\n\n\n

The Borscht Belt exemplified the difference between the German Jewish approach of the B\u2019nai Brith and the ADL, which campaigned to be allowed into hotels and country clubs that did not accept Jews, and the approach of the new immigrants which was to build their own hotels and resorts that suited them and in the process unknowingly transform American culture.<\/p>\n\n\n\n

The ADL was built around the respectability culture of a German Jewish elite. Meanwhile a more scrappy class of immigrants, with little regard for respectability, were building Hollywood, theater, comedy and popular music on their own terms. They accomplished what the ADL\u2019s politely worded letters and occasional public protests over movies, books or plays could not.<\/p>\n\n\n\n

What the ADL was actually doing, objecting to negative depictions of Jews, was less significant than what it wasn\u2019t doing. While the ADL would later bill itself as a civil rights group, it proved feckless and useless at dealing with anything more serious than asking for script changes.<\/p>\n\n\n\n

Sigmund Livingston, the ADL\u2019s founder, had been a Republican, but Kraus was a player in Democratic Party politics, and by the time FDR was in office, the B\u2019nai Brith leadership tended to be fashionably (but not excessively) liberal. The New Deal\u2019s targeting of Jews in the Shechter Chicken Case, a key Supreme Court case that blocked parts of FDR\u2019s NRA controls, saw little interest from the allegedly Jewish civil rights group. The Shechter\u2019s kosher chicken stores had been handpicked as test subjects because they fit the antisemitic stereotypes the ADL opposed.<\/p>\n\n\n\n

But, as usual, it was different when the stereotypes were coming from progressives.<\/p>\n\n\n\n

The Shechter brothers were arrested for \u201ccompeting too hard\u201d and keeping prices \u201ctoo low.\u201d Jack Magid, a Jewish tailor, was arrested for charging a customer 35 cents, instead of the NRA code of 40 cents. Making Jews the public face of a campaign to ban underselling played into obvious steretypes that Jewish liberals of the day, much as of today, had to ignore.<\/p>\n\n\n\n

During the Holocaust, \u201crescue was not a high-priority item for major American Jewish organizations, or their leaders, during the war \u2026the Anti-Defamation League of B\u2019nai B\u2019rith in these years concerned itself exclusively with domestic matters.\u201d After Pearl Harbor, the ADL\u2019s director appeared to be more worried about the domestic effect of the coming war, concerned that \u201cthere will be hundreds of thousands of bereaved families, a substantial part of whom have been conditioned to the belief that this is a Jewish war.\u201d<\/p>\n\n\n\n

This was respectability politics at its finest.<\/p>\n\n\n\n

By the 1960s that meant much of the ADL\u2019s efforts had been harnessed to liberal projects like civil rights. The rebirth of Israel temporarily banished liberal opponents of Zionism to the margins of the Jewish community where they would remain until more recent times, but the ADL\u2019s support for Israel was fitful and erratic. Much as it had wished that the Russian Jewish immigrants would behave better and embarrass them less, it wished that Israel would do fewer controversial things and cause less awkwardness.<\/p>\n\n\n\n

The ADL\u2019s respectability politics tethered it to coalitions, first interfaith ones during the first half of the twentieth century, and then liberal ones in the second half of the century that made it nervous about any Jewish cause, whether it was the Holocaust or Israel.<\/p>\n\n\n\n

By the 21st century, the old liberal coalitions had been overrun with leftists, many of which see the ADL as the enemy despite its agreement with them on everything except Israel. The ADL\u2019s various efforts to appease them became doomed by the antisemitic drift of the \u2018coalition\u2019 much as its earlier involvement in interfaith coalitions had failed to make meaningful headway during or after WWII.<\/p>\n\n\n\n

Over a hundred years later, the ADL is still incapable of addressing antisemitism because it\u2019s too afraid to be something other than a member of a coalition of antisemites. Its origins are revealing because the ADL has always been about external appearances. The B\u2019nai Brith was created out of a need to belong and to feel accepted. The ADL has never been able to go beyond that need for acceptance and is incapable of addressing the issues that really matter.<\/p>\n\n\n\n

Daniel Greenfield is a Shillman Journalism Fellow at the David Horowitz Freedom Center. This article previously appeared at the Center\u2019s Front Page Magazine.<\/em><\/p>\n\n \n <\/div>\r\n
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What the ADL\u2019s origins can tell us about what\u2019s holding it back now Over a hundred years ago a lawyer stopped by a Chicago vaudeville theater to see a show. The ethnic comedy on display offended him so much that he helped create the ADL. Both the ADL and antisemites like Candace Owens like to […]<\/p>\n","protected":false},"author":1,"featured_media":206073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12022],"tags":[78771,39920,1180,16940,16962],"dealstore":[],"offerexpiration":[],"class_list":["post-206072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-activist","tag-adl","tag-antisemitism","tag-fight","tag-founded","tag-wasnt"],"yoast_head":"\nThe ADL Wasn't Founded to Fight Antisemitism. 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